RIVERDANCE the Hit Dance Show in Vancouver April 14, 2018 - 3 Days

Total Page:16

File Type:pdf, Size:1020Kb

RIVERDANCE the Hit Dance Show in Vancouver April 14, 2018 - 3 Days RIVERDANCE The hit dance show in Vancouver April 14, 2018 - 3 Days Fares Per Person: $625 double/twin $780 single $595 triple > Please add 5% GST. Early Bookers: $30 discount on first 15 seats; $15 on next 10 > Experience Points: Earn 14 points from this tour. Includes • Coach transportation for 3 days • Knowledgeable tour director • 2 nights of accommodation and hotel taxes • Luggage handling at hotel • Bloedel Floral Conservatory • 2 meals: 2 lunches • Ticket to Riverdance at Queen Elizabeth Theatre Riverdance Riverdance originated in an annual ritual called the Eurovision Song Contest which featured one act from each nation in Europe. With the glittering evening to be held in Dublin in 1994, producer Moya Doherty asked composer Bill Whelan to create a piece which would fill the seven-minute lapse when the judges made their decision. Whelan composed a variation on an act crafted for performance in the Irish Pavilion at the 1992 Seville World’s Fair. The reaction to the brief piece, a triumph of rhythm and percussion, was electric. Whelan’s folk-based tunes topped the music charts and stayed there for 18 weeks. Both Doherty and Dublin were soon demanding a full concert-length version of Riverdance. It was performed first in Dublin, then in London and New York, and there are now troupes continuously touring the world. Riverdance is a different kind of show to the other favourite, Lord of the Dance. It relies on moods and forms of traditional Irish, Spanish, and eastern European music. It is intended to be played by a dance company and a few soloists. The star of Lord of the Dance, Michael Flatley, used to be the star of Riverdance, but quit the show in 1995 during a contract dispute and formed his own dance troupe. Now in its 22nd phenomenal year, Riverdance has touched the hearts of some 25 million people around the world. In 2013, a record was set when a line of 1,693 dancers from 44 countries danced to Riverdance on a bridge over Dublin’s River Liffey. Come and enjoy Riverdance when it triumphantly returns to the Queen Elizabeth Theatre in Vancouver. Itinerary Saturday, April 14: Meals: L Transportation is provided to the Queen Elizabeth We drive to Vancouver and stay two nights at the Theatre, and the curtain rises for Riverdance at 2 Century Plaza Hotel downtown on Burrard Street. pm. Excellent seating has been reserved in Centre Orchestra rows 18 to 21. Your seat is assigned Sunday, April 15: according to the order you booked for this tour. There are two options offered this morning: (1) Bloedel Floral Conservatory in Queen Elizabeth Monday, April 16: Meals: L Park. The triodetic dome was erected in 1969 and We travel home to the Okanagan and Kamloops. named for one of its biggest donors, Prentice Bloedel of MacMillan Bloedel Lumber Company. The conservatory contains three habitats: tropical rainforest, subtropical rainforest, and desert. Over 200 birds of various species reside within the dome and are allowed to fly free. The conservatory houses about 500 species of plants from jungle to desert climates. Admission is included in tour fare. (2) Granville Island offers a great variety of arts and crafts shops, and an enticing public market. Your fare is reduced $6 per person for this option. Tour Policies Payments: A deposit of $150 per person is requested at the time of booking and the balance is due February 27, 2018. Discounts: Early bookers receive $30 discount on first 15 seats and $15 on next 10 seats for booking early with deposit. The discount is not offered after February 27. Cancellation Policy: Up to January 11, your tour payments will be refunded less an administrative charge of $50 per person. From January 12 to February 27, the cancellation charge is $100 per person. From February 28 to March 30, the cancellation charge is 50% of the tour fare. After March 30, there is no refund. Fare Changes: Changes to taxes and surcharges from tour suppliers can occur at any time and are beyond the control of Wells Gray Tours, therefore Wells Gray Tours reserves the right to increase fares due to such changes up until the time of departure. Travel Insurance: A Comprehensive Insurance policy is available through Wells Gray Tours and coverage is provided by Travel Guard. Policies purchased at deposit include a waiver of the pre-existing condition clause for medical and cancel- lation claims, otherwise policies can be purchased no later than at final payment. Please contact us for details. Photo Credit: Riverdance.com Activity Level: Light activity including short distances to walk and some steps to your seat in the Queen Elizabeth Thea- tre. The coach cannot carry a scooter. If you think you may have difficulty participating in Activity Level 1, Wells Gray Tours recommends that you bring a companion to assist you. The tour director and driver have many responsibili- ties, so please do not expect them, or your fellow travellers, to provide ongoing assistance. e-points: This tour earns 14 e-points. Each time you travel on a Wells Gray tour, you earn Experience Points, or e-points. One e-point equals $1. Redeem your points on select tours or accumulate enough points to earn a free tour (redeem by February 27 to get this tour free). Consumer Protection BC Licences: Kamloops 178, Vernon 655, Kelowna 588, Penticton 924 .
