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Velkommen Til Sementblues 2017!
2 The 9th international sementblues festival • Kjøpsvik 20. - 23. july 2017 Velkommen til Sementblues 2017! Kjøpsvik Bluesklubb har gleden av å ønske deg velkommen til den 9. Sementblues- festivalen i Kjøpsvik. Vi skal gjøre alt vi kan for at du skal få en topp festivalopplev- else, og vi ser fram til å møtes i Kjøpsvik. Under årets festival vil det bli laget et eget markedsom- råde med salgsboder. Dette starter i kirken hvor årets festival kunstner Terje Skogekker holder til, og går ned til torgområdet. Her blir veien sperret for biltrafikk. Under årets festival vil matservering være mulig å på Kroa Di, Pompel og Pilt en nyåpnet kaffebar og Stetind hotell. Årets vikingpris vil bli delt ut i teltet på lørdag formiddag. Her vil også den lokale kultur og musikk skolen underholde. Årets festival inneholder 80% blues og en liten dose pop/rock. Torsdag 20. juni startet årets bluesfestival med kirkekon- sert. Artistene er Rita Engedalen, Margit Bakken og Lisa Lystam. Resten av årets konserter vil bli holdt på torget i teltet og Kroa Di. Kjøpsvik Bluesklubb ønsker med dette å takke musikere, frivillige, våre trofaste og arbeidsomme medlemmer og sist men ikke mins alle dere som kommer som gjester på Sement- bluesen. I lag får vi dette til å bli en kjempehappening i bluesens navn. Ta vare på hverandre og nyt musikken, atmosfæren, naturen og folket. Styret. Sementblues jobber for å fremme blues musikken og dens historie. Festivalen vil fra og med 2017 sette fokus på artister som har påvirket, utviklet og skapt seg et navn blant blueskjennere og blues fans. -
TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
The Blues Dogs Band Has Been Helping Him Discover Wisconsin, So Be Sure to Welcome Him
.After over 40 years playing blues in bars, these guys got it down. Dues have been paid and paid again. The Chippewa Valley Blues Society presents Harvey Fields started playing drums as a boy at the Checkerboard Lounge in Chicago with his mentors, Howlin' Wolf and Muddy Waters. His Uncle, Lucky Evans was an alumnus of the Howlin' Wolf band and took Harvey all around the world, playin' blues and payin dues. Steve John Meyer, lead vocalist, guitarist and harp player, is a graduate of thousands of smoky nights. He's led the 'dream life'... jammin' blues in every bar in Minnesota and Wisconsin, then spending the night on the road, in an old beat up van, usually cold, and snowing. Steve started blowin harp in '68, playin on the lakeshore, in laundry rooms and culverts to find 'the sound.' One night he was jamming with some guys he just met in an old roadhouse down by Cedar Lake and the place was packed. At one point the hot, sweaty crowd just stopped dancing to watch, and he never looked back. He knew he'd finally found it. Dean Wolfson plays bass. He's been jammin' round the twin cities since the 70's. Dean also plays for folk June 16, 2009 rocker Geno LaFond. The Blues Dogs band has been helping him discover Wisconsin, so be sure to welcome him. Kenny Danielson, from LacDuFlambeau, native American blues guitarist, singer and "long time blues enthusiast" rounds out the quartet for the evening. The Blues Dogs Next Week Upcoming Schedule The Pumps The Pumps If you haven't been to one of their June 20th Barnacles on Mille Lacs shows, you're missing out on a trio of cool cats, all June27th Smalley’s in Stillwater veterans of the local and national scene - Tom Brill July 4th Brewski's in Balsam Lake on guitar and vocals, Buck Barrickman on bass and July 11th Noon at the Harbor Bar Blues Fest vocals and Frank Juodis on drums and vocals. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Tedeschi Rucks Band in Perfect Harmony
Download The 2016 International Blues Challenge Finalist CD Sampler - Page 64 Featuring: • Dion • Royal Southern Brotherhood • Nick Moss Band • The Nighthawks • Moreland & Arbuckle • Chris James & Patrick Rynn EDESCHI TRUCKS BAND IN PERFECT HARMONY JULY 2016 - #10 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 RUF RECORDS HONEY ISLAND SWAMP BAND ALBERT CASTIGLIA DEMOLITION DAY RUF 1230 BIG DOG RUF 1233 JANE LEE HOOKER ROYAL SOUTHERN BROTHERHOOD NO B! RUF 1229 THE ROYAL GOSPEL RUF 1232 BLUES 2016 CARAVAN RUF 1223 July 16 ROCKLAND, ME North Atlantic Blues Festival Aug 13 WAUKESHAU, WI Blues Festival RUF 1225 Aug 14 DULUTH, MN Bayfront Blues Festival Aug 17 KANSAS CITY, MO Knuckleheads BLUE SISTERS Aug 18 DENVER, CO Soiled Dove Aug 20 COLORADO SPRINGS, CO INA TASHA LAYLA Stargazers MORE DATES TO BE ANNOUNCED SOON! FORSMAN TAYLOR ZOE WWW.BLUESCARAVAN.COM RUF 1228 ARTWORK: QUEENS-DESIGN.DE