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Indie Mixtape
Indie Mixtape :: View email as a web page :: Arcade Fire apparently is in the midst of working on a new album, with writing having “intensified” during the pandemic. In spite of ourselves, we are interested in hearing this quarantine opus, even though we openly disliked their previous album, 2017’s Everything Now. Arcade Fire is also on our brains lately because the 10th anniversary of their third ( and we would argue greatest) album, The Suburbs, was this past weekend. That album, like all Arcade Fire LPs, is a mix of breathtaking musical moments and grandiose, eyeroll-inducing thematic gestures. And yet we wouldn’t want Arcade Fire to be any other way. Sometimes they miss in embarrassing fashion, and other times they absolutely crush it. But they always swing big. For this list of our 20 favorite Arcade Fire songs, we took stock of the crushes while also attempting to understand how and why they miss. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century PS: Was this email forwarded to you? Join our band here. In case you missed it... The first episode of our new podcast hosted by Steven Hyden and Ian Cohen is available now, wherever you listen to podcasts. Our YouTube channel now has a collection of playlists to satisfy all of your nostalgic needs. http://view.e.indiemixtape.com/...87aedf71565468329f8ac26ca254edfeee4d9b01f2c806081f3940ed3e1e6a08ac7da1357718730d50f8fc139fe23[8/6/20, 11:09:25 AM] Indie Mixtape There is an alternate universe where Phoebe Bridgers sings over trap beats. -
Untorsity Mcrofilnis ]Hteniatioiial
UnTOrsity Mcrofilnis ]hteniatioiial 1.0 I f B II* ■s. mil 2.2 Ü: 1^ 2.0 l.l 1.8 1.25 1.4 1.6 MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF STANDARDS STANDARD REFERENCE MATERIAL 1010a (ANSI and ISO TEST CHART No. 2) University Microfilms Inc. 300 N. Zeeb Road, Ann Arbor, MI 48106 INFORMATION TO USERS This reproduction was made from a copy of a manuscript sent to us for publication and microfilming. While the most advanced technology has been used to pho tograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been filmed. The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec tioning the original, beginning at the upper left hand comer and continu ing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or in black and white paper format.* 4. Most photographs reproduce acceptably on positive microfilm or micro fiche but lack clarify on xerographic copies made from the microfilm. -
Subjugation IV
Subjugation 4 Tribulation by Fel (aka James Galloway) ToC 1 To: Title ToC 2 Chapter 1 Koira, 18 Toraa, 4401, Orthodox Calendar Wednesday, 28 January 2014, Terran Standard Calendar Koira, 18 Toraa, year 1327 of the 97th Generation, Karinne Historical Reference Calendar Foxwood East, Karsa, Karis Amber was starting to make a nuisance of herself. There was just something intrinsically, fundamentally wrong about an insufferably cute animal that was smart enough to know that it was insufferably cute, and therefore exploited that insufferable cuteness with almost ruthless impunity. In the 18 days since she’d arrived in their house, she’d quickly learned that she could do virtually anything and get away with it, because she was, quite literally, too cute to punish. Fortunately, thus far she had yet to attempt anything truly criminal, but that didn’t mean that she didn’t abuse her cuteness. One of the ways she was abusing it was just what she was doing now, licking his ear when he was trying to sleep. Her tiny little tongue was surprisingly hot, and it startled him awake. “Amber!” he grunted incoherently. “I’m trying to sleep!” She gave one of her little squeaking yips, not quite a bark but somewhat similar to it, and jumped up onto his shoulder. She didn’t even weigh three pounds, she was so small, but her little claws were like needles as they kneaded into his shoulder. He groaned in frustration and swatted lightly in her general direction, but the little bundle of fur was not impressed by his attempts to shoo her away. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Hard to Be a God / Arkady and Boris Strugatsky ; Translated by Olena Bormashenko
Copyright © 1964 by Arkady and Boris Strugatsky Foreword copyright © 2014 by Hari Kunzru Aerword copyright © 2014 by Boris Strugatsky English language translation copyright © 2014 by Chicago Review Press Incorporated All rights reserved Published by Chicago Review Press Incorporated 814 North Franklin Street Chicago, IL 60610 ISBN 978-1-61374-828-2 e publication was effected under the auspices of the Mikhail Prokhorov Foundation TRANSCRIPT Programme to Support Translations of Russian Literature. Published with the support of the Institute for Literary Translation (Russia). Library of Congress Cataloging-in-Publication Data Strugatskii, Arkadii, 1925–1991, author. [Trudno byt’ bogom. English. 2014] Hard to be a god / Arkady and Boris Strugatsky ; translated by Olena Bormashenko. pages ; cm ISBN 978-1-61374-828-2 I. Strugatskii, Boris, 1933–2012, author. II. Bormashenko, Olena, translator. III. Title. PG3476.S78835T7813 2014 891.73’44—dc23 2014007355 Interior design: PerfecType, Nashville, TN Printed in the United States of America 5 4 3 2 1 Foreword by Hari Kunzru here are always schisms, even in medieval fantasy. Weird tales are Tweird in more than one way. One the one hand we have a rural tradition, sentimental, conservative, and wedded to absolute notions of good and evil. is is the English school of Tolkien and Lewis, in which Christ-lions and schoolchildren ght cosmopolitan witches and wizards with suspiciously foreign names. e nasty working classes of industrial Mordor threaten the exurban tranquility of the Shire, a place full of morally centered artisans and small tradesmen, destined, once the dwarves build the railway and the elves nally get out of their hot tubs and invent the Internet, to end up as commuters. -
Louder Than War Favourites
