DVC Winter 2007 Magazine:Layout 1 12/18/07 9:13 AM Page 1

Total Page:16

File Type:pdf, Size:1020Kb

DVC Winter 2007 Magazine:Layout 1 12/18/07 9:13 AM Page 1 DVC Winter 2007 magazine:Layout 1 12/18/07 9:13 AM Page 1 Winter 2007 vol. 16 no. 4 GRAND PLANS! PLUS: Disney buys hawaii land members enjoy southwest splendors parks celebrate the holidays & MORE! Nelida Mora of Placentia, Calif., Member since 2005, joins Mickey Mouse at the site of a “Grand” expansion project in the Golden State. DVC Winter 2007 magazine:Layout 1 12/18/07 9:13 AM Page 2 Disney Files Magazine is published by the good people at Disney Vacation Club P.O. Box 10350 Ah, the bumper sticker. That ingenious union of adhesive and wit can breed familiarity Lake Buena Vista, FL 32830 (“My child is an honor student”), harmony (“Visualize World Peace”) and even pity (“I brake for unicorns”) like no other sticker on earth. And, when executed well, these sticky solilo- E-mail the magazine staff at: quies can pose some pretty provocative questions. Consider the three I saw today on my way [email protected] to the office: (1) “Can vegetarians eat animal crackers?” (2) “What if the Hokey Pokey really is All dates, times, events and prices what it’s all about?” and (3) the Central Florida classic, “Is there life after Disney World?” printed herein are subject to Born to inform, I’m here with the answers: (1) Absolutely. My herbivore sister will dunk change without notice. (Our lawyers a vanilla tiger into soy milk without hesitation, (2) then we’d better hurry up and turn our- do a happy dance when we say that.) selves around, and (3) there is, indeed, life after Disney World. (Gasp!) To support that last point, I present the first edition of your newly renamed Disney Files Magazine. Sure, it deliv- MOVING? ers plenty of good Walt Disney World® news, from soarin’ games to singin’ buses (page 7), Update your mailing address but the Disney dish doesn’t end there. online at www.dvcmember.com Take the expansion of Disney’s Grand Californian Hotel® & Spa for example (pictured MEMBERSHIP QUESTIONS? on our cover). This ambitious project in the Golden State (pages 2 and 15-16) is one of two Contact Member Services at “Grand” plans showcased in this edition, as we also have the scoop about a Disney land (800) 800-9800 or (407) 566-3800 purchase in the Aloha State (pages 2 and 16). Mon.-Fri. 9 a.m.-5 p.m. Eastern Speaking of “Grand,” I had the unique pleasure of joining Members on an exclusive (Thurs. 9 a.m.-10 p.m. Eastern) Adventures by Disney excursion through the Grand Canyon and other wonders of the Amer- Sat. 1-5 p.m. Eastern ican Southwest, and you’ll find some of my favorite photos from the journey on pages 17- Fax Number: (407) 938-4151 18, with a bonus group shot on page 30. Add stories about new Disney thrills plummeting near Paris (page 9), an opening date TTY telephone number for for a new Disney hotel rising in Tokyo (page 10) and holiday happenings at every Disney Members with hearing disabilities: (800) 800-9837 or (407) 566-3320 Park on the planet (pages 11-12), and it’s easy to see that life does exist after Disney World. Shockingly, it even existed before Disney World, and history expert Jim Korkis is here to take Membership questions e-mail: you back in time to meet the rabbit who preceded the mouse (pages 19-20). [email protected] So, what’s an Editor to do after spanning the globe to launch the first installment of the Files? I’m going to Disney World! (Cue the fireworks shot.) Stay up to date on the latest Disney news between magazines online at www.dvcmember.com Welcome Home, Ryan March Disney Files Editor DVC-MBR-65-A al: Disneyphiles (Diz-nee-fyles) noun, plur y ve, or are attracted to, all things Disne really cool people who lo al: Disney Files (Diz-nee-fyles)y noun,Vacation plur Club eally cool magazine for Disne a r yphiles Members, the ultimate Disne DVC Winter 2007 magazine:Layout 1 12/18/07 9:13 AM Page 3 From the desk of jim lewis top news & perspectives By Jim Lewis, President, Disney Vacation Club grand plans As announced this fall on your Member Web site, Disney Equally exciting is Vacation Club is making some “Grand” plans for westward our company’s new expansion, starting with the Disneyland® Resort in California. oceanfront land pur- Crews are busy developing 50 two-bedroom-equivalent chase in Hawaii! While Disney Vacation Club villas* as part of an ambitious expansion of many details of this Disney’s Grand Californian Hotel® & Spa. This immerisve resort project are still in the captures the spirit of early California with