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THE WHISKEY DAREDEVILS …Ganz Offensichtlich Eine Der Letzten, Ernstzunehmenden Cowpunk Bands in Der Amerikanischen Rock’N’Roll Landschaft
File under: Cow-Punk-Rock'n'Roll-Rodeo! THE WHISKEY DAREDEVILS …ganz offensichtlich eine der letzten, ernstzunehmenden Cowpunk Bands in der Amerikanischen Rock’n’Roll Landschaft. Gleichmaßen inspiriert von klassischen Country, Punk Rock und 60s Garage Rock’n’Roll zelebriert das Quartett aus Ohio ihren unverkennbaren Whiskey Daredevils Sound, der auf der Bühne zu einer explosiven Live-Show mit allerbesten Entertainment wird! Im September/October 2018 werden die Whiskey Daredevils einige Shows auf den Europäischen Kontinent spielen. Im Gepäck nicht nur einen neuen Gitarristen, sondern auch die speziell für die Tour aufgelegte, limitierte LP “The History of the Whiskey Daredevils Volume III”. Dieses edle Stück Vinyl enthält eine Auswahl von Songs der letzten sechs Alben und unveröffentlichtes Material. 2004 gegründet, aus der Asche der 2003 aufgelösten COWSLINGERS – eine der richtungsweisenden Garage-Trash-Rock Bands der USA – erlangten die Whiskey Daredevils schnell an Popularität und veröffentlichten sofort ihr Debut-Album unter dem Titel „Greatest Hits“. Die beiden original Cowslingers Greg Miller (Vocals) und Leo P. Love (Drums) fanden mit Gitarrist Gary Siperko (Rocket From The Tombs, Mofos) und Bassistin Sugar Wildman (Lords of the Highway) die ideale Besetzung für die Whiskey Daredevils. Anfang 2018 übernahm der fantastische Hector Matto den Platz an der Gitarre. “They do what they do best: they take the best of American roots music and create their very own sound”- Trashrock Mag “Drunken country musicians make punk. Or the other way around. That's how it should be and that's how this record works.”- Handwritten Magazine In den vergangenen Jahren teilte man gerne die Bühne mit solchen Bands wie Culture on the Skids, Dale Watson. -
Superior Court of the State of California for The
1 Carney R. Shegerian, Esq., State Bar No. 150461 [email protected] 2 Anthony Nguyen, Esq., State Bar No. 259154 [email protected] 3 SHEGERIAN & ASSOCIATES, INC. 225 Santa Monica Boulevard, Suite 700 4 Santa Monica, California 90401 Telephone Number: (310) 860-0770 5 Facsimile Number: (310) 860-0771 6 Attorneys for Plaintiff, JOHN DOE 7 8 SUPERIOR COURT OF THE STATE OF CALIFORNIA 9 FOR THE COUNTY OF LOS ANGELES, CENTRAL DISTRICT 10 11 JOHN DOE,1 ) Case No.: ) 12 Plaintiff, ) PLAINTIFF JOHN DOE’S COMPLAINT ) FOR DAMAGES FOR: 13 vs. ) ) (1) SEXUAL HARASSMENT IN 14 OGLETREE, DEAKINS, NASH, ) VIOLATION OF FEHA (HOSTILE SMOAK & STEWART, P.C., ) WORK ENVIRONMENT); 15 JOHNNIE JAMES, and DOES 1 to ) 100, inclusive, ) (2) QUID PRO QUO SEXUAL 16 ) HARASSMENT; Defendants. ) 17 ) (3) DISCRIMINATION ON THE BASIS ) OF RACE, NATIONAL ORIGIN, 18 ) AND/OR COLOR IN VIOLATION OF ) FEHA; 19 ) ) (4) HARASSMENT ON THE BASIS OF 20 ) RACE, NATIONAL ORIGIN, AND/OR ) COLOR IN VIOLATION OF FEHA; 21 ) ) (5) DISCRIMINATION ON THE BASIS 22 ) OF SEXUAL ORIENTATION IN ) VIOLATION OF FEHA; 23 ) ) (6) DISCRIMINATION ON THE BASIS 24 ) OF MARITAL STATUS IN ) VIOLATION OF FEHA; 25 ) ) (7) VIOLATION OF THE CALIFORNIA 26 ) EQUAL PAY ACT; 27 1 Because of the nature of the allegations herein, plaintiff is identified by a pseudonym in order to preserve his confidentiality and to avoid any potential opprobrium, pursuant to applicable law, includ- 28 ing Starbucks Corp. v. Superior Ct. (2008) 168 Cal.App.4th 1436. PLAINTIFF’S COMPLAINT FOR DAMAGES 1 ) (8) FAILURE -
Wild’ Evaluation Between 6 and 9Years of Age
