Against All odds Nonconformists, Outcasts, and Underdogs in U.S. American Literature Room and time: Seminar Room (Attemsgasse 25, Top Floor), Wednesday, 11:45 a.m. - 1:15 p.m. First session: March 13, 2019 -- Course number: 512.225 Lecturer: Univ.-Prof. Dr. Stefan Brandt ˑ Email:
[email protected] Office Hours: Thursday, 4:00-6:00 p.m. (Heinrichstr. 18, 1st floor) ˑ https://moodle.uni-graz.at/course/view.php?id=24980 Description: Since the colonial beginnings of America, non-conformists have been simultaneously vilified and grotesquely worshipped. The typical outcast is designed as a villain (in the case of Billy the Kid and Al Capone), but often assumes the role of a widely admired hero or heroine (as in the case of Davy Crockett and Calamity Jane). U.S. society has always been proud of its history of rugged individualism and resistance to the despised mainstream. U.S. literature plays an especially crucial role in this ambiguous aesthetic construction of the underdog. Readers throughout the centuries have learned to revere (and even emulate) outsider figures such as Rip Van Winkle, Dorcasina Sheldon, and Holden Caulfield. This course examines the immense fascination that seems to emanate from such nonconformist characters. Which compositional techniques are employed to tell these stories? How do these narratives operate against the backdrop of the historical timeframes in which they were created? Primary Texts (selection) PLEASE TAKE THE PRIMARY TEXTS FROM THE SYLLABUS AND INSERT THEM IN THE LIST 20 March Secret Heroes – Washington Irving and the American Outcast Main text (required): Washington Irving, “The Little Man in Black” (1807) Companion text (optional): Washington Irving, “Rip Van Winkle” (1819).