Albums of the Year 2018 : The Top 25 Ged Babey 9 December, 2018 As voted for by 30 of our writers, here are the Top 25 Albums of 2018. The Number One received more than twice the votes as the second place. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of votes -so are in random order to be frank. But… Every one is a winner! 2018 was a great year for music and the Number 1 is no surprise… ONE IDLES Joy As An Act of Resistance (Partisan) Punk Rock reinvented and not wearing a mask of masculinity or yoke of tradition, but a wicked smile and its broken heart exposed but still beating in its chest. Punk rock which instead of calling for Anarchy and saying I Don’t Care is shouting UNITY! and LOVE IS ALL. Reviewed here by Ged Babey IDLES - DANNY NEDELKO TWO The Blinders Columbia (Modern Sky) This power trio, this band of very modern troubadours, this enlightened youth, deliver an album so explosive, so perfect, it defies any attempt at categorisation. There are odd time signatures, indefinite song structures but the tracks ebb and flow beautifully. Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming. Reviewed here by Nigel Carr The Blinders - L’etat C’est Moi [Music Video] THREE ILL : We Are ILL (Box Records) All-woman five-piece… currently based in Manchester, who highlight that quality music does not have to mean an emulation of that which has gone before. -
Skills for Literary Analysis Chapter Tests
Skills for Literary Analysis Chapter Tests Chapter 1 Test TRUE AND FALSE (50 POINTS) ___ In the beginning of the novel, Buck lived in rugged Minnesota. ___ In Alaska, there was a great need for hardy dogs to pull sleds. ___ Manuel sold Buck to be mean to Judge Miller. ___ Buck’s initial response to cruelty was surprise. ___ Thornton was the best master, by far, that Buck had. ___ The setting was critical to this book. ___ Buck resisted the call of the wild until his master was killed. ___ Mercedes, the only woman in this book, was a very skilled tomboy who lived off the land. ___ Native Americans killed Thornton. ___ Thornton won $1,000 when Buck pulled a very heavy sled. Chapter 1 Essay ESSAY (50 POINTS) Read the passage from Mary Shelley’s Frankenstein and discuss in a one-page essay how Shelley uses the setting to make her thematic points. (You can access the story at your favorite digital provider or http://www.online- literature.com/shelley_mary/frankenstein The site is free to access without subscription. http://www.gutenberg.org/ or http://books.google.com/ are other free options; this is often part of a collection or you can access the single work.) It was on a dreary night of November that I beheld the The different accidents of life are not so changeable accomplishment of my toils. With an anxiety that almost as the feelings of human nature. I had worked hard for amounted to agony, I collected the instruments of life nearly two years, for the sole purpose of infusing life into around me that I might infuse a spark of being into the an inanimate body. -
Children of the Heav'nly King: Religious Expression in the Central
Seldom has the folklore of a particular re- CHILDREN lar weeknight gospel singings, which may fea gion been as exhaustively documented as that ture both local and regional small singing of the central Blue Ridge Mountains. Ex- OF THE groups, tent revival meetings, which travel tending from southwestern Virginia into north- from town to town on a weekly basis, religious western North Carolina, the area has for radio programs, which may consist of years been a fertile hunting ground for the HE A"' T'NLV preaching, singing, a combination of both, most popular and classic forms of American .ft.V , .1 the broadcast of a local service, or the folklore: the Child ballad, the Jack tale, the native KING broadcast of a pre-recorded syndicated program. They American murder ballad, the witch include the way in which a church tale, and the fiddle or banjo tune. INTRODUCTORY is built, the way in which its interi- Films and television programs have or is laid out, and the very location portrayed the region in dozens of of the church in regard to cross- stereotyped treatments of mountain folk, from ESS A ....y roads, hills, and cemetery. And finally, they include "Walton's mountain" in the north to Andy Griffith's .ft. the individual church member talking about his "Mayberry" in the south. FoIklor own church's history, interpreting ists and other enthusiasts have church theology, recounting char been collecting in the region for acter anecdotes about well-known over fifty years and have amassed preachers, exempla designed to miles of audio tape and film foot illustrate good stewardship or even age. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
BOHEMIAN RHAPSODY Award-Winning Celebration of the Legendary Rock Band, Queen
Your In-Flight Entertainment Planner To A Fulfilled And Relaxed Flight FEB 2019 #ISSUE2 BOHEMIAN RHAPSODY award-winning celebration of the legendary rock band, Queen Plug into this month’s film & series collection! Be Entertained IN THE FEBRUARY ISSUE South African Airways is proud to offer its passengers a wide selection of movies, TV programmes and music tunes to keep you entertained throughout your flight. Young or old, you will enjoy the latest comedy shows and fun kids programming, while for the more discerning tastes, we offer a fine variety of Wildlife, Business and Sport reports with a mix of our Worldwide and Asian titles. Besides the latest Blockbusters and old favourites, SAA continuously expands the African choice to support our local talent and provide other nationals with a glimpse into the heart of our nation. We invite you to sit back and relax while we take care of everything else. Refer to the inside back cover for assistance using your remote. 06 12 04 CONTENTS 14 Asian Collection 03 FebruaryHighlights 15 TV Series 04 Interview 16 TV Features 06 New Releases 17 Music 08 African Choice 18 Radio Features 09 Film Collection 19 Audio On Demand 12 Kids’ Choice 20 Remotes 08 23 13 Worldwide Games AIRSCAPE | 2 FEBRUARY HIGHLIGHTS Great to meet you month two of 2019, also known as the month of WE RECOMMEND: Snuggling up love due to Valentine’s Day. If the with the latest addions to our sight of stores heavily drenched in New Releases category during red and white is enough to drive you your longhaul flight. -
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino – with whom he recorded a duet of the same song in the 1990s – and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the songwriting royalties for the rest of his life! Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ which Kris Kristofferson committed to record. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987.