DOCSLIB.ORG

VOL I NO 37 February 13, 1956 OZARK JUBILEE Country And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VOL I NO 37 February 13, 1956 OZARK JUBILEE Country And ABC-TV VOL I NO 37 February 13, 1956 OZARK JUBILEE Country and Western Musical Variety Starring Red Foley, other C&W Stars Saturday, 7:30-9:00 PM (NYT)* OZARK JUBILEE, the first television program to cater to the growing popular demand for Country and Western music, gained such momentum since its in­ ception in January 1955 that ABC-TV soon expanded the program to an hour and a half. This topnotch series is available for sponsorship in a peak viewing period on a most flexible basis, OZARK JUBILEE has proven its tremendous appeal with strong ratings, a phenomenal mail pull^ and a record number of viewers-per-seL TV^s TOP FAMILY PROGRAM The format allows for a pleasant blend of music, comedy and variety, making 1 it TV s top family program0 OZARK JUBILLEE has consistently had the highest number of viewers per set of any TV Network Program on the air, attracting a well-balanced family audienceQ In the most recent month (OZARK JUBILEE not rated by ARB in January 1956) there are only six programs in the select group with more than three viewers per set and OZARK JUBILEE heads this list: Program etwork Viewers-Per-Set 1. OZARK JUBILEE ABC-TV 3,31 d& 0 Lassie CBS-TV V o lu 0 o Super Circus ABC-TV Oo lu Z 0 Disneyland ABC-TV 3*05 5„ Beat the Clock CBS-TV 3,04 6. Ed Sullivan CBS-TV 3o02 (A:RB , December 1955) STARS AND TALENT Originating from the Jewell Theatre in Springfield, Missouri, ??the crossroads of country music11, OZARK JUBILEE each week features different name artists in addition to the regular cast of entertainers headed by Red Foley. •Every fourth Saturday, OZARK JUBILEE is telecast 7:30-8:00 PM (NYT) only, because "Grand Ole Opry!! is televised on an every fourth Saturday basis from 8:00-9:00 PM (NYT) sponsored by Ralston-Purina0 ABC TELEVISION NETWORK New York • .Chicago;; Hollywood £•,. >- : Country music and Western music are currently enjoying their greatest popula­ rity; In fact, the "distinction between so-called -"pop" music and these styles is often non-existent, They have provided the nation with a string of song hits ranging from *fYou Ary My Sunshine" to "Davy Crockett"• Motion pictures, record companies and radio shows have found these Country and Western styles to be perennial favorites0 "Red" Foley, America1 s most popular exponent of country music (Decca has sold a record-breaking 24, 000, 000 of his recordings) is an ideal host and emcee for OZARK JUBILEE0 For years he headlined one of radioes best tf known and most sponsored programs, "Grand Ole Opry f and on television Foley is even more personable. "Red" Foley is OZARK JUBILEE1 s star and emcee for three of the four weeks* On the week f!Grand Ole Opry?f is telecast, Saturday 8:00-9:00 PM (NYT), Webb Pierce is alternate emcee and star in the 7:30-8:00 PM (NYT) half-hour of OZARK JUBILEE. Webb Pierce has had a meteoric rise to fame0 Joining the cast of "Grand Ole Opry" (radio) in 1952, he was within two years the top attraction of the pro- granio He has sold millions of records since then. For "In the Jailhouse Now", his 18th consecutive hit, The Billboard magazine actually had to inaugurate a new "Triple Crown" award. Never before in the trade publications 61 year history had one song and one artist occupied the top spot on each of its three country-western charts simultaneously Recently Pierce was awarded his fourth v Billboard Triple Crown0 Webb s recent "Wandering" is still a big seller. Supporting Foley and Pierce are many other artists: * JEAN SHEPARD^ a top-selling star on the Capitol record label, is considered the "best female vocalist in the country music field"0 . * THE FOGGY RIVER BOYS are most-in-demand for their fine rendi­ tions of old Southland spirituals and "gospel songs" as well as popular numbers o * SONNY JAMES^ star of the Dallas "Big D Jamboree" several years past, is almost as famous for his good looks as his fast-moving Capitol records. * SLIM WILSON, a reigning favorite in the Ozarks for 23 years, stars on his own weekly ABC-TV show,, "Talent Varieties". * FLASH AND WHISTLER provide a lighter touch with their popular song "disarrangements" o * LENNIE AND GOO-GOO amaze and amuse audiences with their own musical inventions which they play with great agility0 GRADY MARTINA band, the "Winging Strings" (Grady