Semester in Spain
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Film Analysis Easy Rider - Focus on American Dream, Hippie Life Style and Soundtrack
Film Analysis Easy Rider - Focus on American Dream, Hippie Life Style and Soundtrack - Universität Augsburg Philologisch-Historische Fakultät Lehrstuhl für Amerikanistik PS: The 60s in Retrospect – A Magical History Tour Dozent: Udo Legner Sommersemester 2013 Referenten: Lisa Öxler, Marietta Braun, Tobias Berber Datum: 10.06.2013 Easy Rider – General Information ● Is a 1969 American road movie ● Written by Peter Fonda, Dennis Hopper, and Terry Southern ● Produced by Fonda and directed by Hopper ● Tells the story of two bikers (played by Fonda and Hopper) who travel through the American Southwest and South Easy Rider – General Information ● Success of Easy Rider helped spark the New Hollywood phase of filmmaking during the early 1970s ● Film was added to the Library of Congress National Registry in 1998 ● A landmark counterculture film, and a ”touchstone for a generation“ that ”captured the national imagination“ Easy Rider – General Information ● Easy Rider explores the societal landscape, issues, and tensions in the United States during the 1960s, such as the rise and fall of the hippie movement, drug use, and communal lifestyle ● Easy Rider is famous for its use of real drugs in its portrayal of marijuana and other substances Easy Rider - Plot ● Protagonists are two hippies in the USA of the 1970s: – Wyatt (Fonda), nicknamed "Captain America" dressed in American flag- adorned leather – Billy (Hopper) dressed in Native American-style buckskin pants and shirts and a bushman hat Easy Rider - Plot ● Character's names refer to Wyatt Earp and Billy the Kid ● The former is appreciative of help and of others, while the latter is often hostile and leery of outsiders. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Cycle2 Playlist
Cycle_2 213 songs, 13.5 hours, 1.14 GB Name Time Album Artist Against The Wind 5:31 Harley-Davidson Cycles: Road Songs (Di... Bob Seger & The Silver Bullet Band All Or Nothin' At All 3:24 One Step Up/Two Steps Back: The Song... Marshall Crenshaw Another One Bites The Dust 3:37 Greatest Hits Queen Aragon Mill 4:02 A Water Over Stone Bok, Muir and Trickett Baby Driver 3:18 Bridge Over Troubled Water Simon & Garfunkel Bad Whiskey 3:29 Radio Chuck Brodsky The Ballad Of Eddie Klepp 3:39 Letters In The Dirt Chuck Brodsky The Band - The Weight 4:35 Original Soundtrack (Expanded Easy Rider Band From Tv - You Can't Alway 4:25 Original TV Soundtrack House, M.D. Barbie Doll 2:47 Peace, Love & Anarchy Todd Snider Beer Can Hill 3:18 1996 Merle Haggard Best For The Best 3:58 The Animal Years Josh Ritter Bill & Annie 3:40 Letters In The Dirt Chuck Brodsky Bits And Pieces 1:58 Greatest Hits Dave Clark Five Blow 'Em Away 3:44 Radio Chuck Brodsky Bonehead Merkle 4:35 Last Of The Old Time Chuck Brodsky The Boogie Man 3:52 Spend My Time Clint Black Boys In The Back Room 3:48 Last Of The Old Time Chuck Brodsky Broken Bed 4:57 Best Of The Sugar Hill Years James McMurtry Brown Sugar 3:50 Sticky Fingers The Rolling Stones Buffy's Quality Cafe 3:17 Going to the West Bill Staines Cheap Motels 2:04 Doublewide and Live Southern Culture On The Skids Choctaw Bingo 8:35 Best Of The Sugar Hill Years James McMurtry Circle 3:00 Radio Chuck Brodsky Claire & Johnny 6:16 Color Came One Day Chuck Brodsky Cocaine 2:50 Fahrenheit 9/11: Original Soundtrack J.J. -
Kol Nidre: Variations on a Theme a GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT
