GROUP COGNITION Pin 805 (8:22:39 PM): Concur* GROUP COGNITION Information Science and Technology, Drexel University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Routledge Handbook of Embodied Cognition
THE ROUTLEDGE HANDBOOK OF EMBODIED COGNITION Embodied cognition is one of the foremost areas of study and research in philosophy of mind, philosophy of psychology and cognitive science. The Routledge Handbook of Embodied Cognition is an outstanding guide and reference source to the key philosophers, topics and debates in this exciting subject and essential reading for any student and scholar of philosophy of mind and cognitive science. Comprising over thirty chapters by a team of international contributors, the Handbook is divided into six parts: Historical underpinnings Perspectives on embodied cognition Applied embodied cognition: perception, language, and reasoning Applied embodied cognition: social and moral cognition and emotion Applied embodied cognition: memory, attention, and group cognition Meta-topics. The early chapters of the Handbook cover empirical and philosophical foundations of embodied cognition, focusing on Gibsonian and phenomenological approaches. Subsequent chapters cover additional, important themes common to work in embodied cognition, including embedded, extended and enactive cognition as well as chapters on embodied cognition and empirical research in perception, language, reasoning, social and moral cognition, emotion, consciousness, memory, and learning and development. Lawrence Shapiro is a professor in the Department of Philosophy, University of Wisconsin – Madison, USA. He has authored many articles spanning the range of philosophy of psychology. His most recent book, Embodied Cognition (Routledge, 2011), won the American Philosophical Association’s Joseph B. Gittler award in 2013. Routledge Handbooks in Philosophy Routledge Handbooks in Philosophy are state-of-the-art surveys of emerging, newly refreshed, and important fields in philosophy, providing accessible yet thorough assessments of key problems, themes, thinkers, and recent developments in research. -
From Cognitive Science to Social Epistemology David Alexander Eck University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-12-2015 The ncE ultured Mind: From Cognitive Science to Social Epistemology David Alexander Eck University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy Commons Scholar Commons Citation Eck, David Alexander, "The ncE ultured Mind: From Cognitive Science to Social Epistemology" (2015). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5472 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Encultured Mind: From Cognitive Science to Social Epistemology by David Eck A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Co-Major Professor: Alexander Levine, Ph.D. Co-Major Professor: Stephen Turner, Ph.D. Charles Guignon, Ph.D. Joanne Waugh, Ph.D. William Goodwin, Ph.D. Date of Approval: March 12, 2015 Keywords: enactivism, participatory sense-making, embodied knowledge, tacit knowledge, testimonial knowledge Copyright © 2015, David Eck Dedication To Lauren, whose understanding and support lie quietly between the lines of the many pages that follow. Acknowledgments It is hard to imagine the existence of the following project—never mind its completion—without the singular help of Alex Levine. His scholarship is as remarkable as it is unassuming, only surpassed by his concern for others and readiness to help. -
Kierkegaard and the Funny by Eric Linus Kaplan a Dissertation
Kierkegaard and the Funny By Eric Linus Kaplan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Philosophy in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alva Noë, co-chair Professor Hubert Dreyfus, co-chair Professor Sean D. Kelly Professor Deniz Göktürk Summer 2017 Abstract Kierkegaard and the Funny by Eric Linus Kaplan Doctor of Philosophy in Philosophy University of California, Berkeley Professor Alva Noë, co-chair Professor Hubert Dreyfus, co-chair This dissertation begins by addressing a puzzle that arises in academic analytic interpretations of Kierkegaard’s Concluding Unscientific Postscript. The puzzle arises when commentators try to paraphrase the book’s philosophical thesis “truth is subjectivity.” I resolve this puzzle by arguing that the motto “truth is subjectivity” is like a joke, and resists and invites paraphrase just as a joke does. The connection between joking and Kierkegaard’s philosophical practice is then deepened by giving a philosophical reconstruction of Kierkegaard's definition of joking as a way of responding to contradiction that is painless precisely because it sees the way out in mind. Kierkegaard’s account of joking and his account of his own philosophical project are used to mutually illuminate each other. The dissertation develops a phenomenology of retroactive temporality that explains how joking and subjective thinking work. I put forward an argument for why “existential humorism” is a valuable approach to life for Kierkegaard, but why it ultimately fails, and explain the relationship between comedy as a way of life and faith as a way of life, particularly as they both relate to risk. -
