DOCSLIB.ORG

Formal Color Palette Guidelines

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Formal Color Palette Guidelines Colors OFFICIAL SACRAMENTO STATE COLORS Colors in these palettes have been thoughtfully chosen for use in Sacramento State communications. The palettes contain specific hues and tones that, individually and together, embody the unique attributes of Sacramento State as they apply to standard, casual and formal applications. Numbers indicated on each color swatch refer to the Pantone Matching System (PMS) ink colors, CMYK (process colors: cyan, magenta, yellow, and black) conversions are for 4-color process printing, RGB (red, green, blue) conversions and web (hexadecimal) conversions are to be used for electronic communications. Colors shown on the following pages of this document are CMYK conversions. If possible, please consult an actual Pantone swatch book to see the true colors. PRIMARY COLORS The primary colors for Sacramento State are Sac State Green (Pantone 343) and Sac State Gold (Pantone 4525). The consistent representation of these primary colors distinctly identifies the University and reinforces its brand. The Sac State Green is dominant to the Sac State Gold. In the region, we like to think we own the color green. COLOR COMBINATIONS TO AVOID The color combination of blue and gold is not to be used as it can be construed as similar to the UC system. Sac State Green Sac State Gold To further differentiate Sacramento State, the blues available in the expanded color palette are more teal and Pantone 343 C Pantone 4525 C aqua than royal or dark blue. Avoid combining palette colors Hornet Yellow, Sac State Gold, Ginkgo Gold, ~CMYK: 89-19-72-60 ~CMYK: 9-12-47-18 California Poppy and No. 2 Pencil Yellow with American River Teal, Blum Gum Eucalyptus or Blue Book Cyan. Pantone 343 U Pantone 4525 U ~CMYK: 91-15-80-47 ~CMYK: 8-10-44-15 RGB: 0-78-56 RGB: 196-182-129 HEX: 043927 HEX: c4b581 [email protected] Sacramento State Brand Book | Spring 2015 Identity Style Guide | Visual Elements 48 Colors Palettes Sac State Gold has changed! Old Sac State Gold was FORMAL VOICE COLOR PALETTE PMS 4515, now PMS 4525. Redwood Grove Sac State Green Stinger Green Evergreen Ash Spruce Green White Birch Sac State Gold Hornet Yellow Green Pantone 343 C Pantone 341 C Pantone 347 C Pantone 369 C Pantone 616 C Pantone 4525 C Pantone 110 C Pantone 560 C ~CMYK: 89-19-72-60 ~CMYK: 95-5-82-24 ~CMYK: 93-0-100-0 ~CMYK: 68-0-100-0 ~CMYK: 10-5-49-6 ~CMYK: 9-12-47-18 ~CMYK: 2-22-100-8 ~ CMYK: 79-30-63-80 Pantone 343 U Pantone 341 U Pantone 347 U Pantone 369 U Pantone 616 U Pantone 4525 U Pantone 110 U Pantone 560 U ~CMYK: 91-15-80-47 ~CMYK: 96-5-80-23 ~CMYK: 71-0-72-0 ~CMYK: 55-0-92-3 ~CMYK: 17-11-52-0 ~CMYK: 8-10-44-15 ~CMYK: 4-17-98-7 ~CMYK: 85-32-79-59 RGB: 0-78-56 RGB: 0-132-83 RGB: 0-170-79 RGB: 88-185-71 RGB: 218-212-144 RGB: 196-182-129 RGB: 230-183-17 RGB: 0-46-35 STANDARD VOICE COLOR PALETTE