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Sacha M. Joseph-Mathews, Phd. Curriculum Vitae
Sacha M. Joseph-Mathews, PhD. Curriculum Vitae Contact Information University Eberhardt School of Business University of the Pacific Stockton, CA Phone: (209) 946-2628 Fax: (209) 946-2586 Email: [email protected] UNIVERSITY POSITIONS Associate Professor- Marketing, 2006- present Faculty Chair, 2014-2016 Eberhardt School of Business University of the Pacific, (Tenured) Instructor, College of Continuing Education California State University-Sacramento, 2009- Present Instructor, University of the West Indies, Summer 2013 Instructor, College of Business Florida State University, 2002-2006 Instructor, Kaiser College, 2004 EDUCATION Florida State University, Tallahassee, FL Doctor of Philosophy, June 2006 Major Field: Marketing Florida State University, Tallahassee, FL Master of Science, 2004, Major: Hospitality and Tourism Management University of the West Indies, Mona, Jamaica Bachelor of Arts, 1998, Major: Mass Communication (First Class Honors) RESEARCH INTERESTS Marketing Strategy and Consumer Behavior Customer Value Determination and Measurement, Ethical Consumption, Green Consumer Behavior, Brand Equity and Loyalty. Sacha M. Joseph-Mathews • Eberhardt School of Business • University of the Pacific Services Services- Social Entrepreneurship, Service Environment, Brand Personality, E-Commerce, Services Marketing, Retailing Consumer Ethnicity and Buying Power, Retailing and Environmental Sustainability, Tourism and Hospitality Management (Destination Branding, Eco-tourism, Cultural and Heritage Tourism, Value Determination) International -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
A Case Study of an Award Winning Public School String Orchestra Program
A CASE STUDY OF AN AWARD WINNING PUBLIC SCHOOL STRING ORCHESTRA PROGRAM Wing Man Fu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2009 Committee: Elaine J. Colprit, Advisor Penny T. Kruse ii ABSTRACT Elaine Colprit, Advisor The purpose of this study was to examine the history, growth, and development of an award winning public school string program. This study provided a description of a model of an excellent orchestra program and produced a general benefit to novice teachers who are setting up new programs, and to music educators by adding to our knowledge of the unique characteristics of a successful string program. There were three major sections of discussion in this study: (1) preparation for setting up a string program; (2) delivery of instruction in elementary, middle school, and high school levels of the program; and (3) continued growth, development, and support of the program. This research was accomplished by analysis of the following data: (a) live observations of class instruction at elementary, middle school, and high school, (b) orchestra handbooks and documents regarding curriculum and other guidelines; and (c) transcripts of interviews with faculty from Upper Arlington City Schools. Results show that individual faculty qualifications and experience prepare them to teach all levels of string classes. Based on their experiences, they are able to create an organized curriculum, design goal directed instructional plans, teach effectively as a team, and sustain a successful string program. iii ACKNOWLEDGEMENTS I would like to express my gratitude to my supervisor, Dr. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Elyria City Schools Elyria High School Student/Parent Handbook Elyria High School 601 Middle Avenue Elyria, Ohio 44035 (440) 284-8300 Mr