rich details represent- early stages of devel- ing the romantic Arts and Crafts movement of early 20th century opment, I can tell you California, the exploration of California’s coastlines, and the that Disney Vacation memories of the arroyo craftsmen, mission pioneers and Plein Club will, in fact, be Air school of painters. (Can you tell I’ve spent a lot of time lately part of this 21-acre resort with Imagineers?) Plus, this place offers the unique benefit of concept*. We’re targeting an Disney Vacation Club being located inside Disney’s California Adventure® Park, adding opening in 2011, so we’ll wis discusses another level of convenience to your vacation. have plenty of time to give you President Jim Le and plans" with Plans call for our Vacation Homes to open along with the the latest details as they become the "Gr ess. broader expansion of the hotel (the project also includes the available. the pr addition of more than 200 traditional hotel rooms) in November One thing is clear. There’s 2009. We’ll share more details about the project in the never been a better time to be *These resorts are not registered or offered for months ahead. part of the Member family! sale at this time. extremely inspiring While announcing new resort projects is exciting on a professional level, seeing how vacations can change families’ lives is what truly in- spires me on a personal level. As you may have seen on television earlier this fall, I recently had the pleasure of reaching out to a deserving family as part of ABC’s hit show “Extreme Makeover: Home Edition.” You’ll read more about the Byers family in this edition of your magazine, but no words can do justice to the incredible strength and spirit this family has shown in the face of adversity. All of us at Disney Vacation Club were touched by their resilience and determination to fight pediatric cancer, and I was truly honored to spend time with them during their long- overdue vacation at Disney’s Hilton Head Island Resort. Seeing a family laugh, play and, for even a few moments, forget about illness reminded me why I’m so proud to be part of this company and community. Not wanting to see their fun end, I presented the family with three years of future vacations on us, and I can only hope that those vacations prove to be just as powerful as that special week in the Low Country. We are deeply proud to help the show change families’ lives, and we’re looking forward to continuing our work with the show later this season. page 2 dvcmember.com DVC Winter 2007 magazine:Layout 1 12/18/07 9:13 AM Page 4 member perks magic with Members in mind primp like a princess You’ll have to excuse young Eva, pictured here, for acting a bit regal these days. Part of the Soto family of Compton, Calif., Mem- bers since 2002, Eva enjoyed a special perk of Membership when she was randomly selected at a “Welcome Home Wednesday” Member gathering at Disney’s BoardWalk Resort to enjoy a com- plimentary makeover at the new Bibbidi Bobbidi Boutique inside Cinderella Castle at the Magic Kingdom® Park in Florida. The new salon, which joined its sister location located inside the World of Disney® store at Downtown Disney® Marketplace, turns young Guests into Disney Princesses with everything from hair and makeup to nails and wardrobe. Little Eva’s dream visit to the salon transformed her into her favorite member of Disney’s royal family, Princess Aurora (known to some as Sleeping Beauty.) For reservations at either salon location (available as many as 180 days in advance of your visit), call (407) WDW-STYLE (939- 7895). (Details also are available at www.disneyworld.com/style. Note that the new location requires Magic Kingdom admission. party like a stirring mouse The Magic Kingdom Park at the Walt Disney World® Resort becomes the “merriest place in the world” each holiday season as Mickey’s Very Merry Christmas Party takes over the Park from 7 p.m.-midnight on select nights throughout the season. Magical snow flurries, the new Mickey’s Once Upon a Christmastime Parade and a holiday fireworks spectacular are among the festivities on tap for this “after-hours” salute to all things merry (not to mention the cookies and cocoa!). Disney Vacation Club Members may purchase advance tickets up to the day before the event at a special price of $37.95 plus tax for Guests ages 10 or older (regularly $40.95 plus tax in advance and $47.95 plus tax on the day of the event) and $30.95 plus tax for children ages 3-9 (regularly $33.95 plus tax in ad- vance and $40.95 on the day of the event) for parties taking place on Nov.
