DOCSLIB.ORG

Indogerman Films Bekannt Gegeben

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Indogerman Films Bekannt Gegeben IndoGerman Filmweek 13.-19.7.17 Filmprogramm: Hotel Salvation, Special Guest Raees, Newton, Adil Hussain Tubelight, A Death in the Rahmenprogramm: Gunj, Bahubali Musik, Tanz, Essen, 1 & 2, Lipstick Live Konzert, Street Cricket Cup, Under My Workshops Burkha BABYLON, Rosa-Luxemburg-Str. 30, 10178 Berlin www.indogerman-filmweek.de Facebook: IndoGermanFilm; AMIKAL CENTER FOR EDUCATIONAL & CULTURAL EXCHANGE AMS Print ad_21(W) x 29.7(H) cm I NDOGERMAN FI LMWEEK: VORWORT Namaste, liebe Freunde des indischen Films! Atithi Devo Bhav – „The guest is equivalent to God“. Wir FlyFly DailyDaily toto Mumbai, heißen Sie herzlich willkommen zur 5. IndoGerman Filmweek in Berlin. AMIKAL trägt „Freundschaft“ nicht nur im Namen sondern lebt und fördert die aktive Freundschaft unter den Kulturen. IndoGerman steht für das, was die indische und die deutsche Kultur und die Menschen beider Länder Delhi,Mumbai, Bengaluru Delhi andand Toronto.Toronto. verbindet, artikuliert in einer gemeinsamen Ausdrucksform: Film! Leben, Tod und Erlösung sind die bestimmenden Themen der Filme des diesjährigen Festivals im Babylon. Erst 25 Jahre jung Combine with delicious hot meals, fully flat seats and experience our signature ist Shubashish Bhutiani, Regisseur des preisgekrönten Eröffnungsfilms „Hotel Salvation“. Sein Erstling brachte ihm Standing warm Indian hospitality. There was never a better time to travel to Mumbai, Delhi Ovations beim Filmfest in Venedig ein. Ebenso ein „Erstlingswerk“ ist der Closing-Film des Festivals: „The Cinema Travellers“. Lassen Sie sich inspirieren vom jungen indischen Kino, von Bollywood und den großartigen indischen Independents, die and Toronto with Jet Airways. weltweit die Festivals stürmen. 38 Filme, 11 Deutschland- und 2 Berlin-Premieren zum 5. Jubiläum an 10 Tagen! Nächstes Jahr wird die IndoGerman Filmweek erstklassig (da 6 Jahre alt ;-)). Aber zum Fünften bereits ein ganz starker Jahrgang. To book, visit jetairways.com | mobile app | contact your travel agent. Für alle Bollywood-Liebhaber und Indienfreunde bietet das vielfältige Rahmenprogramm Workshops im klassischen und Bollywood-Tanz, Diskussionsrunden zu gesellschaftlichen Themen, eine Analyse der Bollywood-Filmmusik und vieles mehr. Weitere Informationen finden Sie in diesem Programmheft oder auf der Internetseite www.IndoGerman-Filmweek.de. Tickets gibt es online unter www.babylonberlin.de/IndoGermanFilm Ein Tipp: Mit dem Fünfer-Ticket können Sie Tickets für sich und Ihre Freunde zu je Fünf Euro/Vorstellung an der Kinokasse erwerben oder für 50 Euro gibt es den Festival-Pass. Der gemeinnützige Verein AMIKAL e.V. organisiert das Rahmenprogramm und freut sich über Spenden oder Beitritte. Wir freuen uns auf eine tolle gemeinsame Zeit, anregende Diskussionen und interessante Gespräche. Ihre Stephan Ottenbruch Anjana Singh Festivalleiter Vorsitzende AMIKAL e.V. YOUR TiCKET TO INDIA Gewinne eine Reise nach Indien! Jedes Kaufticket für eine Filmvorführung der IndoGerman Filmweek 2017 ist ein