Palsoc Prepares to Protest City Council
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20 Established 1961 Lifestyle Gossip Monday, March 18, 2019 Walker won’t sing at his wedding Tom Walker won’t sing at his own wedding. Flux Pavilion to do the after-party! Absolute class!” But champagne and popped the question to her in Sri Lanka. A The 27-year-old musician popped the ques- the ‘Leave a Light On’ hitmaker and his wife-to-be are He previously said that she loves being with his sweet- tion to his long-term partner Annie last year still in early stages of planning the wedding as they have heart because she has been unfazed by his fame and but he’s dismissed suggestions he provide the been so busy. He said: “I have found a few potential ven- stood by him all through his journey. He said: “When I entertainment on their big day, insisting he can’t imagine ues and me and my missus have had a couple of discus- met my missus, Annie, I didn’t even have a job. She just “anything worse”. Asked by Britain’s OK! magazine if he sions about it. She just finished a masters degree and has likes me for me and nothing has changed between us, was going to be singing on his wedding day, he replied: started a new job and I have just been hectically busy as which is really nice because a lot in my life has changed “At my wedding? Are you joking? I can’t think of any- well. So hopefully when it all dies down a bit we’ll get but she’s stayed the same.” thing worse. -
Foals. Apocalypse
CULTURE MUSIC Apocalypse Now British rock band Foals are tackling big issues facing humanity. Oisin Lunny finds out how an Oxford party band evolved into a stadium-filling force of fury. WORDS OISIN LUNNY PHOTOGRAPHER BART PAJAK The lungs of the Earth are on fire. Amazon rain- forests are razed to the ground, and the after- noon sky above São Paulo is midnight-black. The powerful are inoculated from the consequences of their actions by lifetimes of privilege and cor- ruption. Populations are hypnotised by reality TV, distracted by social media, and pocketed into the polarising allegiances of the internet. Are you ‘yes’ or ‘no’, ‘stay’ or ‘go’? There is no in-between. We have just over ten years to avert an irreversible climate change catastrophe. Siberia is burning so hot you can see it from space. The zeitgeist is dam- aged. What kind of world will our children inherit? As the sixth mass extinction unfolds, Foals are asking the big questions. Is there time to save the planet? Is there time to save ourselves? I meet Foals’s lead vocalist and guitarist Yannis Philippakis, drummer and percussionist Jack 176 CULTURE MUSIC “In general terms, ten years ago I felt optimistic. Now I feel a sense of anxiety and disappointment, and essentially fear about the future.” Yannis Philippakis Bevan, and guitarist Jimmy Smith at made more plans and would have had a midnight, backstage at a rock festival job instead.” in Barcelona. A smart, likeable, and dynamic bunch, tonight they rock Ha- In the early days, the band played house waiian shirts with varying degrees of parties in Oxford. -
Issue 136.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 136 November Oxford’s Music Magazine 2006 FOALS Welcome to their art rock disco - interview inside Plus - News, reviews and six pages of local gigs Foals photo by Sam Shepherd NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] HELLO AND WELCOME to November’s Nightshift. After last month’s bumper issue, we thought this month would be a doddle, but what with assorted internet problems, cancelled gigs and a near miss with floodwater it’s a wonder it’s here at all. Suffice to say, the sooner humanity abandons modern technology and returns to potato printing and carrier pigeons the sooner we shall start feeling at home in the world. Preferably a world where it never rains and singers never lose their voices. Is that really too much to ask? Last month’s feature on the closure of regional venues has provoked quite a reaction and it’s good to hear from people who are making the effort to start promoting live music around the county. Hopefully music fans out there will support them as much as they can. Vashti Bunyan makes a rare visit to Oxford Have a great gigging month - six pages of gigs this month; surely there’s something in there for on Saturday 9th December, when she headlines everyone. a gig at the Zodiac. In the 1960s the enigmatic Ronan Munro folk singer was part of the Oxford music and arts scene along with Jennifer Lewis and Angela Strange, from whom she borrowed her THE YOUNG KNIVES re-release ‘The GET CAPE, WEAR CAPE, FLY returns to first guitar. -
The Making of Englishmen Studies in the History of Political Thought
The Making of Englishmen Studies in the History of Political Thought Edited by Terence Ball, Arizona State University JÖrn Leonhard, Albert-Ludwigs-Universität Freiburg Wyger Velema, University of Amsterdam Advisory Board Janet Coleman, London School of Economics and Political Science, UK Vittor Ivo Comparato, University of Perugia, Italy Jacques Guilhaumou, CNRS, France John Marshall, Johns Hopkins University, Baltimore, USA Markku Peltonen, University of Helsinki, Finland VOLUME 8 The titles published in this series are listed at brill.com/ship The Making of Englishmen Debates on National Identity 1550–1650 By Hilary Larkin LEIDEN • BOSTON 2014 This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/ by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www. knowledgeunlatched.org. Cover illustration: Titian (c1545) Portrait of a Young Man (The Young Englishman). Galleria Palatina (Palazzo Pitti), Florence, Italy. Library of Congress Cataloging-in-Publication Data Larkin, Hilary. The making of Englishmen : debates on national identity, 1550-1650 / by Hilary Larkin. -
Foals Släpper Dubbla Album Under 2019 – Första Singeln ”Exits” Ute Nu!
