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Þáttur Sjónvarpsins Í Uppgangi Elvis Presley
Félags- og mannvísindadeild MA-ritgerð Í Blaða og Fréttamennsku Þáttur Sjónvarps í uppgangi Elvis Presley Ólafur Halldór Ólafsson Júní 2009 M.A Ritgerð; Þáttur sjónvarps í uppgangi Elvis Ólafur Halldór Ólafsson Leiðbeinandi: Þorbjörn Broddason Nemandi: Ólafur Halldór Ólafsson Kennitala: 150382-3789 2 M.A Ritgerð; Þáttur sjónvarps í uppgangi Elvis Ólafur Halldór Ólafsson Elvis A aron Presley er frægasti skemmtikraftur sögunnar og e inn áhrifamesti tónlistarmaður 20. aldar. Hann braust fram á sjónarsviðið á miðjum sjötta áratug síðustu aldar þegar heimurinn var tilbúinn til þess að breytast, sérstaklega í augum unga fólksins á þeim tíma. Segja má að ferill Presley s hafi virkilega farið á stað þegar hann kom fram fyrst í sjónvarpi árið 1956. Sjónvarpið átti eftir að vera mjög mikilvægt í uppgangi hans og kom hann fram í ófáum sjónvarpsþáttum á árunum 1956 og 1957. Þegar hann kom fram í Ed Sullivan Show í síðasta skiptið árið 1957 má segja að þáttarstjórnandinn hafi samþykkt Presley f yrir hönd samfélagsins. Stuttu seinna var hann kallaður í bandaríska herinn. Presley einbeitti sér að kvikmyndaleik eftir að ha nn var útskrifaður úr herþjónustu árið 1960 og snéri ekki aftur í sjónvarp fyrr en 1968. Sá sjónvarsþáttur sem hann kom fram í þá var endurkomuþáttur hans og líklegast hans mikilvægasti á ferlinum. Presley endurheimti vinsældir sínar um stund, sem höfðu dalað nokkuð eftir léleg kvikmyndahlutverk, og hóf að koma fram á tónleikum á nýjan leik. Vinsældir hans döluðu síða n aftur og hann átti í vandamálum í einkalífinu og lést árið 1977 aðeins 42. ára gamall. Síðan þá hefur verið meira fjallað um h ann í fjölmiðlum heldur á öllum hans ferli, segja má að ímynd hans hafi verið skrum sk æld í fjölmiðlum eftir dauða h an s. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Advertising and Public Relations Law
Advertising and Public Relations Law Addressing a critical need, Advertising and Public Relations Law explores the issues and ideas that affect the regulation of advertising and public relations speech. Coverage includes the categorization of different kinds of speech afforded varying levels of First Amendment protection; court-created tests for laws and reg- ulations of speech; and non-content-based restrictions on speech and expression. Features of this edition include: • A discussion in each chapter of new-media implications • Extended excerpts from major court decisions • Appendices providing — a chart of the judicial system — a summary of the judicial process — an overview of alternative dispute resolution mechanisms — the professional codes for media industry and business associations, including the American Association of Advertising Agencies, the Public Relations Society of America and the Society of Professional Journalists • Online resources for instructors. The volume is developed for upper-level undergraduate and graduate students in media, advertising and public relations law or regulation courses. It also serves as an essential reference for advertising and public relations practitioners. Roy L. Moore is professor of journalism and dean of the College of Mass Communication at Middle Tennessee State University. He holds a Ph.D. in mass communication from the University of Wisconsin and a juris doctorate from the Georgia State University College of Law. Carmen Maye is a South Carolina-based lawyer and an instructor in the School of Journalism and Mass Communications at the University of South Carolina, where she teaches courses in media law and advertising. Her undergraduate degree is from the University of North Carolina at Chapel Hill. -