is an air­ plane pilot as well as a musician), is featured on each performance. COUNTRY RHYTHM BOYS, under the direction of Bill Wimberly, are one of the most colorfully costumed bands in the business. MARVIN RAINWATER, young MGM recording artist, finds himself with two red-headed bosses, Arthur Godfrey and "Red" Foley <> BOBBY LORD; already nationally acclaimed at the age of 20, had his own daily radio shows in Florida when Foley asked him to join JUBILEE as a regular, WANDA JACKSON, just 17 years old, has already had a hit record in the country music fieldo PETE STAMPER, recently returned from a six-week nationwide per­ sonal appearance tom% has been a comedian on JUBILEE for several yearSo STRONG RATING GAINS OZARK JUBILEE has enjoyed sharp audience increases reflecting the program7 s growing popularity; Here is the complete rating history since July 1955 when Nielsen started rating the show in its present time period (ratings are 8:00- 9:00 PM (NYT) to Nov* I, and 7:30-9:00 beginning Nov. II) 0 Nielsen Rating Avreage Audience TV Homes Reachec July I 8 6 0. X "1,859,000 July II 9.2 5. 8 2,042,000 Aug I 11 • tj 6.8 2, 686, 000 Aug n 13.6 8.4 3,154,000 Sept I lOo ? 8.4 3,121,000 Sept II 16o 1 9.8 3,595,000 Oct I 13. 6 8.1 3,037,000 Oct II lue O 8.7 2,812,000 Nov I 14.6 7.8 3,456,000 Nov II 19.2 11 o D 4,630,000 Dec I 16.9 10.0 4,194, 000 Dec II 17.5 11.0 4,395,000 In the Jan I Nielsen, the 7:30-8:00 PM and 8:30-9:00 PM(NYT) segments are rated separately (the 8:00-8:30 PM,NYT, half-hour was not rated). These segments pulled a 12c 1 and 11.5 average audience per minute respectively -- both better than the Dec II average audience. EXCELLENT COST EFFICIENCY Homes: Here is the cost-per-thousand homes per commercial minute based on the special $19, 970 cost per half-hour shown on the cost page: Cost Per Thousand Homes Per $ Average Homes Per Minute Per Com'L Min, Per Com,L Min 2,751,000 (Nielsen, Dec. II) $2.42 413* Nielsen reports that the cost-per-thousand per commercial minute for the average evening program in October (latest available) is $4.17, making OZARK JUBILEE 72% above average in cost efficiency. Viewers: And in terms of viewers, OZARK JUBILEE enjoys an even greater advantage. Here is the cost-per-thousand viewers per commercial minute, derived by relating homes to viewers-per-set as reported in the December ARB: Average Per -' Cost Per 1000 Viewers Per $ Minute Per Com1!. Min* Per Com*l. Min. Men 3,136,000 *PCl 9 1 Z 472 Women 3,274,000 $2. 03 493 Adults 6,410, 000 $1.04 962** Children 2,668,000 5|)^i o DU 400 Total viewers 9,078, 000 $ . 73 1370** These figures make OZARK JUBILEE more than twice as efficient in reaching television viewers as the average evening program. * Four homes per penny **Ten adults per penny ***Fourteen viewers per penny 4 AVAILABILITY AND COSTS The program cost of OZARK JUBILEE is a low $5, 500 commissionable per half-hour 89 Stations — 72, 8% of U0 S0 TV Homes Approximate half-hour gross -- $28,941 Total Time (net) Availability jDiscount Plus Talent (comm 7:30-8:00 PM (NYT) every week 50% in lieu of all other $19,970 discounts and rebates for an order in 13 week cycles 7:30-8:00 PM (NYT) alto weeks 25% in lieu of all other 27,205 discounts and rebates for an order in 13 week cycles 8:00-8:30 PM (NYT) three out of Jo in lieu of all other 19,970 four weeks discounts and rebates for an order in 13 week cycles 8:00-8:30 PM (NYT) alt telecasts 50% in lieu of all other 19,970 discounts and rebates for matching s in 13 week cycles 59 Stations (American Home lineup)- 68; 8% of U0 S, TV Homes Approximate half-hour gross - $25,065 8:30-9:00 PM (NYT) alt0 telecasts 50% in lieu of all other $18,033 discounts and rebates for an order matching the American Home order in 13 week cycles The 50% flat discount for the 8:00-8:30 PM (NYT) segment is offered only if there is a matching order0 Each advertiser would receive two minutes of commercial time on one telecast and one minute on the following telecast -- the three commercial minutes for the quoted price of $19,970o Similarly, the 8:30-9:00 PM (NYT) period is offered only for an order matching and alternating with the American Home order - the total cost of $18, 033 for this half-hour includes two minutes of commercial on one telecast and one minute on the following telecast am 1 • aw r Products advertised by America., u JU> i < ' v ir% ^ 7nos toothpaste, Infra-rub, and Neet Depilatory0 Ralston-JPurin.