Recommended publications
  • MUSIC of IRELAND Fact Sheet PRESS FINAL
    Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music
    [Show full text]
  • RTÉ Annual Report 2014
    Annual Report & Group Financial Statements 2014 Raidió Teilifís Éireann Board 54th Annual Report and Group Financial Statements for the twelve months ended 31 December 2014, presented to the Minister for Communications, Energy and Natural Resources pursuant to section 109 and 110 of the Broadcasting Act 2009. Is féidir leagan Gaeilge den Tuarascáil a íoslódáil ó www.rte.ie/about/ie/policies-and-reports/annual-reports/ 2 CONTENTS Vision, Mission and Values 2 A Highlights 3 Chair’s Statement 4 Director-General’s Review 6 Financial Review 10 What We Do 16 Organisation Structure 17 Operational Review 18 Board 84 B Executive 88 Corporate Governance 90 Board Members’ Report 95 Statement of Board Members’ Responsibilities 96 Independent Auditor’s Report 97 Financial Statements 98 C Accounting Policies 105 Notes Forming Part of the Group Financial Statements 110 Other Reporting Requirements 149 Other Statistical Information 158 Financial History 159 RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 1 RTÉ’S DirecTOR-GENERAL has SET RTÉ’S VISION, MISSION AND VALUes STATEMENT Vision RTÉ’s vision is to enrich Irish life; to inform, entertain and challenge; to connect with the lives of all the people. Mission • Deliver the most trusted, independent, Irish news service, accurate and impartial, for the connected age • Provide the broadest range of value for money, quality content and services for all ages, interests and communities • Reflect Ireland’s cultural and regional diversity and enable access to major events • Support and nurture Irish production and Irish creative talent Values • Understand our audiences and put them at the heart of everything we do • Be creative, innovative and resourceful • Be open, collaborative and flexible • Be responsible, respectful, honest and accountable to one another and to our audiences 2 HIGHLIGHTS A RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 3 CHAIR’S STATEMENT The last year has been one of transition for RTÉ and for its Board.
    [Show full text]
  • About More2screen
    PRESENTS ABOUT MORE2SCREEN More2Screen is a leading distributor of Event Cinema with an unparalleled reputation for the delivery of great cinema events to audiences around the world. Founded in 2006 by CEO Christine Costello, it has been a global pioneer in the harnessing of digital technology to bring the very best in live music, performance arts and cultural entertainment to local cinema audiences. More2Screen won the Screen Award ‘Event Cinema Campaign of the Year’ category in 2018 for the live broadcast of the musical Everybody’s Talking About Jamie, and recent releases include Kinky Boots The Musical, Gauguin from the National Gallery, London, Matthew Bourne’s FILMED LIVE AT THE 3ARENA, DUBLIN Romeo & Juliet and 42nd Street The Musical. RUNNING TIME: 120 minutes (Part 1 55 minutes / Interval 5 minutes / For more information visit More2Screen.com Interval Feature 8 minutes / Part 2 52 minutes) BBFC: U Share your thoughts after the screening #Riverdance25Cinema @Riverdance / @More2Screen BRINGING MORE CHOICE TO YOUR CINEMA Live and recorded theatre, opera, @more2screen ballet, music & exhibitions CAST PRODUCTION Composer Producer Director Riverdance Mide Ni Bhaoill Riverdance Bill Whelan Moya Doherty John McColgan Irish Dance Troupe Andrew O’Reilly Flamenco Soloist Senior Executive Producer Tomas O’Se Rocio Montoya Julian Erskine Principal Dancers Natasia Petracic Bobby Hodges and Callum Spencer Riverdance Poetry and Music Amy-Mae Dolan Megan Walsh Russian Ensemble Riverdance Poetry - Theo Dorgan Peter Wilson dance captain Spoken by
    [Show full text]
  • School Show Study Guide
    420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom.