Ginkgo Gold California Poppy Kumquat Orange Guy West Bridge Red Maple Pomegranate Mulberry Princess Tree Pantone 7406 C Pantone 124 C Pantone 131 C Orange Pantone 7599 C Pantone 202 C Pantone 689 C Purple ~CMYK: 0-20-100-2 ~CMYK: 0-30-100-0 ~CMYK: 2-39-100-10 Pantone 153 C ~CMYK: 0-85-98-20 ~CMYK: 9-100-64-48 ~CMYK: 24-89-5-37 Pantone 7670 C Pantone 7406 U Pantone 124 U Pantone 131 U ~CMYK: 5-64-100-17 Pantone 7599 U Pantone 202 U Pantone 689 U ~CMYK: 80-74-0-0 ~CMYK: 1-17-93-3 ~CMYK: 2-30-98-8 ~CMYK: 3-36-97-9 Pantone 153 U ~CMYK: 0-72-83-22 ~CMYK: 12-88-67-34 ~CMYK: 40-78-23-12 Pantone 7670 U RGB: 250-198-6 RGB: 235-171-33 RGB: 221-151-26 ~CMYK: 5-52-97-14 RGB: 198-64-29 RGB: 132-0-41 RGB: 139-52-109 ~CMYK: 73-62-0-2 RGB: 198-103-29 RGB: 78-88-166 American River Teal Desert Olive Pineapple Guava Squirrel Brown Black Walnut Pantone 3155 C Pantone 384 C Pantone 611 C Pantone 140 C Pantone 7532 C ~CMYK: 100-9-29-47 ~CMYK: 26-4-99-35 ~CMYK: 7-1-89-10 ~CMYK: 19-49-100-54 ~CMYK: 23-37-45-65 If you are not printing in Pantone colors please use the CMYK Pantone 3155 U Pantone 384 U Pantone 611 U Pantone 140 U Pantone 7532 U breakdown on this page (C=coated, U=uncoated.) ~CMYK: 100-6-31-34 ~CMYK: 27-6-95-26 ~CMYK: 5-3-100-13 ~CMYK: 14-28-90-35 ~CMYK: 14-23-33-52 Add swatches using the “Pantone + Color Bridge Coated” when RGB: 0-100-144 RGB: 112-140-44 RGB: 214-220-52 RGB: 117-86-39 RGB: 93-78-63 creating files in Illustrator and InDesign. Avoid combining gold or yellow with teal, blue or cyan as they represent another local University’s colors. CASUAL VOICE COLOR PALETTE No.2 Pencil Yellow Flamin’ Hot Orange Rose Garden Red Phlagleblast Blue Gum Blue Book Cyan Apple Green Bike Lane Lime Pantone 116 C Pantone 7579 C Pantone 193 C Fuchsia Eucalyptus Pantone 326 C Pantone 361 C Pantone 382 C ~CMYK: 0-14-100-0 ~CMYK: 0-74-100-0 ~CMYK: 2-99-62-11 Pantone 513 C Pantone 7467 C ~CMYK: 81-0-39-0 ~CMYK: 77-0-100-0 ~CMYK: 28-0-100-0 Pantone 116 U Pantone 7579 U Pantone 193 U ~CMYK: 53-99-0-0 ~CMYK: 97-0-30-0 Pantone 326 U Pantone 361 U Pantone 382 U ~CMYK: 0-19-100-0 ~CMYK: 0-56-89-0 ~CMYK: 3-89-49-9 Pantone 513 U Pantone 7467 U ~CMYK: 68-0-36-0 ~CMYK: 56-0-87-0 ~CMYK: 33-0-85-0 RGB: 255-205-0 RGB: 222-92-43 RGB: 191-13-62 ~CMYK: 41-82-0-0 ~CMYK: 76-0-30-0 RGB-C: 21-170-166 RGB: 55-167-72 RGB: 191-208-39 RGB: 135-38-113 RGB: 0-163-173 [email protected] Sacramento State Brand Book | Spring 2015 Identity Style Guide | Visual Elements 49 Colors Formal Voice FORMAL VOICE COLOR PALETTE Formal voice materials MUST have 90% of the following colors with Sac State Green as Sacramento State is associated with the color green. the dominant color: It is the color of the University logos and logotypes, it embodies the lush landscape of our campus, implies Redwood Grove Green Sac State Green Stinger Green Evergreen Ash new growth and reflects the community’s love of nature Pantone 560 Pantone 343 Pantone 341 Pantone 347 and the