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Velkommen Til Sementblues 2017!
2 The 9th international sementblues festival • Kjøpsvik 20. - 23. july 2017 Velkommen til Sementblues 2017! Kjøpsvik Bluesklubb har gleden av å ønske deg velkommen til den 9. Sementblues- festivalen i Kjøpsvik. Vi skal gjøre alt vi kan for at du skal få en topp festivalopplev- else, og vi ser fram til å møtes i Kjøpsvik. Under årets festival vil det bli laget et eget markedsom- råde med salgsboder. Dette starter i kirken hvor årets festival kunstner Terje Skogekker holder til, og går ned til torgområdet. Her blir veien sperret for biltrafikk. Under årets festival vil matservering være mulig å på Kroa Di, Pompel og Pilt en nyåpnet kaffebar og Stetind hotell. Årets vikingpris vil bli delt ut i teltet på lørdag formiddag. Her vil også den lokale kultur og musikk skolen underholde. Årets festival inneholder 80% blues og en liten dose pop/rock. Torsdag 20. juni startet årets bluesfestival med kirkekon- sert. Artistene er Rita Engedalen, Margit Bakken og Lisa Lystam. Resten av årets konserter vil bli holdt på torget i teltet og Kroa Di. Kjøpsvik Bluesklubb ønsker med dette å takke musikere, frivillige, våre trofaste og arbeidsomme medlemmer og sist men ikke mins alle dere som kommer som gjester på Sement- bluesen. I lag får vi dette til å bli en kjempehappening i bluesens navn. Ta vare på hverandre og nyt musikken, atmosfæren, naturen og folket. Styret. Sementblues jobber for å fremme blues musikken og dens historie. Festivalen vil fra og med 2017 sette fokus på artister som har påvirket, utviklet og skapt seg et navn blant blueskjennere og blues fans. -
TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
The Blues Dogs Band Has Been Helping Him Discover Wisconsin, So Be Sure to Welcome Him
.After over 40 years playing blues in bars, these guys got it down. Dues have been paid and paid again. The Chippewa Valley Blues Society presents Harvey Fields started playing drums as a boy at the Checkerboard Lounge in Chicago with his mentors, Howlin' Wolf and Muddy Waters. His Uncle, Lucky Evans was an alumnus of the Howlin' Wolf band and took Harvey all around the world, playin' blues and payin dues. Steve John Meyer, lead vocalist, guitarist and harp player, is a graduate of thousands of smoky nights. He's led the 'dream life'... jammin' blues in every bar in Minnesota and Wisconsin, then spending the night on the road, in an old beat up van, usually cold, and snowing. Steve started blowin harp in '68, playin on the lakeshore, in laundry rooms and culverts to find 'the sound.' One night he was jamming with some guys he just met in an old roadhouse down by Cedar Lake and the place was packed. At one point the hot, sweaty crowd just stopped dancing to watch, and he never looked back. He knew he'd finally found it. Dean Wolfson plays bass. He's been jammin' round the twin cities since the 70's. Dean also plays for folk June 16, 2009 rocker Geno LaFond. The Blues Dogs band has been helping him discover Wisconsin, so be sure to welcome him. Kenny Danielson, from LacDuFlambeau, native American blues guitarist, singer and "long time blues enthusiast" rounds out the quartet for the evening. The Blues Dogs Next Week Upcoming Schedule The Pumps The Pumps If you haven't been to one of their June 20th Barnacles on Mille Lacs shows, you're missing out on a trio of cool cats, all June27th Smalley’s in Stillwater veterans of the local and national scene - Tom Brill July 4th Brewski's in Balsam Lake on guitar and vocals, Buck Barrickman on bass and July 11th Noon at the Harbor Bar Blues Fest vocals and Frank Juodis on drums and vocals. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Tedeschi Rucks Band in Perfect Harmony
Download The 2016 International Blues Challenge Finalist CD Sampler - Page 64 Featuring: • Dion • Royal Southern Brotherhood • Nick Moss Band • The Nighthawks • Moreland & Arbuckle • Chris James & Patrick Rynn EDESCHI TRUCKS BAND IN PERFECT HARMONY JULY 2016 - #10 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 RUF RECORDS HONEY ISLAND SWAMP BAND ALBERT CASTIGLIA DEMOLITION DAY RUF 1230 BIG DOG RUF 1233 JANE LEE HOOKER ROYAL SOUTHERN BROTHERHOOD NO B! RUF 1229 THE ROYAL GOSPEL RUF 1232 BLUES 2016 CARAVAN RUF 1223 July 16 ROCKLAND, ME North Atlantic Blues Festival Aug 13 WAUKESHAU, WI Blues Festival RUF 1225 Aug 14 DULUTH, MN Bayfront Blues Festival Aug 17 KANSAS CITY, MO Knuckleheads BLUE SISTERS Aug 18 DENVER, CO Soiled Dove Aug 20 COLORADO SPRINGS, CO INA