Load more

Recommended publications
  • WHOLE LOTTA MAN Marvin Rainwater
    Chapter 8 – Marvin Rainwater 8 WHOLE LOTTA MAN Marvin Rainwater A larger-than-life character steeped in traditional country music, Marvin Rainwater started his hitmaking career with Gonna Find Me A Bluebird and The Majesty Of Love (a duet with Connie Francis), and went on to top the UK charts in 1958 with Whole Lotta Woman , but after a couple of smaller hits his popularity faded. Somewhere along the line, a real talent — still underrated to this day — missed its way. After battling throat cancer, Rainwater re-emerged during the rockabilly revival of the 1970s and nowadays continues to successfully combine his outside business interests with recording and performing. I was born Marvin Karlton Rainwater on July 2, 1925 in Wichita, Kansas. Mother's maiden name was Stella Arbell Miller and my father was Cicero Percy Rainwater. I had one older brother, Don (George Donald) who died last year and have two younger brothers, Ray (Percy Raymond) and Bob (Robert Eugene), and a sister, Patty (Patricia Lucille). Some say that our surname originated from English, some say French and some say Indian, but I don't know for sure. I am no relation whatsoever to Cedric Rainwater the bluegrass guitarist, as Rainwater was not his real name — he used it as a stage name. Father was an auto and truck mechanic and mother was a housewife. We lived in Wichita and Esben, Kansas; Muskogee and Tulsa, Oklahoma; Georgia, Alabama and Tennessee. I studied classical piano when I was a little boy. My mama took in washings — which was a lot of work for her — and got us a piano.
    [Show full text]
  • Johnny Cash 1992.Pdf
    PERFORM ER S Johnny Cash He s the man in black, “a walking contradiction, partly granted him a solo audition in late 1954, and invited him truth and partly fiction.” His six foot-plus, ebon-draped back with his group. frame has worked itself deep into the American psyche to be­ On the first day of spring, 1955, the cards were on the table come as familiar to some as Woody Guthrie or Billy the Kid, at Sun. Red Kernodle succumbed to the pressure and disap­ Geronimo or Luke the Drifter. peared. But Cash rose to the occasion with a song he’d just fin­ Johnny Cash is a little bit of all those American legends. ished writing. Luther’s unadorned lead guitar picked a sparse­ During a career that spans five distinct decades, he has created ly melodic pattern, and Marshall came up with a bedrock more than 1,000 compositions that describe a folk hero in rhythm as characteristic of the Sun Sound as that of Elvis, transition, singing in his distinctive baritoned-bass voice of Scotty and Bill. The five masters cut at that session resulted in coal miners and sharecroppers, cowboys and Native Ameri­ one serviceable B-side, “Hey Porter.” Phillips sent John home cans, families and lovers. Invariably, he returns to his early to write him a hit. years for strength and inspiration. The result was “Cry! Cry! Cry,” recorded in May by the At the height of the Great Depression, on February 26, newly-christened Johnny Cash & the Tennessee Two and is­ 1932, in the town of Kingsland, Arkansas, Ray Cash and Car- sued as Sun 221 b/w “Hey Porter.” The single took the Mem­ ric Rivers Cash bore a son named J.R.
