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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
The Story and Its Writer
CONTENTS Preface v Introduction: Te Story and Its Writer 1 Part One: Stories 7 Sherman Alexie, Te Lone Ranger and Tonto Fistfght in Heaven 9 Isabelle Allende, An Act of Vengeance 15 RELATED CASEBOOK: Jorge Luis Borges, Borges and I, 1020; Alejo Car- pentier, On the Marvelous Real in America, 1022; Alejo Carpentier, Te Baroque and the Marvelous Real, 1024; Luis Leal, Magical Realism in Spanish American Literature, 1026; William Gass, Te First Seven Pages of the Boom, 1028; Ursula K. Le Guin, Te Kind of Fiction Most Charac- teristic of Our Times, 1030; Mario Vargas Llosa, Te Prose Style of Jorge Luis Borges and Gabriel García Márquez, 1034 Sherwood Anderson, Hands 22 RELATED COMMENTARY: Sherwood Anderson, “Form, Not Plot, in the Short Story,” 878 Margaret Atwood, Happy Endings 27 RELATED COMMENTARY: Margaret Atwood, “Reading Blind,” 881 James Baldwin, Sonny’s Blues 31 RELATED COMMENTARY: James Baldwin, Autobiographical Notes, 884 Toni Cade Bambara, Te Lesson 55 RELATED STORY: ZZ Packer, Brownies, 740 Russell Banks, Black Man and White Woman in Dark Green Rowboat 62 RELATED STORY: Ernest Hemingway, Hills Like White Elephants, 416 Ann Beattie, Janus 69 Ambrose Bierce, An Occurrence at Owl Creek Bridge 73 Jorge Luis Borges, Te South 82 RELATED CASEBOOK: Jorge Luis Borges, Borges and I, 1020; Alejo Car- pentier, On the Marvelous Real in America, 1022; Alejo Carpentier, Te xi 00_CHA_6555_FM_i-xx.indd 11 11/06/14 2:46 PM xii CONTENTS Baroque and the Marvelous Real, 1024; Luis Leal, Magical Realism in Spanish American Literature, 1026; William Gass, Te First Seven Pages of the Boom, 1028; Ursula K. -
A. Scholarships
A. Scholarships St. Thomas University recognizes academic excellence through a generous scholarship program. The university offers a wide range of entrance awards to highly qualified students admitted on the basis of their high school records, as well as numerous scholarships-in- course to continuing students who have achieved academic distinction at St. Thomas. Entrance Scholarships The Entrance Scholarship program is competitive and is designed to attract outstand- ing scholars to the St. Thomas University campus. Except when otherwise specified, the entrance awards are open to candidates for full-time admission to the first year of the Bachelor of Arts program who are applying on the basis of their high school records. 1. Selection Criteria In selecting entrance scholarship recipients, the primary criterion considered by the Entrance Scholarship Selection Committee is the academic record. The Committee reviews the following: • admission average • Grade 12 program: courses and levels • rank in graduating class • program and performance in grade 11 Note: The admission average is calculated on the senior-level academic English grade and the grades on four other Grade 12 academic courses drawn from our list of approved admis- sions subjects. For details, please consult Section One, Admissions and Registration. At mid year, the admission averages for scholarship purposes is calculated on the overall av- erage of final grades on Grade 11 academic subjects, as well as final first-semester results or mid-year results (for non-semestered schools) on Grade 12 academic subjects. Other factors considered include: • a reference letter from a teacher, principal or guidance counsellor In addition to the academic selection criteria, the following criteria are considered in award- ing some entrance scholarships: • leadership qualities • extracurricular activities • financial status 2. -
Alice Munro and the Anatomy of the Short Story
Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master -
Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
MS ATWOOD, Margaret Papers Coll
