The World's 40 Most Influential Nature Photographers
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Denver Cmc Photography Section Newsletter
MARCH 2018 DENVER CMC PHOTOGRAPHY SECTION NEWSLETTER Wednesday, March 14 CONNIE RUDD Photography with a Purpose 2018 Monthly Meetings Steering Committee 2nd Wednesday of the month, 7:00 p.m. Frank Burzynski CMC Liaison AMC, 710 10th St. #200, Golden, CO [email protected] $20 Annual Dues Jao van de Lagemaat Education Coordinator Meeting WEDNESDAY, March 14, 7:00 p.m. [email protected] March Meeting Janice Bennett Newsletter and Communication Join us Wednesday, March 14, Coordinator fom 7:00 to 9:00 p.m. for our meeting. [email protected] Ron Hileman CONNIE RUDD Hike and Event Coordinator [email protected] wil present Photography with a Purpose: Conservation Photography that not only Selma Kristel Presentation Coordinator inspires, but can also tip the balance in favor [email protected] of the protection of public lands. Alex Clymer Social Media Coordinator For our meeting on March 14, each member [email protected] may submit two images fom National Parks Mark Haugen anywhere in the country. Facilities Coordinator [email protected] Please submit images to Janice Bennett, CMC Photo Section Email [email protected] by Tuesday, March 13. [email protected] PAGE 1! DENVER CMC PHOTOGRAPHY SECTION MARCH 2018 JOIN US FOR OUR MEETING WEDNESDAY, March 14 Connie Rudd will present Photography with a Purpose: Conservation Photography that not only inspires, but can also tip the balance in favor of the protection of public lands. Please see the next page for more information about Connie Rudd. For our meeting on March 14, each member may submit two images from National Parks anywhere in the country. -
Nature and Photography in Texas
101_naturephotography.qxp:Layout 1 9/22/09 10:33 AM Page 1 Resources Principles of Ethical ® Life’s better outside. BOOKS: Field Practices AddisonWesley Publishing Company. 1991. By the editors of Eastman Kodak Company. The Joy of Photography. ENVIRONMENTAL: KNOWLEDGE OF SUBJECT TDO Bauer, Erwin and Peggy Bauer. 1985. Photographing wild Texas. OU O AND PLACE R University of Texas Press, Austin. 112 pp. Learn patterns of animal behavior. Know when not to Hill, Martha and Art Wolfe. 1993. The art of photographing interfere with animals’ life cycles. nature. Crown Publishers, NY. 184 pp. Nature Kiefer, John. 2006. Mastering Nature Photography: Respect the routine needs of animals. Remember that Shooting and Selling in the Digital Age (paperback). others will attempt to photograph them, too. Allworth Press, 288 pp. Use appropriate lenses to photograph wild animals. Lepp, George. 1997. Beyond the Basic II: More Innovative Photography If an animal shows stress, move back and use a Techniques for Outdoor/Nature Photography (paperback). longer lens. Lepp and Associates, 162 pp. IN TEXAS Miotke, Jim. The BetterPhoto Guide to Digital Nature Acquaint yourself with the fragility of the ecosystem. Photography (paperback). Amphoto Books, 224 pp. Stay on trails that are intended to lessen impact. Morris, Arthur. 2003. Art of Bird Photography: The Complete Guide to Professional Field Techniques (paperback). Amphoto SOCIAL: KNOWLEDGE OF RULES AND LAWS Books, 160 pp. When appropriate, inform managers or other National Geographic Photography Field Guide Series. 2002. authorities of your presence and purpose. Help Landscapes and People and Portraits. National Geographic minimize cumulative impacts, and maintain safety. -
The Positive and Negative Effects of Photography on Wildlife
Gardner-Webb University Digital Commons @ Gardner-Webb University Undergraduate Honors Theses Honors Program 2020 The Positive and Negative Effects of Photography on Wildlife Joy Smith Follow this and additional works at: https://digitalcommons.gardner-webb.edu/undergrad-honors Part of the Photography Commons The Positive and Negative Effects of Photography on Wildlife An Honors Thesis Presented to The University Honors Program Gardner-Webb University 10 April 2020 by Joy Smith Accepted by the Honors Faculty _______________________________ ________________________________________ Dr. Robert Carey, Thesis Advisor Dr. Tom Jones, Associate Dean, Univ. Honors _______________________________ _______________________________________ Prof. Frank Newton, Honors Committee Dr. Christopher Nelson, Honors Committee _______________________________ _______________________________________ Dr. Bob Bass, Honors Committee Dr. Shea Stuart, Honors Committee I. Overview of Wildlife Photography The purpose of this thesis is to research the positive and negative effects photography has on animals. This includes how photographers have helped to raise awareness about endangered species, as well as how people have hurt animals by getting them too used to cameras and encroaching on their space to take photos. Photographers themselves have been a tremendous help towards the fight to protect animals. Many of them have made it their life's mission to capture photos of elusive animals who are on the verge of extinction. These people know how to properly interact with an animal; they leave them alone and stay as hidden as possible while photographing them so as to not cause the animals any distress. However, tourists, amateur photographers, and a small number of professional photographers can be extremely harmful to animals. When photographing animals, their habitats can become disturbed, they can become very frightened and put in harm's way, and can even hurt or kill photographers who make them feel threatened. -
