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Taliaa___Exhibition Catalogue.Pdf ّالقيم Curator املقدمة ون�صو�ص عن الفنانني Introduction & Artists Biographies عبدالعزيز عا�صور Abdulaziz Ashour ب�صم اهلل الرحمن الرحيم الت�صوير In the Name of God Photographed by بركان قاوقجي Bourkan Kaoukji حممد كركورت Mehmet Karakurt طارق العبداهلل Tarik Al abdullah الإخراج طلب ِمني ال�شيد خالد �شماوي، موؤ�ش�ض غالريي اأيام، ًم�شكورا على ثقته، اإقامة معر�ض حول بدايات الفن الت�شكيلي Ayyam Gallery founder, Khaled Samawi first suggested organising an exhibition on the Designer ديال �صليم ال�شعودي. و�شودف ًﻻحقا اأن زرت معر�ض بعنوان “املا�شي كمقدمة” �شمن فعاليات مبادرة فن جدة “٢١،٣٩” حتت landmarks of pioneering Saudi Art. This idea was Diala Sleem املراجعة اللغوية قيادة اﻻأمرية ِجواهر بنت ماجد بن عبدالعزيز، فات�شحت الروؤية يل ب�شكل اأو�شع. وما كان مني �شوى اأن توا�شلت مع clear to me especially after attending an exhibition Translator and Editor الفنان عبد العزيز عا�شور الذي تف�شل بالقبول ًم�شكورا باﻻإ�شراف على املعر�ض ب�شفته ًقيما، ومتابعة الكتاب امللحق من (Past as Prologue) during the activities (21:39) فداء القاق sponsored by princess Jawaher Bent Majed Ben Fedaa Alqaq خﻻل كتابة املقدمة والن�شو�ض املدرجة. وما �شاهم به الفنان عا�شور من اأعمال م�شاركة ووثائق كان ًمفاجئا، اإذ مل يخطر Abdul Al Aziz. I later communicated with the artist الن�صو�ص باللغة النكليزية على بايل توفر واإيجاد مثل هذه اﻻأعمال النادرة والتاريخية. لذا، ي�شرفني ًممثﻻ عن غالريي اأيام يف ال�شعودية اأن نقيم هذا Abdulaziz Ashour and we agreed to put together this exhibition, with him serving as exhibition English texts زارمينا رايف Zarmina Rafi املعر�ض الغني بالوثائق وال�شور واﻻأعمال الفنية التي �شتعر�ض للمرة اﻻأوىل. .curator and writer ال�صكر لكل من Mr. Ashour surprised me with the range of rare Thanks to اإن معر�ض الطليعة يك�شف اأهمية فناين الريادة وبع�ض فناين الرعيل اﻻأول الذين متيزت جتاربهم بخ�شو�شية وفرادة عمر عا�صور and historical works and documents to be included in this exhibition. I had not anticipated finding Omar Ashour ال�صيد �صابر وح�شور بارز يج�شد ت�شحياتهم املبكرة وامل�شاهمة يف بناء لبنة الفن يف بﻻدنا، والذي حلقت به املوؤ�ش�شات الر�شمية التي something as valuable as these. Elsayed Saber )غالريي حوار( دعمت ح�شور الفن والفنانني يف املحافل املحلية والدولية. Hewar art Gallrey جيم�ص غار�صيا This exhibition reveals the value of pioneering and Jemes Garcia اإننا نفخر بهذا املعر�ض ونعتز بهذه النخبة من الفنانني واأعمالهم املاثلة اأمام اأعينكم، ُوي�شرين يف هذه املنا�شبة اأن اأتقدم first generation of Saudi artists. It highlights this �صكرخا�ص ,generation’s unique and special circumstances Many Thanks بال�شكر اخلا�ض لل�شيدة �شذا ابراهيم الطا�شان ُموؤ�ش�شة ِحوار غالريي يف الريا�ض على دعمها لهذا املعر�ض بتوفري اأعمال their notable existence and the sacrifices and بركان قاوقجي Bourkan kaoukji و�شور ومراجع مل ُيكن ليكتمل املعر�ض ِبدونها. كما ي�شرين اأن اأ�شكر اﻻأخوة حممد حافظ وحمزة �شرييف ورنيم الفار�شي contributions made which proved to be vital in عبد الرحمن ال�صليمان the establishment of the first instance of organised Abdulrahman Al soliman واآية علي ِر�شا وجميع اأع�شاء املجل�ض الفني ال�شعودي على