MS ATWOOD, Margaret Papers Coll. 00127L Gift of Margaret Atwood, 2017 Extent: 36 boxes and items (11 metres) Includes extensive family and personal correspondence, 1940s to the present; The Handmaid’s Tale TV series media; Alias Grace TV series media; The Heart Goes Last dead matter; appearances; print; juvenilia including papier mache puppets made in high school; Maternal Aunt Joyce Barkhouse (author of Pit Pony and Anna’s Pet), fan mail; professional correspondence and other material Arrangement note: correspondence was organized in various packets and has been kept in original order, rather than alphabetical or chronological order Restriction note: Puppets are restricted due to their fragility (Boxes 26-29). Box 1 Family correspondence, 1970s-1980s: 95 folders Parents (Carl and Margaret Eleanor Atwood) Aunt Kae Cogswell Aunt Ada Folder 1 Mother to Peggy and Jim ALS and envelope January 2, 1969 [sic] 1970 Folder 2 Mother to Peggy and Jim ALS and envelope March 30, 1970 Folder 3 Mother to Peggy and Jim TLS and envelope April 21, 1970 Folder 4 Mother to Peggy and Jim TLS and ALS, envelope April 29, 1970 Folder 5 Mother to Peggy and Jim ALS August 20, 1970 Folder 6 Mother to Peggy and Jim ALS September 6, 1970 Folder 7 Mother to Peggy and Jim TLS, ANS and envelope September 17, 1970 1 MS ATWOOD, Margaret Papers Coll. 00127L Folder 8 Mother to Peggy ALS September 19, 1970 Folder 9 Dad to Peggy ALS September 26, 1970 Folder 10 Mother to Peggy and Jim TLS (stamps) and envelope October 14, 1970 Folder 11 Mother to Peggy and Jim ALS November 10, 1970 Folder 12 Mother to Peggy ALS November 15, 1970 Folder 13 Mother to Peggy and Jim ALS December 20, 1970 Folder 14 Mother to Peggy and Jim TLS and envelope December 27, 1970 Folder 15 Mother to Peggy and Jim TLS and envelope January 8, 1971 Folder 16 Mother to Peggy and Jim TLS and envelope January 15, 1971 Folder 17 Mother to Peggy and Jim TLS January 20, 1971 TLS and envelope January 27, 1971 Folder 18 Mother to Peggy ALS and envelope November 25, 1973 2 MS ATWOOD, Margaret Papers Coll. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Death, Animals, and Ethics in David Bergen's the Time in Between
Document generated on 09/26/2021 1 p.m. Studies in Canadian Literature / Études en littérature canadienne Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins Volume 38, Number 1, 2013 URI: https://id.erudit.org/iderudit/scl38_1art013 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Mullins, K. (2013). Death, Animals, and Ethics in David Bergen’s The Time in Between. Studies in Canadian Literature / Études en littérature canadienne, 38(1), 248–266. All rights reserved, ©2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins eath is a dominating presence in David Bergen’s Giller Prize-winning novel The Time in Between (2005). Although Charles Boatman’s suicide lies at the centre of the narrative, Dthe novel — and Charles himself — is also haunted by other deaths: the death of Charles’s ex-wife, Sara, the deaths of innocents in Vietnam, and the deaths of animals. It rotates around various absences and, as is frequently the case in Bergen’s fiction, highlights individual suffering and alienation within the family unit1: Charles returns to Vietnam in the hope of ascribing meaning to the “great field of nothing” that he has experienced since the war (38), while two of his children, Ada and Jon, travel to Vietnam to search for their missing father only to discover he has committed suicide. -
Urban Archaeology in Michael Redhill's Toronto Novel Consolation
Urban Archaeology in Michael Redhill’s Toronto Novel Consolation Meeria Vesala University of Tampere Faculty of Communication Sciences Master’s Programme in English Language and Literature MA Thesis May 2018 Tampereen yliopisto Viestintätieteiden tiedekunta Englannin kielen ja kirjallisuuden maisterikoulutus VESALA, MEERIA: Urban Archaeology in Michael Redhill’s Toronto Novel Consolation Pro Gradu -tutkielma, 117 sivua + lähdeluettelo Toukokuu 2018 Tutkielmani käsittelee urbaanin arkeologian tematiikkaa ja arkeologian metaforista sekä käsitteellistä merkitystä kanadalaisessa kaupunkikirjallisuudessa. Tutkimusaineistoni keskiössä on Michael Redhillin Torontoon sijoittuva historiallinen kaupunkiromaani Consolation (2006), jota analysoin ensisijaisesti kirjassa esitetyn tarinan ilmentämän tilallisuuden kautta. Romaanin tapahtumat eivät ole ainoastaan sidoksissa tiettyyn aikaan (1857/1997) ja