environment. Sacramento State’s gold reflects strength, pride, sophistication, excellence and our geopolitical distinction as California’s capital university. The combination of the green and gold colors embody the essence of Sacramento State. The formal palette is a family of greens and golds. It includes several tones of green ensuring Spruce Green White Birch Sac State Gold Hornet Yellow creative options. Pantone 369 Pantone 616 Pantone 4525 Pantone 110 When creating official or formal Sacramento State collateral, green and gold should always be the prominent colors, with green the dominant color. When creating a formal piece colors from the standard voice palette may be used as an accent. An accent in this case is defined as not covering more than 10% of the total communication. Sac State Gold has changed! Please note: American River Teal may not be used next Old Sac State Gold was to Sac State Gold, Ginkgo Gold, Hornet Yellow or PMS 4515, now PMS 4525. California Poppy. Formal voice materials MAY have up to 10% of the following colors: Ginkgo Gold California Kumquat Guy West Red Maple Pomegranate Mulberry Pantone 7406 Poppy Orange Bridge Orange Pantone 7599 Pantone 202 Pantone 689 Pantone 124 Pantone 131 Pantone 153 Princess Tree American River Desert Olive Pineapple Squirrel Brown Black Walnut Purple Teal Pantone 384 Guava Pantone 140 Pantone 7532 FIND IT ONLINE Pantone 7670 Pantone 3155 Pantone 611 Downloadable swatch palettes are available for InDesign, Illustrator and Photoshop, visit the Brand Center at csus.edu/brand/colors.html. [email protected] Sacramento State Brand Book | Spring 2015 Identity Style Guide | Visual Elements 50 Web Colors WEB COLOR GUIDELINES FORMAL VOICE COLOR PALETTE – WEB Web communications reach broad audiences and should be presented only in standard or formal voice. The web Redwood Grove Sac State Green Stinger Green Evergreen Ash Spruce Green Sac State Gold colors shown on the right are from the University’s formal Green Pantone 343 C Pantone 341 C Pantone 347 C Pantone 369 C Pantone 4525 C and standard color palettes with additional golds in the Pantone 560 C RGB: 0-78-56 RGB: 0-132-83 RGB: 0-170-79 RGB: 88-185-71 RGB: 196-182-129 formal palette for web design only. RGB: 0-46-35 HEX: 043927 HEX: 00573d HEX: 0fa153 HEX: 58b947 HEX: c4b581 HEX: 021e14 A formal voice web page must have 90% of its color come from the formal palette with Sac State Green as the dominant color. The remaining 10% of the page may use accent colors from the standard voice palette. Hornet Yellow Web-Only Color Web-Only Color Web-Only Color Web-Only Color Web-Only Color Pantone 110 C RGB: 170-152-94 RGB: 203-183-120 RGB: 207-182-104 RGB: 225-197-122 RGB: 240-225-176 A standard voice web page must have at least 30% of RGB: 230-183-17 HEX: aa985e HEX: cbb778 HEX: cfb668 HEX: e1c57a HEX: f0e1b0 its color as Sac State Green and Sac State Gold, with Sac HEX: e6b711 State Green as the dominant color.
