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Johnny Cash 1992.Pdf
PERFORM ER S Johnny Cash He s the man in black, “a walking contradiction, partly granted him a solo audition in late 1954, and invited him truth and partly fiction.” His six foot-plus, ebon-draped back with his group. frame has worked itself deep into the American psyche to be On the first day of spring, 1955, the cards were on the table come as familiar to some as Woody Guthrie or Billy the Kid, at Sun. Red Kernodle succumbed to the pressure and disap Geronimo or Luke the Drifter. peared. But Cash rose to the occasion with a song he’d just fin Johnny Cash is a little bit of all those American legends. ished writing. Luther’s unadorned lead guitar picked a sparse During a career that spans five distinct decades, he has created ly melodic pattern, and Marshall came up with a bedrock more than 1,000 compositions that describe a folk hero in rhythm as characteristic of the Sun Sound as that of Elvis, transition, singing in his distinctive baritoned-bass voice of Scotty and Bill. The five masters cut at that session resulted in coal miners and sharecroppers, cowboys and Native Ameri one serviceable B-side, “Hey Porter.” Phillips sent John home cans, families and lovers. Invariably, he returns to his early to write him a hit. years for strength and inspiration. The result was “Cry! Cry! Cry,” recorded in May by the At the height of the Great Depression, on February 26, newly-christened Johnny Cash & the Tennessee Two and is 1932, in the town of Kingsland, Arkansas, Ray Cash and Car- sued as Sun 221 b/w “Hey Porter.” The single took the Mem ric Rivers Cash bore a son named J.R. -
He KMBC-ÍM Radio TEAM
l\NUARY 3, 1955 35c PER COPY stu. esen 3o.loe -qv TTaMxg4i431 BItOADi S SSaeb: iiSZ£ (009'I0) 01 Ff : t?t /?I 9b£S IIJUY.a¡:, SUUl.; l: Ii-i od 301 :1 uoTloas steTaa Rae.zgtZ IS-SN AlTs.aantur: aTe AVSí1 T E IdEC. 211111 111111ip. he KMBC-ÍM Radio TEAM IN THIS ISSUE: St `7i ,ytLICOTNE OSE YN in the 'Mont Network Plans AICNISON ` MAISHAIS N CITY ive -Film Innovation .TOrEKA KANSAS Heart of Americ ENE. SEDALIA. Page 27 S CLINEON WARSAW EMROEIA RUTILE KMBC of Kansas City serves 83 coun- 'eer -Wine Air Time ties in western Missouri and eastern. Kansas. Four counties (Jackson and surveyed by NARTB Clay In Missouri, Johnson and Wyan- dotte in Kansas) comprise the greater Kansas City metropolitan trading Page 28 Half- millivolt area, ranked 15th nationally in retail sales. A bonus to KMBC, KFRM, serv- daytime ing the state of Kansas, puts your selling message into the high -income contours homes of Kansas, sixth richest agri- Jdio's Impact Cited cultural state. New Presentation Whether you judge radio effectiveness by coverage pattern, Page 30 audience rating or actual cash register results, you'll find that FREE & the Team leads the parade in every category. PETERS, ñtvC. Two Major Probes \Exclusive National It pays to go first -class when you go into the great Heart of Face New Senate Representatives America market. Get with the KMBC -KFRM Radio Team Page 44 and get real pulling power! See your Free & Peters Colonel for choice availabilities. st SATURE SECTION The KMBC - KFRM Radio TEAM -1 in the ;Begins on Page 35 of KANSAS fir the STATE CITY of KANSAS Heart of America Basic CBS Radio DON DAVIS Vice President JOHN SCHILLING Vice President and General Manager GEORGE HIGGINS Year Vice President and Sally Manager EWSWEEKLY Ir and for tels s )F RADIO AND TV KMBC -TV, the BIG TOP TV JIj,i, Station in the Heart of America sú,\.rw. -
Country Music Country Music in Missouri Country Bios
Country Music Country music is a genre of popular music that originated in the rural South in the 1920s, with roots in fiddle music, old-time music, blues and various types of folk music. Originally called “hillbilly music” and sometimes called “country and western,” the name “country music” or simply “country” gained popularity in the 1940s. Many recent country artists use elements of pop and rock. Country music often consists in ballads with simple forms and harmonies, accompanied by guitar or banjo with a fiddle. Country bands now often include a steel guitar, bass and drums. Country Music in Missouri Missourians love country music, as evidenced by the large number of country music radio stations, the number of country artists on festivals and presented by concert venues around the state, the country music artists who make their home and perform regularly in the popular tourist destination of Branson, Missouri, and the many Missouri musicians and bands who play country music in the bars and clubs in their local community. “The Sources of Country Music,” a painting by well-known Missouri artist Thomas Hart Benton hangs in the Country Music Hall of Fame and Museum in Nashville. Ralph Peer (1892-1960), born in Independence, Missouri, worked for Columbia Records in Kansas City until 1920 when he took a job for OKeh Records in New York and supervised the recording of “Crazy Blues” by Mamie Smith, the first blues recording aimed at African- Americans. In 1924 he supervised the first commercial recording session in New Orleans, recording jazz, blues and gospel music. -