Gewinnlos! Einfach eine Mail mit der Ticket Nr. oder einem Scan des Tickets an [email protected] senden und an der Verlosung teilnehmen. Die Auslosung findet im Anschluss an die IndoGerman Filmweek 2017 statt. Herzlichen Dank an unsere Partner Jet Airways und jet on travels für die Stiftung des Gewinns. Jet Airways bringt herzliche indische Gastfreundschaft nach Europa mit täglichen Flügen nach Delhi, Mumbai, Bengaluru und Toronto. Der Gewinn inkludiert: Flugticket von Berlin über Amsterdam nach Delhi und zurück, sowie eine private Rundreise im PKW mit eigenem Fahrer, Delhi – Agra (Taj Mahal) – Jaipur – Delhi 3 Übernachtungen in guten Mittelklassehotels für eine Person im Doppelzimmer, wenn Einzelzimmer gewünscht wird, fällt ein Zuschlag von ca. 250.- € an, der gezahlt werden muss. Eine mitreisende Person zahlt den gleichen Betrag für die Hotel-Übernachtung, PKW Transport mit Fahrer ohne extra Kosten für die 2. Person. Bitte das Kinoticket (=Gewinnlos) aufbewahren, der Gewinner wird unter allen teilnehmenden Ticket-Nummern ausgelost. Der Rechtsweg ist ausgeschlossen. Der Name des Gewinners wird auf den Web- und Facebookseiten des Babylons und von IndoGerman Films bekannt gegeben. Der Gewinner erklärt sich mit Teilnahme an dem Gewinnspiel bereit, dass sein Name im oben genannten Zusammenhang veröffentlicht wird und dass ein Gewinnerfoto erstellt und veröffentlicht werden darf. Keine Weitergabe persönlicher Daten an Dritte ausgenommen Gewinnerkontakt für den Antritt der Reise. Mitarbeiter des Babylons, Amikal e.V., Jet Airways und deren Angehörige sind nicht teilnahmeberechtigt. Der Rechtsweg ist ausgeschlossen. www.babylonberlin.de D o n n e r s taG, 1 3 . J u l i DIe n s taG, 1 8 . J u l i P r oGr a m m 17:00 ENGLISH VINGLISH S.7 17:00 RaEES S.24 Shubhashish Bhutiani (rechts) mit seinem Vater, 17:15 Kurzfilme: 17:15 K SERA SERA mit Filmemachern S.16 der HOTEL SalvaTION auch produziert hat, beim Über die Jahre hat man den ehemaligen KUSH & COMA CafE S.11 & CHUTNEY S.28 17:15 BadRINath KI DULhaNIA S.27 Busan International Film Festival. 17:30 LEELA IN KHERIYA S.29 & BALANCING Act S.11 19:30 NEWTON S.18 Theaterdarsteller Adil Hussain in verschiedenen 18:00 Das Geheimnis der indischen Gewürze S.8 20:00 MEERI PYaaRI BINDU S.19 indischen wie internationalen Projekten 19:00 DJ S.14 20:00 TUBELIght S.11 © Busan Interntional Film Festival gesehen, als Ehemann einer unterschätzten 19:00 BahUbaLI 1 S.12 21:30 NINNU KORI S.17 Hausfrau in ENGLISH VINGLISH, als Pis Vater in 19:00 Talk mit Adil Hussain 22:30 A DEath IN thE GUNJ S.20 19:30 LIFE OF PI mit Adil Hussain S.7 22:30 THE VIOLIN PLAYER S.7 & ARAMBOL S.11 & SCHIFFBRUCH MIT TIGER oder als wortkarger Polizist 21:30 DEAR ZINdagI S.15 CHUTNEY S.28 im atmosphärisch dichten Independent-Film 21:45 TUBELIght S.11 m It t w o c h, 1 9 . J u l i SUNRISE. Sein neuster Film HOTEL SALVATION (MUKTI 22:00 SUNRISE S.7 22:30 Meet & Greet mit Adil Hussain 11:00 RaEES S.24 BHAWAN) kommt auf Festivals von Busan bis 17:15 BEFIKRE S.26 München schon hervorragend an und wurde F r eItaG, 1 4 . J u l i 17:45 JOKER S.25 bereits mit besonderen Erwähnungen bei 17:15 K