TASHA LAYLA Stargazers MORE DATES TO BE ANNOUNCED SOON! FORSMAN TAYLOR ZOE WWW.BLUESCARAVAN.COM RUF 1228 ARTWORK: QUEENS-DESIGN.DE ARTWORK: BLUESCARAVAN.COM SALES & MARKETING USA: IRA LESLIE | [email protected] PUBLICITIY USA: JILL KETTLES | [email protected] RUFRECORDS.DE FEATURES DEPARTMENTS CONTENTS 6 TEDESCHI TRUCKS BAND 5 RIFF & GROOVES JULY 2016 Perfect Harmony From The Editor-In-Chief by Brian M. Owens by Art Tipaldi 12 ROYAL SOUTHERN 26 DELTA JOURNEYS BROTHERHOOD 14 Years Of Cat Head Passing Of The Torch by Roger Stolle by Art Tipaldi 28 AROUND THE WORLD 16 THE NIGHTHAWKS The Last Waltzes 44 Years On The Road by Bob Margolin by Don Wilcock 30 BLUES MUSIC STORE 18 NICK MOSS BAND CD, DVD, and Box Sets Brothers In Blues by Blues Music Magazine by Matt MacDonald 38 REVIEWS 20 MORELAND & ARBUCKLE CDs and DVD Reviews Fire & Energy by M. -
Edand the BLUES IMPERIALS
was 30 songs cut in three hours with no overdubs and only occasions. Success and accolades never stop pouring the of one second take. Twelve of those songs became the band’s in. Living Blues called 2012’s Jump Start “scorching and BIG SOUND debut album, Roughhousin’, released in September of 1986. soulful” with “crafty, clever lyrics...joyous and stomping.” and THE BLUES IMPERIALS The national press reacted with amazement to the blues The group took home the Living Blues Award for Best Live LIL’ ED world’s new discovery. Feature stories ran in Spin, Musician, Performer in 2011, 2012 and 2013. They won the prestigious The New York Times, The Los Angeles Times, The Washington Blues Music Award for Band Of The Year in both 2007 and 2009. In Chicago, a city overflowing with unrivaled blues talent, world- Born in Chicago on April 8, 1955, in the heart of Chicago’s tough Post, The Boston Globe, The Chicago Tribune and dozens of other The Associated Press says, “Williams fills Chicago’s biggest renowned Lil’ Ed & The Blues Imperials have been standing West Side, Ed grew up surrounded by music. He was playing publications. The Village Voice declared, “Roughhousin’ just shoes with more life and heat than anyone on stage today.” tall for almost 30 years. The band’s big sound, fueled by Lil’ guitar, then drums and bass, by the time he was 12. Ed and may be the blues album of the year.” The New York Times raved, Ed’s gloriously rollicking slide work and deep blues string Pookie received lessons and support from their famous uncle. -
GET $120 FREE Here’S How to Get a FREE $120 Rebate
PAGE 5A THE COURIER OCTOBER 1, 2015 Soulful bluesman keeps up the smooth My friend Brian Neely and I were riding to lunch back in 2010, and I was playing Tad Robinson’s latest CD, Back in Style. “I like that,” Brian said. Brian kept teasing me about starting a blues club, but had to put that on the back burner when he became an assistant district attorney in Lee County. I thought about that when I got Tad’s new CD, Day Into Night, in the mail. Tad continues with his smooth soulful blues. “My sound is found at the nexus between blues and soul. Although my original songs may be a distant cousin to the sound of early blues, they are informed by all the traditional blues that I have heard,” Tad said. “As a singer, I gravitate upcoming towards soul and gospel-inflected singers like Ray Charles, Howard Tate, O.V. Wright and as a player, on harmonica, I concerts am drawn to the music of Kim Wilson, Little Walter, Big Walter, Junior Wells, William Clarke, James Cotton.” COREY SMITH The New York native has been making CDs since 1994’s 10/15/15 One to Infinity and has been nominated for every blues award in the business. The Lyric, Oxford Tad is backed by the Severn Records house band of Johnny Moeller, guitar; Kevin Anker, keyboards; Steve Gomes, bass; and Robb Stupka, drums. Also there are special guest appearances from blues guitar wizards Alex Schultz FLORIDA GEORGIA LINE and Anson Funderburgh. 10/15/15 Tad is a throwback to the late 60s and early 70s when BankPLus Amphitheater, Southaven R&B, soul and blues first started mixing. -
Craig Farkash
