The Meter the Treatment a Day-By-Day Guide to Our Soundman Versus Critic’S Choices and Other Previews Flesh-Eating Bacteria Friday 6

Total Page:16

File Type:pdf, Size:1020Kb

The Meter the Treatment a Day-By-Day Guide to Our Soundman Versus Critic’S Choices and Other Previews Flesh-Eating Bacteria Friday 6 4CHICAGO READER | JANUARY 6, 2006 | SECTION THREE CHICAGO READER | JANUARY 6, 2006 | SECTION THREE 5 [email protected] The Meter www.chicagoreader.com/TheMeter The Treatment A day-by-day guide to our Soundman Versus Critic’s Choices and other previews Flesh-Eating Bacteria friday 6 KRISTIN SHOUT & SMOKING KITTEN Kristin His next challenge: a six-figure medical bill Shout’s a longtime Chicago fixture—she used to book bands at Czar Bar and was part of the team that won the 1991 By Bob Mehr National Poetry Slam—but she earned her musical chops ocal labels, musicians, and clubs busking around Europe, picking up the life experiences that are rallying to the aid of Gary give her jazzy country-hybrid songs their cinematic reso- L nance. Her swooping, husky, mutable voice inhabits a creepy “Elvis” Schepers, who’s been at Swedish Covenant Hospital since world of tornadoes, drugs, criminals, and ambivalent love, December 11, fighting an infection in and Shout sings like she’s been there a long time, familiar his left foot that at one point threat- with all its dark alleys and hiding places. This show is a ened to cost him his leg. Schepers, the release party for the self-released Thorny Devil, her first full- part-time tuba player for Devil in a length album with her band, Smoking Kitten. Thomas Pace Woodpile, has made a living as a and the Great Crusades open. a 9 PM, Martyrs’, 3855 N. soundman since 1987. He’s worked Lincoln, 773-404-9494 or 800-594-8499, $8. —Monica steady gigs at Lounge Ax, the Cubby Kendrick Bear, and the Empty Bottle, among other venues, and toured with local MED, OUTERLIMITZ Veteran SoCal rapper and regional favorites like Uncle c MED (formerly Medaphoar) rounded up some Tupelo, Material Issue, and Eleventh impressive company on his debut album, Push Comes to Dream Day. But like so many people in Shove (Stones Throw), and the guests wind up outshining the music business, he has no health the host. Most of the tracks were produced by Madlib, who insurance—and his medical bills, brings his trademark mix of clipped, bumping beats, soul which have already topped six figures, and jazz samples, and digitized slicing and dicing; J Dilla, will likely double before he’s able to Just Blaze, and Oh No contribute some fine grooves of their work again. own as well. MED’s a decent enough MC, but his narrow Led by singer Kelly Hogan and vocal range and jagged flow are a poor fit for the richly Bloodshot Records owners Nan detailed tracks he’s working with, and it doesn’t help that Warshaw and Rob Miller, Schepers’s his subject matter is so ho-hum: his raps are mainly love friends and colleagues are planning a letters to herb and hip-hop, though his rhymes are often so series of benefit concerts to help him illogical and convoluted it’s tough to figure out what the defray his expenses. “It seemed obvious hell he’s saying about them. He’d do better with more mini- to try and do something,” says mal production, but the mismatch here isn’t enough to sink Warshaw. “So we got the word out to the tracks—they’d be strong no matter what. bands around town. And I knew Gary Suicide Prevention (Galapagos4), the debut album by had lots of friends, but I had no idea Chicago’s OUTERLIMITZ, strikes a better balance between quite how many.” words and beats, style and substance. Silence’s production It took just days for organizers to is dense and sinister: paranoid bass tones, eerie orchestral confirm a week of shows, starting with samples, dark synth bursts, and stuttering beats that trudge a FitzGerald’s date on January 20. “The grimly and implacably onward. MCs Qwa (aka Qwazaar of ease with which it all came together Typical Cats) and Hellsent match the somber tone of the speaks to what and how much the com- tracks with carefully harnessed anger, swapping lines with munity thinks about Gary,” says Miller. ferocious precision. “It’s just happened so fast and so MED headlines, One.Be.Lo. goes fourth, Outerlimitz are organically without anyone pushing. I third, Reach & JP are second, and Verbal Kent opens. a 10 think people recognize that it’s not just PM, Empty Bottle, 1035 N. Western, 773-276-3600 or 866- the musicians but guys like Gary that 468-3401, $14 in advance, $15 at the door. really make a scene like ours possible.” S —Peter Margasak Born in Oklahoma