SERA SERA S.16 18:00 JOLLY LLB 2 S.19 17:15 PARchED - ZEIT DER FRAUEN S.7 20:00 CINEMA TRAVELLERS mit Filmemachern S.30 den National Awards ausgezeichnet – für 19:30 Eröffnung: 20:30 MS DOHNI S.27 ihn als Hauptdarsteller und den Regisseur HOTEL SaLVatION anschl. Gespräch mit 21:00 RaNGOON S.17 Shubhashish Bhutiani, der ebenfalls in Berlin Filmemachern und Hauptdarsteller S.6 22:00 BadRINath KI DULhaNIA S.27 sein wird. Für den jungen Regie-Debütant 19:30 KIRIK PARTY S.16 D o n n e r s taG, 2 0 . J u l i 19:30 NINNU KORI S.17 waren das noch nicht einmal seine erste 22:30 THE VIOLIN PLAYER S.7 17:30 LEELA IN KHERIYA S.29 & BALANCING Act S.11 & Festival-Erfahrungen, denn schon mit seinem & CHUTNEY S.28 SEASONAL WORKERS IN ARAMBOL S.11 18:00 MEERI PYaaRI BINDU S.19 Kurzfilm KUSH, der ebenfalls auf der IndoGerman 22:15 RaNGOON S.17 22:15 NEWTON S.18 19:30 PARchED - ZEIT DER FRAUEN S.7 Filmweek zu sehen sein wird, gewann er einen 20:45 MS DOHNI S.27 Preis in Venedig. sa m s taG, 1 5 . J u l i 21:45 PLacEBO S.24 14:00 ENGLISH VINGLISH S.7 F r e ItaG, 2 1 . J u l i 14:45 Bollywood Tanzworkshop S.8 15:30 TUBELIght S.13 17:15 BEFIKRE S.26 16:00 THE TapI PROJEct - Live Konzert S.9 17:30 HOTEL SaLVatON S.6 COVER: Adil 16:30 MEERI PYaaRI BINDU S.19 19:30 LIPSTIck UNDER MY BURkha S.21 Hussain 17:15 Bhangra Workshop S.8 19:45 A DEath IN thE GUNJ S.20 (Foto: Tarun 18:00 Wie bindet man einen Turban? S.8 20:00 JOLLY LLB 2 S.19 Garg) 18:00 BahUbaLI 2 S.12 21:45 IN thE ShadOW OF TIME S.29 18:00 A DEath IN thE GUNJ S.20 anschl. Q&A via Skype* 22:00 JAI HO - A.R. RahMAN S.26 & CHUTNEY S.28 & 19:15 PARchED - ZEIT DER FRAUEN S.7 ARAMBOL S.11 Adil Hussain 20:00 HOTEL SaLVatION anschl. Gespräch mit sa m s taG, 2 2 . J u l i und Lalit Filmemachern S.6 16:00 LEELA IN KHERIYA S.29 & BALANCING Act S.11 & Behl in HOTEL 21:30 LIPSTIck UNDER MY BURkha S.21 SEASONAL WORKERS IN ARAMBOL mit SALVATION. 21:30 SUNRISE S.7 Filmemacherin S.11 22:15 JOLLY LLB 2 S.19 16:00 Hindi-Phonetik S.10 23:15 DAShakRIYA mit Filmemacher S.23 16:45 BEFIKRE S.26 24:00 Stummfilm um Mitternacht: S.31 17:15 PLacEBO mit Filmgespräch S.24 Raja HARIShchaNDRA & KALIYA MaRdaN 17:45 JAI HO - A.R. RahMAN S.26 & SIX YaRDS OF so n n taG, 1 6 . J u l i GRacE S.10 13:45 DEAR ZINdagI S.15 19:30 HOTEL SaLVatION S.6 14:00 Klassische indische Musik S.10 19:15 JOKER S.25 14:15 Kurzfilme:KUS H & COMA CafE & BALANCING Act 19:15 ENGLISH VINGLISH S.7 anschl. Gespräch mit Filmemacherin S.11 21:15 LIPSTIck UNDER MY BURkha S.21 15:00 Bollywood Kathak Workshop S.10 21:45 RaNGOON S.17 15:30 LIFE OF PI S.7 22:30 SUNRISE S.7 16:30 HOTEL SaLVatION mit Filmemachern & s o n n taG, 2 3 . J u l i Hauptdarsteller S.6 14:00 MEERI PYaaRI BINDU S.19 18:00 RaEES S.24 14:30 PLacEBO mit Filmgespräch S.24 18:00 Musik Workshop S.10 16:15 ONDU MOttEYA KathE S.28 18:00 DAShakRIYA mit Filmemacher S.23 16:45 RaEES S.24 18:30 LIPSTIck UNDER MY BURkha S.21 17:45 KIRIK PARTY S.16 20:15 JOKER S.25 18:45 IN thE ShadOW OF TIME S.29 Schauspielerin Konkona Sen Sharma (hier in 21:00 BEFIKRE S.26 19:30 THE CINEMA TRAVELLERS Closing Film mit Lipstick Under MY Burkha) ist bekannt mo n taG, 1 7 .
