“ What's a Body to Do? the Role of 'Body Studies' in The
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Expressions of Mind/Body Dualism in Thinspiration
MIND OVER MATTER: EXPRESSIONS OF MIND/BODY DUALISM IN THINSPIRATION Annamarie O’Brien A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2013 Committee: Dr. Marilyn Motz, Advisor Dr. Rebecca Kinney Dr. Jeremy Wallach © 2013 Annamarie O’Brien All Rights Reserved iii ABSTRACT Dr. Marilyn Motz, Advisor Thinspiration images, meant to inspire weight-loss, proliferate online through platforms that encourage the circulation of user-generated content. Despite numerous alarmist critiques in mass media about thinspiration and various academic studies investigating ‘pro-anorexia’ sites, surprisingly little attention has been given to the processes of creation and the symbolic potential of thinspiration. This thesis analyzes the formal hybridity of thinspiration, and its use as an expressive medium. The particularities of thinspiration (including its visual characteristics, creative processes, and exhibition) may be considered carefully constructed instances of self- representation, hinging on the expression of beliefs regarding the mind and body. While these beliefs are deeply entrenched in popular body management discourse, they also tend to rely on traditional dualist ideologies. Rather than simply emphasizing slenderness or reiterating standard assumptions about beauty, thinspiration often evokes pain and sadness, and employs truisms about the transcendence of flesh and rebellion against social constraints. By harnessing individualist discourse and the values of mind/body dualism, thinspiration becomes a space in which people struggling with disordered eating and body image issues may cast themselves as active agents—contrary to the image of eating disorders proffered by popular and medical discourse. iv ACKNOWLEDGMENTS First, I would like to thank my thesis committee chair, Dr. -
Bálint Veres Moholy-Nagy University of Art&Design [email protected]
TACTILE TACTICS IN ϮϭST CENTURY CULTURAL DISPLAYS ϭ͘ ^ƚĂƌƚŝŶŐ ƉŽŝŶƚ͗ an example ĄůŝŶƚsĞƌĞƐ Moholy-Nagy University of Art&Design [email protected] In September 2013, during the Budapest Design Week, together with two of my colleagues, I had the privilege to encourage a team of art students to perform an exhi- ABSTRACT: There is a long tradition to see museums and similar cultural displays as sites of knowing and self- bition intervention, hosted by the Museum of Ethnogra- education; and also as tools of political and ideological phy, an initiative that is still rare in the Hungarian tuition, indoctrination indeed. The critical approach of 1 new museology in the late 20th century launched a museum practice. The museum invited us to be com- systematic revision of the social and epistemological role pletely free in our approach to the task, and at first we museums play in contemporary culture. New museology highly increased, or at least required, the self-reflexivity deemed it as a double task. On the one hand, there was of cultural displays, however, an increase in reflexivity a chronological exhibition of partly folk, partly artistic, does not involve, in a self-evident way, an increase of intensified experience, which became crucial to our professional and industrial exhibition materials, under contemporary life, especially in the perspective of the title of The living tradition of ryijy – Finnish rugs from somaesthetics. Thus, more recent museological and curatorial approaches, oriented according to the a private collection. On the other hand, the bustle of the corporeal turn in philosophy and social sciences, Design Week and the freshness of art students’ creativity emphasize the effects and consequences of the sensorial range in use within cultural displays. -
Curriculum Vitae
Curriculum Vitae Joan C. Callahan Professor Emerita Departments of Philosophy and Gender and Women’s Studies 1681 Leathers Road [email protected] Lawrenceburg, KY 40342 University of Kentucky 859-533-6863 Lexington, Kentucky 40506 Date: February 2014 Medical Leave 2008-2011 Retired March 2011 Areas of Specialization and Interest: Ethical Theory, Practical Ethics (including Biomedical Ethics, Professional Ethics, Ethics and Public Policy), Social and Political Philosophy, Feminism, Critical Race Theory, Philosophy of Law Higher Education: Ph.D. Philosophy: December 1982; University of Maryland, College Park M.A. Philosophy: December 1979; University of Maryland, College Park M.A. Humanities: June 1977; Simmons College B.A. Philosophy: June 1976; University of Massachusetts, Dartmouth Regular Positions: 2006-2007: Director, Gender and Women’s Studies Program, University of Kentucky 2004-2006: Director, Women’s Studies Program, University of Kentucky 1998-2003: Director, Women’s Studies Program, University of Kentucky 1995-present: Professor, Department of Philosophy; University of Kentucky 1988-1995: Associate Professor; Department of Philosophy; University of Kentucky 1986-1988: Assistant Professor; Department of Philosophy; University of Kentucky 1983-1986: Assistant Professor; Department of Philosophy; Louisiana State University 1982-1983: Instructor; Department of Philosophy; Louisiana State University Adjunct / Part-time / Other Positions: 2005-2011 Faculty Associate, Center for Bioethics, University of Kentucky 1994-2011: Graduate -
