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Innvilget 25. Oktober 2017
1 FOND FOR UTØVENDE KUNSTNERE Innvilget på styremøtet 25.10.2017 Det ble på styremøtet 25. oktober 2017 innvilget 175 søknader, til sammen kr 4 898 347,- Det ble totalt behandlet 660 søknader. Samlet søknadssum var 32 405 846,- REISE Aarflot, Randi Clausen FREDRIKSTAD 6 000 Bygdnes, Ingvild Holthe OSLO 6 000 Dombeck, Stine OSLO 6 000 Eick, Trude BEKKESTUA 6 000 Foosnæs, Eva Holm TRONDHEIM 6 000 Hagerupsen, Siv Oda VEAR 6 000 Hansen, Marita Helen OSLO 6 000 Henriksen, Håkan TRONDHEIM 6 000 Husebø, Trond - Reise OSLO 6 000 Kipperberg, Gry OSLO 6 000 Konkova, Olga SYLLING 6 000 LILJA LAJLA ÅMOT 9 000 Løvås, Kirsti BORGEN 6 000 Mentzoni, Hilde Follaug LØRENSKOG 6 000 Miss Tati BERGEN 6 000 Oftung, Ingrid OSLO 6 000 Olsson, Laima HUNDVÅG 6 000 Prag, Victor OSLO 5 800 Røsbak, Morten STAVANGER 6 000 Salberg/Fagerstrand OSLO 12 000 Samovarteateret KIRKENES 12 000 Seiersten, Bjørn TRONDHEIM 6 000 Senkpiel, Kira KOLSÅS 6 000 Svela/ Edge/ Sandbakken OSLO 9 000 Thorén, Anders OSLO 6 000 Thorsen, Martin Wright BERGEN 6 000 Tinderholt, Lars DRAMMEN 6 000 Unsgård, Vigdis OSLO 6 000 Valkeapää, Ida Løken TROMSØ 6 000 KURS/SEMINAR Frontlosjefestivalen BERGEN 35 000 LidalNorth International TRONDHEIM 40 000 Stepperiet OSLO 15 000 Teater Joker KOLSÅS 35 000 MUSIKK 1349 OSLO 40 000 Bellman LARVIK 40 000 Bjørgum, Hallvard T. VALLSET 5 000 2 Broen TRONDHEIM 50 000 Bryggerigangen Bluesband OSLO 20 000 Brænne, Bendik OSLO 20 000 Bø jazzklubb BØ 20 000 Cantilena VIGGJA 7 500 Cezinando OSLO 40 000 Corioliskvartetten HAUKELAND 15 000 Cortex SKIEN 25 000 Dagsland, -
Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Red a M Register
"f I RED AM REGISTER ( VOLUME LXVD^NCX 6.- RED BA&& N. ^THURSDAY, AUGUST 1,1946. SECTION ONE-PAGES' *\k.±. <)O Rumson Show Place Funds To Protect Trailer Permit Boro Bus Company St. Mary's Honors? ** . • • • - Shore Highways To Roads, Streets Is Granted To Get* Four New Buses Congressman James C. Auchin- Two 39>passsnger Fords and two Of Nine Acres Sold cwis of Rumson today expressed 33-pawenger Reos, have recently Monsignor his great satisfaction that H. R. InMiddletown Belford Woman completed . the deliveries of new \& SOX has passed the Senate, with buses expected this year by the certain amendments, which have Ordinance Naming Middletown Committee Boro Bus company <>t Globe court Ray VanHorn Sells "Invermay" To been accepted by the House, which With the addition of these four, Bishop Griffin, Father Gillis would permit a contribution' by the Thoroughfares Passes Clarifies Plumbing after a year's delay, the concern's Federal governments toward the re- total; fleet has swelled to 48 ve- Mr. And Mrs. Wilbur A. Killeen pair of a sea wall to protect any First Reading Practice* hicles, 3$ of which are new. Seven- Deliver Principal Addresses publio highway from erosion by teen of the late models are Fords, waves and currents, and also for ' Two former curates -who "Invermiy," one of Rumson's The' Hlddletown township com- A license to place and occupy her 'the reft ire Reos, and all of them nationally known In the Cal most beautiful country estates, has the protection thereof by the build- are equipped with the most modern ing of an artificial beach. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Curriculum Vitae