Load more

Recommended publications
  • The 'Item Number' in Indian Cinema: Deconstructing the Paradox
    Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Recruiter's Handbook 2020
    Recruiter’s Handbook 2020 VISION To create a state-of-the-art institution that sets new standards of world-class education in film, communication and creative arts. MISSION Benchmarking quality, inspiring innovation, encouraging creativity & moulding minds, by leading from the front in the field of film, media and entertainment education. ONE OF THE TEN BEST FILM SCHOOLS IN THE WORLD - THE HOLLYWOOD REPORTER Degree & Diploma 5.5 ACRE programmes CAMPUS acceredited by the TISS 1300+ 2200+ STUDENTS Media & Film industry Alumni campus SCHOOL OF EVENT MANAGEMENT Subhash Ghai Founder & Chairman, Whistling Woods International Chairman, Mukta Arts Limited Member, Executive Committee, Film & Television Producers Guild of India Member, United Producers Forum Education Evangelist Karamveer Chakra Awardee Chairman, MESC Subhash Ghai is a globally renowned filmmaker having directed 19 films over a four-decade career, with 14 of them being blockbusters. Recipient of many national and international awards, he has also been honoured by the United States Senate. He has been a former Chairman of the Entertainment Committee of Trade body CII and also a member of FICCI, NASSCOM and TIE Global & its alliances. He has been invited to address various forums and seminars on corporate governance and the growth of Media & Entertainment industry globally and in India. He is presently serving as the Chairman of Media and Entertainment Skills Council (MESC). Message from the Founder & Chairman My journey as a filmmaker in the Media & Entertainment (M&E) industry has been a long and cherished one. Over the years, the one factor that has grounded me and contributed to my success is the basic film education I received from the film institute I studied in, coupled with my strong desire to learn and re-learn from my days as part of the Indian film industry.
    [Show full text]
  • Interlingual and Intersemiotic Transfer of Indian Cinema in Hong Kong
    Indian Journal of Comparative Literature and Translation Studies | 45 Author(s): Andy Lung Jan CHAN Published by: Indian Journal of Comparative Literature and Translation Studies (IJCLTS) Issue Number: Volume 2, Number 1, February, 2014 ISSN Number: 2321-8274 Issue Editor: Rindon Kundu Editor : Mrinmoy Pramanick & Md Intaj Ali Website Link: http://ijclts.wordpress.com/ Interlingual and Intersemiotic Transfer of Indian Cinema in Hong Kong Abstract The history of Indian immigration to Hong Kong can be traced to the 1840s, when Hong Kong became a colony of the British Empire. However, Hong Kong Chinese people‟s knowledge of the local Indian community is limited. The stereotyping of Indian culture in the Hong Kong movie Himalaya Singh shows that Indian people and culture are often distorted and negatively portrayed in the media, and the secluded Indian community in Hong Kong is marginalised and neglected in the mainstream media. In recent years, Indian cinema has gained popularity in Hong Kong, but this survey of the Chinese movie titles, trailer subtitles and other publicity materials of four Indian movies (Slumdog Millionaire; 3 Idiots; English, Vinglish; and The Lunchbox) show that the films have to be recast and transfigured during interlingual and intersemiotic transfers so that it can become more accessible to Hong Kong Chinese audiences. 1. Introduction The history of Indian immigration to Hong Kong can be traced to the 1840s, when Hong Kong became a colony of the British Empire. In the social and economic development during the early colonial days, Indian people played an important role. Some Indian families have lived in the territory for generations and consider Hong Kong their home.
