Athenian Religious and Moral Training. Fletcher H
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Department Town Address Postcode Telephone Etoloakarnania Agrinio
Department Town Address Postcode Telephone Etoloakarnania Agrinio 1, Eirinis square, Dimitrakaki street 301 00 2641046346 Etoloakarnania Mesologgi 45, Charilaou Trikoupi street 302 00 2631022487 Etoloakarnania Nafpaktos 1, Athinon street 303 00 2634038210 Etoloakarnania Amfilohia Vasileos Karapanou street 305 00 2642023302 Argolida Argos 12, Danaou street 212 00 2751069042 Argolida Nafplio 35, Argous street 211 00 2752096478 Argolida Porto Heli Porto Heli Argolidas 210 61 2754052102 Arkardia Megalopoli 15, Kolokotroni street 222 00 2791021131 Arkardia Tripoli 48, Ethinikis Antistaseos street 221 00 2710243770 Arta Arta 129, Skoufa street 471 00 2681077020 Attica Athens 316, Acharnon street & 26 Atlantos street 112 52 2102930333 Attica Agios Dimitrios 54, Agiou Dimitriou street 173 41 2109753953 Attica Agios Dimitrios 276, Vouliagmenis avenue 173 43 2109818908 Attica Agios Dimitrios 9 - 11, Agiou Dimitriou street 173 43 2109764322 Attica Agia Paraskevi 429, Mesogeion avenue 153 43 2106006242 Attica Athens - Piraeus 153, Piraeus Avenue 118 53 2104815333 Attica Athens - Aristeidou 1, Aristeidou street 105 59 2103227778 Attica Athens 79, Alexandras avenue 114 74 2106426650 Attica Athens - Plateia Viktorias 2, Victoria square 104 34 2108220800 Attica Athens - Stadiou 7, Stadiou street 105 62 2103316892 Attica Egaleo 266, Iera Odos street 122 42 2105316671 126, Vasilissis Sofias street & 2, Feidippidou Attica Abelokipoi street 115 27 2106461200 Attica Amfiali 32, Pavlou Fissa street 187 57 2104324300 Attica Palaio Faliro 82, Amfitheas avenue -
The Cosmic Myths of Homer and Hesiod
Oral Tradition, 2/1 (1987): 31-53 The Cosmic Myths of Homer and Hesiod Eric A. Havelock I HOMER’S COSMIC IMAGERY Embedded in the narratives of the Homeric poems are a few passages which open windows on the ways in which the Homeric poet envisioned the cosmos around him. They occur as brief digressions, offering powerful but by no means consistent images, intruding into the narrative and then vanishing from it, but always prompted by some suitable context. A. Iliad 5.748-52 and 768-69 The Greeks in battle being pressed hard by the Trojans, assisted by the god Ares; the goddesses Hera and Athene decide to equalize the encounter by descending from Olympus to help the Greeks. A servant assembles the components of Hera’s chariot: body, wheels, spokes, axle, felloe, tires, naves, platform, rails, pole, yoke are all itemized in sequence, comprising a formulaic account of a mechanical operation: Hera herself attaches the horses to the car. Athene on her side is provided by the poet with a corresponding “arming scene”; she fi nally mounts the chariot and the two of them proceed: 748 Hera swiftly with whip set upon the horses 749 and self-moving the gates of heaven creaked, which the seasons kept 750 to whom is committed great heaven and Olympus 751 either to swing open the thick cloud or to shut it back. 752 Straight through between them they kept the horses goaded-and-driven. 32 ERIC A. HAVELOCK 768 Hera whipped up the horses, and the pair unhesitant fl ew on 769 in midspace between earth and heaven star-studded. -
The Birth of Abortion: Ancient Views, Modern Interpretations, and Enduring Debates
The Birth of Abortion: Ancient Views, Modern Interpretations, and Enduring Debates By Cody Kornack Classics, History, Politics Colorado College Bachelor of Arts May 2014 Kornack “Our society may allow women far greater control of their own destiny than the ancient world did, but women are still subject to political, social and personal restrictions, norms and rules that make motherhood not always desirable.” ~Konstantinos Kapparis, Abortion in the Ancient World Kornack Acknowledgements Foremost, I would like to thank the professors of the Classics, History, and Politics departments at Colorado College for creating an environment that cultivated my intellect, encouraged my curiosity, and imbued me with the determination to pursue this thesis topic. In particular, I am especially thankful for the guidance and encouragement of Sanjaya Thakur who helped me throughout the research and writing of this thesis. Likewise, I would like to thank Owen Cramer and Marcia Dobson for their enduring support with regards to teaching me Greek, as well as Dan Leon and Carol Neel for their helpful comments and suggestions in my editing process. I am endlessly thankful for the love, guidance, and support of my parents, Julie and Russ, and both of my brothers, Kyle and Jake. Honor Code Upheld Cody Kornack Kornack Table of Contents Introduction ........................................................................................................................ 1 Ancient Abortions Terminology ........................................................................................................... -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
Copyright by Kyle Austin Sanders 2018