Foals 2019-01-22 13:53 CET Foals släpper dubbla album under 2019 – Första singeln ”Exits” ute nu! Den 8 mars släpper brittiska Foals det första av två kommande album 2019; ”Everything not saved will be lost – Part 1”. Part 2 släpps senare under hösten 2019. Den första låten från det nya albumet; ”Exits” är redan släppt. “They’re two halves of the same locket,” säger frontmannen Yannis Philippakis. “They can be listened to and appreciated individually, but fundamentally, they are companion pieces.” Foals har sedan 2015 streamats över en halv miljard gånger på Spotify. Bandet har gått från stökiga hemmafester till headline-bokningar på några av världens största festivaler. Foals har också nominerats i bland annat BRIT Awards, Mercury Prize och Novello samt vunnit priser i NME och Q-Awards. Efter drygt tio år sen starten har medlemmarna Yannis Philippakis (frontman), JimmySmith (gitarr), JackBevan (trummor), EdwinCongreave (keyboard) och WalterGervers (bassist) skapat två fullängdsalbum under 2019 ”Everything not saved will be lost – Part 1” och “Everything not saved will be lost – Part 2”. Den första singeln från albumet ”Exits” förkroppsligar temat för de två kommande albumen, i fokus står en desorienterad värld som ackompanjeras av melodiösa textrader. “There's a definite idea about the world being no longer habitable in the way that it was,” fortsätter Yannis. “A kind of perilousness lack of predictability and a feeling of being overwhelmed by the magnitudes of the problems we face. What's the response? And what’s the purpose of any response that one individual can have?” “Lyrically, there are resonances with what's going on in the world at the moment,” sammanfattar Yannis. -
May All Our Voices Be Heard
JUST THE TONIC EDFRINGE VENUES 2019 FULL LISTINGS AND MORE 1st - 25th August 2019 EDINBURGH FRINGE PROUDLY SPONSORED BY NO ONE - TOTALLY INDEPENDENT 7 venues 8 Bars 4000 performances 98.9%* 19 performance spaces 182 shows comedy *THE OTHER 1.1% ARE FUN AS WELL… CHALLENGE: GO FIND THE OTHER 2 SHOWS INSIDE! MAY ALL OUR VOICES BE HEARD www.justthetonic.com Big Value is the best Big Value compilation show at The Fringe. It’s an Comedy Shows excellent barometer of The longest running stand up compilation show on the fringe. We ask promoter people who are going Darrell Martin to take a look at at it’s fine heritage. to go on to big things. Starting in 1996, with a line up that included The show is currently produced by Darrell And I’m not just saying Milton Jones and Adam Bloom, the Big Value Martin, who runs Just the Tonic. It wasn’t Comedy Shows have been selecting the always that way. Many years ago Darrell was that because I did it. stars of the future for almost 25 years. a keen performer that was desperate to be part of the show. Comedians such as Jim Jeffries, Pete Harris was the person who set it all up. Sarah Millican, Jon Richardson and He ran a chain of clubs called Screaming ROMESH Romesh Ranganathan are some of Blue Murder. According to Adam Bloom, it all RANGANATHAN came out of a conversation where Adam said Big Value Comedy Show 2011 + 2012 those who were first exposed to the to Pete that he wanted to go to Edinburgh but couldn’t afford it. -
Issue 161.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 161 December Oxford’s Music Magazine 2008 Flying Fish! Little Fish on their crazy year inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THE ACADEMY will be renamed pub is currently owned by Greene the O2 Academy from 1st January King and they are searching for a 2009 after a partnership deal was new manager but as of yet struck between the mobile network everything is up in the air and the company and Live Nation, the current area manager is said not to majority shareholder company in be keen on live music. the Academy Music Group. The deal Allison Young, who has promoted follows on from Carling’s gigs at the Port, on St Clement’s, YOUNG KNIVES’ HENRY DARTNALL has been talking to Nightshift sponsorship of the venue expiring. for the last three and a half years about the band’s special ‘Homecoming’ gig at the Academy on Sunday A press release documenting the told Nightshift, “Our last night at 21st December, and his pride in the band’s acclaimed ‘Suprerabundance’ new partnership declared that “O2 the Port Mahon is on the 2nd album, released earlier this year. The Oxford show is part of a series of customers will gain priority access December. We are aware that there Academy Homecoming gigs at cities around the UK and will see Young to tickets to all gigs at the venues, is someone interested in the place; Knives taking over the entire venue and picking some of their favourite as well as other Live Nation events they, however, want to change it bands as support. -