    [Show full text]
  • Copyright by Colleen Anne Hynes 2007
    Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger.
    [Show full text]
  • Download 2015 Lending Library (PDF)
    AETN Foundation Ambassadors Circle Lending Library The Lending Library is open only to Ambassadors Circle members and can be accessed by calling Karen Cooper at 1-800-662-2386, or 1-501-730-9310, or by emailing [email protected]. Each program listed is available on a first-come, first-served basis and has a two-week loan period. AETN Productions - DVD AETN Presents: Front Row with Trout Fishing in America – My Best Day (2006) – DVD There is no better way to experience Trout Fishing in America than LIVE in concert. My Best Day is just that . A live family concert with Grammy- nominated recording artists Keith Grimwood (bass), Ezra Idlet (guitar) with special guest, multi-instrumentalist Fred Bogert. Intelligent, witty and fun, their music cuts across the generations from toddlers to grandparents bringing them together with songs full of the extraordinary as well as the everyday things that make life great! Arkansas Nature Trilogy (2003) – DVD This DVD contains three special programs featuring the scenic beauty of the Natural State: Arkansas Serenade, Arkansas’ Natural Wonders, and An Arkansas Autumn. With no narration, only inspiring music and the symphony of nature, these three programs celebrate Arkansas’ diversity of landscapes and the majesty of the seasons. 90 minutes. Bayou Bartholomew – World’s Longest Bayou (2013) DVD From its meager beginnings in a fern-laden area near Pine Bluff, Arkansas – Bayou Bartholomew has the unique distinction of being the longest bayou in the world. It stretches for 359 miles before emptying in the Ouachita River near Sterlington, LA. It’s one of the most diverse streams in North America, containing 117 species of fish and 197 birds.
    [Show full text]
  • 0-Start File
    Riverdance as Music Adrian Scahill Riverdance: Representing Irish Traditional Music As the archetypal example of the globalization and commodification of Ireland and Irish culture, 1 Riverdance can justly be described as one of the emblems for the now rapidly fading Celtic Tiger. 2 The show also was arguably one of the pri - mary catalysts in the transformation of Irish traditional music from a primar - ily geographically (and ethnically) situated music into what Mark Slobin has described as an “affinity interculture.” 3 Now, participation in the music is gov - erned by choice, and the possibility of “becoming Irish music” is open to all. 4 This connection between the show and the tradition has been utilized and emphasized in a range of contexts, from tourist promotional literature 5 to aca - demic course descriptions and writing. 6 The link with tradition has also been adverted to by its composer Bill Whelan himself. 7 In the show’s promotional material, Sam Smyth’s description of Riverdance as a “two-hour celebration of traditional music and dance” appears to conflate the two. 8 In the same vein, Fin - tan O’Toole has noted that what “made Riverdance so exhilarating was the 1. G. Honor Fagan, “Globalized Ireland, or, Contemporary Transformations of National Identity?” in The End of Irish History? Critical Approaches to the Celtic Tiger , ed. Colin Coulter and Steve Cole - man (Manchester: Manchester University Press, 2003 ), p. 114 –17 . 2. See: Denis O’Hearn, Inside the Celtic Tiger: The Irish Economy and the Asian Model (London: Pluto Press, 1998 ), p. 117 ; P. J. Mathews, “In Praise of ‘Hibernocentrism’: Republicanism, Global - ization and Irish Culture,” The Republic: A Journal of Contemporary and Historical Debate , 4 (2005 ), 9–10 .