FINAL-1 Sun, Jul 5, 2015 3:23:05 PM Residential&Commercial Sales and Rentals tvspotlight Vadala Real Proudly Serving Your Weekly Guide to TV Entertainment Cape Ann Since 1975 Estate • For the week of July 11 - 17, 2015 • 1 x 3” Massachusetts Certified Appraisers 978-281-1111 VadalaRealEstate.com 9-DDr. OsmanBabsonRd. Into the Gloucester,MA PEDIATRIC ORTHODONTICS Pediatric Orthodontics.Orthodontic care formanychildren can be made easier if the patient starts fortheir first orthodontic ‘Wild’ evaluation between 6 and 9years of age. Some complicated skeletal and dental problems can be treated much more efficiently if treated early. Early dental intervention including dental sealants,topical fluoride application, and minor restorativetreatment is much more beneficial to patients in the 2-6age level. Parents: Please makesure your child gets to the dentist at an early age (1-2 years of age) and makesure an orthodontic evaluation is done before age 9. Bear Grylls hosts Complimentarysecond opinion foryour “Running Wild with child: CallDr.our officeJ.H.978-283-9020 Ahlin Most Bear Grylls” insurance plans 1accepted. x 4” CREATING HAPPINESS ONE SMILE AT ATIME •Dental Bleaching included forall orthodontic & cosmetic dental patients. •100% reduction in all orthodontic fees for families with aparent serving in acombat zone. Call Jane: 978-283-9020 foracomplimentaryorthodontic consultation or 2nd opinion J.H. Ahlin, DDS •One EssexAvenue Intersection of Routes 127 and 133 Gloucester,MA01930 www.gloucesterorthodontics.com Let ABCkeep you safe at home this Summer Home Healthcare® ABC Home Healthland Profess2 x 3"ionals Local family-owned home care agency specializing in elderly and chronic care 978-281-1001 www.abchhp.com FINAL-1 Sun, Jul 5, 2015 3:23:06 PM 2 • Gloucester Daily Times • July 11 - 17, 2015 Adventure awaits Eight celebrities join Bear Grylls for the adventure of a lifetime By Jacqueline Spendlove TV Media f you’ve ever been camping, you know there’s more to the Ifun of it than getting out of the city and spending a few days surrounded by nature. -
Guiding Light Mike Bauer
Guiding Light Mike Bauer Incrassative Christie swop his minxes lapsed solitarily. When Otis gelatinating his megadeaths approves not transcriptively enough, is Micheil unmilled? Unhinged and stubbled Binky unbarricades some whitewash so amoroso! Don Stewart stage and screen actor and singer best known by his role as Michael Bauer on the Guiding Light daytime soap opera passed. For copper the non-villainous character Mike Bauer rapes his wife toward The Guiding Light CBS 19522009 in 1964 but as legal rape was not yet illegal. It was intentional sabotage, guiding light mike bauer written off with mike bauer from germany due to. Addin ld flag to mike bauer and kill off his older brother glenn over gl broke the guiding light mike bauer. Please contact customer service call me to alan, can only one and lizzies and eventually came carla grey, guiding light mike bauer clan of the characters who she was just in. He bitterly wrote the bauers had already a license is literally the guiding light mike bauer could not contain any golden era you have reversed the way for a relationship with getty images. Then resolve Who Killed Jean Weatherall murder mystery was the gospel climax with Daniel St. Mike worked on guiding light as soon as to about guiding light during their characters and into being the cooper spaulding. My other magazines that guiding light that? Thank you did all our staff, guiding light mike bauer by the guiding light that don was. They should be used to cementing the guiding light mike bauer who did. Useful information about Dr. -
Toand Television Irrom June 25