Plasticity and Aesthetic Identity; Or, Why We Need a Spinozist Aesthetics Tom Sparrow
Plasticity and Aesthetic Identity; or, Why We Need a Spinozist Aesthetics Tom Sparrow abstract This essay defends the view that, as embodied, our identities are necessarily dependent on the aesthetic environment. Toward this end, it ex- amines the renewal of the concept of sensation (aisthesis) in phenomenology, but then concludes that the methodology and metaphysics of phenomenology must be abandoned in favor of an ontology that sees corporeal identity as generated by the materiality of aesthetic relations. It is suggested that such an ontology is available in the work of Spinoza, which helps break down the natu- ral/artificial and human/nonhuman distinctions, and can thereby engender an environmental ethics grounded in aesthetic relations. An explication of body/ world dependence is provided via the concept of plasticity and a properly Spinozist aesthetics is invoked, but remains to be worked out. keywords Merleau-Ponty, Levinas, Spinoza, phenomenology, body, em- bodiment, space, plasticity The general conditions of esthetic form […] are objective in the sense of be- longing to the world of physical materials and energies: while the latter do not suffice for an esthetic experience, they are sinea qua non of its existence. – John Dewey, Art As Experience Introduction: Sensation and Identity Among those interested in the history of phenomenology, and the work of Maurice Merleau-Ponty in particular, it is common knowledge that the phenomenology of the body articulated in Phenomenology of Per- ception owes an incredible debt to Edmund Husserl’s second volume of Ideas.1 This is the book where Husserl talks at length about the body. The themes of bodily kinaesthetics and motility, operative intentional- ity, pass ive synthesis – distinctly corporeal acts in Merleau-Ponty’s work – are all taken up from Husserl’s analyses. -
Dreyfus, Matrix
Dreyfus and Dreyfus, “Existential Phenomenology” 1 of 11 Existential Phenomenology and The Brave New World of The Matrix1 Hubert Dreyfus and Stephen Dreyfus The Matrix makes us rethink what we mean by contact with the real world, illusion, freedom, and what is required for human flourishing. Only then will we be in a position to take up the question, raised and answered in the three films, why, if at all, is it better to live in the real world, no matter how impoverished and unstable, than to live in a virtual world that is ordered so as to take care of our needs and let us get on with our everyday lives. I. The Myth of the Inner Thanks to Descartes, we moderns have to face the question: how can we ever get outside of our private inner experiences so as to come to know the things and people in the public external world? While this seems an important question to us now, it has not always been taken seriously. For the Homeric Greeks human beings had no inner life to speak of. All their strong feelings were expressed outwardly. Homer considered it one of Odysseus’ cleverest tricks that he could cry inwardly while his eyes remained dry.2 A thousand years later, people still had no sense of the importance of their inner lives. St. Augustine had to work hard to convince them otherwise. For example, he called attention to the fact that one did not have to read out loud. In his Confessions, he points out that St. -
Final Final 2003 Issue for Print1
ONTOLOGY Existential Phenomenology and the Brave New World of The Matrix By Hubert Dreyfus HE MATRIX RAISES SEVERAL FAMILIAR PHILOSOPHICAL PROBLEMS IN SUCH FAS- cinating new ways that students all over the country are assigning it to their philosophy professors. In so doing, they have offered us a great opportunity to illustrate some of the basic insights of existen- Ttial phenomenology. The Matrix might seem to renew Descartes’s worry that, since all we ever experience are our own inner mental states, we might, for all we could tell, be living in an illusion created by a malicious demon. In that case, most of our beliefs about reality would be false. But there is a way of understanding The Matrix that denies the mediation of mental states and shows those living in the Matrix to be in direct touch with Matrix reality. The Matrix world is public and objective, not a private subjective dream. Still, there is clearly a sense in which the Matrix world, while not merely mental, is not real either. There is after all a demon—the AI intelligences and their computer—that has in some sense fooled all those who accept the reality of the Matrix world. Thus, the film’s account of our situation is even more disturbing than Descartes’s claim that we are each confined to our own mind. The Matrix world is a vivid illustration of Descartes’s additional pre- scient claim that we could never be in direct touch with the real world (if there is one) because we are all what we would now call brains in vats.1 But then, in choosing to leave the Matrix world for the “desert of the real,” Neo and his friends are simply choosing one of two sets of systematic appearances. -
