August 19, 2005 | Section Three Chicago Reader | August 19, 2005 | Section Three 5
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Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Dylan, Cash, and the Nashville Cats Exhibit to Feature Jon Langford Artwork Exhibit Opens March 27, 2015, for a Two-Year Run
Dylan, Cash, and the Nashville Cats exhibit to feature Jon Langford artwork Exhibit opens March 27, 2015, for a two-year run NASHVILLE, Tenn., December 9, 2014 – The Country Music Hall of Fame® and Museum has unveiled the artwork for its forthcoming exhibit Dylan, Cash, and the Nashville Cats: A New Music City. Created by renowned artist and punk rocker Jon Langford, the commissioned painting will serve as the exhibit motif and inspiration for other artistic elements in the exhibit design. Langford is a founding member of influential punk band the Mekons and of pioneering hard-country rockers the Waco Brothers. He was born in Newport, Wales, and studied fine art at Leeds University. Langford is known for his powerful portraits of country and rock icons, including Hank Williams, Johnny Cash, and Elvis Presley. His punk rock instincts and singular artistic eye converge in a painting style that is distinctive, demanding of engagement, and at times politically charged. For Langford, the line between Acuff-Rose and Strummer-Jones is a direct one. His preferred medium is acrylic/mixed media on “square-ish wooden objects.” The exhibit logo is intricately layered in Langford’s characteristic style. It features portraits of ’60s-era Dylan and Cash, the cityscape as seen on the back cover of Dylan’s 1969 album, Nashville Skyline, and a background of exhibit-related graffiti— including names of the featured musicians, song titles, lyrics and symbols of the era. The Country Music Hall of Fame and Museum, in addition to its broad scope of educational programs and archival focus, is widely known for its provocative mix of museum exhibits showcasing the evolving history of country music. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
FAULT LINES Ridgites: Sidewalks Are City’S Newest Cash Cow by Jotham Sederstrom the Past Two Months; 30 Since the Beginning of the Brooklyn Papers the Year
I N S BROOKLYN’S ONLY COMPLETE U W L • ‘Bollywood’ comes to BAM O P N • Reviewer gives Park Slope’s new Red Cafe the green light Nightlife Guide • Brooklyn’s essential gift guide CHOOSE FROM 40 VENUES — MORE THAN 140 EVENTS! 2003 NATIONAL AWARD WINNER Including The Bensonhurst Paper Published weekly by Brooklyn Paper Publications at 26 Court St., Brooklyn, NY 11242 Phone 718-834-9350 © Brooklyn Paper Publications • 14 pages including GO BROOKLYN • Vol.26, No. 49 BRZ • December 8, 2003 • FREE FAULT LINES Ridgites: Sidewalks are city’s newest cash cow By Jotham Sederstrom the past two months; 30 since the beginning of The Brooklyn Papers the year. If you didn’t know better, you’d think “To me, it seems like an extortion plot,” said that some of the homeowners along a par- Tom Healy, who lives on the block with his ticular stretch of 88th Street were a little wife, Antoinette. Healy received a notice of vio- strange. lation on Oct. 24. / Ramin Talaie “It’s like if I walked up to your house and For one, they don’t walk the sidewalks so said, ‘Hey, you got a crack, and if you don’t fix much as inspect them, as if each concrete slab between Third Avenue and Ridge Boulevard it were gonna do it ourselves, and we’re gonna bring our men over and charge you.’ If it was were a television screen broadcasting a particu- Associated Press larly puzzling rerun of “Unsolved Mysteries.” sent by anyone other than the city, it would’ve But the mystery they’re trying to solve isn’t been extortion,” he said. -
Kevin Coyne Nobody Dies in Dreamland Turpintine Records
KEVIN COYNE NOBODY DIES IN DREAMLAND TURPINTINE RECORDS These recordings were made in 1972, after Siren the band Kevin was in had split up. Also shortly before his first solo record Case History was recorded. The story behind this record is as follows. Someone gave Kevin a one track reel to reel tape recorder. In his rented flat in Clapham South London where he lived, he recorded these songs. His guitar and harmonica being the only musical accompaniment. It is a stark setting but there is warmth and humour too. While Siren played down to earth rhythm and blues and rock and roll. Every so often there were songs that hinted at the direction that Kevin would travel in during his solo career. For example the first Siren album contains a song called Asylums. Based on his experience working as an Art Therapist at the Whittington Hospital. Here he sings from the point of view of an inmate looking out at the so called normal world. In the 1990s some unreleased Siren material appeared on CD. I felt that Let’s Do It with its poetry and acoustic songs, and The Club Rondo, were close to some of what Kevin would do during his solo career. Anyway back to Dreamland. Some of the songs would appear on Case History. The opening track Black Cloud appeared on his 1984 album “Legless In Manila”. Here the lyrics are slightly different. When Kevin sings about black forms appearing around his bed, it makes me think of the Blind Lemon Jefferson song Black Snake Moan. -