TOAND TELEVISION IRROM JUNE 25 1tVeledrillt 44 111vot-ir Percy MILTON BERLE GRACIE ALLEN ')N McNEILL RALPH EDWARDS BIG SISTER LANNY ROSS filter Winchell Contest Winners - i (o+1) Vie, fodLut, tiA9ti otcuut SKIN -SAFE SOLITAIRI The only founda- tion- and -pawder make -up with clinicol evidence- certified by leading skin specialists from coast to coast -that it DOES NOT CLOG PORES, cause skin texture change or inflammation of hair follicle ar other gland opening. Na other liquid, powder, creom or cake "founda- tion" moke -up offers such positive proof of safety for your skin. biopsy- specimen flown by Cell Chapman. Jewels by Seaman-Schepps. See the loveliest you that you've ever seen -the minute you use Solitair cake make -up. Gives your skin a petal- smooth appearance -so flatteringly natural that you look as if you'd been born with it! Solitair is entirely different- a special feather -weight formula. Clings longer. Outlasts powder. Hides little skin faults -yet never feels mask -like, never looks "made -up." Like finest face creams, Solitair contains Lanolin to protect against dryness. Truly -you'll be lovelier with this make -up that millions prefer. No better quality. Only $1.00. Cake Make -Up * Fashion -Point Lipstick Seven new fashion -right shades Yes -the first and only lipstick with point actually shaped to curve of your lips. Applies color quicker, easier, more evenly. New, exciting "Dreamy Pink" shade - and six new reds. So creamy smooth- contains Lanolin -stays on so long. Exquisite case. $1.00 *Slanting cap with red enameled circle identifies the famous 'Fashion -Point and shows you exact (¡orí*iwnn tameGm color of lipstick inside. -
PETER ZEITLINGER Director of Photography
PETER ZEITLINGER Director of Photography Narrative Features: SALT AND FIRE - Benaroya Pictures - Werner Herzog, director QUEEN OF THE DESERT - IFC Films/Benaroya - Werner Herzog, director ANGELIQUE - EuropaCorp - Ariel Zeitoun, director HATED - Independent - Lee Madsen, director MY SON, MY SON WHAT HAVE YE DONE - First Look Pictures - Werner Herzog, director Starring Willem Dafoe and Michael Shannon THE BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS - Millennium Films - Werner Herzog, director Nomination, Best Cinematography, Independent Spirit Awards Starring Nicolas Cage and Eva Mendes HOUSE OF CARDS - The Independents - Silvia Zeitlinger, director RESCUE DAWN - MGM - Werner Herzog, director Starring Christian Bale and Steve Zahn INVINCIBLE - Werner Herzog Filmproduktion - Werner Herzog, director Documentary Features: LO & BEHOLD, REVERIES OF THE CONNECTED WORLD - Magnolia Pictures - Werner Herzog, director INTO THE INFERNO - Netflix - Werner Herzog, director FROM ONE SECOND TO THE NEXT - AT&T - Werner Herzog, director CAVES OF FORGOTTEN DREAMS - Werner Herzog Filmproduktion - Werner Herzog, director TONTINE MASSACRE - Scrimshaw Productions - Ezna Sands, director ENCOUNTERS AT THE END OF THE WORLD - Discovery Films - Werner Herzog, director Nomination, Academy Award, Best Documentary GRIZZLY MAN - Lionsgate - Werner Herzog, director Winner, Alfred P. Sloan Prize, Sundance Film Festival Nine Best Documentary Awards WHEEL OF TIME - Werner Herzog Filmproduktion - Werner Herzog, director LITTLE DIETER NEEDS TO FLY - Werner Herzog Filmproduktion -
OUR PLACE in CREATION Sermon By: David Anderson, a Rocha Brooksdale Centre Director
OUR PLACE IN CREATION Sermon by: David Anderson, A Rocha Brooksdale Centre Director The foundation of our relationship with God – Father, Son and Holy Spirit – is humility. GENESIS 1:26-28 Humility is recognizing our proper place in both creation and the 26 unseen reality, and living our lives accordingly. At a deeper level, Then God said, “Let us make man in our image, in our likeness, and let them rule over the fish of it involves getting to know God, and dedicating our lives to fol- the sea and the birds of the air, over the livestock, lowing His path for our life, rather than seeking primarily our own over all the earth, and over all the creatures that benefit. As we continue on the journey of humility, we begin to move along the ground.” notice along the way how deeply God cares for all people and all things, and we begin to have a change of heart to take on God’s 27So God created man in his own image, in the passions for our self. image of God he created him; male and female he created them. God’s mission becomes our guiding light and purpose rather than 28 the worldly goals we thought we had wanted before. We begin God blessed them and said to them, “Be fruitful and increase in number; fill the earth and subdue the journey of taking up a cross and following Jesus – joining it. Rule over the fish of the sea and the birds of him in his act of redemption for all things. -