Copyright by Kyle Austin Sanders 2018 The Dissertation Committee for Kyle Austin Sanders Certifies that this is the approved version of the following Dissertation: Pindar and the Enigmatic Tradition Committee: ____________________________________ Thomas Hubbard, Supervisor ____________________________________ Deborah Beck ____________________________________ Lesley Dean-Jones ____________________________________ Ayelet Haimson Lushkov ____________________________________ Joshua Katz Pindar and the Enigmatic Tradition by Kyle Austin Sanders Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Acknowledgments The germ of this project came in a graduate seminar on Pindar offered by Thomas Hubbard, whose expertise and guidance has informed every step of this process. I have also benefited from the lively discussion and feedback of many fellow graduate students. I am especially grateful to my colleague and dear friend Laura Takakjy, who closely read countless drafts over breakfasts at Kerbey Lane. I thank as well the numerous friends and fellow graduate students at Texas, including Chuck Oughton, Paul Hay, and the others in our dissertation reading group, who advised on preliminary versions of several chapters. My time in graduate school would surely not have been so productive and enriching were it not for the wide-ranging acumen and camaraderie of Matt Sibley and Olga Koutseridi. I deeply appreciate the contributions of my dissertation committee, whose careful feedback greatly shaped the later revisions I made to this project. Joshua Katz was very generous in commenting on the manuscript and in travelling to Austin to attend my defense. -
Graham Pont Philosophy and Science of Music in Ancient Greece
Graham Pont Philosophy and Science of Music in Ancient Greece The Predecessors of Pythagoras and their Contribution Although the writings of the classical Greeks and their Roman and Arabic successors remain the foundation of Western philosophy and science of music, as well as their sometimes problematic applications to architecture and other constructive arts, there has been a steady renewal of interest in the old science of harmonics. It is recognized that much of the Greek theory and practice of harmonics was unquestionably derived from earlier cultures, the still shadowy predecessors of Pythagoras. Though hardly any modern writers would describe themselves as Pythagoreans, some of their ideas have important connections with the old tradition and all are symptomatic of a new era in the history of thought, when mechanistic and reductionist paradigms are giving way to a holistic and organic world-view. Modern scholarship has established that most of the doctrines traditionally ascribed to Pythagoras were really the contributions of the older high civilisations, particularly of Mespotamia and Egypt. The rise and dissemination of these perennially influential doctrines remains one of the most formidable problems for the historian of ideas. Introduction One of the ironies of twentieth-century thought is that the final dethronement of Pythagoras as a ‘father’ of western science and philosophy and the ‘inventor’ of music and mathematics should be accompanied by a world-wide revival of Pythagorean research and speculation. During the seventeenth century, the ‘harmony of the spheres’, which had remained an article of faith until the age of Shakespeare and even Louis XIV [Isherwood 1973, Ch. -
The Hadrianic Aqueduct
Proceedings of the 14th International Conference on Environmental Science and Technology Rhodes, Greece, 3-5 September 2015 THE HADRIANIC AQUEDUCT CHRISTAKI M.1, STOURNARAS G.1 and NASTOS P.2 1 National and Kapodistrian University of Athens, Faculty of Geology and Geoenvironment, Department of Dynamic Tectonic Applied Geology, Panepistimiopolis Zografou, 15784, 2 National and Kapodistrian University of Athens, Faculty of Geology and Geoenvironment, Department of Geography and Climatology, Panepistimiopolis Zografou, 15784 E-mail: [email protected] ABSTRACT Since prehistoric times, the city of Athens and the wider region of Attica did not contain many natural water sources so aquatic reserves were never adequate to meet the needs of residents, as these changed through time. The construction of aqueducts was part of a more organized effort to address the water needs of the Attica basin area since prehistoric times. A key step in developing the city’s water infrastructure took place during the Roman occupation of Athens when the Hadrianic aqueduct and the Hadrianic reservoir were built. Construction began in 125 AD and was completed in 140 AD The Hadrianic was underground with natural flow requiring a small and continuous slope along the aqueduct. Wells, communicated through the aqueduct, were placed at regular intervals. The main branch of the aqueduct - the central part of the Hadrianic, consists of the main tunnel, approximately 20 Km which starts from the foot of Mount Parnitha in the Olympic Village and ends up in the reservoir of Lycabettus, exploiting the water sources of Parnitha, Penteli and the Kifissos River. Gravity collected water from the water sources in the main tunnel and there was also the contribution of smaller aqueducts along the route. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
