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Being Normal Is Outlandish in the Convenience Store Woman by Sayaka Murata
INFOKARA RESEARCH ISSN NO: 1021-9056 Being normal is outlandish in the Convenience Store Woman by Sayaka Murata Dr.V. Vishnu Vardhan, Assistant Professor, Department of English, Bishop Heber College, Tiruchirappalli-17 [email protected] and Dr. Suresh Frederick, Associate Professor and UG Head, Department of English, Bishop Heber College, Tiruchirappalli-17 [email protected] During an interview in a smoky subterranean cafe in Jimbocho, Tokyo’s book district,Ms Muratais regarded as one of the most exciting contemporary writers in Japan. She mainly focuses on adolescent sexuality in her works. It includes asexuality, involuntary celibacy and voluntary celibacy. Her works are “Jyunyū (Breastfeeding)”, ” Gin iro no uta (Silver Song)”, “Mausu (Mouse)”, ” Hoshi gasūmizu (Water for the Stars)”, ”Hakobune (Ark)”, “Shiro-iro no machi no, sono hone no taion no (Of Bones, Of Body Heat, of Whitening City)”, “Tadaima tobira”, ” Satsujinshussan”, “Shōmetsusekai (Dwindling World)”, “Konbininingen (Convenience Store Woman)” and “Clean Breed (A Clean Marriage)”. Contemporary Japanese writers of Sayaka Murata - Hiromi Kawakami, Fuminori Nakamura, Hitomi Kanehara, Risa Wataya ,Hideo Furukaw, Mieko Kawakami, Nao-Cola Yamazaki and Ryu Murakami. “When something was strange, everyone thought they had the right to came stomping in all over your life to figure out why” (Murata, Convenience Store Woman 36). The tale began with a girl named Keiko Furukura, who was the protagonist of this short novel. She was a simple and normal innocent girl;she was living as a spinster. She never had a relationship even lovemaking. But she was happy with it. She recognized that she was being different from others. She decided to fit her in the machine of society. -
Mapping Tokyo in Fiction and Film Barbara E
GEOCRITICISM AND SPATIAL LITERARY STUDIES Mapping Tokyo in Fiction and Film Barbara E. Thornbury Geocriticism and Spatial Literary Studies Series Editor Robert T. Tally Jr. Texas State University San Marcos, TX, USA Geocriticism and Spatial Literary Studies is a new book series focusing on the dynamic relations among space, place, and literature. The spatial turn in the humanities and social sciences has occasioned an explosion of inno- vative, multidisciplinary scholarship in recent years, and geocriticism, broadly conceived, has been among the more promising developments in spatially oriented literary studies. Whether focused on literary geography, cartography, geopoetics, or the spatial humanities more generally, geo- critical approaches enable readers to reflect upon the representation of space and place, both in imaginary universes and in those zones where fiction meets reality. Titles in the series include both monographs and col- lections of essays devoted to literary criticism, theory, and history, often in association with other arts and sciences. Drawing on diverse critical and theoretical traditions, books in the Geocriticism and Spatial Literary Studies series disclose, analyze, and explore the significance of space, place, and mapping in literature and in the world. More information about this series at http://www.palgrave.com/gp/series/15002 Barbara E. Thornbury Mapping Tokyo in Fiction and Film Barbara E. Thornbury Temple University Philadelphia, PA, USA Geocriticism and Spatial Literary Studies ISBN 978-3-030-34275-3 ISBN 978-3-030-34276-0 (eBook) https://doi.org/10.1007/978-3-030-34276-0 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. -
Lover on the Breeze
Japan Earthquake Charity Literature Sayaka Murata Lover on the Breeze Translated by Ginny Tapley Takemori WasedaBungaku 2011 Lover on the Breeze Naoko calls me Puff, because I puff up in the wind, and billow in the breeze. She was in her first year at elementary school when her father, Takashi, hung me in her bedroom. Once he had fixed me in place with silver hooks, he stroked her head in satisfaction. “Naoko, it’s light blue—your favorite color. Isn’t it pretty?” “I wanted pink—blue’s for boys.” Naoko pouted, but she couldn’t take her eyes off my ever so pale, liquid-sky blue. My role was to cover the right side of her bedroom window. Outside was a white-painted veranda overlooking the garden beyond. The other cloth, my twin, said dismissively, “Now we’re stuck here we’ll just get dirty in the wind,” and went to sleep. I wasn’t at all sleepy, and I gazed curiously around Naoko’s bedroom at the pink cushions and her shiny study desk. As if aware that I alone was awake, Naoko looked over at me. That’s when she named me Puff. Come morning, Naoko went off to school, her red school- bag on her back. Some time later, her mother Kazumi came in to clean the room. “Let’s get some air in here,” she said, and came over to open the glass window behind me. For the rest of the day until Naoko came home, I floated and flapped, almost swimming around the room. -
Events January - December 2019
Events January - December 2019 Arts & Culture Business & Government Education Lectures Lifestyle Special Events @JapanSocietyLondon japan.society.london @japansocietylon The Japan Society The Japan Society, 13/14 Cornwall Terrace, London NW1 4QP tel: 020 7935 0475 email: [email protected] www.japansociety.org.uk A company limited by guarantee. Registered in England No. 3371038 Registered Charity No. 1063952 VAT Registration No. 241 5505 89. Japanese Conversation Group Tuesday 8 January 2019 6.30pm The Brewmaster 37 Cranbourn Street London WC2H 7AD Standard Admission ￡5.50 (£1 Discount for: Japan Society members/Students/Regulars) The Japanese Conversation Group provides Please visit the Japanese Conversation Group a friendly and informal atmosphere for website http://jcg.org.uk for further details Japanese speakers of all nationalities to come on their programme, which may be subject together and speak Japanese. Meetings are to change. held on the first Tuesday of every month. They begin at 6.30pm with a pay-as-you-go The Japanese Conversation Group is held on bar, and finish around 11.00pm. the first Tuesday of the month. You will receive all discounts for which you qualify. The Regular Attendee Discount will apply if you attended at least 50% of meetings during the previous calendar year, or once you attend six meetings in the current year. Japanese Conversation Group Japan Society Book Club: Convenience Store Woman by Sayaka Murata Monday 14 January 2019 7.00pm The Japan Society 13 / 14 Cornwall Terrace London NW1 4QP Free for Japan Society Members – booking recommended The book club is held on the second Monday of every month Murata Sayaka’s Convenience Store Woman Gunzo Prize for New Writers. -
Poola's Return
Japan Earthquake Charity Literature Hideo Furukawa Poola’s Return Translated by Satoshi Katagiri WasedaBungaku 2011 Poola’s Return Moments like these remind me of Poola. I may have used the wrong words. It may be best to cor- rect them by saying, “All I can remember now...” But what is “best”? Many images have changed meanings in many people after “that day”. In such a case, all I can do is remember truth- ful to this moment, to this now. All I can do is look back. I don’t think I have time to hesitate. I don’t think it is good to hesitate, either. The line between good and evil has disappeared. So I try to remember, and be true to how it happened. A girl once told me a story. Parts of it rang like a candid confession. It was true and personal. I’ve never forgotten her voice. I never forgot it but this now I remember it. Poola lives in a middle school that the girl once used to attend. Ten years passed since her middle school years, and she did not know Poola back then. “I don’t think it existed when I was there,” she said. I can almost hear her voice in my head. Her voice (indeed the voice) is what is pulling me back to memories. Poola lives in the school pool. Poola lives there until all the water is dried out for the win- ter. Poola never comes out during summer. 2 Poola’s Return Poola might be a nocturnal creature.