in 1958 and raised in Sycamore, Illinois, Schepers studied music (and played tuba in the Gary Schepers NOLAN WELL marching band) at the University of Iowa and later Northern Illinois University. He moved to Chicago in the age of the bar, and no one is charging perhaps several—in an assisted living early 80s and began his career as a overhead expenses, so everything is center. “I’m trying to be philosophical soundman working for Stan Doty, going right to Gary.” about it,” Schepers says. “My job right owner of Pravda Sound, which rented Seven shows have been confirmed: now is to fill up on antibiotics to kill PAs to clubs like Dreamerz and Jay Farrar headlines January 20 at all the bacteria in my body. Hopefully, Medusa’s. He was at the board for FitzGerald’s, on a bill that also I’ll get back—on both my feet—as Bloodshot’s first showcases at Lounge includes Robbie Fulks and the soon as possible.” Ax and the Bottle a decade ago, and Prohibition Orchestra, and the New most recently he’s been freelancing at Duncan Imperials play the Abbey Pub Kevin Tihista Leaves the Abbey Pub, Schubas, and the same day. The Hideout hosts a the Woodshed FitzGerald’s. He’s also the chief pair of shows January 22, the first fea- engineer at Humboldt Park’s Strobe turing Sally Timms and Jon Kevin Tihista isn’t much for self-pro- recording studio and a member of the Langford’s kiddie band the Wee Hairy motion—he prefers to hole up at home Prohibition Orchestra, which plays Beasties and the second headlined by and write songs. But these days he’s dance tunes published between 1923 Califone. On January 25 Jeff Tweedy maintaining an uncharacteristically Pomes and 1934. plays the Abbey with Devil in a high profile: he took a ten-day solo tour Early last month Schepers devel- Woodpile, and the next night Martyrs’ of the UK in November and played the oped pain and swelling in his foot, and hosts Kelly Hogan and a few other Double Door on December 22, and POMES I don’t know if this local band took some inspira- in the wee hours of Sunday, December acts. The week wraps up at Schubas after he head- tion from Jack Kerouac’s Pomes All Sizes, but that’s what its 11, after working a show at the Abbey, on January 27 with the Bottle Rockets Kevin Tihista, lines the first name makes me think of—which sets the bar pretty high in he was worried enough to check him- and Tijuana Hercules. Andrew Morgan, night of the my mind for its full-length debut, At the Adelphi (Black Dead self into the emergency room. “Once In addition, Freakwater will anchor Tenki Tomorrow Never Roses). I suspect ol’ Jack would be bored shitless by the they got my shoe off and looked at it, an afternoon benefit at the Hideout on WHEN Thu 1/12, 9 PM Knows festival at album’s stretches of jam-band cruising and college-rock they said, ‘Well, you’ll be staying here a February 4, and organizers expect WHERE Schubas, 3159 Schubas on meandering, but the songs improve a great deal whenever while,’” he says. bands to keep volunteering throughout N. Southport Thursday he has Jessie Wehrle pitches in with a full-throated hippie-soul Schepers was diagnosed with a par- the winter as word gets around. Even PRICE $10 plans for a hand- chant, and Paolo Urizar’s ringing guitar leads are a fine foil ticularly nasty Group A streptococ- people unable to perform are pitching INFO 773-525-2508 ful of LA shows for her—better than Michael Cummins’s bored-sounding cus—one of the bugs that began mak- in. “Steve Albini got in touch, but his in February and declamations. Kerouac wrote his fair share of filler too, but ing headlines in the 90s as “flesh-eat- schedule is really crazy,” says Warshaw. a three-week full-band UK tour in he always seemed to want to rise above mediocrity. 7 x 7 and ing bacteria.” During the course of his “So he’s going to contribute some items April. the Brink Band open. a 9:30 PM, Subterranean, 2011 W. treatment doctors also informed him for us to auction off.” Tihista spent much of the past year North, 773-278-6600 or 800-594-8499, $7. that he had type 2 diabetes. “The fact Schepers, who’s all but bedridden writing and demoing his fourth full- —Monica Kendrick that I have diabetes, which I did not and needs a wheelchair to get around, length, a follow-up to the acclaimed know, probably contributed to the doesn’t expect to attend the concerts. Wake Up Captain. It’s due in the fall, RAISE THE RED LANTERN Chicago’s Raise the infection growing faster,” he says. “But His doctors decline to speculate about and he’s currently recruiting musicians Red Lantern released their debut full-length, Breathe Fire anyone can get it.