Wildlife Photography Over Nature Photography
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 9 Issue 9 Ser. II || September 2020 || PP 49-52 Wildlife Photography over Nature Photography D. Randula Podduwage1, R.M.Patrick Ratnayake2 1, 2 – Drama & Theatre and Image Arts Unit, Department of Fine Arts, University of Kelaniya, Sri Lanka. ABSTRACT Wildlife photography is one of the most popular genres in photography. Although the history of wildlife photography goes back more than 100 years, until recently there was no internationally accepted definition for it. Since 2015, a number of leading photography organizations around the world have filled this gap, establishing the wildlife photography genre as a more consistent subject area, subject to a common international definition. The main purpose of this article is to identify the exact shape of the wildlife photography genre by considering the specific newly introduced definition with referring to existing sources. ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 10-09-2020 Date of Acceptance: 25-09-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Capturing nature and wildlife images is an exclusive subject area of photography. It consists with the collaboration knowledge of few subjects like Photography, Art, Technology, -
Conservation Photography Wilderness Values Wilderness Education Tanzania, Italy, Russia, Guianas INTERNATIONAL Journal of Wilderness
Conservation Photography Wilderness Values Wilderness Education Tanzania, Italy, Russia, Guianas INTERNATIONAL Journal of Wilderness APRIL 2005 VOLUME 11, NUMBER 1 FEATURES INTERNATIONAL PERSPECTIVES (continued) EDITORIAL PERSPECTIVES 31 The Ruaha National Park, Tanzania 3 Can We Let Wilderness Just Be Wilderness? BY SUE STOLBERGER BY CHAD P. DAWSON 35 Wilderness Is More Than “Nature” SOUL OF THE WILDERNESS BY FRANCO ZUNINO 4 A Wilderness Challenge BY MICHAEL FROME 38 Plant Community Monitoring in Vodlozhersky National Park, Karelia, Russia STEWARDSHIP BY RALPH DUNMORE 8 Conservation Photography Art, Ethics, and Action BY CRISTINA MITTERMEIER WILDERNESS DIGEST 43 Announcements and Wilderness Calendar SCIENCE AND RESEARCH 14 A GIS–based Inductive Study of Wilderness Values Book Reviews BY GREGORY BROWN and LILIAN ALESSA 46 The Enduring Wilderness: Protecting Our Natural Heritage through the Wilderness Act PERSPECTIVES FROM THE ALDO LEOPOLD by Doug Scott WILDERNESS RESEARCH INSTITUTE REVIEW BY JOHN SHULTIS, IJW BOOK EDITOR 19 The Fire Effects Planning Framework BY ANNE BLACK 46 Wildland Recreation Policy: An Introduction, 2nd ed. by J. Douglas Wellman and Dennis B. Propst REVIEW BY CHAD DAWSON EDUCATION AND COMMUNICATION 21 Wilderness Education 46 Wildlife Tourism: Impacts, Management The Ultimate Commitment to Quality and Planning Wilderness Stewardship edited by Karen Higginbottom BY GREG HANSEN and TOM CARLSON REVIEW BY SARAH ELMELIGI INTERNATIONAL PERSPECTIVES 26 Conservation Planning in the Tropics FRONT COVER A photographer’s dream day at Mount McKinley, Lessons Learned from the Denali National Park, Alaska. Photo by Cathy Hart. Guianan Ecoregion Complex INSET Cristina Mittermeier looking a dung beetle in the eye, BY G. JAN SCHIPPER Tembe Elephant Reserve, KwaZulu Natal, South Africa. -
A Photography of Belonging
Dominican Scholar Collected Faculty and Staff Scholarship Faculty and Staff Scholarship 2014 Gelang: A Photography of Belonging Chase Clow Department of Humanities and Cultural Studies, Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Clow, Chase, "Gelang: A Photography of Belonging" (2014). Collected Faculty and Staff Scholarship. 125. https://scholar.dominican.edu/all-faculty/125 This Dissertation is brought to you for free and open access by the Faculty and Staff Scholarship at Dominican Scholar. It has been accepted for inclusion in Collected Faculty and Staff Scholarship by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. GELANG: A PHOTOGRAPHY OF BELONGING by Chase M. Clow A Dissertation Submitted to the Faculty of California Institute of Integral Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Transformative Studies California Institute of Integral Studies San Francisco, CA 2014 UMI Number: 3680156 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3680156 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. -
72+ FREE Stock Photo Graphics Sites to Enhance Your Online Content