Load more

Recommended publications
  • CCS1-Ebook-Preview.Pdf
    creativeCOLOR SCHEMES 75 Stunning color schemes, ready for 75 COLOR SCHEMES FOR PRINT use in publication, 75 COLOR SCHEMES FOR THE WEB graphic, web site, presentation, and multimedia design Thawatchai Srisuthep creativecolorschemes.com creativeCOLOR SCHEMES Creative Color Schemes Interactive eBook (PDF) English edition 1.2 2009 (Printable) For ebook updates and paper version, please visit creativecolorschemes.com ; the creative guide creative COLOR SCHEMES CREATE & DESIGN by Published by THAWATCHAI SRISUTHEP The Creative Guide Copyright © 2009 Thawatchai Srisuthep 134/118 Burasiri Village, Nonthaburi Rd. Muang, All rights reserved. No part of this Nonthaburi, Thailand. 11000 publication may be reproduced, stored Tel: +668 1918 2300 in a retrieval system or transmitted in any form or by any means, electronic, +66 2192 0680 mechanical, photocopying, recording Fax: +66 2967 0440 or otherwise, without the prior written permission of the copyright holder. Contact More information & Inquire & book updates please write to: please visit: [email protected] www.creativecolorschemes.com 2 creative COLOR schemes creative color schemes 75 Color Schemes for Print 75 Color Schemes for the Web Color is one of the most important elements in modern design. Besides the aesthetic beauty of color, proper use of color will significantly help convey messages as well as impress people. Have you ever had trouble with color like these? ; Do not know which colors to use for your work. ; Do not know which colors should be used together to get a harmonious effect. ; Always use the same basic colors every time in your design because you have no time to look for new colors. ; Waste too much time selecting colors.
    [Show full text]
  • Powder Denim Sky Teal Midnight Cerulean Navy Turquoise Cornflower Periwinkle Royal Opal Cmg 08458 Cmg 1 26 27 3 4 6 29 30 31 2 32 33
    MARCH 2010 House Beautiful sp ring ALL COLO | A BOUT issue BLUE POWDER DENIM SKY TEAL MIDNIGHT CERULEAN NAVY TURQUOISE CORNFLOWER PERIWINKLE ROYAL OPAL CMG 08458 1 26 27 3 4 6 29 30 31 2 32 33 5 28 34 7 8 36 10 11 9 50 BLUE FABRICS 35 14 12 13 15 37 38 41 40 19 39 47 17 43 44 45 18 46 16 20 42 23 24 25 49 21 48 22 50 1 CLOQUE DE COTON 6 ARIPEKA 10 STRIATE IN AQUA. KaTE 14 CHRISSY IN DENIM. ViCTOria 18 FORMIA 22 DJEBEL 26 GASTAAD PLAID IN CaPri. 31 LA GAROUPE 35 LUCE 39 JUPON BOUQUET 43 OcELOT IN AZUL. KaT BURKI 47 KHAN CASHMERE IN COLOR 8. DOMINIQUE KIEffER IN HYdraNGEA. ROGERS GabriEL THROUGH STUdiO HaGAN HOME COLLECTION: IN RUSCELLO. DECORTEX IN GaLET. LELIEVRE THROUGH EriC COHLER FOR LEE JOfa: IN INdiGO. RALPH LaUREN IN NaVY. MadELINE WEINrib IN AZURE BLUE COLLECTION FOR IN BLUE MIX. HOLLAND BY RUBELLI THROUGH & GOffiGON: 203-532-8068. FOUR NYC: 212-475-4414. 212-888-3241. THROUGH BRUNSCHWIG STarK fabriC: 212-355-7186. 800-453-3563. HOME : 888-743-7470. ATELIER: 212-473-3000, X780. AND WarM WHITE. FORTUNY: STarK fabriC: 212-355-7186. & SHErrY: 212-355-6241. BERGAMO: 914-665-0800. & FILS: 914-684-5800. 212-753-7153. 7 MYRSINI 11 SIERRA MADRE 15 TANZANIA IN BLUE. CHarLES 23 CHEVRON BAR 27 VIOLETTA N IN MOONLIGHT. 32 WOOL SATEEN 36 AlTAI IN BLUETTE. 44 HINSON SUEDE 48 BARODA II IN INdiGO ON 2 FIORI IN ATLANTIC ON SEA MIST.