Recommended publications
  • Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
    Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90
    [Show full text]
  • O'connor Steps out on Her Own from Festival, 5 Underground Right Now, He Says That This Is a Good by Joey Hood Work, Til the Dawn
    page 9 MARCH 17, 2005 Music O'Connor steps out on her own From Festival, 5 underground right now, he says that this is a good By Joey Hood work, Til the Dawn. It's a documented stand-out track on 7/7 the Dawn, a record of scrappy tooth-and-nail life proud declaration of O'Connor's musi- thing because it provides loyal fan bases at shows, With her austere, simply stated tim- lessons, evocative of the campfire cal strengths. and there's a lot of vari- bre and wistfully nuanced ruminations story songs from O'Connor's cult-coun- "I feel like this album represents ety in what a ska band on the painful ebbs of Midwestern life, try heroes. who I am and where I come from," can do. Bloodshot Records' Nora O'Connor is Since the summer 2004 release of O'Connor said. "I would like to see finally gaining attention on her own Til the Dawn, O'Connor's star has con- Truthfully speaking, 7/7 the Dawn is ska exposed to wider terms. tinued to rise from in-demand session O'Connor's second album. In 1996, audiences through the O'Connor spent the past decade player to legitimate artist. Her hardy O'Connor debuted in the underground mainstream media, but languishing in indie-rock side projects alto and nasally growl has music crit- Chicago scene with Cerulean Blue, an only if the right people by providing crestfallen harmonies for ics falling over themselves, circling admittedly shaky album that under- get their hands on it," the glam-country outfit, The Blacks, O'Connor's name next to prolific label- scored O'Connor's naivete.
    [Show full text]
  • Bloodshot Records Announces 20Th Anniversary Compilation, While No One Was Looking
    BLOODSHOT RECORDS ANNOUNCES 20TH ANNIVERSARY COMPILATION, WHILE NO ONE WAS LOOKING RELEASE DATE: NOVEMBER 18, 2014 ROLLING STONE COUNTRY PREMIERES BLITZEN TRAPPER’S COVER OF RYAN ADAMS’ “TO BE YOUNG (IS TO BE SAD, IS TO BE HIGH)” (album artwork, designed by Markus Greiner. Download for use HERE) While No One Was Looking: Toasting 20 Years of Bloodshot Records, a collection of 38 musical acts covering songs from the label’s catalog, will be released on November 18. The limited-edition double CD/triple LP/digital release (including a pre-order only blood- red vinyl) celebrates the 20th anniversary of the venerable independent Chicago alt- country/roots/punk label. The genre-spanning collection features artists such as Blitzen Trapper, Andrew Bird and Nora O’Connor, Ben Kweller, Mike Watt, Nicki Bluhm and the Gramblers, Shakey Graves, Chuck Ragan, Superchunk, and many others covering Bloodshot current and former roster acts such as Justin Townes Earle, Ryan Adams, Neko Case, Scott H. Biram, Ha Ha Tonka, Lydia Loveless, Old 97’s, Murder By Death, Robbie Fulks, Cory Branan, and more. The entire track listing – including original album titles – is included below. PRE-ORDER LINK: https://www.bloodshotrecords.com/album/while-no-one-was- looking-toasting-20-years-bloodshot-records On Wednesday, Rolling Stone Country announced the album details, artwork and pre- order link, and launched the album’s first track Blitzen Trapper’s take on Ryan Adams’ original “To Be Young (Is to be Sad, Is to be High)” from his seminal solo debut Heartbreaker. LINK:
    [Show full text]
  • Cathy Grier & the Troublemakers I'm All Burn CG