How Blue Can You Get? Urban Mythmaking and the Blues in Edmonton, Alberta by Craig Farkash A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Craig Farkash, 2019 Abstract The blues is a genre of music that is rich in storytelling. Growing out of an oral tradition that has spanned generations, its influence on popular music today is undeniable. Many will have some vague recollection of some of these stories—whether related to blues figures, cities, regions, or to moments in time these are stories shared by the entire blues community, and through them, people have become familiar with the mythical importance of places such as Chicago or the Mississippi Delta to blues music. But how does a system of myth-making work in regions that do not have the luxury of being at a blues crossroads? Using the Edmonton blues scene as a case study, this thesis examines some of the stories told by people who have long called Edmonton their home and who have contributed to the mythologization of the local blues scene and turned it into an unlikely home for the blues. By employing qualitative research methodologies, such as participant observation and in-depth interviews, this study aims to understand the role that mythmaking has played in strengthening the Edmonton blues scene. To demonstrate this, the thesis first introduces the history of the Edmonton blues scene and, more generally, the city itself. It then looks at how myth has been written about by other anthropologists and popular music researchers. -
$6 .Oo. Big Valter Horton ---And Carey Ell
-----Hound Dog Taylor and the Houserockers. With Brewer Phillips and Ted Harvey. 12 selections, vocal and instrumental, stereo. Alligator 4701. Alligator *~ecords.,~bx 11714, Chicago, Illinois 60611,: 19'73. $6 .oo. Big Valter Horton ---and Carey ell. 'with Carey Bell, Eddie Taylor, Joe Harper,-. and- Swan. 11 selections, vocal and instrumental, stereo. Alligator 4702. Alligator Records, Box 11714, Chicago, Illinois 60611, 19'73.* . ----The Son Seals Blues Band. With Johnny ItBig Moosew Walker, John Riley, and Charles ~aldwell- 10 selections, vocal and instrumental, stereo. Alligator b703. Alligator Records, Box 11714, Chicago, 11linois fl 60611, 1973 l $6 .oo. Reviewed by Philip Nusbaum. Alligator Records is a new company operating out of Chicago, which, according to the notes accompanying the Son Seals disc, is dedicated to Itrecording Real, black blues ." The first three' issues by the new concern are all representative of what is loosely called "Chicago bluec;.~~Fwd - - Dog Taylor, Big Walter Horton and Son Seals are the front men for their blues bands on Alligator 4701, 4702 and h703, respectively. Considering that this is a comkrcial concern, Alligator has done a better than average job of documenting the performers and performances. Xhe liner : A notes give a broad impression of the blues club atmosphere, the life history of the artist, or some of his musical contacts. ' However, there is nothing ' in the way of scholarly \documentation. While personnel is listed, and some of the performersr musical contacts are given, there is no attempt at ' complete discography, or a complete, systematic ,descrip?tion of, say, performer-audience interaction. We are given snatches of informatton, for example, 'Hound Dog Taylor's se'cond guitarist Brewer Phillip* s wandering into the audience, singing and Bancing as he plays gutar. -
Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin1
Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin1 Josep Pedro 22 The Dynaflows at Rome Inn, 1982. (L-R) Eddie Stout, Stevie Fulton, Stevie Ray Vaughan, and David Murray. Courtesy Eddie Stout. Austin, Texas, native Eddie Stout’s dedication to the preservation and celebration of the blues over the past four decades has earned him tremendous respect and admiration within the local blues community. A performing bass player since 1972, Stout has been active in the global expansion of blues. He also has been a prolific producer of African-American roots music, including blues, gospel, and jazz, with 23 the creation of labels such as Pee Wee Records (1984), Dialtone Records (1999), and Dynaflow Records (2014). Stout has served as an international representative, distributor, and publisher for several companies, such as Justice Records, Independent Artists, Doolittle, New West, Antone’s Records, and Malaco Records. Because of his broad knowledge and experience in the field of blues, he is frequently invited to serve as a panelist and label representative at music conventions throughout the world, as well as a producer and director of forty episodes of the popular television show Songwriters across Texas (2012-2013). The Dynaflows at Rome Inn, 1982. (L-R) Eddie Stout, Stevie Fulton, Stevie Ray Vaughan, and David Murray. Courtesy Eddie Stout. The artists and recordings that Eddie Stout and Dialtone Records promote are rich in spatio-temporal bonds resonating across different historical periods and geographical regions. On