2012 Utah National Parks Pow Wow Book
Life can be a lot like a jungle. There are exciting new things to discover as well as dangerous pitfalls that can threaten your life. Jungle animals leave footprints, or imprints in the soil that other animals can follow. Cub Scout leaders also leave imprints—impressions in the hearts and minds of young boys which will help them find their way in an often-dangerous and scary world. What imprint are you making? BOY SCOUTS OF AMERICA—UTAH NATIONAL PARKS COUNCIL UTAH NATIONAL PARKS COUNCIL POW WOW BOOK 2012-2013 Book Contributors Cover Artwork Debbie Wood Pony Express District Design Julia Oldroyd Rock Canyon District Monthly Core Values and Themes September Roger Dunn Bridal Veil Falls District October Angela Merrick Pony Express District Julia Oldroyd Rock Canyon District November Julia Oldroyd Rock Canyon District December Alleen Manning Lehi District January Felice Clements Black Hawk District February Sariah Hillam Rock Canyon District March Annette Adams Utah Lake District April Julia Oldroyd Rock Canyon District May Nancy Brimhall Alpine District June Alyson Mansfield Battle Creek District Laura Clement July Stacy Coley Timpanogos District Wendi O’Keefe Roxanne Lawson August Julia Oldroyd Rock Canyon District Supplemental Materials Character Connections Annaleis Smith Black Hawk District Activities and Worksheets Ann Shumway Mt. Nebo District Webelos Activity Badges Felice Clements Black Hawk District and Double-Takes Mary Halvorsen Hobble Creek District Record-Keeping and Valayne Ostler Alpine District Improving Family Involvement -
Chart - History Singles All Chart-Entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S a Tom Jones
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S A Tom Jones No. of Titles Positions Sir Thomas John Woodward OBE (born 7 June Peak Tot. T10 #1 Tot. T10 #1 1940), known professionally as Tom Jones, is a 1 22 6 2 228 61 20 Welsh singer. His career has spanned six 1 44 20 3 431 92 9 decades, from his emergence as a vocalist in 2 28 5 -- 272 22 -- the mid-1960s with a string of top hits, regular touring, appearances in Las Vegas 1 49 23 5 931 175 29 (1967–2011), and career comebacks. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 It's Not Unusual 02/1965 1 1 22 7204/1965 10 12 2 Once Upon A Time 05/1965 32 4 3 Little Lonely One 05/1965 42 9 4 What's New Pussycat 08/1965 11 10 06/1965 3 12 5 5 With These Hands 07/1965 13 11 08/1965 27 8 6 Thunderball 01/1966 35 4 12/1965 25 9 7 Promise Her Anything 02/1966 74 4 8 Once There Was A Time / Not Responsible 05/1966 18 9 9 Not Responsible 06/1966 58 6 10 This And That 08/1966 44 3 11 Green Green Grass Of Home 01/1967 6 22 1111/1966 1 7 22 13 12/1966 11 12 12 Detroit City 04/1967 35 4 02/1967 8 10 1 03/1967 27 8 13 Funny Familiar Forgotten Feelings 06/1967 38 2 04/1967 7 15 3 05/1967 49 6 14 I'll Never Fall In Love Again 10/1967 31 4 07/1967 2 25 9409/1967 6 23 15 Sixteen Tons 08/1967 68 4 16 I'm Coming Home 02/1968 39 4 11/1967 2 16 7 12/1967 57 5 17 Delilah 04/1968 1 13 31 2002/1968 2 19 8 03/1968 15 15 18 Help Yourself 08/1968 1 7 24 1507/1968 5 26 6 08/1968 -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Less Sitting. More Doing
Nonprofit Org. U.S. Postage SPRING 2016 | HOW DREW PREPARES STUDENTS FOR THE REAL WORLD IN THE REAL WORLD PAID Permit 571 Drew University Burl. VT 05401 36 Madison Ave. Madison, NJ 07940 drew.edu MAGAZINE You are a part of One And All. To date, we have raised 97% of One And All’s ambitious $80 million goal. What does that mean for Drew and our students? More scholarships, fellowships and internship funds, new research and supervised ministry opportunities, the renovated Ehinger Center and Hall of Sciences and so much more! At a time when giving to Drew is at an all-time high, we have one important goal to reach: increasing alumni participation. So here’s a new challenge—our BIGGEST one yet: If we hit 28% alumni participation by June 30, an alumni couple will kick in $200,000 to help meet the campaign’s $80 million goal. That’s the One And All Challenge. Meet the Challenge. Make your gift by June 30. All it takes is One And All. drew.edu/challenge CHALLENGE LESS SITTING. MORE DOING. THINK OUTSIDE THE CLASSROOM This issue explores the many ways Drew students benefit from experiential learning opportunities that often take them far from the comforts of The Forest. One feature highlights new and enhanced intern- ships made possible by donors who support the One And All campaign. Another focuses on the cross-cultural experience that is a cornerstone of the Theological School curriculum. And another demonstrates how Drew’s research-based science programs launch graduates toward professional success. -
July /August 2015