    ad - funky biscuit ­­ ­ ­ … ­ ­ ­ Frank Bang | Crazy Uncle Mikes Photo: Chris Schmitt 4 | www.SFLMusic.com 6 | www.SFLMusic.com Turnstiles | The Funky Biscuit Photo: Jay Skolnick Oct/Nov 2020 4. FRANK BANG 8. MONDAY JAM Issue #97 10. KEVIN BURT PUBLISHERS Jay Skolnick 12. DAYRIDE RITUAL [email protected] 18. VANESSA COLLIER Gary Skolnick [email protected] 22. SAMANTHA RUSSELL BAND EDITOR IN CHIEF Sean McCloskey 24. RED VOODOO [email protected] 28. CATHY GRIER SENIOR EDITOR Todd McFliker 30. LISA MANN [email protected] DISTRIBUTION MANAGER 32. LAURA GREEN Gary Skolnick [email protected] 34. MUSIC & COVID OPERATIONS MAGAGER 48. MONTE MELNICK Jessica Delgadillo [email protected] 56. TYLER BRYANT & THE SHAKEDOWN ADVERTISING [email protected] 60. SOCIALLY RESPONSIBLE FUN CONTRIBUTORS 62. THE REIS BROTHERS Brad Stevens Ray Anton • Debbie Brautman Message to our readers and advertisers Lori Smerilson Carson • Tom Craig Jessie Finkelstein As SFL Music Magazine adjusts to the events transpiring over the last several Peter “Blewzzman” Lauro weeks we have decided to put out the April issue, online only. We believe that Alex Liscio • Janine Mangini there is a need to continue to communicate what is happening in the music Audrey Michelle • Larry Marano community we love so dearly and want to be here for all of you, our readers Romy Santos • David Shaw and fellow concert goers and live music attendees, musicians, venues, clubs, Darla Skolnick and all the people who make the music industry what it is. SFL is dependent on its advertisers to bring you our “in print” all music maga- COVER PHOTO zine here in South Florida every month.
    [Show full text]
  • July /August 2015
    founded in 1912 by harriet monroe July / August 2015 FOUNDED IN 1912 BY HARRIET MONROE volume ccvi • number 4 CONTENTS July / August 2015 POEMS amy newman 311 Howl paul batchelor 319 The Discoverer’s Man anthony madrid 329 Lear’s Shadow Limericks Illustrations by Mark Fletcher derek beaulieu 339 KERN 1 KERN 2 PETHETIC LITTLE THING tavi gevinson 343 Introduction emily carney 347 The Feeding bag lady, boxed Illustration by Esme Blegvad naomi morris 351 Fuck Stuck Illustration by Rachel Louise Hodgson tyler ford 352 Too Much kendra yee 353 Doubt Hugs Me britney franco 355 Inward Illustration by Minna Gilligan jenny zhang 356 How It Feels tova benjamin 369 Kaparos Illustration by Kendra Yee kirby knowlton 372 stop bath catchlight viewfinder Illustration by Allegra Lockstadt alex-quan pham 377 When I Spoke Illustration by Ana Hinojosa nova 382 emotions /feelings marla miniano 385 Sea Salt Illustration by Caitlin Hazell lily cao 387 Memento Illustration by Leanna Wright RUTH LILLY POETRY PRIZE PORTFOLIO 391 No Doctrines alice notley 395 The Anthology This Fire The Elements Are Loyal Stalker My Sea Iconography License From My Forehead To a New Sex THE VIEW FROM HERE anders nilsen 409 Poetry Is Useless ai weiwei 412 On Poetry sally timms 414 Poetry Out Loud rhymefest 417 My Life Is a Poem momus 420 Written in Rock Candy COMMENT john wilkinson 427 Drift and Pop: On Writing about W.S. Graham contributors 434 Editor don share Art Director fred sasaki Managing Editor sarah dodson Assistant Editor lindsay garbutt Editorial Assistant holly amos Consulting Editor christina pugh Design alexander knowlton cover art by julie murphy “Undiscovered Creature Choreography #11,” 2015 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry • July / August 2015 • Volume 206 • Number 4 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation.