Recommended publications
  • Summer 2017 • Volume 26 • Number 2
    sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain).
    [Show full text]
  • The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique.
    [Show full text]
  • The University of Chicago Looking at Cartoons
    THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
    [Show full text]
  • Articles from 2016
    Preview Shelf Articles for 2016 December 1, 2016 Discovering the Wild Heritage of the Nineteenth State By Dianne Combs It has been a wonderful year of celebration for the state of Indiana. Two hundred years of statehood! We have learned many things about our political and historical heritage, but I believe that Indiana still has many secrets that need to be learned. Here at the library we have some beautiful books that will help you explore the natural history of our great state. “The Natural Heritage of Indiana,” edited by Marion T. Jackson, takes us on a lively jaunt through the terrain of our great state. To my delight, the very first picture in Part One is of the “Honeycomb Rock” at Pine Hills Nature Preserve in the southwestern part of Montgomery County. Glaciation and its effects on our landscape are explained in detail, which helps me to understand all the rock formations I come across while exploring some of our nationally renowned state parks. Throughout this section, written by Henry Gray, we are taken on several tours of Indiana. He describes the terrain as if he were driving along highways and illustrates his discussion with appropriate topographical maps. Our soil and water, wetlands and caves — all these give our state its unique stamp on the map of our nation. Beautiful photographs of the flora and fauna of Indiana fill the pages of this coffee table book. I could spend hours just turning its pages, learning about the native plants and animals with which we share our land. We have recently acquired two copies of “A Place Called Turkey Run — A Celebration of Indiana’s Second State Park in Photographs and Words,” by Daniel P.
    [Show full text]
  • French Animation History Ebook
    FRENCH ANIMATION HISTORY PDF, EPUB, EBOOK Richard Neupert | 224 pages | 03 Mar 2014 | John Wiley & Sons Inc | 9781118798768 | English | New York, United States French Animation History PDF Book Messmer directed and animated more than Felix cartoons in the years through This article needs additional citations for verification. The Betty Boop cartoons were stripped of sexual innuendo and her skimpy dresses, and she became more family-friendly. A French-language version was released in Mittens the railway cat blissfully wanders around a model train set. Mat marked it as to-read Sep 05, Just a moment while we sign you in to your Goodreads account. In , Max Fleischer invented the rotoscope patented in to streamline the frame-by-frame copying process - it was a device used to overlay drawings on live-action film. First Animated Feature: The little-known but pioneering, oldest-surviving feature-length animated film that can be verified with puppet, paper cut-out silhouette animation techniques and color tinting was released by German film-maker and avante-garde artist Lotte Reiniger, The Adventures of Prince Achmed aka Die Abenteuer des Prinzen Achmed , Germ. Books 10 Acclaimed French-Canadian Writers. Rating details. Dave and Max Fleischer, in an agreement with Paramount and DC Comics, also produced a series of seventeen expensive Superman cartoons in the early s. Box Office Mojo. The songs in the series ranged from contemporary tunes to old-time favorites. He goes with his fox terrier Milou to the waterfront to look for a story, and finds an old merchant ship named the Karaboudjan. The Fleischers launched a new series from to called Talkartoons that featured their smart-talking, singing dog-like character named Bimbo.