Ave You Heard the Nws? ... There's Good Rockin' Tonight." ''The Pure
ave you heard the nws? ... There's good rockin' tonight." -Elvis Presley, the Hillbilly Cat, in his recording of the Roy Brown song, 1954 ''The pure products of America go crazy.'' -William Carlos Williams, "Spring and All," 1923 The world was not prepared for Elvis Presley. The motorcycle epic, The Wild One. His vulnerability was violence of its reaction to him ("unspeakably untal mirrored by James Dean, whose first n10vie, East of ented," a "voodoo of frustration and defiance") Eden, was released in April 1955, just as Elvis's o"'ll more than testified to this. Other rock & rollers had career was getting under way. ("He 'knew I was a a clearer focus to their nwsic. An egocentric genius friend of Jimmy's," said Nicholas Ray, director of like Jerry Lee Lewis may even have had a greater Dean's second film, Rebel Without a Cause. "so he got talent. Certainly Chuck Berry or Carl Perkins had a down on his knees before rne and began to recite keener wit. But Elvis had the nwment. He hit like a "''hole pages from the script. Elvis must have seen Pan American flash, and the reverberations still lin Rehel a dozen times by then and remembered every ger from the shock of his arrival. one of Jimmy's lines.") His eponymous sneer and In some vvays the reaction may seem to have been the whole attitude that it exemplified-~ot derision out of proportion, for Elvis Presley was in retrospect exactly but a kind of scornful pity, indifference, a merely one more link in a chain of historical inevita pained acceptance of all the dreary details of square bility. -
Larry Geller in België Larry Geller, Elvis Haarkapper En Intieme Vriend Van Elvis Bezoekt Na 10 Jaar Terug België
afgiftekantoor Zwijndrecht News & New 47 The United Elvis Presley Society Driemaandelijkse publicatie juli-augustus-september 2008 Verantwoordelijk uitgever: Hubert Vindevogel Pijlstraat 15, 2070 Zwijndrecht tel/fax 03 252 92 22 e-mail: [email protected] http:www.ueps.be showroom American Dream: Dorp West 13, 2070 Zwijndrecht tel. 03 252 90 89 open op donderdag, vrijdag en zaterdag van 10 tot 18 uur. Zondag 13 tot 18 uur ( elke eerste zondag van de maand) Prijsvraag News&New 46 We kregen deze keer massaal respons, de moeilijkheidsgraad was natuurlijk ook niet zo groot. Op de foto’s stonden: Bobby Emmons (Memphis Boys), Ronnie Tutt (TCB band), Ed Hill (The Stamps), D.J. Fontana (drummer), Bill Baize (The Stamps). De twee winnende tickets ter waarde van 39 € elk voor het concert van 11 november te Knokke gaan naar: Jeanine Sauvage (Parijs) en Antoine Van Parys (Affligem). Proficiat! Larry Geller in België Larry Geller, Elvis haarkapper en intieme vriend van Elvis bezoekt na 10 jaar terug België. U kan hem ontmoeten op volgende plaatsen: A) Dinsdag 18 november (19 uur) Hotel Lido (Zwaluwenlaan 18 - 8300 Knokke) B) Donderdag 20 november (19 uur) Sint-Anna Centrum (Hanegraefstraat 5 – 2050 Antwerpen linkeroever) C) Vrijdag 21 november (19 uur) Hotel Nivelles Sud (Chaussée De Mons 22 - 1400 Nivelles) Programma: vanaf 19 uur kan U er terecht (kleine boetiek), vanaf 20 uur vertelt Larry Geller over zijn belevenissen met Elvis, de Memphis Maffia en Colonel Parker. Verder is er voldoende tijd om vragen te stellen. Naderhand kan u rustig genieten van taart met koffie en tekent Larry zijn boeken en foto’s. -
Un Grand Succes!