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER George McCormick and Earl Aycock TITEL Better Stop, Look And Listen Gonna Shake This Shack Tonight LABEL Bear Family Records KATALOG # BCD 17121 PREIS-CODE AH EAN-CODE ÆxAKABMRy171214z ISBN-CODE 978-3-89916-541-8 FORMAT 1 CD Digipack mit 40-seitigem Booklet GENRE Country / Rockabilly ANZAHL TITEL 29 SPIELDAUER 66:06 G Endlich die erste CD-Wiederveröffentlichung von George und Earl, einem der klassischen Hillbilly-Duos! G 29 Top-Titel aus den 50ern, eingespielt in Nashville mit Musikern u.a. aus der Band von Hank Williams und des A-Teams! G Mit allen sechs 78er-Platten von George McCormick und Earl Aycock sowie sechs Singles von George McCormick. G Sweet Little Miss Blue Eyes und If You Got Anything Good werden häufig als zwei der besten Country-Duette aller Zeiten bezeichnet. G Drei der Songs sollte eigentlich Hank Williams aufnehmen, der dann aber starb. G George McCormick war musikalischer Kopf von Porter Wagoners Wagonmasters und Dolly Partons erster Duettpartner in Wagoners TV-Show. G Earl Aycock arbeitete später als DJ in Texas und Louisiana. G Zur CD gehört ein 40-seitiges Booklet von Martin Hawkins; es enthält unveröffentlichte Interviews mit George McCormick. INFORMATIONEN Diese CD präsentiert zwei sehr unterschiedliche Sänger und Musiker, die in nur zwei Jahren einige der besten und interessante- sten Aufnahmen der 1950er-Jahre eingespielt haben. Der damals noch vorherrschende Hank-Williams-Sound machte nur lang- sam Platz für neue Strömungen innerhalb der populären Country Music und des aufkommenden Rockabilly.
    [Show full text]
  • He KMBC-ÍM Radio TEAM
    l\NUARY 3, 1955 35c PER COPY stu. esen 3o.loe -qv TTaMxg4i431 BItOADi S SSaeb: iiSZ£ (009'I0) 01 Ff : t?t /?I 9b£S IIJUY.a¡:, SUUl.; l: Ii-i od 301 :1 uoTloas steTaa Rae.zgtZ IS-SN AlTs.aantur: aTe AVSí1 T E IdEC. 211111 111111ip. he KMBC-ÍM Radio TEAM IN THIS ISSUE: St `7i ,ytLICOTNE OSE YN in the 'Mont Network Plans AICNISON ` MAISHAIS N CITY ive -Film Innovation .TOrEKA KANSAS Heart of Americ ENE. SEDALIA. Page 27 S CLINEON WARSAW EMROEIA RUTILE KMBC of Kansas City serves 83 coun- 'eer -Wine Air Time ties in western Missouri and eastern. Kansas. Four counties (Jackson and surveyed by NARTB Clay In Missouri, Johnson and Wyan- dotte in Kansas) comprise the greater Kansas City metropolitan trading Page 28 Half- millivolt area, ranked 15th nationally in retail sales. A bonus to KMBC, KFRM, serv- daytime ing the state of Kansas, puts your selling message into the high -income contours homes of Kansas, sixth richest agri- Jdio's Impact Cited cultural state. New Presentation Whether you judge radio effectiveness by coverage pattern, Page 30 audience rating or actual cash register results, you'll find that FREE & the Team leads the parade in every category. PETERS, ñtvC. Two Major Probes \Exclusive National It pays to go first -class when you go into the great Heart of Face New Senate Representatives America market. Get with the KMBC -KFRM Radio Team Page 44 and get real pulling power! See your Free & Peters Colonel for choice availabilities. st SATURE SECTION The KMBC - KFRM Radio TEAM -1 in the ;Begins on Page 35 of KANSAS fir the STATE CITY of KANSAS Heart of America Basic CBS Radio DON DAVIS Vice President JOHN SCHILLING Vice President and General Manager GEORGE HIGGINS Year Vice President and Sally Manager EWSWEEKLY Ir and for tels s )F RADIO AND TV KMBC -TV, the BIG TOP TV JIj,i, Station in the Heart of America sú,\.rw.
    [Show full text]
  • Country Music Country Music in Missouri Country Bios
    Country Music Country music is a genre of popular music that originated in the rural South in the 1920s, with roots in fiddle music, old-time music, blues and various types of folk music. Originally called “hillbilly music” and sometimes called “country and western,” the name “country music” or simply “country” gained popularity in the 1940s. Many recent country artists use elements of pop and rock. Country music often consists in ballads with simple forms and harmonies, accompanied by guitar or banjo with a fiddle. Country bands now often include a steel guitar, bass and drums. Country Music in Missouri Missourians love country music, as evidenced by the large number of country music radio stations, the number of country artists on festivals and presented by concert venues around the state, the country music artists who make their home and perform regularly in the popular tourist destination of Branson, Missouri, and the many Missouri musicians and bands who play country music in the bars and clubs in their local community. “The Sources of Country Music,” a painting by well-known Missouri artist Thomas Hart Benton hangs in the Country Music Hall of Fame and Museum in Nashville. Ralph Peer (1892-1960), born in Independence, Missouri, worked for Columbia Records in Kansas City until 1920 when he took a job for OKeh Records in New York and supervised the recording of “Crazy Blues” by Mamie Smith, the first blues recording aimed at African- Americans. In 1924 he supervised the first commercial recording session in New Orleans, recording jazz, blues and gospel music.