Musical Evolution and Human Migration
MUSICAL EVOLUTION AND HUMAN MIGRATION MUSICAL EVOLUTION AND HUMAN MIGRATION: CLASSIFICATION, QUANTIFICATION, AND APPLICATION By PATRICK E. SAVAGE, B.A.(Hons) A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Science McMaster University © Copyright by Patrick E. Savage, August 2011 MASTER OF SCIENCE (2011) McMaster University (Psychology, Neuroscience and Behaviour) Hamilton, Ontario TITLE: Musical evolution and human migration: Classification, quantification, and application AUTHOR: Patrick E. Savage, B.A. (Hons) SUPERVISOR: Dr. Steven Brown NUMBER OF PAGES: vi, 76 ii Abstract Musical evolution and human migration: Classification, quantification, and application Patrick E. Savage Master of Science Depratment of Psychology, Neuroscience and Behaviour McMaster University 2011 The cross-cultural study of music is important to our understanding of the evolution of human biological and cultural diversity. Early comparative musicologists failed to develop rigorous scientific methods for studying this, and the modern-day fields of music cognition and ethnomusicology still lack such methods. In this thesis, I describe our attempts to design new methods for classifying and quantifying cross-cultural musical diversity and to apply these methods to the study of musical evolution and migration. Using a new method of classifying songs, we analyzed 421 songs from 16 indigenous tribes in Taiwan and the Philippines. We found striking parallels between musical and genetic diversity, both in the degree of diversity found within each culture and in the patterns of similarities between cultures. These findings suggest that music may be subject to similar processes of evolution and migration as are genes. A new, multidisciplinary, and scientifically-grounded comparative musicology may thus provide a new line of evidence to complement and integrate existing research into the complex relationship between music, biology, and culture. -
Virtue of Feminist Rationality
The Virtue of Feminist Rationality Continuum Studies in Philosophy Series Editor: James Fieser, University of Tennessee at Martin, USA Continuum Studies in Philosophy is a major monograph series from Continuum. The series features first-class scholarly research monographs across the whole field of philo- sophy. Each work makes a major contribution to the field of philosophical research. Aesthetic in Kant, James Kirwan Analytic Philosophy: The History of an Illusion, Aaron Preston Aquinas and the Ship of Theseus, Christopher Brown Augustine and Roman Virtue, Brian Harding The Challenge of Relativism, Patrick Phillips Demands of Taste in Kant’s Aesthetics, Brent Kalar Descartes and the Metaphysics of Human Nature, Justin Skirry Descartes’ Theory of Ideas, David Clemenson Dialectic of Romanticism, Peter Murphy and David Roberts Duns Scotus and the Problem of Universals, Todd Bates Hegel’s Philosophy of Language, Jim Vernon Hegel’s Philosophy of Right, David James Hegel’s Theory of Recognition, Sybol S.C. Anderson The History of Intentionality, Ryan Hickerson Kantian Deeds, Henrik Jøker Bjerre Kierkegaard, Metaphysics and Political Theory, Alison Assiter Kierkegaard’s Analysis of Radical Evil, David A. Roberts Leibniz Re-interpreted, Lloyd Strickland Metaphysics and the End of Philosophy, HO Mounce Nietzsche and the Greeks, Dale Wilkerson Origins of Analytic Philosophy, Delbert Reed Philosophy of Miracles, David Corner Platonism, Music and the Listener’s Share, Christopher Norris Popper’s Theory of Science, Carlos Garcia Postanalytic and Metacontinental, edited by James Williams, Jack Reynolds, James Chase and Ed Mares Rationality and Feminist Philosophy, Deborah K. Heikes Re-thinking the Cogito, Christopher Norris Role of God in Spinoza’s Metaphysics, Sherry Deveaux Rousseau and Radical Democracy, Kevin Inston Rousseau and the Ethics of Virtue, James Delaney Rousseau’s Theory of Freedom, Matthew Simpson Spinoza and the Stoics, Firmin DeBrabander Spinoza’s Radical Cartesian Mind, Tammy Nyden-Bullock St. -
Concept Space in Holocaust Research