ARTWORK: BLUESCARAVAN.COM SALES & MARKETING USA: IRA LESLIE | [email protected] PUBLICITIY USA: JILL KETTLES | [email protected] RUFRECORDS.DE FEATURES DEPARTMENTS CONTENTS 6 TEDESCHI TRUCKS BAND 5 RIFF & GROOVES JULY 2016 Perfect Harmony From The Editor-In-Chief by Brian M. Owens by Art Tipaldi 12 ROYAL SOUTHERN 26 DELTA JOURNEYS BROTHERHOOD 14 Years Of Cat Head Passing Of The Torch by Roger Stolle by Art Tipaldi 28 AROUND THE WORLD 16 THE NIGHTHAWKS The Last Waltzes 44 Years On The Road by Bob Margolin by Don Wilcock 30 BLUES MUSIC STORE 18 NICK MOSS BAND CD, DVD, and Box Sets Brothers In Blues by Blues Music Magazine by Matt MacDonald 38 REVIEWS 20 MORELAND & ARBUCKLE CDs and DVD Reviews Fire & Energy by M. -
Edand the BLUES IMPERIALS
was 30 songs cut in three hours with no overdubs and only occasions. Success and accolades never stop pouring the of one second take. Twelve of those songs became the band’s in. Living Blues called 2012’s Jump Start “scorching and BIG SOUND debut album, Roughhousin’, released in September of 1986. soulful” with “crafty, clever lyrics...joyous and stomping.” and THE BLUES IMPERIALS The national press reacted with amazement to the blues The group took home the Living Blues Award for Best Live LIL’ ED world’s new discovery. Feature stories ran in Spin, Musician, Performer in 2011, 2012 and 2013. They won the prestigious The New York Times, The Los Angeles Times, The Washington Blues Music Award for Band Of The Year in both 2007 and 2009. In Chicago, a city overflowing with unrivaled blues talent, world- Born in Chicago on April 8, 1955, in the heart of Chicago’s tough Post, The Boston Globe, The Chicago Tribune and dozens of other The Associated Press says, “Williams fills Chicago’s biggest renowned Lil’ Ed & The Blues Imperials have been standing West Side, Ed grew up surrounded by music. He was playing publications. The Village Voice declared, “Roughhousin’ just shoes with more life and heat than anyone on stage today.” tall for almost 30 years. The band’s big sound, fueled by Lil’ guitar, then drums and bass, by the time he was 12. Ed and may be the blues album of the year.” The New York Times raved, Ed’s gloriously rollicking slide work and deep blues string Pookie received lessons and support from their famous uncle. -
Craig Farkash
How Blue Can You Get? Urban Mythmaking and the Blues in Edmonton, Alberta by Craig Farkash A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Craig Farkash, 2019 Abstract The blues is a genre of music that is rich in storytelling. Growing out of an oral tradition that has spanned generations, its influence on popular music today is undeniable. Many will have some vague recollection of some of these stories—whether related to blues figures, cities, regions, or to moments in time these are stories shared by the entire blues community, and through them, people have become familiar with the mythical importance of places such as Chicago or the Mississippi Delta to blues music. But how does a system of myth-making work in regions that do not have the luxury of being at a blues crossroads? Using the Edmonton blues scene as a case study, this thesis examines some of the stories told by people who have long called Edmonton their home and who have contributed to the mythologization of the local blues scene and turned it into an unlikely home for the blues. By employing qualitative research methodologies, such as participant observation and in-depth interviews, this study aims to understand the role that mythmaking has played in strengthening the Edmonton blues scene. To demonstrate this, the thesis first introduces the history of the Edmonton blues scene and, more generally, the city itself. It then looks at how myth has been written about by other anthropologists and popular music researchers. -
$6 .Oo. Big Valter Horton ---And Carey Ell
-----Hound Dog Taylor and the Houserockers. With Brewer Phillips and Ted Harvey. 12 selections, vocal and instrumental, stereo. Alligator 4701. Alligator *~ecords.,~bx 11714, Chicago, Illinois 60611,: 19'73. $6 .oo. Big Valter Horton ---and Carey ell. 'with Carey Bell, Eddie Taylor, Joe Harper,-. and- Swan. 11 selections, vocal and instrumental, stereo. Alligator 4702. Alligator Records, Box 11714, Chicago, Illinois 60611, 19'73.* . ----The Son Seals Blues Band. With Johnny ItBig Moosew Walker, John Riley, and Charles ~aldwell- 10 selections, vocal and instrumental, stereo. Alligator b703. Alligator Records, Box 11714, Chicago, 11linois fl 60611, 1973 l $6 .oo. Reviewed by Philip Nusbaum. Alligator Records is a new company operating out of Chicago, which, according to the notes accompanying the Son Seals disc, is dedicated to Itrecording Real, black blues ." The first three' issues by the new concern are all representative of what is loosely called "Chicago bluec;.