    [Show full text]
  • Film Tourism in India – a Beginning Towards Unlocking Its Potential
    Film tourism in India – a beginning towards unlocking its potential FICCI Shoot at Site 2019 13 March 2019 Film tourism is a growing phenomenon worldwide, fueled by both the growth of the entertainment industry and the increase in international travel. Film tourism sector has seen tremendous growth in the past few years. It represents a gateway to new and more intense ways of experiencing destinations. At the same time, it creates the potential for new communities by way of an exchange of insights, knowledge and experience among the tourists themselves. Films play a significant role in the promotion of tourism in various countries and different states of India. A film tourist is attracted by the first-hand experience of the location captured on the silver screen. Not only is film tourism an excellent vehicle for destination marketing, it also presents new product development opportunities, such as location tours, film museums, exhibitions and the theme of existing tourist attractions with a film connection. This report focusses on the concept of film tourism and the various initiatives taken by both the state and central government of India for boosting film induced tourism through their respective film production policies. Dilip Chenoy Secretary General - Federation of Indian Chamber of Commerce and Industry Foreword The significance of cinema in today’s times has gone beyond its intended purpose of mass entertainment. Cinema is a portal for people to escape from reality and into their world of fantasy. Cinema is a source of inspiration for some, a source of entertainment for some and a source of education for some.
    [Show full text]
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
    [Show full text]
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
    [Show full text]
  • Imtiaz to Attend Indian Film Festival of LA 2020, Dtnext.In–February 27
    2/27/2020 Imtiaz to attend Indian Film Festival of LA 2020 - DTNext.in Imtiaz to attend Indian Film Festival of LA 2020 The festival will open with 'An Evening with Imtiaz Ali'. He will be joined onstage by Kashyap to discuss the scope and influence of Imtiaz's career. The session will be followed by the screening of Imtiaz's hit movie Highway . Mumbai: The 18th edition of Indian Film Festival of Los Angeles (IFFLA) is all set to kick-start from April 1 to April 5, and audience will get to witness the insightful discussions between the renowned filmmakers Imtiaz Ali and Anurag Kashyap at the five-day gala. The festival will open with 'An Evening with Imtiaz Ali'. He will be joined onstage by Kashyap to discuss the scope and influence of Imtiaz's career. The session will be followed by the screening of Imtiaz's hit movie "Highway". "We are thrilled to open this year's festival with an insightful and unfiltered conversation with Imtiaz Ali, moderated by longtime friend of IFFLA Anurag Kashyap. "Imtiaz's intuitive work with actors and independent spirit are a natural fit for IFFLA," Christina Marouda, IFFLA's Executive Director said. IFFLA's closing night will see the Los Angeles premiere of "The MisEducation of Bindu", a delightful coming-of-age tale set in the American suburbs about a bright young Indian girl who resolves to test out of her high school, but must turn to the students who constantly torment her to raise the money for the test fee. Vikrant Massey and Shweta Tripathi's sci-fi fantasy "Cargo" and Konkana Sen Sharma's "Dolly Kitty Aur Woh Chamakte Sitare" will be among many others to enthrall the audience.
    [Show full text]
  • Offensive Language Identification in Low-Resourced Code-Mixed Dravidian Languages Using Pseudo-Labeling
    Offensive Language Identification in Low-resourced Code-mixed Dravidian languages using Pseudo-labeling a < a < a b Adeep Hande , , Karthik Puranik , , Konthala Yasaswini , Ruba Priyadharshini , c d d Sajeetha Thavareesan , Anbukkarasi Sampath , Kogilavani Shanmugavadivel , e f << Durairaj Thenmozhi and Bharathi Raja Chakravarthi , aIndian Institute of Information Technology Tiruchirappalli, Tamil Nadu, India bULTRA Arts and Science College, Madurai, Tamil Nadu, India cEastern University, Sri Lanka dKongu Engineering College, Erode, Tamil Nadu, India eSri Sivasubramaniya Nadar College of Engineering, Tamil Nadu, India fInsight SFI Research Centre for Data Analytics, National University of Ireland Galway, Galway, Ireland ARTICLEINFO ABSTRACT Keywords: Social media has effectively become the prime hub of communication and digital marketing. As Offensive language Identification these platforms enable the free manifestation of thoughts and facts in text, images and video, Dravidian languages there is an extensive need to screen them to protect individuals and groups from offensive content Code-mixing targeted at them. Our work intends to classify code-mixed social media comments/posts in the Pseudo-labeling Dravidian languages of Tamil, Kannada, and Malayalam. We intend to improve offensive language identification by generating pseudo-labels on the dataset. A custom dataset is constructed by transliterating all the code-mixed texts into the respective Dravidian language, either Kannada, Malayalam, or Tamil and then generating pseudo-labels for the transliterated dataset. The two datasets are combined using the generated pseudo-labels to create a custom dataset called CM- TRA. As Dravidian languages are under-resourced, our approach increases the amount of training data for the language models. We fine-tune several recent pretrained language models on the newly constructed dataset.