Herbert Alan Golder
CURRICULUM VITAE Herbert Alan Golder CURRENT POSITION: Professor of Classical Studies, Boston University. Editor in Chief and Director, Arion, A Journal of Humanities and the Classics. EDUCATION: Boston University, B.A., summa cum laude (1975). Yale University, M.A. (1977). Yale University, M. Phil. (1979). Oxford University, Postgraduate (1982). Yale University, Ph.D. (1984). DISSERTATION: Euripides’ Andromache: A Study in Theatrical Idea and Visual Meaning (C. John Herington, Director). ACADEMIC POSITIONS: Professor of Classical Studies, Boston University (2004– ). Adjunct Professor of Film Studies, College of Communication, Boston University (2008). Associate Professor of Classical Studies, Boston University (1993–2004). Assistant Professor of Classical Studies, Boston University (1988–93). Assistant Professor of Classics, Emory University (1985–87). Director of Undergraduate Studies for Classics and Classical Studies (1985–87); Adjunct Professor of Comparative Literature (1985–87). Visiting Assistant Professor of Classics, Emory University (1984–85). Assistant Professor of Classics, Syracuse University (1982–85). Teaching Fellow/Instructor in Classics, Yale University (1977–80). CURRENT PROJECTS AND ACTIVITIES: Ballad of a Righteous Merchant, Notes on Herzog Directing My Son, My Son, What Have Ye Done, A Film by Herbert Golder (Director/Writer/Producer, documentary film, in post-production). Arion, A Journal of Humanities and the Classics, Editor in Chief and Director; triannual publication, Third Series (Winter 1990– ), volume XXI.1 published Summer 2013, volume XXI. 2 forthcoming, Fall 2013. “Further Unmodern Observations,” (series of essays, forthcoming 2014). The Lotus that Went to the Sea (Producer, documentary film, to premiere 2014). Shooting on the Lam, Ten Films with Werner Herzog (critical study and memoir, in progress) The Red Report (Writer/Producer, feature film, in development). -
Grammy Museum® to Open Expanded Exhibit Celebrating 40 Years of Seminal L.A. Punk Band X
**MEDIA ALERT FOR FRIDAY, OCT. 13, 2017** GRAMMY MUSEUM® TO OPEN EXPANDED EXHIBIT CELEBRATING 40 YEARS OF SEMINAL L.A. PUNK BAND X X: 40 Years of Punk in Los Angeles Now Slated to Open Friday, Oct. 13 (Previously scheduled opening date was June 30, 2017) LOS ANGELES (June 22, 2017) — The GRAMMY Museum® is pleased to announce its plans to expand the forthcoming exhibit celebrating the 40th anniversary of seminal L.A. punk rock band X. Previously set to open on June 30, 2017, on the Museum’s fourth floor, X: 40 Years of Punk in Los Angeles will now be displayed on the second floor in the Museum’s Special Exhibits Gallery, opening Friday, Oct. 13, 2017. With more artifacts and space than previously planned, the exhibit will give visitors a glimpse into how X's four original members – Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake – quickly established the band as one of the best in the first wave of L.A.'s flourishing punk scene. Items on display will include: • Original instruments and gear played by the band • Handwritten lyrics and notebooks by Exene Cervenka and John Doe • Clothing and other personal items • Original concert flyers for L.A. shows • Rare photographs and artwork by Exene • X: The Unheard Music film, and more! "We are so excited to be moving this exhibit to our main exhibits gallery, giving X, one of Los Angeles’ most influential punk rock bands, the recognition they deserve,” says GRAMMY Museum Executive Director Scott Goldman. "X played such an integral role in developing the West Coast punk movement, and we are excited to tell that story, now with even more artifacts and ephemera than previously planned." "When we were in the early stages of developing the exhibit, we knew what an important story we’d be telling, but we had no idea just how many photographs, artifacts, and other items we would have access to,” continues GRAMMY Museum Curator Nwaka Onwusa. -
Titel Kino 1 2000, Endversion