Kol Nidre: Variations on a Theme A GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT Teachers’ Guide This guide accompanies resources that can be found at: http://teachgreatjewishbooks.org/resource-kits/kol-nidre-variations- theme. Introduction Kol Nidre is a legal formula recited in the evening service that begins the holiday of Yom Kippur, the Jewish day of atonement. This ritual recitation may have been developed in the early medieval period as a response to Jews being forced to convert, either to Christianity or Islam. The text absolves those who recite it from vows in God’s name made under duress, so that the breaking of such vows is not counted as a sin. Its dramatic recitation and musical setting lend it an emotional intensity that has allowed the prayer to develop resonances beyond the stated meaning of the text. The High Holidays—the celebration of the new year on the Jewish calendar, which includes Rosh Hashanah and Yom Kippur—have in general come to signify a return to tradition and to religious duties that may have been neglected over the past year, and Kol Nidre serves as a climactic moment of this return. This kit gathers together examples of the use of Kol Nidre in modern Jewish literature, music, and film, asking students to consider how the prayer has come to stand for adherence to and return to Jewish tradition, and what precisely that return entails. Cover image: Cover of sheet music for an arrangement of Kol Nidre by Solomon Schenker, 1913. Courtesy of the Center for Jewish History, https://www.flickr.com/photos/center_for_jewish_history/4991049347. -
Messe E-Moll WAB 27 Zweite Fassung/Second Version 1882
Anton BRUCKNER Messe e-Moll WAB 27 Zweite Fassung/Second version 1882 Coro (SSAATTBB) 2 Oboi, 2 Clarinetti, 2 Fagotti, 4 Corni, 2 Trombe, 3 Tromboni herausgegeben von/edited by Dagmar Glüxam Urtext Partitur/Full score C Carus 27.093 Inhalt / Contents Vorwort 4 Foreword 8 Abbildungen 12 Kyrie (Coro SSAATTBB) 14 Gloria (Coro) 20 Credo (Coro) 32 Sanctus (Coro) 49 Benedictus (Coro SSATTBB) 55 Agnus Dei (Coro SSAATTBB) 63 Kritischer Bericht 73 Zu diesem Werk liegt folgendes Aufführungsmaterial vor: Partitur (Carus 27.093), Klavierauszug (Carus 27.093/03), Klavierauszug XL Großdruck (Carus 27.093/04), Chorpartitur (Carus 27.093/05), komplettes Orchestermaterial (Carus 27.093/19). The following performance material is available: full score (Carus 27.093), vocal score (Carus 27.093/03), vocal score XL in larger print (Carus 27.093/04), choral score (Carus 27.093/05), complete orchestral material (Carus 27.093/19). Carus 27.093 3 Vorwort Als Anton Bruckner (1824–1896) zwischen August und November C-Dur (WAB 31) für vierstimmigen gemischten Chor a cappella 1866 seine Messe in e-Moll (WAB 27) komponierte, konnte er (1. Fassung 1835–1843, 2. Fassung 1891) oder der Windhaager bereits eine langjährige Erfahrung als Kirchenmusiker aufweisen und Messe in C-Dur für Alt, zwei Hörner und Orgel (WAB 25; 1842) auch auf ein überaus umfangreiches kirchenmusikalisches Œuvre können hier etwa die Messe ohne Gloria in d-Moll („Kronstorfer zurückblicken.1 Schon als Kind wurde er durch seinen musikbe- Messe“; WAB 146, 1844) für vierstimmigen gemischten Chor a geisterten Vater und Schullehrer Anton Bruckner (1791–1837) zur cappella oder das Requiem für vierstimmigen Männerchor und Mitwirkung – u. -
Various Pebbles Vol. 5 Mp3, Flac, Wma