Communications Review
Communications Review 2017 Quarter 2 July - September Executive Summary Q2 Communications overview The new Police and Crime Plan priorities provide a framework for communications activity in 2017. Media summary Website, news and features • This quarter we focused on quality rather than quantity work, because we have carried four vacancies in the team and gap whilst we recruited a fifth team member • We ran a 5 week burglary campaign over the summer to support operational policing; we managed all the ticketing for the Open Day, ran a high profile sexual assault campaign and have invested heavily in planning for Hate Crime Awareness Week • Having a reduced team has impacted on the number of articles on the website and therefore the number of views and referrals (- 10 articles from Q1) • Due to time pressures and an increase in demand for appeals, the Press Team has often put CCTV/picture-led appeals directly onto social media rather than the website (-33 news stories) Social media • Our reduced capacity as a team can also be seen in the decrease in Facebook posts issued. Although we issued 16% fewer posts, our engagement only fell by 14% and our link clicks by only 11%. This shows that our average engagement and link clicks per post is actually increasing • Our Facebook audience continues to increase (+5%) despite our slower output, showing that our content continues to be relevant and engaging • The Press Team are increasingly issuing appeals directly on Twitter rather than hosting them on the website as a news story. So despite the vacancies, the number of Tweets issued remains steady • We’ve also seen an increase in link clicks from Twitter, indicating that when a story is hosted on our website, Tweeting a link is more efficient than sending a press release • Our Instagram account is run by a team off officers from the Ops Training, Mounted, and Dog sections. -
1 the Palestine Exception to Free Speech
The Palestine Exception to Free Speech: Intertwined Stories from the Frontlines of UK-Based Palestine Advocacy by Malaka Mohammed Shwaikh and Rebecca Ruth Gould Although we only later came to realise its significance in our lives and for Palestine advocacy generally, February 2017 turned out to be a watershed month for those of us on the frontlines of the Palestine advocacy movement within the UK. During this month, amid a wave of cancellations of events critical of Israel, we were attacked in the media, smeared as antisemitic, and both supported and censored by our universities. The following month was marked by unprecedented censorship of Israel-critical events across the UK. As we now know, these events were linked to the UK government’s adoption of the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism.1 While many communities and activists were affected by the event cancellations and the many different forms of censorship linked to the IHRA adoption, to our knowledge, we are the only UK- based academics who were directly targeted as a result of our written statements relating to Israel during this tumultuous year. Malaka was based at the University of Exeter, and completing her PhD on Palestinian hunger strikers at the time of the attack. Rebecca had recently moved to the University of Bristol, where she was a Reader (Associate Professor) in Translation Studies and Comparative Literature. Rebecca would like to thank Kate Gould, Riz Mokal, Mike Joseph, Yair Wallach, Tom Sperlinger, and Seth Anzieska for help and insights, without implicating any of them in the views expressed here. -
Birmingham Cover Online.Qxp Birmingham Cover 01/02/2016 14:45 Page 1
Birmingham Cover Online.qxp_Birmingham Cover 01/02/2016 14:45 Page 1 Your FREE essential entertainment guide for the Midlands Birmingham ’ Whatwww.whatsonlive.co.uk sOnISSUE 362 FEBRUARY 2016 JO CAULFIELD AT THE GLEE CLUB inside: Yourthe 16-pagelist week by week listings guide PRIVATE LIVES Tom Chambers talks about starring in a major revival of Noel Coward’s masterpiece... interview inside... Grosvenor Casinos (FP- FEB 16).qxp_Layout 1 25/01/2016 13:10 Page 1 Contents February Region 1 .qxp_Layout 1 25/01/2016 15:22 Page 2 February 2016 Contents Destination Space - topical half-term show at Thinktank page 40 Belinda Lang Joe Caulfield Sleeping Beauty the list talks about her dual role in sharp-witted comedian Matthew Bourne’s