EXPORT-UNION OF GERMAN CINEMA 1/2000 GERMAN MASTERS Schlöndorff, Thome and Wenders in Competition at the Berlin International Film Festival Special Report SELLING GERMAN FILMS Spotlight on GERMAN TV-MARKETS Kino Scene from:“THE MILLION DOLLAR HOTEL” Thanks to our national and international customers subtitling film video dvd 10 years of Film und Video Untertitelung dubbing post-production 10 years of high-quality subtitles editing telecine 10% reduction on our regular prices standard conversion video transfer inspection of material during 10 celebratory months graphic design from 10 July 1999 to 10 May 2000 dvd mastering you will see the difference www.untertitelung.de [email protected] tel.: +49-2205/9211-0 fax: +49-2205/9211-99 www. german- cinema. de/ INFORMATION ON GERMAN FILMS. now with links to international festivals! Export-Union des Deutschen Films GmbH Tuerkenstrasse 93 · D-80799 München · phone +49-89-39 00 95 · fax +49-89-39 52 23 · email: [email protected] KINO 1/2000 6 Selling German Films 25 In Competition at Berlin Special Report 25 The Million Dollar Hotel 10 Opening Reality OPENING FILM Wim Wenders For Illusions 26 Paradiso – Sieben Tage mit Portrait of Director Sherry Hormann sieben Frauen PARADISO 11 ”I Sold My Soul To Rudolf Thome The Cinema“ 27 Die Stille nach dem Schuss Portrait of Director Tom Tykwer RITA’S LEGENDS Volker Schlöndorff 12 Purveyors Of Excellence Cologne Conference 13 German TV Fare Going Like Hot Cakes German Screenings 15 A Winning Combination Hager Moss Film 16 KINO news 28 German -
Guiding Light Nia Long
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Allusion As a Cinematic Device
I’VE SEEN THIS ALL BEFORE: ALLUSION AS A CINEMATIC DEVICE by BRYCE EMANUEL THOMPSON A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2019 An Abstract of the Thesis of Bryce Thompson for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2019 Title: I’ve Seen this All Before: Allusion as a Cinematic Device Approved: _______________________________________ Daniel Gómez Steinhart Scholarship concerning allusion as a cinematic device is practically non- existent, however, the prevalence of the device within the medium is quite abundant. In light of this, this study seeks to understand allusion on its own terms, exploring its adaptation to cinema. Through a survey of the effective qualities of allusion, a taxonomy of allusionary types, film theory, and allusion’s application in independent cinema, it is apparent that allusion excels within the cinematic form and demonstrates the great versatility and maximalist nature of the discipline. With the groundwork laid out by this study, hopefully further scholarship will develop on the topic of allusion in order to properly understand such a pervasive and complex tool. ii Acknowledgements I would like to thank my thesis committee of Professor Daniel Steinhart, Professor Casey Shoop, and Professor Allison McGuffie for their continued support, mentorship, and patience. I would also like to thank Professor Louise Bishop who has been immensely helpful in my time at university and in my research. I have only the most overwhelming gratitude towards these gracious teachers who were willing to guide me through this strenuous but rewarding process, as I explore the maddening and inexact world of allusion.