UEPS QUARTERLY 81 Driemaandelijks / Trimestriel octobre-novembre-decembre 2006 / Afgiftekantoor Antwerpen X Antwerpen Afgiftekantoor / 2006 octobre-novembre-decembre Trimestriel / Driemaandelijks A Date With Elvis: UN GRAND SUCCES! The United Elvis Presley Society est reconnue par Elvis et EPE (Elvis presley Enterprises) depuis 1961. The United Elvis Presley So cie ty Elvis Quarterly Section francophone: Publication trimestrielle Jean-Claude Piret - Colette Deboodt octobre-novembre-decembre 2006 Rue Lumsonry, 2ème Avenue 218 Bureau de dépôt: Antwerpen X - 8/1143 5651 Tarcienne Tél/fax 071 21 49 83 Editeur responsable: e.mail: [email protected] Hubert Vindevogel Pijlstraat 15 2070 Zwijndrecht Tél/fax: 03 252 92 22 e-mail: [email protected] Numéros de compte: www.ueps.be UEPS (abonnements, concerts) Président: 068-2040050-70 Hubert Vindevogel France: IBAN BE60 068204005070 – BIC GKCCBEBB (Dexia) Secrétariat: Martha Dubois Boutique: 220-0981888-90 Collaborateurs: France: IBAN BE34 220098188890 - BIC GEBBEBB Tina Argyl ou Cecile Bauwens France: 15092750150 (Crédit Agricole - Paris) Leo Bruynseels Jean-Paul Cuvelier Boutique: Colette Deboodt American Dream Pierre De Meuter Dorp West 13 Marc Duytschaever 2070 Zwijndrecht Dominique Flandroit Tél: 03 252 90 89 (ouvert les jeudis, vendredis et samedis de 10 à 18H) Marie Ledieu Chaque premier dimanche du mois, ouvert de 13 à 18 heures. Marijke Lombaert Tommy Peeters Abonnements Belgique Jean-Claude Piret Un an: 16 Euros / deux ans: 27 Euros Veerle Remysen Membres d’honneur: Un an: 25 Euros / deux ans: 40 Euros Correspondants: Bill Burk Abonnements France et autres pays d’Europe: Françoise Verheughe Un an: 18 Euros / deux ans: 32 Euros Stefaan Demarest Membres d’honneur: Cécile Glomeau Un an: 29,50 Euros / deux ans: 50 Euros Ale Hartgers David Neale Copyright: Aucun article ne peut être utilisé sans permission écrite de l’éditeur. -
Elvis for Dummies‰
spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley. -
9781317587255.Pdf
Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK. -
A Date with Elvis: U U U
UEPS QUARTERLY 81 Driemaandelijks / Trimestriel oktober-november-december 2006 / Afgiftekantoor Antwerpen X Antwerpen Afgiftekantoor / 2006 oktober-november-december Trimestriel / Driemaandelijks A Date With Elvis: GROOT SUCCES! The United Elvis Presley Society is offi cieel erkend door Elvis en Elvis Presley Enterprises (EPE) sedert 1961 The United Elvis Presley So cie ty Elvis Quarterly Franstalige afdeling: Driemaandelijks tijdschrift Jean-Claude Piret - Colette Deboodt oktober-november-december 2006 Rue Lumsonry 2ème Avenue 218 Afgiftekantoor: Antwerpen X - 8/1143 5651 Tarcienne Verantwoordelijk uitgever: tel/fax 071 214983 Hubert Vindevogel e.mail: [email protected] Pijlstraat 15 2070 Zwijndrecht tel/fax: 03 2529222 e-mail: [email protected] Rekeningnummers: www.ueps.be UEPS (lidgelden, concerten) Voorzitter: 068-2040050-70 Hubert Vindevogel Secretariaat: TCB (boetiek): Martha Dubois 220-0981888-90 Medewerkers: Nederland: Tina Argyl Giro 