Various Pebbles Vol. 5 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Pebbles Vol. 5 Country: US Released: 1979 Style: Garage Rock MP3 version RAR size: 1782 mb FLAC version RAR size: 1408 mb WMA version RAR size: 1967 mb Rating: 4.7 Votes: 746 Other Formats: DXD AA TTA XM AAC AIFF VOX Tracklist A1 –The Tree No Good Woman 2:36 A2 –The Plague Go Away 1:51 A3 –The Magi* You Don't Know Me 2:28 A4 –The Gentlemen It's A Cry'n Shame 2:30 A5 –The 5 Canadians* Writing On The Wall 2:18 A6 –The Dirty Wurds* Why 2:19 A7 –The Merry Dragons Universal Vagrant 2:54 A8 –The Fe-Fi-Four Plus 2 I Wanna Come Back (From The World Of LSD) 2:16 B1 –The Escapades I Tell No Lies 1:59 B2 –Danny & The Counts You Need Love 2:32 B3 –The Satyrs Yesterday's Hero 2:41 B4 –Little Phil & The Night Shadows The Way It Used To Be 2:01 B5 –State Of Mind Move 2:09 B6 –Yesterday's Children Wanna Be With You 2:27 B7 –The Time Stoppers I Need Love 2:30 B8 –Thursday's Children You'll Never Be My Girl 2:03 B9 –The 12 A.M. The Way I Feel 2:18 Notes "17 Original '60s Punk Rock Classics" Track B2 wrongly credited to Danny & The Escorts on the back cover. Barcode and Other Identifiers Matrix / Runout (Side 1 (etched)): BDF-5022-S-7504 Matrix / Runout (Side 2 (etched)): BFD-5022-S-7505 Other versions Category Artist Title (Format) Label Category Country Year Pebbles Volume 5 AIP CD 5022 Various AIP Records AIP CD 5022 US 1992 (CD, Comp) Pebbles Vol. -
T H E E L E C T R I C P R U N
THE ELECTRIC PRUNES The James Lowe interview The rock and roll section of Los Angeles' Walk of Fame on the cold annotated concrete of Hollywood Boulevard would be incomplete without a prominent star representing the Electric Prunes. Although they may not have had as many hits as Love, the Seeds, the Doors or the Leaves other homegrown Smogtown combos from the same era the mindshattering strains of the Prunes' "I Had Too Much To Dream Last Night" is enough to forever assure their place in pop music history. The band had five albums released on Reprise, but only the first two their selftitled debut and Underground are truly representative of the Electric Prunes. The third, Mass In F Minor, was an idea that didn't quite get off the ground, and Lowe hit the bricks soon after its release. By the time album five, Just Good Old Rock And Roll, poked its shaggy head out of the nursery, the band was composed of four guys named Moe with no original members left. Lead singer James Lowe was never content to take the motorway when he could spend all day poking along on roads that aren't even listed on the map. "I wanted to make freeform garage music," he told me recently, explaining why the Mass album convinced him his tenure as a Prune was up. Though still incredulous that anybody could possibly care about music he created thirty years ago, Lowe agreed to shed some light on a band that's been skulking in the dusty corners of the attics of your mind for far too long. -
Patti DP.Indd
patti smith dream of life a film by steven sebring THIRTEEN/WNET NEW YORK AND CLEAN SOCKS PRESENT PATTI SMITH AND THE BAND: LENNY KAYE OLIVER RAY TONY SHANAHAN JAY DEE DAUGHERTY AND JACKSON SMITH JESSE SMITH DIRECTORS OF TOM VERLAINE SAM SHEPARD PHILIP GLASS BENJAMIN SMOKE FLEA DIRECTOR STEVEN SEBRING PRODUCERS STEVEN SEBRING MARGARET SMILOW SCOTT VOGEL PHOTOGRAPHY PHILLIP HUNT EXECUTIVE CREATIVE STEVEN SEBRING EDITORS ANGELO CORRAO, A.C.E, LIN POLITO PRODUCERS STEVEN SEBRING MARGARET SMILOW CONSULTANT SHOSHANA SEBRING LINE PRODUCER SONOKO AOYAGI LEOPOLD SUPERVISING INTERNATIONAL PRODUCERS JUNKO TSUNASHIMA KRISTIN LOVEJOY DISTRIBUTION BY CELLULOID DREAMS Thirteen / WNET New York and Clean Socks present Independent Film Competition: Documentary patti smith dream of life a film by steven sebring USA - 2008 - Color/B&W - 109 min - 1:66 - Dolby SRD - English www.dreamoflifethemovie.com WORLD SALES INTERNATIONAL PRESS CELLULOID DREAMS INTERNATIONAL HOUSE OF PUBLICITY 2 rue Turgot Sundance office located at the Festival Headquarters 75009 Paris, France Marriott Sidewinder Dr. T : + 33 (0) 1 4970 0370 F : + 33 (0) 1 4970 0371 Jeff Hill – cell: 917-575-8808 [email protected] E: [email protected] www.celluloid-dreams.com Michelle Moretta – cell: 917-749-5578 E: [email protected] synopsis Dream of Life is a plunge into the philosophy and artistry of cult rocker Patti Smith. This portrait of the legendary singer, artist and poet explores themes of spirituality, history and self expression. Known as the godmother of punk, she emerged in the 1970’s, galvanizing the music scene with her unique style of poetic rage, music and trademark swagger. -