Janine Fubel, Alexandra Klei, Katrin Stoll, Annika Wienert: „Space in Holocaust Research“ “Space in Holocaust Research”. An International, Interdisciplinary Conference Hamburg, 23 – 26 March 2020 Aim and Objectives “Space in Holocaust Research” is the first conference in Germany to examine ‘space’ as a central category of Holocaust research from a theoretical and methodological perspective. It is conceptualized and organized by Janine Fubel (Berlin), Alexandra Klei (Hamburg/Berlin), Katrin Stoll (Warsaw), and Annika Wienert (Warsaw). The conference is a co-operation between the German Historical Institute Warsaw and the Institute for the History of the German Jews in Hamburg. The overarching goal of the conference is to foster interdisciplinary Holocaust Studies, a research field that as of yet has no institutional framework in German academia. The project takes as its point of departure the discussions about the ‘spatial turn’ that have taken place in the humanities since the 1980s. In the course of these discussions, an understanding of space beyond Newton’s container model has gained acceptance. Space is now understood as a process and perceived in relational terms, as something that is socially produced and socially effective. The project combines inter- and transdisciplinary discussions of a spatial turn in the humanities with recent research on the Holocaust and its legacy. Such a synthesis is still lacking. The paradigm of space will allow for cross-disciplinary discussions on central issues of Holocaust research and for a prolific integration of new approaches. Integrating various disciplines will enable a critical analysis of terms as well as of theoretical and methodological questions. While references to space, place and sites have become an integral part in works dealing with the history of the Holocaust and its legacy, a metaphorical way of speaking has predominated thus far. -
Ethnochoreology As a Mediating Perspective in Irish Dance Studies
Catherine E. Foley Ethnochoreology as a Mediating Perspective in Irish Dance Studies Up until the 1980s, dance in Ireland existed as an important human activity, engaged in for various reasons: socialization, entertainment, competition, per- formance, tourism, ceremonial occasions, and so on. It was not, however, re- searched and examined on a par with other fields of study within the social sciences. From the 1980s on, however, the academic study of dance within the context of culture increasingly gained ground in the West, due to the influence of a number of anthropologists in the United States interested in human move- ment studies.1 Academicians also began to note the work of ethnochoreologists in Europe who, since the 1960s, had been involved in field research and studies of dance in their respective cultures.2 Dance and the role that it played—together with the meaning that it embodied within diverse societies around the world— gradually became a significant field of research and study. Scholars within mul- tidisciplinary fields of study—including anthropology, ethnochoreology, eth- nomusicology, dance ethnology, sociology, philosophy, cultural studies, cultural geography and feminist scholarship—argued for the significance of dance and the body as a way of illuminating and understanding issues relating to human 1. See, for example: Adrienne Kaeppler, “Method and Theory in Analyzing Dance Structure with and Analysis of Tongan Dance,” Ethnomusicology, 16, 2 (May, 1972), 173–217, and “American Ap- proaches to the Study of Dance,” Yearbook for Traditional Music, 13 (1991), 11–12; Drid Williams, “The Human Action Sign and Semasiology,” in Dance Research Annual, 10 (New York: CORD, 1979), pp. -
Emergence of Ethnochoreology Internationally: the Janković Sisters, Maud Karpeles, and Gertrude Kurath
Elsie Ivancich Dunin Emergence of Ethnochoreology... DOI: 10.2298/MUZ1417197D UDK: 394.3:793.3 39:929 Јанковић Љ. 39:929 Јанковић Д. Emergence of Ethnochoreology Internationally: The Janković sisters, Maud Karpeles, and Gertrude Kurath Elsie Ivancich Dunin1 University of California (Los Angeles) Abstract A fifty-year (1962–2012) period has been shown as a history of ethnochoreology supported by living memories of members of the International Council for Traditional Music (ICTM) Study Group on Ethnochoreology. Recently uncovered and juxtapositioned correspondence of three predecessors within earlier years of the International Folk Music Council (IFMC) broadens the history. This article reveals the emergence of ethnochoreology during the 1950s with publications of the two Janković sisters in Serbia with that of Gertrude Kurath in the United States, alongside correspondence with Maud Karpeles, the unheralded