    [Show full text]
  • Bellowing Sun MIND OVER MIRRORS Wide Lights Low Apr 6–7, 2018 Fri–Sat, Notes Program
    Eyes Sun Bellowing MIRRORS MIND OVER Wide Lights Low Apr 6–7, 2018 Apr 6–7, Fri–Sat, Notes Program at MCA Stage Theater Neeson Edlis STAGE MCA Winter/Spring Bellowing Sun running 2018 time is ninety minutes with no intermission. SUPPORT FOR THIS Created and performed by Mind Over Mirrors in Sun Bellowing MIRRORS MIND OVER MCA STAGE PROJECT collaboration with Timothy Breen, Eliot Irwin, ABOUT THE WORK Lead support for the MCA Stage New Works and Keith Parham. Initiative is provided by Elizabeth A. Liebman. –––––––––––––––––––––––––––––––––––––––––––––– “For a moment of night we have a glimpse of Bellowing Sun is a PERFORMERS National Performance ourselves and of our world islanded in its Network/Visual Artists Network (NPN/VAN) Oberheim SEMs, Jaime Fennelly stream of stars—pilgrims of mortality, voyaging Creation and Development Fund OB-6 synthesizer, and between horizons across eternal seas of space Project co-commissioned Indian harmonium by the Museum of and time.” Contemporary Art Chicago in partnership Lead vocals, zither, Janet Beveridge Bean —Henry Beston, The Outermost House (1928) with Alverno Presents and NPN. Additional and percussion support comes from the NPN Forth Fund and from the NPN Fiddle and vocals Jim Becker Performance Residency In 1925, a thirty-seven-year-old American writer and WWI Program. Major contributors of NPN Drums and vocals Jon Mueller vet named Henry Beston bought fifty acres of desolate include the Doris Duke Charitable Foundation, dune land on Coast Guard Beach on Cape Cod—the the Andrew W. Mellon –––––––––––––––––––––––––––––––––––––––––––––– Foundation, the Ford PRODUCTION peninsula’s furthest fingers reaching into the gray Atlantic— Foundation, and the National Endowment and designed and built a small cottage overlooking the for the Arts (a federal Artistic Director Jaime Fennelly agency).
    [Show full text]
  • VANDOLIERS FOREVER LANZAMIENTO: 22 De Febrero, 2019
    VANDOLIERS FOREVER LANZAMIENTO: 22 de febrero, 2019 CANCIONES: 01 Miles and Miles 02 Troublemaker 03 All On Black 04 Fallen Again 05 Sixteen Years 06 Shoshone Rose 07 Bottom Dollar Boy 08 Cigarettes in the Rain 09 Nowhere Fast 10 Tumbleweed VANDOLIERS SON: JOSHUA FLEMING - AC GUITAR VOCALS DUSTIN FLEMING - ELECTRIC GUITAR MARK MONCRIEFF - BASS TRAVIS CURRY - VIOLIN GUYTON SANDERS - DRUMS, PERCUSSION CORY GRAVES - TRUMPET, PIANO, ORGAN FOREVER es el tercer disco de los VANDOLIERS, un poderoso sexteto tejano que mezcla rock, punk, country, y "conjunto music" de forma demoledora, a la vanguardia de la nueva ola de la música del estado de la estrella solitaria con su mezcla de tradición y modernidad. Formados en 2015, los VANDOLIERS son la banda del cantante y guitarrista JOSHUA FLEMING, Dustin Fleming (no, no son parientes) a la otra guitarra, el bajista Mark Moncrieff, el batería Guyton Sanders, el violinista Travis Curry, y el multi instrumentista Cory Graves. Sus primeros dos álbumes "Ameri-Kinda" (2016) y The Native (2017) vieron la luz en el sello State Fair Records y el nuevo, titulado “Vandoliers Forever", lo hace ya para la etiqueta de Chicago BLOODSHOT RECORDS. “Vandoliers Forever” está producido por Adam Hill en los legendarios American Studios de Memphis. Siendo su paisano RHETT MILLER uno de sus mentores, no es difícil imaginar que la banda de este, los OLD 97's, es uno de los referentes de los Vandoliers, como también lo son bandas de rock "countrificado" de hace treinta años como JASON & THE SCORCHERS, o TRUE BELIEVERS, y otras más rockeras tipo SOCIAL DISTORTION y hasta THE CLASH.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • Roger Knox Stranger in My Land Release Date: Feburary 2013
    ROGER KNOX STRANGER IN MY LAND RELEASE DATE: FEBURARY 2013 “The best music is border music, the sound of cultures colliding. In the late 20th century Black Australians assimilated Country & Western, that whitest of American musical forms, to tell the story of their physical subjugation, spiritual stoicism and eventual political awakening.” —Jon Langford, from the liner notes Roger Knox, aka the Koori King of Country or Black grog-drinkers, pelicans and policemen. Elvis as he’s known in his homeland, is an Aboriginal Australian Country & Western singer with a honeyed Stranger In My Land features guest vocals and bear hug of a voice. Bloodshot artist Jon Langford instrumental performances from Bonnie Prince Billy, (Mekons, Waco