2730496 (op naam van Hubert Vindevogel) Cecile Bauwens IBAN: BE34 220098188890 – BIC GEBABEBB (boetiek) Leo Bruynseels IBAN: BE60 068204005070 – BIC GCCCBEBB (lidgelden – concerten) Colette Deboodt Showroom: Pierre De Meuter American Dream Marc Duytschaever Dorp West 13 Dominique Flandroit 2070 Zwijndrecht Marijke Lombaert tel: 03 2529089 (open op donderdag, vrijdag en zaterdag van 10 tot 18 uur Tommy Peeters - Eerste zondag van elke maand van 13 tot 18 uur) Jean-Claude Piret Veerle Remysen Abonnementen België Een jaar: 16 € / twee jaar: 27 € Correspondenten: Bill Burk Ereleden: Stefaan Demarest Een jaar: 25 € / twee jaar: 40 € Ale Hartgers David Neale Abonnementen Nederland: Een jaar: 18 € / twee jaar: 32 € Layout / drukwerk: Ereleden: Drukkerscollectief De Wrikker Een jaar: 29,50 € / twee jaar: 50 € Patriottenstraat 29, 2600 Berchem 03 218 56 74 Copyright: [email protected] Geen materiaal mag worden gebruikt zonder uitzonderlijke toestemming www.dewrikker.be van de uitgever. -
Suzy & Los Quat T
Fecha Salida: 27 de Septiembre de 2011 Singles Recomendados: 7. I.O.U. (I Owe Yo u ) 6. In My Dreams Again 1. Freak Out 5. Kick Ass SUZY & LOS QUAT T R O HANK Lista de canciones: Wow, esto sí que es tomar algo negativo y convertirlo en positivo. 1. Freak Out 2. Don’t Wanna Talk About It En marzo de 2009, Suzy & Los Quattro perdieron a su gran amigo y road- ie HANK. Este hecho les catapultó en un episodio que han capturado 3. Move On como si se tratara de una película en audio. Dudo en utilizar el término 4. The Quiet Man "ópera rock" ya que este disco incluye grandes dosis de "roll". 5. Kick Ass 6. In My Dreams Again Además, aparte de tener que enfrentarse a la muerte de un amigo excep- 7. I.O.U. (I Owe Yo u ) cional, el proceso de aceptación tuvo múltiples subidas y bajadas. Todas 8. Love Never Dies ellas están documentadas aquí, tomando forma tras algo así como una 9. You Angel Yo u colisión entre lo más florido del punk de la costa este y el glorioso pop 10. Still Mad About Yo u californiano. 11. The Goodbye Song Hoy en día se vierten ríos de tinta sobre lo maravillosas que son ciertas bandas y artistas. La mayor parte es palabrería, pero tienen que vender- Puntos de interés: los de alguna forma. Yo levanto mi mano - estoy quizás algo sesgado pero - Producido por Robbie Rist (The Rubinoos, uno ha de intentar ser objetivo. Hay momentos en los que, para manten- Steve Barton, The Mockers) y grabado en los er algún tipo de credibilidad, tal sesgo debe ser mantenido a distancia ya estudios Musiclan (Figuere s ) que lo contrario perjudicaría tanto a la banda sobre la que se escribe como al individuo que testifica sobre ellos. -
Album Backup List