founder of the IFMC. Keywords ethnochoreology, Janković sisters, Gertrude Kurath, Maud Karpeles, IFMC (International Folk Music Council) Introduction The publications of Ljubica and Danica S. Janković2 overlap contemporaneously with dance research writings of Gertrude Prokosch Kurath,3 who in the United States (U.S.) is honored as a pioneer of ethnochoreology (also known as dance ethnology). Although never meeting, the Janković sisters and Kurath are linked through the International Folk Music Council (IFMC) launched by Maud Karpeles in 1947. Her vision of an international commission of dance scholars, such as Janković and Kurath, is evidenced through correspondence in the IFMC/ICTM archives located in the National Library of Australia. Other communications linking Janković and Kurath with folklorists, ethnomusicologists, and anthropologists are found in the Cecil Sharp House with the Vaughan Williams Memorial Library in London and various university-based archives in the United States, such as the Cross-Cultural Dance Resources at Arizona State University, Lilly Library at the University of Indiana in Bloomington, and more. -
Susan Bordo “Never Just Pictures” Susan Bordo (Born 1947), Professor of English and Women’S Jutting out Through a Bias-Cut Gown
Susan Bordo “Never Just Pictures” Susan Bordo (born 1947), professor of English and women’s jutting out through a bias-cut gown ... the clavicle in its studies University of Kentucky. She is Otis A. Singletary Chair in role as a coat hanger from which clothes are Humanities. Her book, Unbearable Weight: Feminism, suspended."1 (An old fashion industry justification for Western Culture, and th Body, was nominated for the Pulitzer skinniness in models was that clothes just don't "hang Prize. She has written extensively on gender and body image, and right" on heftier types.) The fashion industry has how these are effected by media and culture. She has written that taught us to regard a perfectly healthy, nonobese body “the body is a powerful symbolic form, a surface on which the such as the depicted in figure 1 as an unsightly “before” central rules . of a culture are inscribed, and thus reinforced.” (“Before CitraLean, no wonder they wore swimsuits like This essay is from her book Twilight Zones: The Hidden that"). In fact, those in the business have admitted that Life of Cultural Images form Plato to O.J., first published models have been getting thinner since 1993, when Kate in 1997. Moss first repopularized the waif look. British models Trish Goff and Annie Morton make Moss look well fed When Alicia Silverstone, the svelte nineteen- by comparison,2 and recent ad campaigns for Jil year-old star of Clueless, appeared at the Academy Sander go way beyond the thin-body- is-coat-hanger Awards just a smidge more substantial than she had paradigm to a blatant glamorization of the cadaverous, been in the movie, the tabloids ribbed her cruelly, calling starved look itself. -
Feminism and Modern Philosophy
2 DESCARTES Man of reason here does philosophy come from? Does it come out of human expe- Wrience, an extension of ordinary human abilities to respond and reflect? Is an Enquiry or a Metaphysics a personal statement: Here is how I, a man, lived or tried to live, in my time, in my place, in my social milieu, in my part of the world? Is philosophy then indistinguishable from expressive essay writing, autobiography, or story telling? If so it seems that philosophy can make little claim to truth. If Kant and Hume write out of their own experience in the eighteenth century, it may have little relevance in the pre- sent. If they write about their experience as men of a certain class, it may have little relevance for women or working people. Their world is not our world. We are unlikely to be enchanted by countesses in Parisian salons or devastated by sexual scandal in Königsberg. It is precisely the disavowal of contingency and dependence that informs many philosophers’ sense of their discipline’s identity and importance. The human agreeableness that is the basis for Hume’s ethics should stand on its own, regardless of the charm of Hume the man. Reason provides the logical foundation for Kant’s duty ethics, not one man’s soured romantic ideals. Otherwise it seems that ethics is reduced to autobiography of antiquarian or literary interest only.The modern period begins with a sense of the dan- gers of such relativism. In Europe, with religious certainty gone, with the authority of the universal Catholic Church and the divine right of kings com- promised, with even the heavens in doubt given new cosmologies, it could seem that nothing is real but a man’s private and personal sensations and ideas. -
Should Feminists Forget Foucault?