Elyria City Schools Elyria High School Student/Parent Handbook ELYRIA HIGh SChOOL 601 Middle Avenue Elyria, Ohio 44035 (440) 284-8300 Mr. Tim Brown, Principal Team 1 Team 3 Assistant Principal 284-5201 Assistant Principal 284-5203 Secretary 284-5201 Secretary 284-5203 Team 2 Team 4 Assistant Principal 284-5202 Assistant Principal 284-5204 Secretary 284-5202 Secretary 284-5204 Clinic 284-8300 ext 11007 Athletic Office 284-8256 Property of:____________________________________________________ Address:______________________________________________________ Phone #:______________________________________________________ In case of emergency, please notify: Name:______________________ Phone #:_______________________ The information in this book was the best available at press time. Watch for additional information and changes. ©2016 School Datebooks, Inc. All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in any retrieval system, or translated in any form without the written permission of School Datebooks, Inc. 2880 U.S. Hwy. 231 S. • Lafayette, IN 47909 • (765) 471-8883 http://www.schooldatebooks.com • [email protected] 1 TABLe OF CONteNts School Calendar....................................................4 Physical Education Attire..................................19 School Maps..........................................................5 Picture Day.......................................................19 Mission Statement.................................................7 Retention..........................................................19 -
Concerts for Kids
Concerts for Kids Study Guide 2014-15 San Francisco Symphony Davies Symphony Hall study guide cover 1415_study guide 1415 9/29/14 11:41 AM Page 2 Children’s Concerts – “Play Me A Story!” Donato Cabrera, conductor January 26, 27, 28, & 30 (10:00am and 11:30am) Rossini/Overture to The Thieving Magpie (excerpt) Prokofiev/Excerpts from Peter and the Wolf Rimsky-Korsakov/Flight of the Bumblebee Respighi/The Hen Bizet/The Doll and The Ball from Children’s Games Ravel/Conversations of Beauty and the Beast from Mother Goose Prokofiev/The Procession to the Zoo from Peter and the Wolf Youth Concerts – “Music Talks!” Edwin Outwater, conductor December 3 (11:30am) December 4 & 5 (10:00am and 11:30am) Mussorgsky/The Hut on Fowl’s Legs from Pictures at an Exhibition Strauss/Till Eulenspiegel’s Merry Pranks (excerpt) Tchaikovsky/Odette and the Prince from Swan Lake Kvistad/Gending Bali for Percussion Grieg/In the Hall of the Mountain King from Peer Gynt Britten/Storm from Peter Grimes Stravinsky/Finale from The Firebird San Francisco Symphony children’s concerts are permanently endowed in honor of Mrs. Walter A. Haas. Additional support is provided by the Mimi and Peter Haas Fund, the James C. Hormel & Michael P. NguyenConcerts for Kids Endowment Fund, Tony Trousset & Erin Kelley, and Mrs. Milton Wilson, together with a gift from Mrs. Reuben W. Hills. We are also grateful to the many individual donors who help make this program possible. San Francisco Symphony music education programs receive generous support from the Hewlett Foundation Fund for Education, the William Randolph Hearst Endowment Fund, the Agnes Albert Youth Music Education Fund, the William and Gretchen Kimball Education Fund, the Sandy and Paul Otellini Education Endowment Fund, The Steinberg Family Education Endowed Fund, the Jon and Linda Gruber Education Fund, the Hurlbut-Johnson Fund, and the Howard Skinner Fund. -
1 Below Is a Comprehensive List of All the Lines Hello Barbie Says As O
Below is a comprehensive list of all the lines Hello Barbie says as of November 17, 2015. We are consistently updating and enhancing the product’s vocabulary and will update the lines on this site periodically to reflect any changes. OK, sooooo..... I love hanging out with you! (SIGH) Wow... there's so much we can talk about... I've got a question for you... Oh! I know what we can talk about... Oh, I know what we can do now... Speaking of things you want to be when you grow up... You know what I want to talk about? FRIENDS! So, let's talk friends! Ooh, why don't we talk about friends! Hey... let's talk about friends for a bit! I'm the most myself when I'm around my friends, just playing games and imagining what we'll be when we grow up! You know, I really appreciate my friends who have a completely unique sense of style... like you! You know, on those days where waking up for school is hard, I just think about how much fun it'll be to see my friends. ©2015 Mattel. All Rights Reserved. Version 2 1 You know, talking about all the fun things we do is making me think about who we could do them with ... friends! So we've been talking about family, let's talk about the other people in our lives that mean a lot to us ...like our friends! I bet someone who's a friend to animals knows a thing or two about being a friend to people. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia. -
