Regents of the University of California The Artistic Heritage of Somalia Author(s): Mary Jo Arnoldi Source: African Arts, Vol. 17, No. 4 (Aug., 1984), pp. 24-33+93 Published by: UCLA James S. Coleman African Studies Center Stable URL: http://www.jstor.org/stable/3336154 Accessed: 03-11-2016 15:01 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Regents of the University of California, UCLA James S. Coleman African Studies Center are collaborating with JSTOR to digitize, preserve and extend access to African Arts This content downloaded from 141.213.142.215 on Thu, 03 Nov 2016 15:01:38 UTC All use subject to http://about.jstor.org/terms The Artistic Heritage of Somalia MARY JO ARNOLDI Somalia, situated on the Horn of Af- and explores both specific regional formsYaqubi, an Arab geographer writing in rica, stands at the crossroads of Af- and shared forms and ideologies that the are ninth century, mentioned both Zeila rica and Asia within a region of great cul- spread through the agency of Islam and and Mogadishu as important commer- tural diversity. Today the Somali people longstanding trade networks.1I cial cities (Castagno 1975: 14).