paikkaan (Toronto), kuten kirjallisuudentutkimuksessa on usein tapana ymmärtää, vaan lähtökohtaisesti itse ympäristö tuottaa tilallisia tapahtumaketjuja, jotka ohjaavat kaupunkilaisten tottumuksia, tuntemuksia ja toimintaa eri elämänalueilla. Romaanin urbaani tila, miljoonakaupunki Ontario-järven rannalla, on havainnollistava esimerkki ajan ja paikan jatkuvasta yhteentörmäyksestä ja muutoksesta, joka on nähtävissä niin todellisen kuin kuvitellun kaupungin kuvassa. Toronton muodonmuutos pienestä rajaseudun kylästä tunnetuksi maailman metropoliksi viimeisen puolentoista vuosisadan aikana viestittää paikan ainutlaatuisesta olemuksesta ja luonteesta, minkä -
Canada's Façade of Equality: Austin Clarke's More Mary Ma
Ma, “Canada’s Façade of Equality” 11 Canada’s Façade of Equality: Austin Clarke’s More Mary Ma Canada is known as a haven for immigrants. Canadian migrants, their children, and their grandchildren live in the diaspora, a physical community who “acknowledge that ‘the old country’ […] always has some claim on their loyalty and emotions” (Cohen qtd. McLeod 237) and carry a fractured sense of identity through “living in one country but looking across time and space to another” (McLeod 237). Canada prides itself as a multicultural nation that champions inclusivity, diversity, and equality. However, it seems Canada’s often glorified multiculturalism is little more than “a media mask, […] a public advertising campaign” (McLeod 262). This façade seems to be promoted by Canadian media, government, and society to perpetuate an illusion of equality while concurrently “ignor[ing] the underlying and continuing inequalities and prejudices that blight the lives of diasporic peoples” (McLeod 262). In the novel More, Austin Clarke incisively exposes the implicit systemic and societal racism festering in Canada, while also exposing the psychological complexities of living in the diaspora. In More, Clarke unmasks Canada’s systemic discrimination which has long allowed Canadian employers to retain power while subjugating vulnerable immigrant workers. Clarke delineates this systemic racism by describing the limited employment opportunities immigrants, especially Black immigrants, have in Canada. In the novel, Bertram is an apprentice mechanic in Barbados. Upon his arrival in Canada, he earnestly pursues a job in his specialized field. However, “after two months of single-minded perusal of the pages that advertised hundreds of jobs, skilled and unskilled, that related to repairing cars” (Clarke 67), Bertram abandons his dream. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
25 Books That Are Going to Make a Splash This Fall | the Star
9/7/2018 25 books that are going to make a splash this fall | The Star Sign In EntertainmentBooks 25 books that are going to make a splash this fall By DEBORAH DUNDAS Books Editor Fri., Aug. 31, 2018 The fall season started early this year with so many publishers getting a jump and bringing out some of the biggest books of the season in August: Miriam Toews’ Women Talking, Craig Davidson’s The Saturday Night Ghost Club, Vivek Shraya’s I’m Afraid of Men, Rawi Hage’s Beirut Hellire Society, Richard Wagamese’s Starlight and Esi Edugyan’s Washington Black among many others. Still, from September onward, there’s plenty to talk about. Here are just a few of the books we think are going to make a splash. With fall comes a new crop of books (SHUTTERSTOCK) https://www.thestar.com/entertainment/books/2018/08/31/25-books-that-are-going-to-make-a-splash-this-fall.html 1/7 9/7/2018 25 books that are going to make a splash this fall | The Star Fiction Canadian Machine Without Horses, Helen Humphreys (HarperCollins, Sept. 5) Humphreys is one of this country’s most beautiful writers, and her books are often sparked by a single moment. This newest, for example, stems from an obituary, from which she creates a life story. In this book, she both explores both the real life and creates the imagined internal life of the famous salmon-ly dresser, Megan Boyd, who worked for 60 years in the north of Scotland. Article Continued Below Woman World, Aminder Dhaliwal (Drawn and Quarterly, Sept.