curriculum vitae Kjetil Traavik Møster musiker Skanselien 15 5031 Bergen mob. (+47) 90525892 e-post: [email protected] web: www.moester.no medlem av Gramart, Norsk Jazzforum f. 17/06/76 Bergen, Norge. UTDANNELSE: 2006-2012: Master i utøving jazz/improvisasjon, Norges Musikkhøgskole 1998-2002: Cand. mag. fra NTNU, Musikkonservatoriet i Trondheim, jazzlinja 3-års utøvende musikerutdanning (fordelt på 4 år) 1-års praktisk-pedagogisk utdanning (fordelt på to år) 1996-1997: Musikk grunnfag med etnomusikologi fordypning, NTNU, Universitetet i Trondheim 1995-1996: Sund Folkehøgskole, jazzlinga Annen utdannelse Examen artium, musikklinja, Langhaugen Skole 1995 ARBEID SOM MUSIKER: Har arbeidet som utøvende musiker siden år 2000, og er involvert i diverse prosjekter, bl.a. følgende: - Møster! (startet sommeren 2010) med Ståle Storløkken – orgel/keyboards, Nikolai Eilertsen – el.bass, Kenneth Kapstad – trommer. CD-utgivelse 2013, 2014, 2015 - Møster/Edwards/Knedal Andersen Friimprovisasjonstrio med John Edwards og Dag Erik Knedal Andersen, jevnlig turnéring fra høsten 2013 - Kjetil Møster med BIT20 Ensemble Skrev og fremførte et 30 minutters stykke for 16 stemmer pluss seg selv som solist for BIT20 Ensemble våren 2013 - Kjetil Møster Solo (Kongsberg Jazzfestival 2005, Soddjazz 2006, konserter i Norge 2004, 2005, 2006, 2010, 2011, Moldejazz 2011, turné i Skandinavia 2011, CD-utgivelse 2011) - The Heat Death Friimprovisasjonstrio med Martin Kuchen, Mats Äleklint, Ola Høyer og Dag Erik Knedal Andersen. Turnéring fra 2012, planlagt CD-utgivelse på portugisiske Clean Feed november 2015. - Kjetil Møster Sextet (startet sommeren 2006 i forbindelse med tildelingen av IJFO Jazz Talent Award. Inkluderer Anders Hana, gitar, Per Zanussi og Ingebrigt Håker Flaten, el. og kontrabass, Kjell Nordeson og Morten J. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Fmqautumn 2016 3 FMQ :: Autumn 2016
Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in. -
Marius Neset
Marius Neset Circle of Chim es ACT 9038-2 German release date: 29.09.2017 The 32-year-old Bergen-born saxophonist-com poser Neset says, “it´s about eight musicians that have an equal role Marius Neset has been at the height of his creative in the music. It was great to work with Lionel. I thought about powers, especially on the evidence of a trio of consecutive his sound and voice when I was composing, how he could add albums released since 2014 on ACT, one of Europe’s leading his very unique and distinctive playing to fit this music. Andreas jazz recording labels. He’s been keeping good company too. Brantelid on cello is a very unique musician too. His way of Aligning with other internationally-renowned, kindred spirits phrasing and shaping the lines I had written for him is so working at the borderline between jazz, improv and classical musical.” music, Neset released Lion in 2014, originally a ‘live’ commission in collaboration with the celebrated young At key m om ents, Circle of Chim es features the ring of Trondheim Jazz Orchestra, and collected a Norwegian tubular bells that’s referred to in the album title, giving the Grammy award (Spellemannprisen). Last year he released recording a haunting almost cinematic Ennio Morricone-like air. Snowmelt, a project with the 19-piece London Sinfonietta, Neset explains its significance. “What became the ‘main idea’ another highly esteemed European orchestra at the cutting- for the whole album, which is clear yet sometimes quite edge of 21st century genre-bending new music. -
The 35Th Norwegian Short Film Festival
35 The 35th Norwegian Short Film Festival Kortfilmfestivalen 2012 Katalog for den 35. Kortfilmfestivalen, Utgiver/Publisher: Grimstad 13.–17. juni 2012 Kortfilmfestivalen, Filmens Hus Dronningens gate 16, NO-0152 Oslo Design: Eriksen / Brown Med Celine Wouters Telefon/Phone: +47 22 47 46 46 Basert på en profil av Yokoland E-mail: [email protected] Short Film | Documentary | Music Video Trykk: Zoom Grafisk AS E-mail: [email protected] Papir: Munken Lynx 130 g. Satt i Berthold Akzidenz Grotesk www.kortfilmfestivalen.no Grimstad 13.6 – 17.6 2012 ProgramProgramProgram WednesdayWednesdayWednesday 13 13 13thth Juneth June June ThursdayThursdayThursday 14 14 14thth Juneth June June FridayFridayFriday 15 15 15thth Juneth June June SaturdaySaturdaySaturday 16 16 16thth Juneth June June SundaySundaySunday 17 17 17thth Juneth June June NKNK NK NorskNorskNorsk kortfilm/Norwegian kortfilm/Norwegian kortfilm/Norwegian Short Short Short Film Film Film CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetOtherOtherOther Venues Venues Venues CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetRicaRicaRica Hotel Hotel Hotel RicaRicaRica Hotel Hotel Hotel OtherOtherOther Venues Venues Venues CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetRicaRicaRica Hotel Hotel Hotel OtherOtherOther Venues Venues Venues CatilinaCatilinaCatilina PanPanPan VesleVesleVesle HestetorgetHestetorgetHestetorgetRicaRicaRica Hotel Hotel Hotel OtherOtherOther Venues Venues -