72+ FREE Stock Photo Graphics Sites to Enhance Your Online Content Heidi Richards Mooney Resource of the Day 72+ FREE Stock Photo Graphics Sites - Redhead Marketing Inc. Social Marketing. No Pain. All Gain. Providing Simple, Results-driven Social Media Marketing, Training and Consulting Its that time again! Time to update the list of FREE Stock Photos. The previous list had 61 photo sites (some of whom are no longer around). This one has a list of 72 FREE STOCK PHOTO SITES that are active as of this publishing date. If you have trouble looking for photos to share, photos online -quality photos that are easily accessed (and mostly free), this list of 72 FREE photo/texture/clipart and webpage header graphics sites is a great resource. If you write a blog, write articles or are putting together a book/ebook that needs images to “dress it up,” these 72 FREE/Creative Commons stock photo sites are worth checking out. All of the sites listed offer images for use for free (be sure and check the terms of use for each site). Many of them also offer photos for a fee (they are often referred to as Royalty Free which means that you don’t need to pay the photographer a royalty each time you use the image. Each of these sites are worth exploring. Be sure to read the “terms of use” before using any of the photos or graphics for commercial use. Resource of the Day 72+ FREE Stock Photo Graphics Sites - Redhead Marketing Inc. 72+ FREE Stock Photo Graphics Sites to Enhance Your Online Content Resource of the Day 72+ FREE Stock Photo Graphics Sites - Redhead Marketing Inc. -
Wildlife Photography on Private Lands a Market Study
E-467 03-08 Wildlife Photography on Private Lands A Market Study Miles Phillips, Assistant Professor and Extension Specialist, Texas AgriLife Extension Service, The Texas A&M System Photos by Miles Phillips According to the U.S. Fish and Wildlife Service’s 2006 National Survey of Fishing, Hunting, and Wildlife-Associated Recreation, 11.7 million people in the United States travel for the purpose of photographing wildlife. In 2007, members of the North American Nature Photography Association (NANPA) and a small number of individual photographers who had paid a fee to photograph wildlife on private lands in Texas were asked to complete an online survey about their experiences. Eleven landowners who offered fee-based wildlife photography on their land completed a related survey. The survey results show that private landowners can provide a highly satisfying experience for wildlife photographers. This study also indicates that the current market for fee-based wildlife photography is not well devel- oped and depends on a mix of key species, site amenities, and marketing efforts. Regional and seasonal desirability is influenced by general scenery and climate as well as by wildlife. The study indicates that, although interest is growing, most people are not aware of the benefits of fee-based wildlife photography opportunities on private lands, and so the level of demand is still largely unknown. Some landowners have begun to profit from this enterprise, but others have not yet made the profit they need to continue their operations. This pilot study was intended as a starting point for learning whether fee-based photography has potential as a way for agricultural operators to diversify their income while conserving wildlife. -
Cetaceans in the Indian Ocean Sanctuary: a Review a WDCS Science Report
Cetaceans in the Indian Ocean Sanctuary: A Review A WDCS Science report Editors: M.N. de Boer, R. Baldwin, C.L.K. Burton, E.L. Eyre, K.C.S. Jenner, M-N.M. Jenner, S.G. Keith, K.A.McCabe, E.C.M. Parsons, V.M. Peddemors, H.C. Rosenbaum, P. Rudolph and M. P. Simmonds WDCSWhale and Dolphin Conservation Society WDCS is the global voice for the protection of whales, dolphins and their environment. CETACEANS IN THE INDIAN OCEAN SANCTUARY: A REVIEW A WDCS SCIENCE REPORT M.N. de Boeri, R. Baldw in:. C.L.K. Burton:. E.L. Eyre: K.C.S. Jenners, M-N.M. Jenners, S.G. Keith:. K.A. McCabes, E.C.M. Parsons7, V.M. Peddemorss, H.C. Rosenbaums P. Rudolphio and M. P. Simmondsi 1. Whale and Dolphin Conservation Society, Brookfield House, 38 St Paul Street, Chippenham, Wiltshire.'SN15 1LU. UK 2. P.O. Box 2531, CPO 111. Sultanate of Oman. 3. Western Whale Research, 25 Knightsbridge Crescent, Mullaloo, Western Australia 6027 4. Biological Sciences Department, Macquarie University, NSW 2109 Australia 5. Centre for Whale Research (Western Australia) Inc. PO Box 1622, Fremantle WA 6959, Australia 6. Institute of Biomedical and Life Sciences, University of Glasgow, Glasgow, G12 8QQ, Scotland. 7. SEAQUEST, Main Street, Tobermory, Isle of Mull, Argyll, PA75 6NU, Scotland/ School of Life Sciences, Napier University, Colinton Road, Edinburgh EH 14 1DJ, Scotland. 8. School of Life & Environmental Sciences, University of Durban-Westville, P. Bag X54001, Durban 4000, South Africa 9. Science Resource Center, The Wildlife Conservation Society, 2300 Southern Blvd, Bronx, NY 10460, USA; American Museum of Natural History, Center for Biodiversity and Conservation and Molecular Systematics Laboratory, 79th Street and Central Park West. -