Mind, Body, and World: Resolving the Dreyfus-Mcdowell Debate
MIND, BODY, AND WORLD: RESOLVING THE DREYFUS-MCDOWELL DEBATE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Philosophy By James C. Olsen, M.A. Washington, DC August 19, 2013 Copyright 2013 by James C. Olsen All Rights Reserved ii MIND, BODY, AND WORLD: RESOLVING THE DREYFUS-MCDOWELL DEBATE James C. Olsen, M.A. Thesis Advisor: William Blattner, Ph.D. ABSTRACT In recent years Hubert Dreyfus and John McDowell have engaged one another in several fora, debating the pervasiveness of our conceptual experience. Dreyfus offers arguments unique to the debate over nonconceptual content, claiming that our situated, skillful and embodied engagement with the world (or what he calls skillful coping) is an intentional, personal-level phenomenon that is inappropriate to and in fact serves as a ground for conceptual activity. McDowell responds alternately by defending the conceptual nature of skillful coping, claiming it to be orthogonal to his own conceptualist concerns, or by dismissing the relevance of the normative phenomena to which Dreyfus calls attention. I argue that while McDowell is correct concerning the pervasively conceptual nature of human experience, he and Dreyfus both misunderstand the nature of the phenomena in question. Dreyfus is right to insist on the relevance of our skillful and unreflective bodily practices, but he misunderstands the relationship between coping and language specifically, and hence between coping and conceptuality more generally. This leaves him with a problematic dualism in the nature of human experience and understanding. -
Direct Radical Intuition: Toward An'architecture of Presence'through
Direct Radical intuition: toward an ‘Architecture of Presence’ through Japanese ZEN Aesthetics A thesis submitted to the Graduate School of the University of Cincinnati In the partial fulfillment of the requirements for the degree of Master of Science in Architecture in the Department of Architecture and Interior Design of the College of Design, Architecture, Art and Planning 2011 by Charles Stephen Ellis Bachelor of Science in Environmental Design, Ball State University, 1983 Bachelor of Architecture, Ball State University, 1993 Committee Chair: James Postell, M.Arch Committee Member: Mikiko Hirayama, Ph.D. Direct Radical intuition: toward an ‘Architecture of Presence’ through Japanese ZEN Aesthetics Charles Stephen Ellis University of Cincinnati 2011 ABSTRACT: Currently the field of architectural thinking is steeped in Western discourse. The INTENTIONS of this research are to reveal how ideas of a Direct Radical intuition as an Eastern perspective can be infused into a field of Western dominated architectural thinking paradigm. This investigation into the landscape of architectural theory proposes that a study of Japanese Zen Buddhist aesthetics through ‘Direct Radical intuition’ will draw us toward an ‘Architecture of Presence.’ The formation of Japanese philosophical and religious thoughts will go through EXPLORATIONS culminating in two Buddhist principles; wabi (beautiful poverty) through chadō, or ‘the way of tea’ and ki (life force) through aikido , or ‘the way of harmony’ that were absorbed by Zen. Additionally, an examination of selected Western philosophical thought in Phenomenology and Post Modernism that aligns with or is contrary to aesthetics of Zen will be used to further clarify the ASSOCIATIONS to these principles. Finally, an analysis of selected projects by Japanese architect Tadaō Andō will further reveal how the proclivity toward aesthetic principles of Zen can illuminate CONNECTIONS for a visible architectural expression. -
'Things Seen and Unseen': the Logic of Incarnation in Merleau-Ponty's
‘Things Seen and Unseen’ The Logic of Incarnation in Merleau-Ponty’s Ontology of Flesh ORION EDGAR Thesis Submitted to the University of Nottingham For the degree of Doctor of Philosophy DECEMBER 2012 Abstract My thesis here is that Merleau-Ponty’s ontology of flesh, in its development, suggests a logic of incarnation which carries philosophical ontology beyond entrenched dualisms, and offers to Christian theology a route away from dualistic compromises and back to its own deepest insight. I set out first to develop Merleau-Ponty’s fleshly ontology by tracing its roots in his early thought on the reversibility of perception, which installs the perceiver at the heart of a world with which he is engaged and on which he depends; this relationship is grounded in the elemental faith of perception. I develop this perceptual understanding with reference to eating as a mode of perception; hunger joins our biological needs to their imaginative develop- ment, and Man, the hungry animal, transforms his desire, and thus his world. I show how dualistic ontologies are grounded in a geometrical conception of nature which founds a notion of God as removed from the world in the absolute distance of the geometer from geometry, and argue that this mathematisation of nature is hypostasised in the modern understanding of vision. I develop a counter-understanding which liberates the seer from his incarceration in immobility, emphasising that sight depends on movement and on its imbrication with the other senses, involving us in a world of existential significance, and suggesting a partial recovery of the extramission and species theories of sight. -