2021 |22 Performing Arts Season
2021 | 22 Performing Arts Season “THE BEAT GOES ON” An annual publication of the Schauer Arts & Activities Center, Inc. 147 North Rural Street | Hartford, WI 53027 2021|22 Schauer Performing arts season MAINSTAGE FAMILY CABARET SPECIAL EVENT Friday–Saturday, August 13–14 alice in wonderland Missoula Children’s Theatre Friday, August 27 the world famous glenn miller orchestra Most Popular Swing Band in America Friday, September 10 sip and fall in the schauer Fall Fundraiser—The Acoustix Saturday, September 11 sip and fall in the schauer Fall Fundraiser—The Mr. Lucky Syndicate Saturday, September 18 michael perry and the long beds Eclectic Mix of Country Rock Saturday, September 25 dallas string quartet DSQ Electric Friday, October 1 royal wood Canadian Singer and Songwriter Sunday, October 3 JOHNNY PEERS & THE MUTTVILLE COMIX Slapstick Comedy Dog Show The Beat Goes On! The staff and Board of the Friday, October 8 top of the world A Carpenters Tribute Schauer Arts Center are thrilled to be throwing open Saturday, October 16 give ‘em hell harry! Tribute To Former U.S. President Harry Truman the doors and welcoming our patrons into the theater, classrooms, event spaces and our new courtyard. Saturday, October 23 SONGS AND STORIES OF NEIL DIAMOND Starring Jack Wright Friday, November 12 the claudettes Soulful Rock & Roll Rooted in Blues, Jazz and R&B To say the last year has been unique and challenging would be an understatement but we never doubted Thursday, December 2 lorrie morgan Emotive Country Vocalist we would reach this point. The community support to Saturday, December 4 milwaukee handbell ensemble Ringing in the Season get us here, and gratitude as patrons return, has been humbling. -
I'kaai Party Where the Two Families Meet "Ft "Copsand CONSULT OUR LISTINGS for LAST MINUTE Tv Coiwuum Mc
14-T- HE CAROLINA TIMES SAT., JULY 28, 1979 ; REFLECTIONS SWORD OF JUSTICE The n 0 - CJ BASEBALL Atlanta Braveava . woundedJackColerelleeonHec- Houston Astros tor to finish the lob of proving that O WILD KINGDOM a corrupt police commissioner w: 7:00 and the mob that 'owns' him were THIEVES LIKE US for of an N FOOTBALL responsible the slaying O 60 Tampa Bay Buccaneers va Wa- honest cop. (Repeat; mina.) A backwoods MOVIE -- fugitive and young, shington Redskins HBO (SUSPENSE) girl fall in love in Mississippi during MASTERPIECE THEATRE 'I. "Capricorn One" Elliott Gould, O Karen Black. A stumbles the Depression, in 'Thieves Like Claudius' 'Reign of Terror' Tiber- reporter Us,' directed by Robert Altman ius' haathe onto the acoop of the century-man'- s palace guard emperor to Mars and Keith Carradine (pic- cut off from the outside first space flight starring totally 15 tured) and Shelley Ouvall, premier-in- g world - at Sejanus' order. So how wasahoaxl(RatedPG)(2hra., on television Aug. 4, on 'The can Antonia possibly warn mins.) CBS 10:30 Saturday Night Movies.' RESURRECTION mins.) O GOSPEL Based on the Edward Anderson GD BLACK REFLECTIONS novel that also inspired the earlier N FOOTBALL SOAP FACTORY 11:00 'They Live By Night,' the movie 8 tells the love of Bowie n LAWRENCE WELK SHOW OOOOnews tragic story CJ HEE HAW Conway Twltty. gd odd couple who has HIGH (Carradine), escaped Dave and Sugar, Grandpa, CI 12 O'CLOCK from a prison work farm, and Ramona and Aliaa Jones. (60 CJ SECOND CITY TV Keechie (Miss Duvall), the mins.) V 11:15 uneducated young innocent he CJ M SEARCH OF OO ABC NEWS meets. -
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-V' ........... Stamp Honors 1 Penney, East Hartford I Truckers End 1 Rice Not Getting Guide Dogs 1 Graduates Listed I Fuel Hlockade 1 Good Pitches to Hit Page 2 1 Detaih on Page 6 I Page 6 1 Page 10 iHanrl]ralpr Sunny, Hot Today, Fair, Mild Tonight Details on Page 2 „ ; < Mrmlh New Complex Vol. XCVIII, No. 218 — Manchester, Conn., Saturday, June 16, 1979 • A Family NEWSpaper Since 1881 • 20$ Single Copy • 15$ Home Delivered BRANFORD (UPI) - Connec ticut may be able to boast' of having the second largest shop ping center in the world, accor .At ding to plans revealed Friday by U.S.-Russian developers. \ l ■I The proposed $215 million shop ping mall would be spread over a 250-acre tract on land near Summit Begins Interstate 95, according to developer Ron Pasqualino. VIENNA, Austria (UPI) — Presi The completely-enclosed mall The signing of the treaty limiting dent Carter and Soviet President would cover more than 2 million strategic weapons is scheduled for Leonid I. Brezhnev met for the first square feet of store space and Monday. time Friday and the American leader house six major retail stores and The treaty becomes effective only agreed the encounter was a “good 400 smaller stores, he said. after approval by the Supreme Soviet beginning” to the SALT II summit. Pasqualino, executive vice presi and the U.S. Senate. Carter faces a The leaders of the two most power dent of Rudy Gatto and Associate tough selling job in winning the ful nations in the world greeted each Development Corp., said ground necessary two-thirds ratification other with a simple handshake. -