    [Show full text]
  • ~Tate of \Lrennessee
    ~tate of \lrennessee HOUSE JOINT RESOLUTION NO. 518 By Representatives Beck, Powell, Russell, Reedy, Cepicky, Todd, Helton, Gillespie, Carr, Curcio, Weaver, Moody, Tim Hicks, Littleton, Keisling, Clemmons, Terry, Gloria Johnson, Camper and Senators Campbell, Gilmore, Kyle, Yarbro A RESOLUTION to recognize and honor the Grand Ole Opry on its 5,000th Saturday night broadcast. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, on October 30, 2021, the Grand Ole Opry will send over the airwaves its 5,000th Saturday night broadcast, a momentous occasion in the history of this touchstone of American culture; and WHEREAS, "the show that made country music famous" began on Saturday, November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year­ o!d fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour, in 1928, Mr. Hay announced on the air, "For the past hour we have been listening to music taken largely from the Grand Opera, but now we will present the Grand Ole Opry"; the
    [Show full text]
  • 2021 |22 Performing Arts Season
    2021 | 22 Performing Arts Season “THE BEAT GOES ON” An annual publication of the Schauer Arts & Activities Center, Inc. 147 North Rural Street | Hartford, WI 53027 2021|22 Schauer Performing arts season MAINSTAGE FAMILY CABARET SPECIAL EVENT Friday–Saturday, August 13–14 alice in wonderland Missoula Children’s Theatre Friday, August 27 the world famous glenn miller orchestra Most Popular Swing Band in America Friday, September 10 sip and fall in the schauer Fall Fundraiser—The Acoustix Saturday, September 11 sip and fall in the schauer Fall Fundraiser—The Mr. Lucky Syndicate Saturday, September 18 michael perry and the long beds Eclectic Mix of Country Rock Saturday, September 25 dallas string quartet DSQ Electric Friday, October 1 royal wood Canadian Singer and Songwriter Sunday, October 3 JOHNNY PEERS & THE MUTTVILLE COMIX Slapstick Comedy Dog Show The Beat Goes On! The staff and Board of the Friday, October 8 top of the world A Carpenters Tribute Schauer Arts Center are thrilled to be throwing open Saturday, October 16 give ‘em hell harry! Tribute To Former U.S. President Harry Truman the doors and welcoming our patrons into the theater, classrooms, event spaces and our new courtyard. Saturday, October 23 SONGS AND STORIES OF NEIL DIAMOND Starring Jack Wright Friday, November 12 the claudettes Soulful Rock & Roll Rooted in Blues, Jazz and R&B To say the last year has been unique and challenging would be an understatement but we never doubted Thursday, December 2 lorrie morgan Emotive Country Vocalist we would reach this point. The community support to Saturday, December 4 milwaukee handbell ensemble Ringing in the Season get us here, and gratitude as patrons return, has been humbling.
    [Show full text]
  • University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Felice Bryant and Country Music Songwriting in the 1950S
    Bridgewater Review Volume 39 Issue 1 Article 4 4-2020 Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/br_rev Part of the Composition Commons Recommended Citation Bishop, Paula (2020). Felice Bryant and Country Music Songwriting in the 1950s. Bridgewater Review, 39(1), 4-7. Available at: https://vc.bridgew.edu/br_rev/vol39/iss1/4 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop f you were a country music artist working in Nashville in the 1950s, you might have found Iyourself at the home of Nashville songwriters, Felice and Boudleaux Bryant, enjoying one of Felice’s home-cooked meals. Boudleaux would present songs that he and Felice had written while Felice offered suggestions and corrections from the kitchen. On the surface this domestic scene suggests conventional gender roles in which the husband handles business Nashville image (Photo Credit: NiKreative / while the wife entertains the guests, but in fact, the Alamy Stock Photo) Bryants had learned to capitalize on Felice’s culinary the country music industry of the 1950s skills and outgoing personality in order to build their and build a successful career, becom- professional songwriting career. As she once quipped, ing what Mary Bufwack and Robert Oermann called the “woman who if they fed the artists a “belly full of spaghetti and ears ignited the explosion of women writers full of songs,” they were more likely to choose a song on music Row.” written by the Bryants.