    [Show full text]
  • Download the ACL Logo Usage Guidelines
    Branding Guidelines Branding Guidelines ACL logo The ACL logo is the primary visual representation of our brand, and should be included in all corporate and marketing communication. Clear space To ensure legibility and consistency, a minimum clear space equivalent to the height of the“A” in the Administration for Community Living logo should be maintained in all applications. Minimum size The minimum size for the ACL logo is1/2-inch height. Attention should be paid to resizing the logo proportionally to avoid altering its appearance. .50" Branding Guidelines Unacceptable uses Type substitutions AdministrationACL for Community Living Color alterations Distorting shape of logo Adding or altering elements Insufficient contrast with background color or elements Branding Guidelines Colors The colors of the ACL logo match three colors found in the Pantone Matching System (PMS). For print work, four-color process inks (CMYK or cyan, magenta, yellow, black) are used. For digital display and monitor uses (such as in PowerPoint presentations and for web and mobile devices), three colors (RGB or red, green, blue) are used. Web colors for the logo are based on the RGB color scheme and translated into hexadecimal numbers for html code equivalents. Pantone (PMS) CMYK RGB Web 7621 C-15 M-100 Y-90 K-10 R-190 G-30 B-45 be1e2d 137 C-0 M-42 Y-100 K-0 R-250 G-162 B-27 f9a21a 7462 C-100 M-77 Y-18 K-0 R-7 G-82 B-145 075190 Fonts ACL and coordinating program logos use the Futura font family. Branding material intended to coordinate with the ACL logo should use Futura fonts.
    [Show full text]
  • Color Chart Colorchart
    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
    [Show full text]
  • Awlgrip Color Chart
    742 PAINT Sea Foam Boston Whaler Blue Island Turquoise Teal Brightside Teal Atlantic Blue H4256 ⁄ F4101 H5462 ⁄ F5323 H5723 ⁄ F5624 H5328 ⁄ F5252 H4264 ⁄ F4281 H5566 ⁄ F5623 Light Blue Sky Blue Bahama Blue Pigeon Blue Stars and Stripes Petrol Blue H5570 ⁄ F5516 G5014 ⁄ F5256 G5036 ⁄ F5418 H5511 ⁄ F5538 Blue H5627 ⁄ F5476 H5161 ⁄ F5194 Empress Blue Marlin Blue Ocean Blue Largo Blue Lauderdale Blue Navy Blue G5041 ⁄ F5264 G5011 ⁄ F5015 H5545 ⁄ F5622 H5732 ⁄ F5625 H5543 ⁄ F5566 G5001 ⁄ F5028 PAINT Royal Blue Aristo Blue Carinthia Blue Flag Blue Dark Blue Mauritius Blue G5007 ⁄ F5011 G5003 ⁄ F5010 H5342 ⁄ F5359 G5002 ⁄ F5014 H5524 ⁄ F5385 H5615 ⁄ F5422 Jade Mist Green Donegal Green Dark Green Timeless Green Majestic Blue Midnight Blue H4089 ⁄ F4114 H4492 ⁄ F4279 H4024 ⁄ F4121 H4413 ⁄ F4168 H5409 ⁄ F5275 H5346 ⁄ F5381 PLEASE CHECK PRICING AND AVAILABILITY OF YOUR CHOSEN COLOR WITH YOUR LOCAL SUPPLIER Item# www.awlgrip.com facebook.com/awlgripfinishfirst twitter.com/awlgrip List AwlGrip_Color Cards_1 NaN Awlcraft, Awlgrip, and the AkzoNobel logo are trademarks of AkzoNobel. © AkzoNobel 2014. ITEM NUMBERS IN RED "3&)";"3%064t*5&.4*/BLUE "3&/&8t*5&.4"3&450$,&%*/0638"3&)064&4#"4&%0/3&(*0/"-%&."/%*'"/*5&.*4/05*/450$,"5"-0$"-8"3&)064& "%%*5*0/"-$)"3(&4.":"11-: PAINT 743 AWLGRIP / AWLCRAFT 2000: COLOR INSPIRATIONS Bertram White Sand White Chalky White Morrinsville Double Cream Lunar White H8464 ⁄ F8510 H8428 ⁄ F8286 H8337 ⁄ F8183 H8647 ⁄ F8445 H8002 ⁄ F8016 H8413 ⁄ F8281 Hatteras Off-White Hatteras Off-White 4208 Biscuit Bristol Beige Grand Banks
    [Show full text]
  • Complete Reference / Web Design: TCR / Thomas A