Blitz - the Rock and Roll Magazine
blitz - the rock and roll magazine for thinking people wednesday about me ELECTRIC PRUNES INTERVIEW BlitzMagazine United States Blitz Magazine was founded in 1975. Editor/Publisher Michael McDowell moved operations to Los Angeles, California in 1980. Please check the How To Reach Us link for current contact information. View my complete profile previous posts BITS AND PIECES - NEWS ABOUT YOUR FAVORITE ARTISTS... THE SHAPE OF THINGS TO COME (REISSUES AND ANTHOLOG... THE SHAPE OF THINGS TO COME (NEW RELEASES) By Mich... NEVER HAD IT BETTER: In the past year and a half, Electric Prunes co-founder HOW TO REACH US and front man, James Lowe (pictured above, earlier this year) has weathered the passing of bandmate and bassist Mark Tulin, as well as his own quadruple bypass surgery, and is now preparing for the next phase of the legendary first generation garage band's career with the release of a new Electric Prunes live CD, recorded in Stockholm. Lowe discusses this and more with Blitz Editor/Publisher Michael McDowell below (Click on above image to enlarge). REWIRED: THE ELECTRIC PRUNES’ JAMES LOWE DISCUSSES HIS JOURNEY FROM TRAGEDY TO TRIUMPH “Since the death of our bass player and co-founder of the band, Mark Tulin last year, we have been in a shambles. I guess you don't expect anyone to die. But Mark was so full of life and such an important part of the band, it was as if one of the legs had been sawed off a three legged stool. We miss Mark daily. The band must go on, and we know that is what Mark would have wanted.” So said Electric Prunes front man, James Lowe in a statement on the fourteenth of May. -
In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock
11 In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock Lester Bangs All the shit they play on the radio today-it lacks the true meaning of rock, which is sex, subversion, and style. Rock 'n' roll is pagan and primitive and very jungle, and that's how it should be. The moment it stops being those things, it's dead. -Sex Pistols manager Malcolm McClaren (Kohut and Kohut 1994, 18) The kids want misery and death. They want threatening noises because that shakes you out of your apathy. -John Lydon of the Sex Pistols (Kohut and Kohut 1994, 101) Lester Bangs is the most celebrated critic in the history of rock. A wild man and visionary armed with a pugnacious attitude and original writing style, which he claimed was based on the sound and language of rock and roll itself (Bangs 1987, ix), he was an early champion of punk rock. According to Bangs, punk means rock "in its most basic, primitive form," and it has thus been around from the beginnings of rock 'n' roll. Here he expounds upon what he sees as the true meaning of not only punk, but of rock itself, delivering a manifesto for both: the essence is passion. Rock must be first and foremost "a raw wail from the bottom of the guts." Punk rock was hardly invented by the Ramones in Qyeens, NY, in 1974-5, any more than it was by the Sex Pistols in London a year or so later. You have to go back to the New York Dolls. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ...................... -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.