م�شاهمتهم واهتمامهم بتاريخ وفناين الريادة والرعيل اﻻأول يف عﻻء ال�صيخ Saudi art. Governmental bodies later supported Ala Al shaikh ال�شعودية. .these artists both nationally and internationally مازن اليحيا It is my honour to represent Ayyam Gallery Mazin Al yahya in Saudi Arabia, introducing these art works, املراجع العامة ً ً documents and pictures to be shown for the first General references ِوختاما اأ�شكر الفنان مروان ِر�شوي وجميع الفنانني امل�شاركني الذين دعموا ح�شيلة هذا املعر�ض بالوثائق واﻻأعمال متمنيا م�صرية الفن الت�صكيلي ال�صعودي – عبدالرحمن ال�صليمان .time in Ayyam’s gallery space The Saudi Art Scene Journey - Abdulrahman Alsoliman اأن تكون هذه خطوة يف �شبيل اأن ياأخذ الفن الت�شكيلي ال�شعودي ُ حقهيف ال�شاحة العربية والعاملية. الت�صوير الت�صكيلي يف اململكة العربية ال�صعودية – �صهيل احلربي The Painting in Saudi Arabia - Suhil Al-Harbi وباهلل التوفيق... I would like to thank Ms. Shatha I. Al-Tassan, founder تاريخ الفن الت�صكيلي يف اململكة العربية ال�صعودية – د. حممد الر�صي�ص of Hewar Gallery in Al Riyadh for her support in providing useful pictures and documents. I would The History of Fine Arts in Saudi Arabia - Dr. Mohammed Resayes كتاب عبد احلليم ر�صوي – من تاأليف عمران القي�صي also like to thank Mohammed Hafiz, Hamza Serafi, Abdulhalim Radwi - Omran Alqaisi احلياة بني الفكر واخليال – تاأليف عبداحلليم ر�صوي Raneem Farsi, Aya Ali Reza and the members Life between Thought and imagination - Abdulhalim Radwi كتاب الأفاقية – تاأليف حممد ال�صليم of the Saudi Art Council for their participation and interest in the history of pioneer and the Al Afakiah - Muhammed Alsalim كتاب حممد ال�صليم من تاأليف فرناندو متب�صتي first generation artists in Saudi Arabia. Finally, I Muhammed Alsalim- Fernando Temsti ار�صيف الفنان عبدالرحمن ال�صليمان would like to thank artist Marwan Redwi and the Abdulrahman Alsoliman archives artists who support this exhibition with pictures and documents. I hope for this exhibition to be All rights reserved an important step in giving Saudi Arabian art its recognition and due in the Arab and international art stage. ق�صــــورة حــــافــــظ Qaswra Hafez www.ayyamgallery.com غالريي اأيام – جــدة Ayyam Gallery Jeddah 1 1 3 3 الطليعة:بدايات الفن الت�صكيلي ال�صعودي The Beginnings of Fine Art in Saudi Arabia عبدالعزيز عا�صور By Abdulaziz Ashour ن�شاأ الفن يف املحرتف الت�شكيلي ال�شعودي بف�شل مبادرات وجهود فردية قام بها ر�شامني تنتمي ثقافتهم اإىل عادات وتقاليد Art in Saudi Arabia developed thanks to the individual efforts of artists aiming to preserve local حمافظة اإىل اأبعد حد يف وقت مل يتقبل فيه املجتمع تدري�ض مادة الر�شم كمقرر يف التعليم العام مبرونة، ويف وقت بداأ tradition and culture within a society that did not متا ًأخرا عن بع�ض الدول العربية الرائدة واملجاورة، مثل م�شر ولبنان والعراق و�شوريا. ف�ش ًﻻ عن ذلك، كانت املبادرات اأو necessarily support art education and instruction املحاوﻻت املبكرة معزولة عن املجتمع وعن دول املركز واجلوار كما يف فراغ، وﻻ نبالغ عندما نقول اأن تلك املبادرات ولدت in the same way as the neighbouring countries of Egypt, Lebanon, Iraq, and Syria. This national يف ظروف فكرية ﻻ ت�شمح باﻻعتزاز بالفن كممار�شة، ناهيك