    [Show full text]
  • CGF Resume Template
    352 Seventh Avenue LEO ASH EVENS Suite 1501 AEA/SAG-AFTRA New York, NY 10001 212-379-6822 www.LeoAshEvens.com IG: @leoashevens BROADWAY SCHOOL OF ROCK Vacation Swing Winter Garden Theatre Laurence Connor SHUFFLE ALONG Brooks Ashmanskas (Standby) Music Box Theatre George C. Wolfe JESUS CHRIST SUPERSTAR Phillip Neil Simon Theatre Des McAnuf LONDON WEST END WEST SIDE STORY Riff Sadler’s Wells Joey McKneely OFF-BROADWAY JASPER IN DEADLAND Pluto West End Theatre Brandon Ivie FINKS Bobby Ensemble Studio Theatre Giovanna Sardelli IONESCAPADE: The Works of E. Ionesco Lead York Theatre Company Bill Castellino WANDA’S WORLD P.J. 45th Street Theatre L. Taylor-Corbett FINGERS AND TOES Toes (Lead) NYMF - Urban Stages Matt Lenz TOURS WEST SIDE STORY Riff 50th Anniversary Tour Alan Johnson 42ND STREET Billy Lawlor Moscow, Russia Randy Skinner DISNEY’S ON THE RECORD Mike National Tour Robert Longbottom CASPER THE MUSICAL w/ Chita Rivera Hollinger Pittsburgh CLO Tour David H. Bell REGIONAL THEATRE PETER AND THE STARCATCHER Black Stache Pioneer Theatre Company Jenn Thompson Victoria Theatre CABARET Emcee Theatre Under The Stars Bill Berry *Best Actor, Houston Excellence Awards The Arvada Center C. Montour-Larson SOMEWHERE (World Premiere Play) Jamie The Old Globe Theatre Giovanna Sardelli TheatreWorks, Palo Alto MARY POPPINS Bert Westchester Theater Richard Stafford FINKS Bobby TheatreWorks, Palo Alto Giovanna Sardelli OKLAHOMA! w/ Shirley Jones Will Parker Pittsburgh Civic Light Opera Glenn Casale Casa Mañana Denton Yockey RENT Mark Weston Playhouse Bill
    [Show full text]
  • Upholding the Disney Utopia Through American Tragedy: a Study of the Walt Disney Company’S Responses to Pearl Harbor and 9/11
    Upholding the Disney Utopia Through American Tragedy: A Study of The Walt Disney Company's Responses to Pearl Harbor and 9/11 Lindsay Goddard Senior Thesis presented to the faculty of the American Studies Department at the University of California, Davis March 2021 Abstract Since its founding in October 1923, The Walt Disney Company has en- dured as an influential preserver of fantasy, traditional American values, and folklore. As a company created to entertain the masses, its films often provide a sense of escapism as well as feelings of nostalgia. The company preserves these sentiments by \Disneyfying" danger in its media to shield viewers from harsh realities. Disneyfication is also utilized in the company's responses to cultural shocks and tragedies as it must carefully navigate maintaining its family-friendly reputation, utopian ideals, and financial interests. This paper addresses The Walt Disney Company's responses to two attacks on US soil: the bombing of Pearl Harbor in 1941 and the attacks on September 11, 200l and examines the similarities and differences between the two. By utilizing interviews from Disney employees, animated film shorts, historical accounts, insignia, government documents, and newspaper articles, this paper analyzes the continuity of Disney's methods of dealing with tragedy by controlling the narrative through Disneyfication, employing patriotic rhetoric, and reiterat- ing the original values that form Disney's utopian image. Disney's respon- siveness to changing social and political climates and use of varying mediums in its reactions to harsh realities contributes to the company's enduring rep- utation and presence in American culture. 1 Introduction A young Walt Disney craftily grabbed some shoe polish and cardboard, donned his father's coat, applied black crepe hair to his chin, and went about his day to his fifth-grade class.