Aram Khachaturian Gayane / Masquerade Mp3, Flac, Wma
Aram Khachaturian Gayane / Masquerade mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Gayane / Masquerade Country: USSR Style: Modern MP3 version RAR size: 1873 mb FLAC version RAR size: 1399 mb WMA version RAR size: 1331 mb Rating: 4.2 Votes: 373 Other Formats: DMF MP1 XM MP2 AC3 MP3 AIFF Tracklist Gayane (Ballet Excerpts) A1 1. Dance Of The Rose Maidens A2 2. Dawn And Dance Of Aisha A3 3. Lullaby A4 4. Nunne’s Variation A5 5. Dance Of The Kurds A6 6. Gayane’s Adagio A7 7. Dance Of Young Kurds A8 8. Dance With Sabres A9 9. Lyrical Duet A10 10. Lezghinka Masquerade (Suite From Music To M. Lermontov’s Drama) B1 1. Waltz B2 2. Nocturne B3 3. Mazurka B4 4. Romance B5 5. Galop Companies, etc. Recorded At – Всесоюзная Студия Грамзаписи Pressed By – Апрелевский Завод Грампластинок Printed By – Типография АЗГ Credits Composed By – Aram Khachaturian* Conductor – Aram Khachaturian* (tracks: A1 to A3, A6, A8 to A10), Gennadi Rozhdestvensky (tracks: A4 to A5, A7), Samuil Samosud* (tracks: B1 to B5) Engineer – Alexander Grosman (tracks: B1 to B5) Orchestra – Leningrad Philharmonic Symphony Orchestra* (tracks: A4, A5, A7), London Symphony Orchestra* (tracks: A1 to A3, A6, A8 to A10), Great Symphony Orchestra Of Moscow Radio* (tracks: B1 to B5) Supervised By [Editor] – Inna Chumakova* Violin – Leonid Kogan (tracks: B1, B2) Notes First issued 1973, this reissue was released in the 1980s. Barcode and Other Identifiers Matrix / Runout (Runout A stamped): 33СM04369/4-3 Matrix / Runout (Runout B stamped): 33СM04370/4-3 Other (State standard): ГОСТ 5289-80 Other versions Category Artist Title (Format) Label Category Country Year Gayane, Aram CM04369-70 Masquerade Мелодия CM04369-70 USSR 1973 Khachaturian* (LP) Гаянэ. -
Cello Concerto (1990)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No. -
Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978
97th SEASON . TRUST BANKING. A symphony in financial planning. Conducted by Boston Safe Deposit and Trust Company Decisions which affect personal financial goals are often best made in concert with a professional advisor However, some situations require consultation with a number of professionals skilled in different areas of financial management. Real estate advisors. Tax consultants. Estate planners. Investment managers. To assist people with these needs, our venerable Boston banking institution has developed a new banking concept which integrates all of these professional services into a single program. The program is called trust banking. Orchestrated by Roger Dane, Vice President, 722-7022, for a modest fee. DIRECTORS Hans H. Estin George W. Phillips C. Vincent Vappi Vernon R. Alden Vice Chairman, North Executive Vice President, Vappi & Chairman, Executive American Management President Company, Inc. Committee Corporation George Putnam JepthaH. Wade Nathan H. Garrick, Jr. Putnam Partner, Choate, Hall Dwight L. Allison, Jr. Chairman, Vice Chairman of the Chairman of the Board Management & Stewart Board David C. Crockett Company, Inc. William W.Wolbach Donald Hurley Deputy to the Chairman J. John E. Rogerson Vice Chairman Partner, Goodwin, of the Board of Trustees Partner, Hutchins & of the Board Procter & Hoar and to the General Wheeler Honorary Director Director, Massachusetts Robert Mainer Henry E. Russell Sidney R. Rabb General Hospital Senior Vice President, President Chairman, The Stop & The Boston Company, Inc. F. Stanton Deland, jr. Mrs. George L. Sargent Shop Companies, Partner, Sherburne, Inc. Director of Various Powers & Needham William F. Morton Corporations Director of Various Charles W. Schmidt Corporations President, S.D. Warren LovettC.