Boredom Takestoll at Welles Village I Prixeweek Puzzle Today: Win $100
PAGE TWENTY <- EVENING HERALD, Fri., Sept. 7, 1979 Boredom TakesToll at Welles Village I Prixeweek Puzzle Today: Win $100 Hy DAVK I, VVAM,KK village. There are over 300 of them, starting point and perhaps funds for afraid the young'persons will find out vices Bureaus' programs because has found a way to do that yet,” Hoff Unique Music Book Board Approves Hiring Teachers Subpoenaed Chris Evert Stops King this project are next to impossible, Mfriilil Ki'iiorlcr but out of that group eight are giving and will come back to avenge the they do not think they would fit in man explained. Made for Silent Films Of New Science Head For Court Defiance To Reach Open Finals us problems. Two or three of them but there could be other areas such report,” Willett said. with programs. Hoffman said that one of the GLASTONBURY - On any hot, are supplying beer to kids who are as athletic equipment stocked at the Willett said that the major way to "We like rugged things,'- one solutions would be to separate the P age 2 P age 6 P age 6 Page 1 0 humid night in Welles Village, the underaged and I am going to do rental office for sign out use or a curb these problems would be to juvenile said. “We do different kinds scene js the same. Young persons elderly people in the village from the h---------- ---------- ' ■ everything in my power to throw the CETA worker to run various sports provide more recreationai oppor of things than the kinds of things they juveniles. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
Pub Type Edrs Price Descriptors
DOCUMENT RESUME ED 233 705 IR 010 796' TITLE Children and Television. Hearing Before the Subcommittee on Telecommunications, Consumer Protection, and Finance of the Committee on Energy and ComMerce, House of Representatives, Ninety-Eighth Congress, First Session. Serial No. 98-3. INSTITUTION Congress of the U.S., Washington, DC. House Committee on Eneygy and Commerce. PUB DATE- 16 Mar 83 NOTE 221p.; Photographs and small print of some pages may not reproduce well. PUB TYPE --Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC09'Plus Postage. DESCRIPTORS Cable Television; *Childrens Television; Commercial Television; Educational Television; Federal Legislation; Hearings; Mass Media Effects; *ProgrAming (Broadcast); *Public Television; * Television Research; *Television Viewing; Violence IDENTIFIERS Congress 98th ABSTRACT Held, during National Children and Television Week, this hearing addressed the general topic of television and its impact on children, including specific ,children's televisionprojects and ideas for improving :children's television. Statements and testimony (when given) are presented for the following individuals and organizations: (1) John Blessington,-vice president, personnel, CBS/Broadcast Group; (2) LeVar Burton, host, Reading Rainbow; (3) Peggy Charren, president, National Action for Children's Television; (4) Bruce Christensen, president, National Association of;Public Television Stations; (5) Edward 0. Fritts, president, National Association of Broadcasters; (6) Honorable John A. Heinz, United States Senator, Pennsylvania; (7) Robert Keeshan, Captain Kangaroo; \(8) Keith W. Mielke, associate vice president for research, Children's Television Workshop; (9) Henry M. Rivera, Commissioner, , Federal Communications Commission; (10) Sharon Robinson, director, instruction and Professional Development, National Education Association; (11) Squire D. Rushnell, vice president, Long Range Planning and Children's Television, ABC; (12) John A. -
50 March to Protest Race Guard Pilgrims