founded in 1912 by harriet monroe July / August 2015 FOUNDED IN 1912 BY HARRIET MONROE volume ccvi • number 4 CONTENTS July / August 2015 POEMS amy newman 311 Howl paul batchelor 319 The Discoverer’s Man anthony madrid 329 Lear’s Shadow Limericks Illustrations by Mark Fletcher derek beaulieu 339 KERN 1 KERN 2 PETHETIC LITTLE THING tavi gevinson 343 Introduction emily carney 347 The Feeding bag lady, boxed Illustration by Esme Blegvad naomi morris 351 Fuck Stuck Illustration by Rachel Louise Hodgson tyler ford 352 Too Much kendra yee 353 Doubt Hugs Me britney franco 355 Inward Illustration by Minna Gilligan jenny zhang 356 How It Feels tova benjamin 369 Kaparos Illustration by Kendra Yee kirby knowlton 372 stop bath catchlight viewfinder Illustration by Allegra Lockstadt alex-quan pham 377 When I Spoke Illustration by Ana Hinojosa nova 382 emotions /feelings marla miniano 385 Sea Salt Illustration by Caitlin Hazell lily cao 387 Memento Illustration by Leanna Wright RUTH LILLY POETRY PRIZE PORTFOLIO 391 No Doctrines alice notley 395 The Anthology This Fire The Elements Are Loyal Stalker My Sea Iconography License From My Forehead To a New Sex THE VIEW FROM HERE anders nilsen 409 Poetry Is Useless ai weiwei 412 On Poetry sally timms 414 Poetry Out Loud rhymefest 417 My Life Is a Poem momus 420 Written in Rock Candy COMMENT john wilkinson 427 Drift and Pop: On Writing about W.S. Graham contributors 434 Editor don share Art Director fred sasaki Managing Editor sarah dodson Assistant Editor lindsay garbutt Editorial Assistant holly amos Consulting Editor christina pugh Design alexander knowlton cover art by julie murphy “Undiscovered Creature Choreography #11,” 2015 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry • July / August 2015 • Volume 206 • Number 4 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation. -
Melophobe Months 2012 Music Reviews
Melophobe Months 2012 Music Reviews Walter Biggins This is issue #6 of Afronaut. Published by Afronaut Press, February 2013. Text and design © 2013 Walter Biggins. The following issues are available at Quiet Bubble (http://quietbubble.wordpress.com/zines/): Demo Tapes: Essays by Walter Biggins, 2005-2010 (issues #4 & 5, May 2011). A Tribute to Whitney Balliett (issue #3, October 2010). The Patter of Raindrops: The Wonderful Worlds of Hayao Miyazaki (issue #2, February 2010). Letters to Mr. Konigsberg (issue #1, October 2009). Muñeco: A 24-Hour Comic (issue #0, November 2000). For more information, please contact me at [email protected] or check out my blog: quietbubble.wordpress.com. Introduction. Something’s happened to me over the last five years. I listen to, and trust, pop music far less than I did in my twenties, and the pop that I still listen to is radically different than what I grew up with. My ears cock, like a cat’s, more toward jazz, avant-garde, and instrumental hip-hop now than to the rock, rap, R&B, and beat-driven fare that sustained me for twenty years. To be fair, jazz was always there, ever since I bought a $20 CD of Miles Davis’s Capitol/Blue Note years in a cold January morning in 1994. I bought it from Sound Warehouse, a chain that’s long gone, because the cover was cool and Davis—with his close-cropped hair and natty suit—looked cooler than I could ever hope for. It was a sophistication to aspire toward, and to try and impress girls with. -
Tossups by Alice Gh;,\
Tossups by Alice Gh;,\. ... 1. Founded in 1970 with a staff of 35, it now employs more than 700 people and has a weekly audience of over 23 million. The self-described "media industry leader in sound gathering," its ·mission statement declares that its goal is to "work in partnership with member stations to create a more informed public." Though it was created by an act of Congress, it is not a government agency; neither is it a radio station, nor does it own any radio stations. FTP, name this provider of news and entertainment, among whose most well-known products are the programs Morning Edition and All Things Considered. Answer: National £ublic Radio . 2. He's been a nanny, an insurance officer and a telemarketer, and was a member of the British Parachute Regiment, earning medals for service in Northern Ireland and Argentina. One of his most recent projects is finding a new lead singer for the rock band INXS, while his less successful ventures include Combat Missions, The Casino, and The Restaurant. One of his best-known shows spawned a Finnish version called Diili, and shooting began recently on a spinoff starring America's favorite convict. FTP, name this godfather of reality television, the creator of The Apprentice and Survivor. Answer: Mark Burnett 3. A girl named Fern proved helpful in the second one, while Sanjay fulfilled the same role during the seventh. Cars made of paper, plastic pineapples, and plaster elephants have been key items, and participants have been compelled to eat chicken feet, a sheep's head, a kilo of caviar, and four pounds of Argentinian barbecue, although not all in the same season.