Brothers) met Knox on a visit to Kelly Hogan, Dave Alvin (X, Blasters), Sally Timms and Australia several years ago. When he heard of Roger Jon Langford (Mekons), the Sadies, Andre Williams, and the potentially-soon-to-be-lost subculture of this and perhaps the last known recording from Charlie utterly unique cultural collision, Langford knew he Louvin of the Louvin Brothers. All this star power had to be involved. Stranger In My Land is a collection is backed The Pine Valley Cosmonauts, a Chicago- of songs originally written by Aborigine artists who based loosey-goosey musical collective piloted by were Knox’s peers and predecessors; some tunes Langford and manned by a core of crack musicians previously recorded but difficult to find as well as that convenes every few years to deliver unto the world several unrecorded, handed-down folk songs (which records of vision, exploration, tribute and occasional without this recording, could have been lost forever).
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
    [Show full text]
  • Deer Tick Talks Negativity,Ask the Artist
    CD Review: Torn Shorts’ Through the Mill Josh Grabert tears through competition It looks like the good folks with the WBRU Rock Hunt got it right again this year. They usually do (not counting 1993 when a band intimately related to the author of this article lost out to Angry Salad…but I digress). And as with acts like The Schemers in 1982, and Sasquatch & The Sick-A-Billys in 2005, Providence’s own Torn Shorts has taken top honors in 2013’s edition of the prestigious competition. Technically, Torn Shorts is the collective name for the creative efforts of the multitalented musician/songwriter Josh Grabert. Though Grabert has gained a great deal of notoriety performing live shows throughout New England as a one-man-band under the Torn Shorts banner, Grabert has enlisted the help of Zach Zarcone on bass, Nick Molak on guitar and drummer Brendan Tompkins to record Through The Mill. With the album’s opening track “Brow St,” Grabert demonstrates an ability to engage the listener with radio-friendly, hook-laden rock & roll. Delivered with a voice reminiscent of Albert Hammond combined with a bit of a “New Morning”era Bob Dylan, he establishes himself as a virile songwriter. This fact is underscored all the more by his creative use of space within the verses, an underused yet potent technique, not only with writers, but soloists as well. “’Drink that scotch’ she says before the bad news – that’s why I keep crying The Nice Guy Blues – I was never ready for the big show – the older I get the less I grow.” “Dying Houses” is a dark requiem for urban decay and those who endure the daily fight for survival.
    [Show full text]
  • Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98
    Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98 Jason Bianchi Kirby San Jose, California B.A. Sociology and Literature, University of California—Santa Cruz, 2002 M.A. American Culture Studies, Bowling Green State University, 2006 A dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia August 2016 Abstract This dissertation is a cultural history exploring expressions of and responses to antimodernism within country-rock and “alternative country” music, drawing on reception history, intellectual history of underground and mainstream left-wing American political movements, interview discourse with artists, and close readings of songs. In this dissertation I argue that despite styling itself as a type of purer root or “folk” form of contemporary country music, in terms of its ideologies, studio production techniques, fan and critical discourse, and business practices, alt.country is a type of rock music. It embodies some of rock’s core beliefs, particularly rock’s critique of the more bureaucratic and “rationalized” dimensions of postindustrial capitalism, particularly as this relates to the everyday impact of new technologies. I argue that this anti-modernism, emerging here from the American political left, has been different in different eras, from the back-to-the-land movement of the late 1960s, to late- ‘80s/early-‘90s expressions of left populist punk’s longing for “folk” community. In this project I look beyond contemporary scholarly understandings of alt.country as mostly ironic, as ultimately I suggest that this music illustrates what Keir Keightley calls rock’s aesthetic of “seriousness,” more precisely than it does an understanding of country music ideology.
    [Show full text]