gothic your 16-page Single Spies at The REP returns to the Glee reworking of classic tale week-by-week listings guide page 20 page 22 page 30 page 51 inside: 4. First Word 11. Food 14. Music 22. Comedy 24. Theatre 32. Film 38. Visual Arts 40. Events @whatsonbrum Birmingham What’s On Magazine Editorial Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Matt Rothwell [email protected] 01743 281719 MAGAZINE GROUP Editorial: Lauren Foster [email protected] 01743 281707 Sue Jones [email protected] 01743 281705 Brian O’Faolain [email protected] 01743 281701 Ryan Humphreys [email protected] 01743 281722 Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Heather Kincaid, Helen Stallard, Katherine Ewing Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine. -
Gig” “This Won’T TICKETS Be Just MONKEYSARCTICTO SEE
Gruff Rhys Pete Doherty Wolf Alice SECRET ALBUM DETAILS! Tune-Yards “I’ve been told not to tell but…” 24 MAY 2014 MAY 24 The Streets IAN BROWN IAN “This won’t Arctic be just another gig” Monkeys “It’s not where you’re from, it’s where you’re at...” on their biggest weekend yet and what lies beyond ***R U going to be down the front?*** Interviews with the stellar Finsbury Park line-up Miles Kane Tame Impala Royal Blood The Amazing Snakeheads TICKETS TO SEE On the town with Arctics’ THE PAST, PRESENT favourite new band ARCTIC & FUTURE OF MUSIC WIN 24 MAY 2014 | £2.50 HEADLINE US$8.50 | ES€3.90 | CN$6.99 MONKEYS BLACK YELLOW MAGENTA CYAN 93NME14021105.pgs 16.05.2014 12:29 BLACK YELLOW MAGENTA CYAN 93NME14018164.pgs 25.04.2014 13:55 ESSENTIAL TRACKS NEW MUSICAL EXPRESS | 24 MAY 2014 4 SOUNDING OFF 8 THE WEEK THIS WEEK 16 IN THE STUDIO Pulled Apart By Horses 17 ANATOMY OF AN ALBUM The Streets – WE ASK… ‘A Grand Don’t Come For Free’ NEW 19 SOUNDTRACK OF MY LIFE Anton Newcombe, The Brian Jonestown Massacre BANDS TO DISCOVER 24 REVIEWS 40 NME GUIDE → THE BAND LIST 65 THIS WEEK IN… Alice Cooper 29 Lykke Li 6, 37 Anna Calvi 7 Lyves 21 66 THINK TANK The Amazing Mac Miller 6 Snakeheads 52 Manic Street Arctic Monkeys 44 Preachers 7 HOW’s PETE SPENDING Art Trip And The Michael Jackson 28 ▼FEATURES Static Sound 21 Miles Kane 50 Benjamin Booker 20 Mona & Maria 21 HIS TIME BEFORE THE Blaenavon 32 Morrissey 6 Bo Ningen 33 Mythhs 22 The Brian Jonestown Nick Cave 7 Massacre 19 Nihilismus 21 LIBS’ COMEBACK? Chance The Rapper 7 Oliver Wilde 37 Charli XCX 32 Owen Pallett 27 He’s putting together a solo Chelsea Wolfe 21 Palm Honey 22 8 Cheerleader 7 Peace 32 record in Hamburg Clap Your Hands Phoria 22 Say Yeah 7 Poliça 6 The Coral 15 Pulled Apart By 3 Courtly Love 22 Horses 16 IS THERE FINALLY Courtney Barnett 31 Ratking 33 Arctic Monkeys Courtney Love 36 Rhodes 6 Barry Nicolson gets the skinny Cymbals Eat Guitars 7 Royal Blood 51 A GOOD Darlia 40 Röyksopp & Robyn 27 on their upcoming Finsbury Echo & The San Mei 22 Park shows. -
Word-Final /L/ in the Lyrics of British Popular Songs Shinji Sato
63 Word-final /l/ in the lyrics of British popular songs Shinji Sato 1. 1 Introduction Lateral approximant /l/ in the English language is known to possess a variant, apart from what is called clear [l] and dark (velarised) [ɫ], which omits the tongue-tip contact with the alveolar ridge, in other words a vocalic variant. This phenomena is sometimes referred to as L-Vocalization.(Wells p.258) Findings concerning the proportions of velarised variant and vocalic one must be of interest to the students of the language in question. However, my past study (Sato 2005) indicated that distinguishing velarised variant from its vocalic counterpart with accuracy is extremely difficult and involves some problems. 1.2 Methodology A different approach has been taken in this study to investigate this issue, which is to examine the rhymes containing word-final /l/s. For example, if such pairs as tool – too and all - saw are meant for a rhyme just as pairs like tool – fool and all - call, it may indicate a vocalic variant for the /l/s in the former pairs. It might even signify zero realization, or the disappearance of phoneme /l/. At least it might imply that in the speaker’s mind the presence of those /l/s is not strong enough to compel him or her to supply words containing /l/s. Thus it may give some insight to the state of /l/ in the speaker’s mind. In other words, it is, in a sense, a study of the phonemic level in that it investigates whether /l/ in some context in some lexical items may have ceased to exist in some speakers’ mind, in contrast to the study of the variants on the 64 phonetic level actually realized by the speakers.