    Color profile: Generic CMYK printer profile Composite Default screen Complete Reference / Web Design: TCR / Thomas A. Powell / 222442-8 / Chapter 13 Chapter 13 Color 477 P:\010Comp\CompRef8\442-8\ch13.vp Tuesday, July 16, 2002 2:13:10 PM Color profile: Generic CMYK printer profile Composite Default screen Complete Reference / Web Design: TCR / Thomas A. Powell / 222442-8 / Chapter 13 478 Web Design: The Complete Reference olors are used on the Web not only to make sites more interesting to look at, but also to inform, entertain, or even evoke subliminal feelings in the user. Yet, using Ccolor on the Web can be difficult because of the limitations of today’s browser technology. Color reproduction is far from perfect, and the effect of Web colors on users may not always be what was intended. Apart from correct reproduction, there are other factors that affect the usability of color on the Web. For instance, a misunderstanding of the cultural significance of certain colors may cause a negative feeling in the user. In this chapter, color technology and usage on the Web will be covered, while the following chapter will focus on the use of images online. Color Basics Before discussing the technology of Web color, let’s quickly review color terms and theory. In traditional color theory, there are three primary colors: blue, red, and yellow. By mixing the primary colors you get three secondary colors: green, orange, and purple. Finally, by mixing these colors we get the tertiary colors: yellow-orange, red-orange, red-purple, blue-purple, blue-green, and yellow-green.
    [Show full text]
  • Indigo Garden October 2021
    AVAILABLE OCTOBER 2021 R-2 ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Navy Indigo Garden Main Cream Indigo Garden Mandala Yellow Indigo Garden Scattered Floral Yellow Indigo Garden Diagonal Daisy Wine Indigo Garden Ditzy Navy Indigo Garden Rose Cluster Rouge Indigo Garden Plus Print Navy Indigo Garden Sashiko Rouge Indigo Garden Arrows Oxford Blue Solid Navy Shabby Poppy Textures Yellow Kisses 2 C: COTTON ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Yellow Indigo Garden Main Orange Indigo Garden Mandala Orange Indigo Garden Scattered Floral Orange Indigo Garden Diagonal Daisy Mustard Indigo Garden Ditzy Green Indigo Garden Rose Cluster Green Indigo Garden Plus Print Turquoise Indigo Garden Sashiko Sea Glass Indigo Garden Arrows Persimmon Texture Yellow Swiss Dot Vivid Blossom Sea Glass Bee Cross Stitch 3 C: COTTON ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Red Indigo Garden Main Red Indigo Garden Mandala Turquoise Indigo Garden Scattered Floral Cream Indigo Garden Diagonal Daisy Leaf Indigo Garden Ditzy Teal Indigo Garden Rose Cluster Teal Indigo Garden Plus Print Cream Indigo Garden Sashiko Leaf Indigo Garden Arrows Wagon Red Shades Redwood Kisses Cream Swiss Dot Rainforest Texture 4 C: COTTON ©2021 RILEY BLAKE DESIGNS AND HEATHER PETERSON ALL PRINTS AVAILABLE IN 100% FINE COTTON Midnight Garden by Heather Peterson Quilt Size 621/2” x 711/2” Box Size 11” x 11”x 5” Fabric Requirements 1 10-11270-42 Indigo Garden 10-Inch Stacker 1 Yard C11270 Red Main 1/2 Yard C11273 1/2 Yard Yellow Diagonal Daisy Pre-order the Pre-order the P154 Midnight Garden 3 Yards C11277 Navy Sashiko Midnight Garden Quilt Pattern Quilt Kit 5/8 Yard Binding *Kit includes pattern and fabric for quilt top and binding Available November 2021 * Approximate fabric requirements are listed to aid in estimating the amount of yardage to order and are subject to change.