Biographies Artists’ Biographies
ARTISTS’ BIOGRAPHIES ARTISTS’ BIOGRAPHIES ABRAHAM OGHOBASE ANGELA BENZ Born 1979 in Lagos, lives and works in Lagos, Nigeria. “The social, political and economic situation of society plays a pivotal role in my work. I am an aspiring photographer whose life, love and passion is photography. I am originally from Johannesburg, but after completing my first I am interested in using photography to explore the way people live and how they are affected by the different systems that exist, and how year as a photography student, I decided to locate to Cape Town to continue with my studies, and I am currently in my final year. I have a conditions evolve to meet or take advantage of certain needs. For example, with this series Jam I explore how rural-urban drift, among other great love for people, and try to convey this as much as possible through my photography with photojournalism and portrait photography. My things, has led to inflated rents in Lagos and congested living spaces. My exploration of identity through self portraiture in Nigeria and abroad, photographic aim is being inspired by the many different talents, trends and Cultures that surround me. for example, is often a function of how I am perceived as a photographer, an artist, a black male, a Nigerian, and so on, which in turn is based on social and cultural points of view that have their roots in history.” ANNA ENGELHARDT ADI BENSMAÏA We call home-less people vagrants, tramps, drifters (or ‘Bergies’) and rarely take note of them. They are generally considered a nuisance and are nothing more then part of our faceless cityscape. -
“Take Only Photographs”: Animal Photography’S Construction of Nature Love
Brower Back to Issue 9 “Take Only Photographs”: Animal Photography’s Construction of Nature Love by Matthew Brower © 2005 Contemporary woodlore suggests that to properly respect nature we should “take only photographs and leave only footprints” when we enter the wilderness. This expression takes photography as a model of non-interventionist right practice and offers a vision of nature as a non-human space in which humans do not belong. 1 In this schema photography appears as a non- intrusive, environmentally friendly activity that shows proper respect for the fragility of nature. This rhetoric positions nature photography as maintaining a separation between humans and nature.2 It assures us that photography keeps us at an appropriate distance from nature. Thus, nature photography is the figure of an ideal relation to nature; it provides access to nature while leaving it untouched. Nature photography offers us an image of nature that it at the same time forbids us to occupy. It is this relation to nature that is at work in wildlife photography. In his essay, “Why look at Animals?”, John Berger argues that wildlife photography presents an image of the animal as fundamentally separate from http://www.rochester.edu/in_visible_culture/Issue_9/brower.html (1 of 27) [1/22/07 2:48:32 PM] Brower the human.3 He further suggests that nature photography is not simply a convenient rhetorical figure for humanity’s separation from nature but is central to the operation of this ideology. Wildlife photography shows images marked by their “normal invisibility” positioning the animals depicted in a realm outside the human.4 The photographs show us animals we could not normally see. -
MARK CARWARDINE WILD THOUGHTS I Was Saddened Recently to Hear of the Death of an Old Friend of Mine
MARK CARWARDINE WILD THOUGHTS I was saddened recently to hear of the death of an old friend of mine. Richard Henry, who was believed to be more than 80 years old, died of natural causes. A legendary kakapo from New Zealand, he was named after a Victorian conservationist who pioneered efforts to save this Critically Endangered night parrot from extinction. Then I started to think about how many of the last survivors of a range of endangered species I happen to have met over the years. There are loads: from Lonesome George, the last known individual of the Pinta Island giant tortoise in the Galápagos Islands, to Najin, Fatu, Sudan and Suni, four of the world’s last remaining eight northern white rhinoceroses, who I accompanied on their long journey from the Czech Republic to Kenya last year. Of course, scientists working full-time in the field know a great many more individuals by name. Partly, this is a measure of the Mark Carwardine intensity of conservation and research efforts: people get to know and recognise individuals personally because they spend so much time with them – in many cases, more time than they spend with their spouses. I have friends who study humpback The head-mating Sirocco, perhaps whales, and they can the best-known kakapo in the world. recognise and name every individual in “I suppose it’s inevitable populations of hundreds that we get to know the or even thousands. last survivors when there But often this is a measure of how rare are so few left, but it’s many species have shocking nonetheless.” become.