    [Show full text]
  • Spread the Magic Guest Referral Program Guest Referral Program
    Spread the Magic Guest Referral Program As our valued guest, you already know how special a Disney vacation can be, and you know that The Magic for Less Travel can help plan the most magical vacations. We know a big part of our success is due to the large number of referrals that we receive from our current Magic for Less Travel guests. We would love if you would help us spread the word about our agency, and we would like to reward you too. Introduce your friends and family to the Magic of Disney, and the benefits of The Magic for Less Travel, with our exclusive Spread the Magic Guest Referral Program . As a special gift to you, if you refer a new guest and they book a Walt Disney World, Disney Cruise Line, Disneyland or Adventures by Disney vacation of $1500 or more, we will send you a $25 Disney Gift Card or a $25 Amazon e-certificate. There is no limit on the number of gift cards you can receive. If you refer ten new guests, we will be happy to send you ten gift cards. There are a few stipulations, but they are simple. The guest must be a new guest who has never booked a vacation with The Magic for Less Travel. The guest must mention at time of booking that you referred them to our services. The price of the vacation must be $1500 before taxes, fees, port charges, airfare and other non commissionable components. It is that simple! The gift card will be sent to you after the guest travels , and can be used on your next Walt Disney World, Disney Cruise Line or Disneyland vacation.
    [Show full text]
  • STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
    STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact
    [Show full text]
  • SPRING 2009 Vol. 18 No. 1
    SPRING 2009 vol. 18 no. 1 Mickey Mouse and Minnie Mouse, honorary Disney Vacation Club Members since 1991, walk the beach near the site of the new Disney Resort development in Hawai‘i. Disney Files Magazine is published Illustration by Keelan Parham by the good people at Disney Vacation Club Never before have I abused the power of the pen for personal gain. Strong in my editorial P.O. Box 10350 convictions, I’ve taken the high road past self-fulfilling temptation, never pulling over to push Lake Buena Vista, FL 32830 my own agenda. But now our company is building a resort in Hawai‘i (pages 2-6) and, frankly, I want to go. So if you’ll excuse my ethical detour, I present this edition’s key stories All dates, times, events and prices with a little “strategic flattery” along the way. printed herein are subject to It all starts on page 2, where Disney Vacation Club President Jim Lewis (both a change without notice. (Our lawyers gentleman and a scholar) shares new details about the Hawai‘i project and highlights do a happy dance when we say that.) enhancements to our Member Getaways program. MOVING? Page 7 features brilliant Imagineer John Mauro’s perspectives about our first resort Update your mailing address project in California, while page 8 takes you behind the scenes of ABC’s “America’s Funniest online at www.dvcmember.com Home Videos,” a show that, thanks to my leaders’ impressive approach to relationship- building, is once again featuring a grand prize from Disney Vacation Club.
    [Show full text]
  • Steamboat Willie
    Steamboat Willie By Dave Smith, Chief Archivist Emeritus, The Walt Disney Company Walt Disney, who would become the best-known producer in animation history, had very humble beginnings. Starting his fledgling company in Hollywood in 1923, he began by making two uninspired animated series, the “Alice Come- dies,” and “Oswald the Lucky Rabbit.” But it was with his third series, featuring an enduring character, Mickey Mouse, that Walt rose to fame. That series began with the release of "Steamboat Willie" at the Colony Theater in New York on November 18, 1928. Early in 1928, Walt Disney was disheartened. He had gone to New York to negotiate with his distributor, only to discover that the distributor had taken over the rights to his Oswald cartoons. Walt began thinking of a possible successor to Oswald while riding on the train on his way back to California. There have been many stories of the inception of Mickey Mouse, but on that train ride, Walt may have been recalling a playful little mouse that had made itself at home in Walt’s Kansas City Studio, where he had first started to experiment with animation. On re- turning to California, Walt met with several of his staff members, and they came up with Mickey Mouse. Ub Iwerks, Walt’s chief animator, was tasked with actually designing the character, with input from Walt. Two Mickey Mouse cartoons were made starting that This illustration, titled “Mickey Mouse inbetweener drawing no. 469 spring, “Plane Crazy” and “The Gallopin’ Gaucho.” Walt or 479 from Steamboat Willie” appears courtesy Library of Congress tried desperately to sell a distributor on a series based on Prints & Photographs Online Catalog.
    [Show full text]
  • The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
    Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons.
    [Show full text]