    [Show full text]
  • 7013 Web Colors
    7013 Web Colors Web colors are colors used in displaying web pages. Each color may be specified either as an RGB triple, or a common English name used for that color. Colors are specified according to the intensity of their red, green and blue components, each represented by eight bits. Thus, there are 24 bits used to specify a web color, and totally 16,777,216 colors can be imagined as web colors. But the HTML 4 specification defines only 16 named colors as shown in the table. It is often useful to map one given color to one of the HTML named colors. The goal of this problem is to perform just such a mapping in the RGB color space. The input to the program consists of a collec- tion of RGB color values to be mapped to the closest HTML named color. For a given color, the “closest” color in the HTML color names is a color with the smallest Euclidean distance from the given color. That is, if rgb is the color to be mapped, and fR1G1B1;:::;R16G16B16g is the set of the HTML colors, the closest color is the one which minimizes the distance expression p 2 2 2 d = (Ri − r) + (Gi − g) + (Bi − b) where i is an integer from 1 to 16. Input There are multiple test cases in the input. Each test case consists of a line containing three integers 0 ≤ r; g; b ≤ 255 which are the Red, Green and Blue intensities of the color, respectively. The input terminates with ‘-1 -1 -1’ which should not be processed.
    [Show full text]
  • Web Design for Developers
    What Readers Are Saying About Web Design for Developers This is the book I wish I had had when I started to build my first web- site. It covers web development from A to Z and will answer many of your questions while improving the quality of the sites you produce. Shae Murphy CTO, Social Brokerage As a web developer, I thought I knew HTML and CSS. This book helped me understand that even though I may know the basics, there’s more to web design than changing font colors and adding margins. Mike Weber Web application developer If you’re ready to step into the wonderful world of web design, this book explains the key concepts clearly and effectively. The comfortable, fun writing style makes this book as enjoyable as it is enlightening. Jeff Cohen Founder, Purple Workshops This book has something for everyone, from novice to experienced designers. As a developer, I found it extremely helpful for my day-to- day work, causing me to think before just putting content on a page. Chris Johnson Solutions developer From conception to launch, Mr. Hogan offers a complete experience and expertly navigates his audience though every phase of develop- ment. Anyone from beginners to seasoned veterans will gain valuable insight from this polished work that is much more than a technical guide. Neal Rudnik Web and multimedia production manager, Aspect This book arms application developers with the knowledge to help blur the line that some companies place between a design team and a development team. After all, just because someone is a “coder” doesn’t mean he or she can’t create an attractive and usable site.
    [Show full text]
  • Mathematical Formulation for Programmers to Select Background and Foreground Colors in Designing Websites
    Mathematical Formulation for Programmers to Select Background and Foreground Colors in Designing Websites Veeresh Duvvuri, Srinivas Laggoni, Shankar Karinga Guru Nanak Institutions Technical Campus India [email protected] [email protected] [email protected] ABSTRACT: For any Website, the look and feel of the page depends on the selection of good color combinations for Background and Foreground Colors, which are represented in RGB format. In most of the cases, the selection of the colors is done by choosing 2 extremely different colors, one being light in color and other dark, for example white and black. The web designers don’t know how the color combination looks like unless they are checked or implemented in the system. The proposed methodology can help the designers to choose different combinations of background color and foreground color for a text in a website without executing. The same methodology can be applied for testing the website, with some suggestions or inputs for choosing of the colors. If the color combinations are not appropriate, or they may affect the eye, then the system rejects such color combinations. Because there is no automation testing technique for identification of color for web pages, most of the cases the tester or developer may conflict with each other in selection of the colors. Keywords: Background Color, Foreground Color, Web Testing RGB, Color Combination Received: 18 December 2017, Revised 30 January 2018, Accepted 8 February 2018 DOI: 10.6025/ijwa/2018/10/2/47-50 © 2018 DLINE. All Rights Reserved 1. Introduction A Website is developed using many languages and tools[1] such as HTML, CSS, JavaScript, XML, JSP, etc,.