Studies in 20th Century Literature Volume 22 Issue 1 Special Issue: New Illnesses—Old Article 11 Problems, Old Illnesses—New Problems 1-1-1998 Should Feminists Forget Foucault? Dominique D. Fisher University of North Carolina, Chapel Hill Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Feminist, Gender, and Sexuality Studies Commons, and the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Fisher, Dominique D. (1998) "Should Feminists Forget Foucault?," Studies in 20th Century Literature: Vol. 22: Iss. 1, Article 11. https://doi.org/10.4148/2334-4415.1440 This Review Essay is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Should Feminists Forget Foucault? Abstract Up Against Foucault (1993), a collection of essays edited by Caroline Ramazanoglu, reevaluates Michel Foucault's theories on power and sexuality in regard to feminism from a sociological perspective… Keywords Up Against Foucault, Caroline Ramazanoglu, Michel Foucault, theories, power and sexuality, power, sexuality, feminism, sociological perspective, forget This review essay is available in Studies in 20th Century Literature: https://newprairiepress.org/sttcl/vol22/iss1/11 Fisher: Should Feminists Forget Foucault? Review Essay Should Feminists "Forget Foucault"? Dominique D. Fisher University of North Carolina, Chapel Hill Up Against Foucault (1993), a collection of essays edited by Caroline Ramazanoglu, reevaluates Michel Foucault's theories on power and sexuality in regard to feminism from a sociological per- spective. -
Henning Eichberg the Study of Body Culture : Observing Practice
Henning Eichberg The study of body culture : observing practice Idō - Ruch dla Kultury : rocznik naukowy : [filozofia, nauka, tradycje wschodu, kultura, zdrowie, edukacja] 6, 194-200 2006 A ntropologia a k u l t u r a c ia ł a / A nthropology & B o d y C u l t u r e H e n n in g E ic h b e r g University of Southern Denmark, Centre for Sports, Health and Civil Society, Gerlev, Denmark and Centre for the Study of Body Culture, Tsukuba / Japan The study of body culture - observing practice / Studium kultury ciała - praktyka obserwacyjna Key words: movement culture, anthropology, material basis, dialectic, bodily democracy Body and movement constitute fundamental conditions of human existence. They can be the starting point for a new understanding of what is the ‘material basis’ in social and cultural theory. Based on three decades of compara tive studies in body cultures, some methodological and theoretical observations are concluded. They propose directions for a future phenomenology, history, and anthropology of practice. Body culture studies open perspectives for a new way of thinking dialectically and for a humanistic materialism. They contribute to inter-bodily democracy. 1. The body asa material base The body is the material base of our existence as a human being. The body tells our story: Who am I, who are we? On one hand, the body is a part of human existence, which the individual is not free just to choose freely. On the other hand, the body is not determined from the very beginning. Between the given body on one hand and intentional body management on the other, body culture devel ops in a process, which is historical and collective.