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The Limits of Communication Between Mortals and Immortals in the Homeric Hymns
Body Language: The Limits of Communication between Mortals and Immortals in the Homeric Hymns. Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bridget Susan Buchholz, M.A. Graduate Program in Greek and Latin The Ohio State University 2009 Dissertation Committee: Sarah Iles Johnston Fritz Graf Carolina López-Ruiz Copyright by Bridget Susan Buchholz 2009 Abstract This project explores issues of communication as represented in the Homeric Hymns. Drawing on a cognitive model, which provides certain parameters and expectations for the representations of the gods, in particular, for the physical representations their bodies, I examine the anthropomorphic representation of the gods. I show how the narratives of the Homeric Hymns represent communication as based upon false assumptions between the mortals and immortals about the body. I argue that two methods are used to create and maintain the commonality between mortal bodies and immortal bodies; the allocation of skills among many gods and the transference of displays of power to tools used by the gods. However, despite these techniques, the texts represent communication based upon assumptions about the body as unsuccessful. Next, I analyze the instances in which the assumed body of the god is recognized by mortals, within a narrative. This recognition is not based upon physical attributes, but upon the spoken self identification by the god. Finally, I demonstrate how successful communication occurs, within the text, after the god has been recognized. Successful communication is represented as occurring in the presence of ritual references. -
Greek and Roman Perceptions of the Afterlife in Homer's
McNair Scholars Journal Volume 11 | Issue 1 Article 2 2007 Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Jeff Adams Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/mcnair Recommended Citation Adams, Jeff (2007) Gr" eek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid," McNair Scholars Journal: Vol. 11: Iss. 1, Article 2. Available at: http://scholarworks.gvsu.edu/mcnair/vol11/iss1/2 Copyright © 2007 by the authors. McNair Scholars Journal is reproduced electronically by ScholarWorks@GVSU. http://scholarworks.gvsu.edu/ mcnair?utm_source=scholarworks.gvsu.edu%2Fmcnair%2Fvol11%2Fiss1%2F2&utm_medium=PDF&utm_campaign=PDFCoverPages Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Abstract Homer’s Odyssey says that death “is the This study is a literary analysis of way of mortals, whenever one of them Homer’s Iliad and Odyssey and Virgil’s should die, for the tendons no longer Aeneid. Of specific interest are the hold flesh and bones together, but the interactions of Achilles, Odysseus, strong might of blazing fire destroys and Aeneas with their beloved dead. these things as soon as the spirit has left I focused on what each party, both the the white bones, and the soul, having living and the dead, wanted and the flown away like a dream, hovers about.”1 results of their interaction. Methods People have always been fascinated by included reading passages from the death and the afterlife. -
The CHARIOTEER ' a Quarterly Review of Modern Greek Culture Edited by Kimon Friar
The CHARIOTEER ' A Quarterly Review of Modern Greek Culture Edited by Kimon Friar NUMBER 3 1961 PREFACE TO POPE JOAN by LAWRENCE DURRELL .from POPE JOAN by EMMANUEL RoYIDIS Small Anthologies of MICHAEL TOMBROS I. M. PANAYOTOPOULOS TAKIS PAPATZONIS DREAM AND REALITY IN SATIRE text and cartoons by Minos Argyrakis NAUSICAA AND ODYSSEUS by HOMER and by NIKOS KAZANTZAKIS TWO POEMS by c. A. TRYPANIS from the OEDIPUS plays by SoPHOCLES THE SPHINX'S RIDDLE TO OEDIPUS by RANDALL JARRELL OEDIPUS by RICHARD EBERHART Fiction and Essays by MINAS DIMAKIS GHIKA ZAHARIAS PAPANDONIOU EVANGELOS PAPANOUTSOS ANGHELOS PROKOPIOU CLEON PARASCHOS NELLY THEODOROU MICHAEL TOMBROS Published by Parnassos, Greek Cultural Society of New York Sr. so ACKNOWLEDGMENTS To The Anglo-Hellenic Review for excerpts The Odyssey, by Homer, copyright © 1961 from "The Poetry of Takis Papatzonis" by by Robert Fitzgerald. To E. P. Dutton and Cleon Paraschos. To The Arizona Quarterly, Company for "Preface," by Lawrence Dur Summer, 1955, for "Outline of Error," by rell and excerpts from Pope Joan, by Emman Takis Papatzonis, translation and copyright uel Royidis, translated from the Greek by ©by Kimon Friar. To Atheneum for "The Lawrence Durrell, revised edition, copy Sphinx's Riddle to Oedipus," from The right© 1961 by Lawrence Durrell. To Faber Woman at the Washington Zoo, copyright© & Faber Limited for excerpts from Oedipus 1960 by Randall Jarrell. To The Atlantic the King and Oedipus at Colonus, translation Monthly, June, 1955, for "Before the Ad and copyright© 1961 by C. P. Trypanis. vent," by Takis Papatzonis, translation and To The New Age for excerpts from "1.