    [Show full text]
  • Kimmel Center Cultural Campus Presents Riverdance – 25Th Anniversary Show
    Tweet it! You don’t have to be Irish to come celebrate @Riverdance 25th Anniversary Show @KimmelCenter 1/21-26, as part of #BWYPHL 2019-20 season. More info at kimmelcenter.org. #ArtHappensHere Press Contacts: Lauren Woodard Carole Morganti, CJM Public Relations (215) 790-5835 (609) 953-0570 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS RIVERDANCE – 25TH ANNIVERSARY SHOW 25 BREATHTAKING YEARS. ONE WORLDWIDE PHENOMENON. THE INTERNATIONAL IRISH DANCE PHENOMENON RETURNS TO PHILADELPHIA, JANUARY 21 – 26 AT THE MERRIAM THEATER ON THE KIMMEL CENTER CULTURAL CAMPUS “A family evening unlike anything else!” – THE TIMES OF LONDON “The show is quite simply incredible. A phenomenon of historic proportions.” – THE WASHINGTON TIMES “Triumphant! A perfect Gem.” – NEW YORK POST FOR IMMEDIATE RELEASE (Philadelphia, PA, November 21, 2019) – Abhann Productions is proud to announce that Riverdance – 25th Anniversary Show will be presented by the Kimmel Center Cultural Campus in a strictly limited engagement at the Merriam Theater from January 21 – 26, 2020, as part of the Kimmel Center’s Broadway Philadelphia 2019-20 season and the 2019-20 Family Discovery Series. “We are so excited to once again present this iconic troupe in Philadelphia and, this year, as part of our ongoing family-friendly Family Discovery Series,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “The 25th anniversary show is a testament to the ongoing popularity and success of a phenomenal production, touting the iconic dancing known around the world and its Grammy Award-winning score. Presented in conjunction with productions like Nick Jr.
    [Show full text]
  • Globalising Irish Music.Pdf
    Bill Whelan, Globalising Irish Music UCDscholarcast Series 1: (Spring 2008) ________________________________ The Art of Popular Culture: From ‘The Meeting of the Waters’ to Riverdance Series Editor: P.J. Mathews © UCDscholarcast UCDscholarcast 1 Bill Whelan, Globalising Irish Music Bill Whelan Globalising Irish Music One of the duties an author, performer or composer undertakes when travelling around the world in advance or in the wake of a production is to face the media. Such has been my experience with Riverdance. Sitting in stuffed rooms in Sydney or Seattle or stretched on soft settees in say, Stockholm, I have been asked an amazing array of questions. Over the thirteen years of the life of this show I have been rendered mute by questions such as (in London): ‘how many pairs of tights does Riverdance go through in an evening?’. That one gave me some pause for thought, but not as much as the question I was asked in Tokyo when we first went there. Through an interpreter a Japanese journalist probingly inquired if I felt that the album Ó Ríada sa Gaiety was an important influence in changing the course of Irish traditional music. These kinds of questions have demonstrated to me over the years the variety of responses that people have to what was actually the same musical or theatrical experience. To progress a bit further on the theme of artistic intent versus audience response—in France I recall a press conference where a few journalists were pushing me to interpret Riverdance as an Irish Nationalistic cultural response to years of British domination.