    [Show full text]
  • Lr Lti'i= II) I 4 IL F
    KN-'n::1-~~ ~PA=G=E=TW=O=============~====~~ =================;:===O=C=TO=B~E=R,=1=9=:46 lr lti'i= II) I 4 IL f. ........ ~ ~-~-- ;·;-~ -~-~-~-~-~-~'-~-~--~- .... ····1 The D ial i s published every month by Radio Station KWTO. ,.,------ ...--..--- .,.._..,._-....,. • .,., ___""' .,.,.,.,_,..,,_,._.., ... ,_, ..,, .,.,_, ... ,_, ""' .., • .,. .... ,... ,_, ..,, .,.,_,,.., • .,.,.., ... _, _, ... ,.. ,_, ..,, _,.... ..,,_ • .,.,.,.,_,.,.,_, ..,, .,.,_, ... ,_, .... ""~"" By BETTY HINDMAN Editori al room i s Office of the P r ogram D i r ector, 508 St. Louis Street, Springfield, Missouri. A little fiddler who h as cut a K. C. for the following six L a t e in 1944, Zed joined a The subscription price is 75c per year, payable in advance. fancy fig ure in the field of en- months, and then Zed decided t o U . S. 0 . group a nd w en t on tour, t ertainment, steps in The Spot- locate a little nearer home, so h e visiting many army ca mps. The r eturned to the Queen City of it iner a r y included Florida , Geor­ RALPH NELMS, Editor. light to take a bow this month. the Ozarks and a position as staff gia , Alabama, and most of the He's Lowell "Zed" Tennis, a musician at KWTO. Deep South. When the tour Permission to Reprint Material from The Dial is hereby given, native of nearby Nixa, Missouri, ended, he found himself anxious provided a credit line is used. In the months that followed, and although he reputedly re­ our fancy fiddler learned how to for the Ozarks, so he pointed his ceived his musical education at play guitar, mandolin and bass, soles back toward KWTO, where YOUNCl•&TDNE~ SPAINCIP'tKLD he joined the staff as featured the Conservatory of Music located and not too much later he re- fiddler, in 1943.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • City of Nixa 715 W. Mt. Vernon St. P.O. Box 395 Nixa, Missouri 65714 417
    NIXA CITY MAP E W W W W 0 E W W E 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 1 5 / 9 1 6 7 5 8 1 1 1 D 1 E F G H Jackson C C y r y yra o Grouse M g Zachary M a yr a e w Cr r y r h G a n h g n T c o C i a a e i Z Be n H l twater g i u h J P L a t d r ve r a r o Georgia n l e N l Sparrow a 1900N M - d Purple e Martin o 1900N s o o w R East Highway CC Winona Way e l t s 2 a Kings Mead Cr C d l 2 O d o o w d n u o C R ork B eaufort G ra Doneg fto m al n O a 1700N h l d n g i R n C i i a k Ro c a c c h 1700N s M k o H i t R n l i e gh l a l m Tracker Rd d v S l a W B h Penzance n s y i d c k u e y low s R C s lby a e S k a r e l e t M e o s e r i d N k e V C R r a c r B g e ¹º o l g a l y g e d INMAN F Green y r bria n a r a M S G SCHOOL E ead y ow a 1400N w W Peachtree o e n d Sherman Way b i K r o n 1400N P t a i te t lla e e g l a s g y n a e R i i e r l E Striper l r l w C Kathryn i n a Kathryn A K t he t W n e tc s s n o h Aldersgate e e a k Baracuda i k r t d n d a c Thorn Hill l l w w h n Deanna e e s w e t G s a a a u n v r a r a n R F n e n a l H e R e y t H l o t i e t Dyann h R i Deerfield G C y g K B P a Dyann e Scott Wayne l u l Young Hunter C e B Scott W ayne y y le e o l l t n Al F y len e Slim Wilson d y a n e e C t k R Ozark Jubilee a Ozark Jubilee a w n t w o H W C r e g e w b e a o w i r d i r o n r o n i a i s d v i r t v e W B F t e e t 1100N r a B R h D h h e Z n l t s R l F E C l l r o e i Hodgson e r Ozark J J B u o W b s eldon ilee 1100N W N a e t l y Slim Wilson i Tonya n a t l l o e p W u r s n t n h A Rom Wel P e
    [Show full text]