~~Fwd - - Dog Taylor, Big Walter Horton and Son Seals are the front men for their blues bands on Alligator 4701, 4702 and h703, respectively. Considering that this is a comkrcial concern, Alligator has done a better than average job of documenting the performers and performances. Xhe liner : A notes give a broad impression of the blues club atmosphere, the life history of the artist, or some of his musical contacts. ' However, there is nothing ' in the way of scholarly \documentation. While personnel is listed, and some of the performersr musical contacts are given, there is no attempt at ' complete discography, or a complete, systematic ,descrip?tion of, say, performer-audience interaction. We are given snatches of informatton, for example, 'Hound Dog Taylor's se'cond guitarist Brewer Phillip* s wandering into the audience, singing and Bancing as he plays gutar. -
Writing the Nation: a Concise Introduction to American Literature
Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation: A Concise Introduction to American Literature—1865 to Present is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a reasonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. -
Biography English2017
GUY VERLINDE (B) High Intensity Blues Slide Guitar & Harmonica Voted "Best Live Act" 4th Place European Blues Challenge Winner Belgian Blues Award Quotes • “Great songwriter, singer, slide guitar & harmonica player and an exceptional entertainer.” Block Magazine (NL) • “Simply impressive how much energy time after time this band gives to their audience” Back To the Roots Magazine (B) • “He sure knows how to blend all the best of the blues tradition into his contemporary songwriting.” Blues&CO Magazine(FR) • “Definitely the future of Belgian Blues” Blues Matters magazine (UK) • “What a warm musician! As if the spirit of Rory Gallagher reincarnated in this Belgian blues man” Bluesnews magazine (D) • “Rooted in the history of the blues, with branches that’ll be important for the future of the blues” Concerto Magazine (AT) Guy Verlinde After years of hard work, Guy is now the pride of the Belgian blues scene. Although it may sound like a dusty cliché, he is by far "the hardest working performer". Today, also the European blues scene has discovered and embraced his warm, genuine and energetic performances with his Mighty Gators, Houserockers, One Man band or Blues in Schools project. His authentic and soulful slide guitar and blues harp styles bring high energy to every show he plays. He is a real crowd pleaser who always totally surrenders to his audience. Guy Verlinde & the Mighty Gators is Belgium's most popular blues band, consistently delivering high-energy shows with genuine foot stompin' blues music. This band carries on the traditions of American blues masters from the Mississippi Delta to Chicago’s Southside. -
Bonnie Raitt
Sharing America’s National Music - The Blues 2010 Blues Hall of Famer Bonnie Raitt Digs In Deep With Her 20th Release! Legendary Rhythm & Blues Cruise #26 MARCH 2016 - #9 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 2 - Blues Music Magazine - MARCH 2016 CONTENTS MARCH 2016 FEATURES 6 BONNIE RAITT Excellence by Art Tipaldi 14 JAMES HARMAN DEPARTMENTS The ‘Iceman’ by Pete Sardon 5 RIFFS & GROOVES From The Editor-In-Chief 16 BILLY FLYNN by Art Tipaldi Working Man’s Blues by Tom Hyslop 32 DELTA JOURNEYS It Is The Water? 18 BRANDON SANTINI by Roger Stolle Paying Them Dues, Pays Off by Mark Thompson 33 BLUES MUSIC STORE CD, DVD, And Books Specials 20 MARY FLOWER by Blues Music Magazine Lady Fingers by Phil Reser 38 AROUND THE WORLD 22 WEE WILLIE WALKER Recording Blues Soul Survivor by Bob Margolin by Thonas J. Cullen III 40 BLUES ALIVE 24 JOHN FOGERTY Leadbelly Festival Review Saved By The Blues by Michael Cala by Bill Vitka 41 MUSIC SAMPLER NINE 26 WALTER TROUT 16 Songs To Download A Soul In Flight by Various Artist by Vincent Abbate 29 ALBERT CASTIGLIA 42 REVIEWS Keep On Pickin’ CDs, DVDs, and Book Reviews by Art Tipaldi Available At BluesMusicStore.com 62 LET’S GO BLUESIN’ LRBC #26 by Art Tipaldi PUBLISHER: MojoWax Media Inc. PRESIDENT & DESIGN: Jack Sullivan EDITOR-IN-CHIEF: Art Tipaldi want to take a moment to welcome LEGAL: Eric Hatten Barbara Newman to the blues family. As the newly hired CEO and President CONTRIBUTING EDITORS of the Blues Foundation, Barbara David Barrett / Michael Cote / Thomas J. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago.