Film4 Summer Screen at Somerset House 2017 10 – 23 August 2017
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Kam Williams, “The “12 Years a Slave” Interview: Steve Mcqueen”, the New Journal and Guide, February 03, 2014
Kam Williams, “The “12 Years a Slave” Interview: Steve McQueen”, The new journal and guide, February 03, 2014 Artist and filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008 Cannes Film Festival. He followed that up with the incendiary offering Shame, a well- received, thought-provoking drama about addiction and secrecy in the modern world. In 1996, McQueen was the recipient of an ICA Futures Award. A couple of years later, he won a DAAD artist’s scholarship to Berlin. Besides exhibiting at the ICA and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain. His artwork can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum and he subsequently produced the poignant and controversial project Queen and Country commemorating the deaths of British soldiers who perished in the conflict by presenting their portraits as a sheet of stamps. Steve and his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12 Years a Slave, which has been nominated for 9 Academy Awards, including Best Picture and Best Director. -
DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Wagga Wagga Australia
OPENING NIGHT THE MAN WHO KNEW INFINITY FRIDAY 11 MARCH 7PM Directed by Matthew Brown | UK | In English and Tamil with English subtitles | 108 mins | PG SELECTED: TORONTO & DUBAI FILM FESTIVAL 2015 Based on the inspirational biography of a genuine mathematical genius in the early twentieth century, The Man Who Knew Infinity tells the life story of Srinivasa Ramanujan (Dev Patel, Slumdog Millionaire). Image: Mustang From an underprivileged upbringing in Madras, India, Ramanujan earns admittance to Cambridge University during WWI, where he becomes a pioneer in mathematical theories. Academy Award-winner Jeremy Irons delivers a terrific performance as Cambridge University Professor G.H. Hardy, who is inspired and captivated by the mathematician’s ground-breaking theories. Their friendship transcends race and culture through mutual respect and understanding, and Ramanujan’s visionary theories shine through the ignorance and prejudice of those around him. WAGGA WAGGA “Tells such a good story, it’s hard to resist.” – SCREEN DAILY “Highly engaging performances…an extraordinary story.” – THE HOLLYWOOD REPORTER FORUM 6 CINEMAS Followed by complimentary Opening Night drinks and party. 11-13 MARCH 2016 SPECIAL SCREENING: SUBSCRIBE HOW CALL ME DAD AND SAVE TO BOOK SATURDAY 12 MARCH 10.30AM Save over 35% on regular ticket Book tickets online in advance at Directed by Sophie Wiesner | Australia | In English | 80 mins | M prices with a subscription - all sff.org.au/Wagga. The Travelling Film Festival and Good Pitch Australia present a special screening of Australian nine films for only $9 per film ($8 documentary, Call Me Dad, a story about men who have perpetrated, or are at risk of concession), including Opening For ticket enquiries please perpetrating, family violence. -
Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South
Antoni Górny Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South Abstract: The so-called blaxploitation genre – a brand of 1970s film-making designed to engage young Black urban viewers – has become synonymous with channeling the political energy of Black Power into larger-than-life Black characters beating “the [White] Man” in real-life urban settings. In spite of their urban focus, however, blaxploitation films repeatedly referenced an idea of the South whose origins lie in antebellum abolitionist propaganda. Developed across the history of American film, this idea became entangled in the post-war era with the Civil Rights struggle by way of the “race problem” film, which identified the South as “racist country,” the privileged site of “racial” injustice as social pathology.1 Recently revived in the widely acclaimed works of Quentin Tarantino (Django Unchained) and Steve McQueen (12 Years a Slave), the two modes of depicting the South put forth in blaxploitation and the “race problem” film continue to hold sway to this day. Yet, while the latter remains indelibly linked, even in this revised perspective, to the abolitionist vision of emancipation as the result of a struggle between idealized, plaintive Blacks and pathological, racist Whites, blaxploitation’s troping of the South as the fulfillment of grotesque White “racial” fantasies offers a more powerful and transformative means of addressing America’s “race problem.” Keywords: blaxploitation, American film, race and racism, slavery, abolitionism The year 2013 was a momentous one for “racial” imagery in Hollywood films. Around the turn of the year, Quentin Tarantino released Django Unchained, a sardonic action- film fantasy about an African slave winning back freedom – and his wife – from the hands of White slave-owners in the antebellum Deep South. -
KS5 Exploring Performance Styles in Musical Theatre