عن املواقف املت�شددة التي ﻻ ترى يف الفن قيمة ت�شتوجب attitude of refusal to approach painting did not اﻻلتفات اإليه اأو اﻻهتمام به. ومن نافل القول اأن املوؤ�ش�شة التعليمية ممثلة يف وزارة املعارف )وزارة الرتبية والتعليم( ًحاليا، .instill confidence in emerging practitioners of art There was no pride associated in working in the والرئا�شة العامة لرعاية ال�شباب وبع�ض رجال الفكر املتنورين، هم الذين �شاهموا على اإبقاء هذه املمار�شات ماثلة اأمام .arts, nor was much value attached to this career املجتمع املحلي. However, associations such as the Ministry of Education, the general president of Youth Care يف الن�شف اﻻأول من اخلم�شينات ظهرت موهبة املرحوم الفنان عبداحلليم ر�شوي ١٩٣٩ - ٢٠٠٦م ومواطنه عبدالر�شيد ,(currently the Ministry of Culture and Media) and significant writers of the time did participate �شلطان يف مناف�شة �شبه حم�شورة بني طﻻب املعهد العلمي ال�شعودي، وطﻻب مدر�شة حت�شري البعثات متثلت باإعداد ركن in and create lively artistic activities within local خا�ض ﻻأعمال كل منهما يف معر�ض الن�شاط ال�شنوي العام الذي اأقيم مبكة املكرمة عام ١٩٥٣م، ويف نهاية اخلم�شينات .society ًوحتديدا عام ١٩٥٩م ا�شتد عود الر�شوي يف اأول م�شابقة للوحات الفنية على امل�شتوى الر�شمي للمدار�ض الثانوية باململكة، In the mid 1950s artist Abdulhalim Al Radwi وحقق للمدر�شة العزيزية املركز اﻻأول عن لوحته املو�شومة )القرية( حينها تلقى الر�شوي اإ�شارة بﻻغة موهبته الفنية، began to be acknowledged for (2006 – 1939) ويذكر اأن لوحة القرية ت�شمنت منازل طينية واأ�شجار. his artistic talents, alongside his contemporary Abdul Rashid Sultan, which created competition between the Saudi Science students and the preparation school students as they participated in an annual activity held in Mecca in 1959. Alradwi distinguished himself by winning the first official painting competition in High School in Saudi Arabia and achieving first position in school for The Village, a work representing trees and clay houses. These were the early signs of his continued rise to fame. 3 3 بينما ظهرت موهبة املرحوم الفنان حممد ال�شليم عام ١٩٥٨ - ٢٠٠٦م يف نف�ض العام الذي تقرر فيه تدري�ض مادة الرتبية Another emerging talent of the time was يعترب اإن�شاء معهد الرتبية الفنية ١٩٦٥م ودعم الرئا�شة العامة لرعاية ال�شباب )وزارة الثقافة واﻻإعﻻم( ًحاليا ًمنعطفا هذا العمل من مقتنيات ال�شيدة �شذا ابراهيم الطا�شان This artwork belongs to Mrs. Shatha I. Al-Tassan’s collection. ً Muhammad Al Saleem (1958 – 2006). He became الفنية باململكة، حيث اأ�شند اإليه تدري�ض مادة الر�شم يف املدر�شة التي تلقى فيها علومه اﻻبتدائية و ذلك بناء على ما known the same year that art began to be formally تاريخيا يف ممرات الت�شكيل ال�شعودي، ويعود للمعهد الف�شل يف تخريج عدد من اأهم طﻻئع الفنانني الت�شكيليني باملمملكة، تعرفه اإدارة املدر�شة وهيئة التدري�ضعن موهبته ون�شاطه امللحوظ يف تنفيذ اللوحات اخلطية، ويف عام ١٩٦٠م ح�شل على taught in schools in Saudi Arabia. As a result of his بينما كان لرعاية ال�شباب اليد الطوىل يف دعم الفن والفنانني على خمتلف اأجنا�شهم وم�شتوياتهم خا�شة، ممن متتعت اجلائزة اﻻأوىل يف ن�شاط الرتبية الفنية يف اإحدى الدورات التاأهيلية للمعلمني ًمتلقيا هو اﻻآخر اإ�شارة بﻻغة موهبته الفنية.
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