    [Show full text]
  • Not Really Bollywood a History of Popular Hindi Films, Songs, and Dance with Pedagogical Applications for Understanding Indian History and Culture
    University of Central Florida STARS HIM 1990-2015 2012 Not really bollywood a history of popular hindi films, songs, and dance with pedagogical applications for understanding indian history and culture Sanjana Nayee University of Central Florida Part of the Education Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Nayee, Sanjana, "Not really bollywood a history of popular hindi films, songs, and dance with pedagogical applications for understanding indian history and culture" (2012). HIM 1990-2015. 1366. https://stars.library.ucf.edu/honorstheses1990-2015/1366 NOT REALLY BOLLYWOOD: A HISTORY OF POPULAR HINDI FILMS, SONGS, AND DANCE WITH PEDAGOGICAL APPLICATIONS FOR UNDERSTANDING INDIAN HISTORY AND CULTURE by SANJANA P. NAYEE A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in English Language Arts in the College of Education and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall 2012 Thesis Chair: Dr. Jeffrey Kaplan © 2012 Sanjana P. Nayee ii Abstract Contemporary fascination with ‘Bollywood’ proliferates much of reality TV dance shows, media blurbs and other communicative outlets. These avenues homogenize India as ‘Bollywood’, while social and political outlets place Indians and people of South Asian descent into fitted stereotypes that are ridiculed and largely distorted. The intent of this thesis was to explore how the growing international intrigues of popular Hindi films exist beyond ‘Bollywood’.
    [Show full text]
  • P6champions Were P20 Organise a Honoured in a Ceremony Career Seminar Featuring Commonwealth for Pakistani Water Polo Player Students in Eleanor Thomson
    Community Community Doha College’s Expat forum 2016 sporting Sohni Dharti P6champions were P20 organise a honoured in a ceremony career seminar featuring Commonwealth for Pakistani water polo player students in Eleanor Thomson. Al Khor. Wednesday, June 8, 2016 Ramadan 3, 1437 AH DOHA 33°C—44°C TODAY LIFESTYLE/HOROSCOPE 13 PUZZLES 14 & 15 AAccessibilityccessibility Website, mobile app to give COVER accessibility info beforehand STORY on locations in Qatar to the physically-challenged. P4-5 LAUNCH: The Accessible Qatar launch at the Katara Hall. 2 GULF TIMES Wednesday, June 8, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.14am Shorooq (sunrise) 4.43am Zuhr (noon) 11.33am Asr (afternoon) 2.56pm Maghreb (sunset) 6.26pm Isha (night) 7.56pm USEFUL NUMBERS Iraivi told from the standpoint of men, associated with the women GENRE: Drama, Comedy in the spotlight. While SJ Surya plays a failed director, who CAST: Vijay Sethupathi, Surya S J, Bobby Simha fi nds solace in liquor, Bobby Simha tries hard to make a Emergency 999 DIRECTION: Karthik Subbaraj widow, played by Pooja, fall for him. Vijay Sethupathi, on the Worldwide Emergency Number 112 SYNOPSIS: Three women become liberated after other hand, wanders in search of love, choosing to ignore the Kahramaa – Electricity and Water 991 unfortunate circumstances drive their husbands to a life of same when off ered by his wife, played by Anjali. Local Directory 180 crime. As the title suggests, Iraivi narrates the episodes that International Calls Enquires 150 unfold in the lives of a few women. Interestingly,
    [Show full text]
  • INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
    INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication.
    [Show full text]