Press Statement
“To know what you have, and to give all of it up – even if you Throughout, he’s consistently found ways to create new para- know that it’s going to keep haunting you for the rest of your digms largely via a distinct and innovative approach to the me- life. Phantom pain. Diagnosing what is the best of two evils – diums of six strings, pickups, effects and amplification. is what this album is about.” “From when all ends came loose. Pieces, like mounted in my Amputation, the new album by Stian Westerhus, may be musicianship with rusty bolts, continuously oxidizing their centred on dislocation, loss and melancholia, yet from such way through my skin.” turbulent origins a work of life-affirming catharsis has arrived. His first release for House of Mythology – following a plethora Amputation, however marks new frontiers for this always of acclaimed collaborative and solo work – is a triumph of bold and intrepid pathfinder, encompassing a mission in experimentation and abstraction, marrying a fearless innova- which Westerhus’ ever-evolving exploration of his instrument tive drive with stark emotional resonance. Otherworldly and combines with a series of soundworlds that seamlessly veer exhilarating, it’s the sound of a virtuoso musician throwing from tender melody to bracing electronic edifices of sound to away both caution and co-ordinates and taking a dive into the convey a startlingly articulate speech of the heart. Though unknown, with spellbinding results. existing strictly in its own distinct headspace, the emotive cry of “How Long” – burnished by celestial guitar filigree and “It´s music I’ve dropped to the floor repeatedly, maybe even plaintive falsetto harmonies yet with a refrain that snags in on purpose. -
Omroep Brabant A+B Rotatie Printed on 30-1-2012 10:12
Omroep Brabant A+B Rotatie Printed on 30-1-2012 10:12 Artist Title Year 10 CC Donna 1973 10 CC Dreadlock holiday 1978 10 CC Feel the love 1983 10 CC Food for thought 1983 10 CC Good morning judge 1977 10 CC I'm Mandy fly me 1975 10 CC I'm not in love 1975 10 CC The things we do for love 1976 10 CC The Wall Street shuffle 1974 16 Down Subtle movements 2002 1910 Fruitgum Company Simon says 1968 2 Belgen Lena 1985 2 Unlimited Nothing like the rain 1995 3 Doors Down Here without you 2004 3 J's Bevlogen als vogels 2009 3 J's De stroom 2011 3 J's De weg 2012 3 J's Geloven in het leven 2010 3 J's Hou van mij 2008 3 J's Je vecht nooit alleen 2011 3 J's Kamers van m'n hart 2009 3 J's Kom 2008 3 J's Laatste dag (live) 2009 3 J's Loop met me over zee 2010 3 J's Net alsof 3 J's Toen ik jou vergat 2011 3 J's Vandaag ben ik vrij 2009 3 J's Watermensen 2008 3 J's/Ellen ten Damme Wat is dromen 2010 3T Anything 1996 3T Stuck on you 2004 4 Hero Les fleurs 2001 4 Non Blonds What's up 1993 5000 Volts I'm on fire 1975 77 Bombay street Long way 2012 8 Ball Boppers Huus stut te schudde 98 Degrees/Stevie Wonder True to your heart 1998 A Balladeer Swim with Sam 2006 A Flock Of Seagulls The more you live the more you love 1984 A Flock Of Seagulls Wishing (If I had a photograph of you) 1982 Aaron Neville/Linda Rondstadt Don't know much 1989 Abba Chiquitita 1979 Abba Dancing queen 1976 Abba Does your mother know 1979 Omroep Brabant A+B Rotatie Page 2 Artist Title Year Abba Eagle 1978 Abba Fernando 1976 Abba Gimme! gimme! gimme! (a man after m..