Plastic Bodies: Rebuilding Sensation After Phenomenology Tom Sparrow Tom Sparrow Plastic Bodies: Rebuilding Sensation After Phenomenology
Plastic Bodies: Rebuilding Sensation After Phenomenology Tom Sparrow Plastic Bodies: Rebuilding Sensation After Phenomenology Sensation Rebuilding Plastic Bodies: With a foreword by Catherine Malabou This is the third book by Tom Sparrow, the author Sparrow Tom of Levinas Unhinged (Zero Books, 2013) and The End of Phenomenology (Edinburgh University Press, 2014). Whereas most contemporary treatments of phenomenology approach it in a spirit of either servitude or disdain, Sparrow is cut from a different cloth. While deeply sympathetic to the historical aims of phenomenology, Sparrow opposes the first-person orientation of the phenomenological method and its often unsatisfactory account of embodiment. Plastic Bodies aims to reconstruct the unpopular concept of sensation in the wake of the rescue efforts made by Maurice Merleau-Ponty and Emmanuel Levinas. OPEN HUMANITIES PRESS Cover design by Katherine Gillieson · Illustration by Tammy Lu Plastic Bodies: Rebuilding Sensation After Phenomenology New Metaphysics Series Editors: Graham Harman and Bruno Latour The world is due for a resurgence of original speculative metaphysics. The New Metaphys- ics series aims to provide a safe house for such thinking amidst the demoralizing caution and prudence of professional academic philosophy. We do not aim to bridge the analytic- continental divide, since we are equally impatient with nail-filing analytic critique and the continental reverence for dusty textual monuments. We favor instead the spirit of the intel- lectual gambler, and wish to discover and promote authors who meet this description. Like an emergent recording company, what we seek are traces of a new metaphysical ‘sound’ from any nation of the world. The editors are open to translations of neglected metaphysical classics, and will consider secondary works of especial force and daring. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Kierkegaard and the Funny Permalink https://escholarship.org/uc/item/2np978rn Author Kaplan, Eric Linus Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Kierkegaard and the Funny By Eric Linus Kaplan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Philosophy in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alva Noë, co-chair Professor Hubert Dreyfus, co-chair Professor Sean D. Kelly Professor Deniz Göktürk Summer 2017 Abstract Kierkegaard and the Funny by Eric Linus Kaplan Doctor of Philosophy in Philosophy University of California, Berkeley Professor Alva Noë, co-chair Professor Hubert Dreyfus, co-chair This dissertation begins by addressing a puzzle that arises in academic analytic interpretations of Kierkegaard’s Concluding Unscientific Postscript. The puzzle arises when commentators try to paraphrase the book’s philosophical thesis “truth is subjectivity.” I resolve this puzzle by arguing that the motto “truth is subjectivity” is like a joke, and resists and invites paraphrase just as a joke does. The connection between joking and Kierkegaard’s philosophical practice is then deepened by giving a philosophical reconstruction of Kierkegaard's definition of joking as a way of responding to contradiction that is painless precisely because it sees the way out in mind. Kierkegaard’s account of joking and his account of his own philosophical project are used to mutually illuminate each other. The dissertation develops a phenomenology of retroactive temporality that explains how joking and subjective thinking work. -
Sensation Rebuilt: Carnal Ontology in Levinas and Merleau-Ponty Tom Sparrow
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2010 Sensation Rebuilt: Carnal Ontology in Levinas and Merleau-Ponty Tom Sparrow Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Sparrow, T. (2010). Sensation Rebuilt: Carnal Ontology in Levinas and Merleau-Ponty (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1228 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. SENSATION REBUILT: CARNAL ONTOLOGY IN LEVINAS AND MERLEAU-PONTY A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Tom Sparrow May 2010 Copyright by Tom Sparrow 2010 SENSATION REBUILT: CARNAL ONTOLOGY IN LEVINAS AND MERLEAU-PONTY By Tom Sparrow Approved November 19, 2009 ________________________________ _______________________________ Fred Evans Daniel Selcer Professor of Philosophy Associate Professor of Philosophy (Committee Chair) (Committee Member) ________________________________ _______________________________ George Yancy Silvia Benso Associate Professor of Philosophy Professor of Philosophy (Committee Member) (Committee Member) ________________________________ _______________________________