    [Show full text]
  • Hello1338 Todo Baja
    THROWING OPEN THE DOORS OF HIS OPULENT FAMILY HOME IN IRELAND MICHAEL FLATLEY REVEALS WHY HE IS READY TO HANG UP HIS DANCE 6 SHOES AFTER 20 YEARS IN THE SPOTLIGHT HELLO1338p006-019.indd 6 18/07/14 17:46 ‘People don’t realise how different my life is to what it’s like on stage. That’s why I seek this kind of peace and tranquillity. This is our real life’ Michael and his wife Niamh relax in the grounds of the 18th-century CastleHyde in the dance legend’s spiritual home of Ireland. Set in 150 acres, it’s the perfect family hideaway to bring up their seven-year-old son Michael St James (inset above left, with his parents). “People say, ‘Oh, it’s so big.’ I don’t see it like that,” says the 7 Riverdance star. “Yes it’s a large house, but it’s a home – a family home” HELLO1338p006-019.indd 7 18/07/14 17:47 ‘It was my dream to have an Irish home. As soon as I saw it, I could feel the little hairs going up on my neck’ t seems fitting that Lord of the IDance Michael Flatley should live in a stately home with a magni!cent staircase, down which both Fred Astaire and Michael Jackson have tripped the light fantastic. When the Irish-American dance superstar bought CastleHyde, a majestic four-storey mansion in Co. Cork, he was delighted to learn that the fabled Hollywood dancer and his sister Adele were regular house- guests in the 1930s.
    [Show full text]
  • Riverdance - the 20Th Anniversary World Tour
    NOVEMBER 20, 2017 For Immediate Release National Press Contact: Matt Polk, Wayne Wolfe, Colgan McNeil, Kelly Stotmeister [email protected] Denise M. Abbott, Broadmoor World Arena and Pikes Peak Center, [email protected], 719.930.3608 (cell) RIVERDANCE - THE 20TH ANNIVERSARY WORLD TOUR THE INTERNATIONAL IRISH DANCE PHENOMENON TO PLAY PIKES PEAK CENTER MARCH 27-29, 2018 Tickets on sale Friday, November 24, 2017 COLORADO SPRINGS, Colorado – November 20, 2017 – Producer Moya Doherty is proud to announce that Riverdance - The 20th Anniversary World Tour, back by popular demand, will play a strictly limited engagement at Pikes Peak Center from Tuesday, March 27 through Thursday, March 29, 2018. Tickets for the international Irish dance phenomenon will be on sale beginning Friday, November 24, 2017 and start at $45.00 in price. Celebrating an extraordinary milestone for an incredible show, The Edinburgh Evening News in Edinburgh, Scotland, raves about Riverdance - The 20th Anniversary World Tour, “As for the flaws? Well, there simply aren’t any. Here’s to another 20 years!” Riverdance - The 20th Anniversary World Tour is composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan. Riverdance - The 20th Anniversary World Tour will feature new costumes, new lighting, new projections and the addition of a brand new number, “Anna Livia,” featuring the female members of the Irish dance troupe in an a cappella, hard-shoe number. For the complete Riverdance - The 20th Anniversary World Tour North American tour schedule please visit www.Riverdance.com. “The success of Riverdance across the whole world has gone beyond our wildest dreams,” said Doherty.
    [Show full text]
  • Ingrid and Anna
    PRODUCENT: ANNA SWANTESSON PROJEKTLEDARE: CHARLOTTE SIFVERT PROGRAMNR: 102105/ra12 My Secret Land 12 Ingrid and Anna Script and Word list Signature Music "I Still Haven't Found What I'm Looking For" by U2 Ingrid: Hi, my name is Ingrid Sjöstrand-Needham. I’m 10 years old and I’m from a country which sometimes is called the green island ö island. Anna: Hi, I’m Anna, I’m Ingrids older sister and I’m 14. And yes, our country is actually pretty green. It never snows in our country, I guess that’s why it’s so green. Ingrid: But it snowed last winter! Anna: It did snow, but it’s mostly cloudy, cloudy, rainy and cloudy molnigt cloudy again. It’s no holiday paradise exactly! Music “Reel around The Sun” by Bill Whelan, Riverdance. Sound effects: Football Ingrid: We both play a sport called Gaelic Football. It’s the biggest sport here and it’s even more popular than what you would call soccer or football. Sounds: Gaelic Football match, radio commentator. Anna: In Gaelic Football you can use both your hands and side lag feet. There are 15 players on each side and the goal kind of score göra mål looks like the letter “H”. You get one point if you score over the letter bokstav horizontal bar, and three points if you score under the bar, into the net. Ingrid and Anna sing Ingrid: If we would become really good in Gaelic Football, we’d born född play for the Dublin team. That’s where I was born and it’s also the capital of our country.
    [Show full text]