2 4 - THE HERALD, Fri., April 17, 1981 Beach says |obs for senior citizens would aid economy HARTFORD — Morrison ture jobs to create new employment program and Beach. and young, and thereby Beach also called for the the "senior” market. In older people become a H. Beach, chairman of the choices for older workers, job bank for company board, The Travelers In "Our economic studies reduce the need for In- corporate sector to provide addition, he said new larger segment of the pop- including such options as retirees and retirement for The White House surance Companies, calls creased tax rates.” new and better services for products are required as ulation. phased retirement, planning for employees 55 Conference on Aging for corporate America to training for second and older. Also, the com re-think past assumptions suggested that expanded 50 march careers, part-time or tem pany’s pension plan was about work and retirement employment of older porary work, and job changed to expand the workers would improve every last minute and expand job options for sharing." number of hours retirees HONEYSUCKLE SHOP older people who want to our real gross national Other job barriers, such could work within the com- product by almost four per easter needs continue working. as age discrimination, pany without losing cent over the next 25 years. * *90 dy* * decorations egress Spring has Sprung. Further, he said, in restrictive corporate Travelers retirement in creased job opportunities In turn, this expanded e napkins e baskets e j e lly beans policies and economic come benefits. growth could add about |40 to protest for America's growing penalties for work effort, Besides benefiting older • cellophane *ii Come see our colorful numbers of older citizens billion in 1980 dollars to should be lifted, continued workers and business, ' • chocolate . -
8 Can a Fujiyama Mama Be the Female Elvis?
8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS? The wild, wild women of rockabilly David Sanjek I don't want a headstone for my grave. I want a fucking monument! (Jerry Lee Lewis) 1 You see, I was always a well-endowed girl, and the guys used to tell me that they didn't know how to fit a 42 into a 331!3. (Sun Records artist Barbara Pittman ) 2 Female artists just don't really sell. (Capital Records producer Ken Nelson) 3 In the opening scene of the 199 3 film True Romance (directed by Tony Scott from a script by Quentin Tarantino), Clarence Worly (Christian Slater) perches on a stool in an anonymous, rundown bar. Addressing his com ments to no one in particular, he soliloquises about 'the King'. Simply put, he asserts, in Jailhouse Rock (19 5 7), Elvis embodied everything that rocka billy is about. 'I mean', he states, 'he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothin' except rockin' and rollin' and livin' fast and dyin' young and leavin' a good lookin' corpse, you know.' As he continues, Clarence's admiration for Elvis transcends mere identification with the performer's public image. He adds, 'Man, Elvis looked good. Yeah, I ain't no fag, but Elvis, he was prettier than most women, most women.' He now acknowledges the presence on the barstool next to him of a blank-faced, blonde young woman. Unconcerned that his overheard thoughts might have disturbed her, he continues, 'I always said if I had to fuck a guy - had to if my life depended on it - I'd 137 DAVID SANJEK THE WILD,~ WOMEN OF ROCK~BILLY fuck Elvis.' The woman concurs with his desire to copulate with 'the and Roll; rockabilly, he writes, 'suggested a young white man celebrating King', but adds, 'Well, when he was alive, not now.' freedom, ready to do anything, go anywhere, pausing long enough for In the heyday of rockabilly, one imagines more than a few young men apologies and recriminations, but then hustling on towards the new'. -
Pete Stamper : Comedian, Songwriter, Musician, Author, Broadcaster and One of Country Music’S Most Respected Entertainers
2015 Induction Class Pete Stamper : comedian, songwriter, musician, author, broadcaster and one of country music’s most respected entertainers. Pete Stamper was born and raised in the small town of Dawson Springs, in western Kentucky. While still in high school, Pete made his first appearance on the radio; singing and playing guitar with his group, The Pine Valley Pals on the local Hopkinsville, Kentucky station, WHOP. After graduating High School, Pete volunteered for the army. He spent one year in the service and six years in the reserves. Once out of the military, Pete formed a comedy routine with long-time friend Clarence Williams and the two young boys performed their act on Curly Meyers’ local radio program. The show garnered a strong following; Pete and Clarence were soon invited to perform on the Renfro Valley Barn Dance Radio Program in 1950. Pete was asked to become a permanent member of the radio show’s cast that same year and his association with Renfro Valley would continue from that point forward. Pete’s talents as an entertainer were well recognized within the country music industry; in the mid-1950’s Pete was asked to be a part of the Red Foley Ozark Jubilee Show, in Springfield, Missouri. Pete spent three years on Red Foley’s show, the first country music show of its kind, and was seen in over 10 million homes from coast-to-coast on ABC’s weekly TV broadcast. In December of 1957, just a few months after the station went on the air for the first time, Pete became the lead, in-house DJ at WRVK, the Renfro Valley radio station.