Updated 20/08/2008 Index to My Albums - Quote FULL titles please File Artist Title Notes CD Year 0148 A Hi Fi Serious 128 2002 0296 A Teen Dance Ordinance VBR 2005 0047 A1 Here We Come 1999 0014 A1 A List 2000 0082 A1 Make It Good 2002 0157 Aaliyah One In A Million 128 1996 Hits & Unreleased - The Ultimate 0233 Aaliyah Collection 192 2002 0182 Aaliyah I Care 4 U 128 2002 0024/27 ABBA Gold - Greatest Hits VBR 1992 AD32 ABBA Gold - Greatest Hits CDA 1992 Thank You For The Music (3CD) 0004 ABBA Collectors set 1995 0054 ABBA The Definitive Collection (2CD) VBR 2001 AB39 ABBA The Definitive Collection (2CD) CDA 2001 0104 ABC Absolutely 1990 0118 ABC The Remix Collection 1993 AD39 ABC The Collection CDA 0070 Paula Abdul Greatest Hits Of Paula Abdul 2000 0076 Ace Of Base Ace Of Base 1983 0085 Ace Of Base Happy Nation 1993 0233 Adam & The Ants Dirk Wears White Socks 192 1979 0150 Adam & The Ants Ant Music 192 1980 0002 Adam & The Ants Friend or Foe 1982 0191 Adam & The Ants Antics In The Forbidden Zone 128 1990 0237 Adam & The Ants Very Best Of Adam & The Ants 128 1999 0194 Adam Ant Strip 256 1983 0315 Adam Ant Strip 320 1983 AD27 Adam Ant Hits CDA 0262 Bryan Adams Cuts Like A Knife 192 1990 0262 Bryan Adams Into The Fire 192 1990 0200 Bryan Adams Waking Up The Neighbours VBR 1991 0163 Bryan Adams Unplugged (Live) 128 1997 0189 Bryan Adams On A Day Like Today 320 1998 AD30 Bryan Adams On A Day Like Today CDA 1998 0198 Bryan Adams The Best Of Me VBR 1999 AD29 Bryan Adams The Best Of Me CDA 1999 0114 Bryan Adams Spirit OST 2002 0293 Bryan Adams -
Velton Ray Bunch
VELTON RAY BUNCH AWARDS / NOMINATIONS EMMY AWARD STAR TREK ENTERPRISE Outstanding Music Composition for a Series (Dramatic Underscore) EMMY AWARD NOMINATION PAPA’S ANGELS Outstanding Music Composition for a Miniseries, Movie or a Special (Dramatic Underscore) EMMY AWARD NOMINATION THE PRETENDER Outstanding Main Title Theme Music EMMY AWARD NOMINATION QUANTUM LEAP Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore) EMMY AWARD NOMINATION DOLLY PARTON SHOW Best Song FEATURE FILMS DANCE WITH ME Shinya Egawa, Randa Haines, Mandalay Lauren Wiessman, prods. Randa Haines, dir. * additional music LOST IN SPACE Carla Fry, Akiva Goldsman, Prelude Pictures / New Line Cinema Stephen Hopkins, Mark Koch, prods. Stephen Hopkins, dir. *additional music GIRLFRIENDS Deborah Pratt, dir. Independent BOMBMEISTER (interactive) John Lafia, dir. Interfilm TELEVISION SERIES RODNEY David Himelfarb, Ric Swartlander, exec. prod. ABC Robert Berlinger, dir. ENTERPRISE Rick Berman, Brannon Braga, exec. prods. Paramount The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VELTON RAY BUNCH NASH BRIDGES John Wirth, exec. prod. CBS THE PRETENDER Steven Long Mitchell, exec. prod. Fox / NBC QUANTUM LEAP Universal Productions / NBC JAG Howard Kozanjian, Mark Saracini, Jim Paramount / NBC Weatherill, prods. BRISCO COUNTY JR Brad Kern, John McNamara, John Wirth, prods. Carlton Cuse / Fox WALKER, TEXAS RANGER CBS MR. AND MRS. SMITH Scott Bakula, Artie Mandelberg, prods. Warner Bros. / CBS AMAZING GRACE Jonathan Estrin, exec. prod. NBC Productions Allison Hock, dir. ACTION PACK (HERCULES / XENA) * Main Title Theme MCA Television TOP OF THE HILL Peter Ellis, Brad Silberling, Stephen Cannell Productions Mario Van Peebles, dirs. WISEGUY Stephen Cannell, Brent-Karl Clackson, Stephen Cannell Productions Alfonse Ruggiero, Jo Swerling, prods.