    [Show full text]
  • An Overview of Developmental Stages of Consciousness
    An Overview of Developmental Stages of Consciousness Compiled by Barrett C. Brown, Integral Institute April 3, 2006 Based upon research by: Ken Wilber in Integral theory and Integral psychology Clare Graves, Don Beck, and Chris Cowan in the development of values Jane Loevinger and Susanne Cook-Greuter in the development of self-identity Developmental psychologists have identified numerous features of an individual’s consciousness, such as cognition (what one is aware of), values (what one considers most important), and self-identity (what one identifies with).1 These features of consciousness develop through recognizable stages, each stage revealing a markedly different understanding of the world.2 Described below are eight stages of consciousness as understood through research about the unfolding development of values and self-identity.3 There are other developmental lines besides the values and self-identity lines selected here; however, these are two of the most important. Each stage of consciousness is identified with a color, for easy reference.4 It is important to recognize that these “stages” are not strict levels, like rungs on a ladder. They are more like loosely delineated areas along a spectrum of development. Thus, a stage is more like a probability wave than a concrete level of consciousness. The stages below are divided into egocentric stages (Infrared, Magenta, and Red), ethnocentric (Amber), worldcentric (Orange and Green), and kosmocentric stages (Teal, Turquoise, and Indigo). Those interested in learning more are encouraged to review the original sources listed in the references. 1 Wilber, 2000a, 2005 2 e.g., Wilber 2000a, Beck & Cowan, 1996; Graves, 2005; Kegan, 1982; Loevinger, 1976 3 I have compiled this information from many sources; the publicly available material I drew from is referenced.
    [Show full text]
  • Download Tech Sheet
    AZU RE SEEDING T Dates: Spring and fall when soil temperatures are above 60°F or EC higher. Fine fescue is generally slow to tiller once germinated, H SH so higher soil temperatures and increasing photoperiod in the spring or warm soils with decreasing photoperiod in the fall EET BREEDER provide an optimal environment for seedling establishment. Rutgers University and Blue Moon Farms Rates: 4.0-5.0 lbs./1,000 ft.sq. Seed count of Azure is generally 680,000 seeds per pounds and dependent on the year of harvest, DESCRIPTION location of production and seed production practices. Azure sheep’s fescue is an extremely fine bladed bunchgrass that Depth: Sow at ¼ to ½ inch. produces a dense sward and distinct deep teal blue colored turf. Azure establishes rapidly from seed, yet is one of the slowest growing grasses commercially available. Azure exhibits drought and arid climate heat tolerance and has a unique dehydration avoidance mechanism allowing it to remain green under drought stress induced dormancy. Its deep blue teal color intensifies under heat and drought stress. Application Azure was bred specifically for improved shade tolerance, tolerance to infertile soils and reduced maintenance conditions. Azure is best adapted in northern regions of the temperate cool-season turfgrass adaptation zone where heat and humidity related diseases are minimized. It can be successfully utilized in full sun or shade, in parks, playgrounds, commercial sites, golf course roughs and wild flower and native seed mixtures. In poly species mixtures Azure is compatible in turfgrass mixtures containing Kentucky bluegrass, perennial ryegrass, colonial bentgrass, other fine fescues and wildflower and native grasses, legumes and forbs.
    [Show full text]