Exploring performance KS5 styles in Musical Theatre Heidi McEntee Heidi McEntee is a Dance and KS5 – BTEC LEVEL 3, UNIT D10 Performing Arts specialist based in the Midlands. She has worked in education for over fifteen years delivering a variety of Dance and Performing Arts qualifications at Introduction Levels 1, 2 and 3. She is a Senior Unit D10: Exploring Performance Styles is one of the three units which sit within Module D: Assessment Associate working on musical theatre Skills Development from the new BTEC Level 3 in Performing Arts Practice Performing Arts qualifications and (musical theatre) qualification. This scheme of work focuses on the first unit which introduces a contributing author for student and explores different musical theatre styles. revision guides. This unit requires learners to develop their practical skills in dance, acting and singing while furthering their understanding of musical theatre styles. The unit culminates in a performance of two extracts in two different styles of musical theatre as well as a critical review of the stylistic qualities within these extracts. This scheme of work provides a suggested approach to six weeks of introductory classes, as a part of a full timetable, which explores the development of performance styles through the history of musical theatre via practical activities, short projects and research tasks. Learning objectives By the end of this scheme, learners will have: § Investigated the history of musical theatre and the factors which have influenced its development Unit D10: Exploring Performance § Explored the characteristics of different musical theatre styles and how they have developed Styles from BTEC L3 Nationals over time Performing Arts Practice (musical § Applied stylistic conventions to the performance of material theatre) (2019) § Examined professional work through critical analysis. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Susannah Buxton - Costume Designer
SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV. -
Monty Python Tops Fave Brit-Flick Poll
Monty Python Tops Fave Brit-flick Poll February 1, 2004 Amazon.co.uk and IMDB announce top 40 favourite British films of all-time Monty Python and the Holy Grail has been voted the favourite British film of all time--knocking Stanley Kubrick's A Clockwork Orange into second place with more than double the votes--in a poll conducted by Amazon.co.uk and the Internet Movie Database (IMDB), which coincides with the BAFTA awards this Sunday February 15. The film was the comfortable winner, taking a quarter of the total votes in the poll of over 7,000 people conducted by Amazon.co.uk and IMDB. The final list reveals the public's 40 favourite British films ranging from old classics such as Great Expectations, Oliver Twist and The 39 Steps to more recent British comedies such as Love Actually (out on DVD March 26 and available to pre-order now with £10 off at Amazon.co.uk), Four Weddings and a Funeral and The Full Monty.Featured Films The final list reflects the huge diversity of British films with the top 20 featuring everything from gritty realism to surreal comedy; from majestic epics to spy films; and from classic war stories to classic Shakespeare. This survey demonstrates the eclectic nature of British films and here at Amazon.co.uk we aim to offer the biggest selection of these genre-spanning movies comments Mark Walker, DVD Product Manager at Amazon.co.uk. I think the biggest surprise is the presence of two Monty Python films in the top 10. -
ABC's 'Scandal': Women in Washington, Political Power
SIGN IN Follow @thedailybeast TUMBLR DOW 12,588.3 +45.9, NASDAQ 2,853.1 +16.2 Search The Daily Beast Like 219k HOME POLITICS BUSINESS VIDEO ENTERTAINMENT FASHION BOOKS ART WOMEN IN THE WORLD Featured: ELECTION HERO SUMMIT THE DISH HOWARD KURTZ DAVID FRUM GREEN RANKINGS CHANGE TEXT SIZE ABC’s ‘Scandal’: Women in RELATED VIDEO AUTHOR Washington, Political Power, and Holly Petraeus Nov 14, 2012 11:59 AM EST Alyssa Rosenberg explores how ABC’s “Scandal” mishandles Alyssa Rosenberg women in Washington and female political power. Follow @thedailybeast 19 Like 68 Tweet 13 (4) Here's My Number, Sheldon Scandal, Shonda Rhimes’s portrait of Washington, D.C., fixer Olivia Pope (Kerry Who says nerds can't dance?... Washington)—a character based on real-life crisis-management expert Judy STORIES WE LIKE Smith—is meant to be a kind of power fantasy. Olivia is not only one of the few African-American female main characters on both network and cable television, US WEEKLY she’s also one with a direct line to the president of the United States. In her cool Selena Gomez Seems 'Bubbly, Upbeat' at Bash After Justin Bieber Split suits (and sometimes great lingerie), there’s no one she can’t stare down, no scandal she can’t defuse, no trial she can’t undermine, no truth she can’t HUFFINGTON POST POLITICS uncover. Obama Says He Won't Budge on Bush Tax Cuts But while it may be fun to imagine being Olivia Pope, particularly for those of us who live and work in BUZZFEED Washington, Scandal actually has a remarkably Keira Knightley 'Doesn't Mind' conservative view of what power women have in the Exposing Her Breasts 'Because They're So Small' nation’s capital, and how we use it. -
Sarah Finlay
SARAH FINLAY Production Designer http://www.sarah-finlay.com/ Selected Features: THE FANTASTIC FLITCROFTS – BBC Films – Craig Roberts, director AMMONITE – See-Saw Films – Francis Lee, director *Official Selection – Cannes Film Festival SUPERNOVA – BBC Films – Harry Macqueen, director RIALTO – The Bureau – Peter Mackie Burns, director JULIET NAKED – Lionsgate – Jesse Peretz, director – Judd Apatow, Barry Mendel, Ron Yerxa, Albert Berger, Jeffrey Soros, prods *Official Selection of Sundance Film Festival DISOBEDIENCE – Sony Pictures - Sebastian Lelio, director - Ed Guiney, Frida Torresblanco, Rachel Weisz, producers *Special Presentation - Toronto International Film Festival THE LEVELLING - Wellington Films - Hope Dickson Leach, director - Rachel Robey, Anna Griffin, producers *Official Selection of Toronto International Film Festival *Official Selection: BFI London Film Festival 6 *Nominated: Sutherland Award for Best Debut Feature - BFI London Film Festival 45 YEARS - Glendale Pictures / The Bureau - Andrew Haigh, director - Tristan Goligher, producer *Nominated: Best Actress: Charlotte Rampling - Oscars *Nominated: Outstanding British Film - BAFTA *Winner: Best Actor: Tom Courtenay / Best Actress: Charlotte Rampling - Berlin International Film Festival *Winner: Coup de Coeur - Dinard British Film Festival *Winner: Michael Powell Award for Best British Feature Film - Edinburgh International Film Festival *Winner: British/Irish Film of the Year, Actor of the Year, Actress of the Year – London Critics Circle Film Awards WEEKEND - Glendale