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Dixisd&Harmonyhd dixi & harmony telecinemas dixisd&harmonyhd Unique design with 3CCD with closed loop control system features Halogen lamps Fast and fully automatic alignment Color integrating sphere Capstan drive Frame storage and integrated tools Calibration color control Integrated color correction Low-cost solution designed specifically for dailies, archives, benefits and television production in standard- and high-definition resolutions Lowest possible operational and maintenance costs and high system availability. Product manager > Telecine Serge LAZZARI CCDs ensure no wear, tear, drift, or degrading Reliability based on over 80 telecine over the course of 10 years Easy-to-service design Dixi SD is upgradable to HD CTM DEBRIE from film to digital 37 telecinemas unique conception capstan drive with 3CCD with closed loop control system Film is propelled by a Capstan drive, thus assuring CTM Debrie telecinemas use state of the art CCD accuracy and steadiness. CTM Debrie telecinemas Technology that has been proven to produce a use servo systems, which employing the smooth clean desirable artistic look. Low maintenance continuous-motion of the Capstan drive system. costs come from a digitally controlled CCD The capstan drive removes the risk of damaging the camera together with closed loop control negative, even if there is a failure, since it is neither systems throughout the machine. There are no necessary to “pull” nor to “push” the film as is the parts requiring regular service on CTM Debrie case when mechanical sprockets, or pins, are telecinemas. CTM Debrie telecinemas are built located in the film sprocket holes. Film can be also to provide the perfect balance between cost, driven by sprocket (optional) image quality, feature sets and utilization for today’s markets and applications. halogen lamp The illumination system is an innovative combination of a cost efficient Halogen light source, optical fiber transmission system and pre-gate filters to allow precise optical reproduction of any 8, 9,5, 16 or 35mm film format. CTM Debrie telecinemas have practically no cost associated with consumable parts, using a low cost Halogen lamp, which is simple to install and requires no alignment. Compared frame store and integrated tools to the cost and associated downtime in dealing with Vacuum tube (CRT) machines the cost for 10 bit digital frame storage based on an industrial the CTM Debrie telecinemas is relatively PC with dual processor, in/out video board and insignificant. windows based software. More than 1000 images can be stored on the hard disc. fast and fully automatic alignment Drag and drop features enables easy access and overview throughout the process with thumbnail The color control system is highly reliable, and pictures for easy swift identification. the digital CCD camera extremely stable. The 3 lamps of the lamp house are automatically Split screen facility allows comparison between stabilized by an optoelectronic closed loop. stored and live images at full resolution. Monitoring tools including Vectorscope for chrominance, waveform monitor for luminance, RGB parade and histograms display are also available. color integrating sphere Diffuse illumination is vital for the natural, artifact-free optical reduction of the effects of dirt and scratches. The film is illuminated by a diffused light that comes from the color-integrating sphere located just above the film. Not only does it have a very strong effect on the reduction of film grain, especially important with 16mm, but this technique is also extremely effective in reducing discolored sports and scratches with results bearing a close resemblance to those achieved with wet gates, yet without using chemicals. 38 telecinemas dixi sd & harmony hd dixi sd hd & dixi &harmony harmony illumination adjustment CTM DEBRIE telecinemas also provide the possibility for the user to adjust the illumination level (or exposure) relative to the density of the film with precise optical matching for the type of film being used. This process, again very simple, is close to the natural photographic process of optical film printing and therefore delivers more filmic, natural results. calibration color control Though conceptually simple, the system offers two major benefits by varying the brightness and color of lights illuminating the film: Laboratory compatibility with color correction values in printer points. Now the DP knows how the film was exposed in internationally compatible units. Improved image quality, unlike most color analysers that degrade the picture as the negative gets darker, CTM DEBRIE telecinemas maintain constant signal to noise regardless of negative exposure. color correction CTM DEBRIE telecinemas are provided with a standard primary Color corrector (RGB) which offers extensive range and latitude combined with precise digital control. This correction is real time. There are applications in which the basic primary functionality needs to be enhanced with basic secondary color control. See KAMELEON (page 42) simple exchange of formats Changing from one format to another requires less than one minute. An operator can do so by changing the gate assembly, and selecting the format on the front panel. easy-to-service design All racks are easily accessible. All hardware components used for computer are standard, and can be found locally. CTM DEBRIE from film to digital 39 telecinemas dimensions dixisd&harmonyhd Width: 123 cm Depth: 82 cm specification technical Height: 185 cm Film transport Color corrector Feed and take up capacity: 2000ft (600m) RGB exposure control: 50x0.025Log E steps Weight: 620 kg Sync speeds NTSC: 24fps Gross weight: 910 kg Sync speed PAL: 25fps, 24fps (option) Trim control Power: 220V or 110V single phase Shuttle speed: 3 x sync speed 50x0.025Log E steps 2,5 kVA, 50 or 60 Hz LUT with curve software Synchronisation Biphase for external sound sync: Sound system 25HzPAL, 24Hz NTSC. Optical sound 35mm: 80 to 10 000 Hz +/- 2dB video output In option: 50, 250 Hz (PAL), 30, 60 Hz (NTSC) Optical sound 16mm: 80 to 6 300 Hz +/- 2 dB dixi SD Serial: RS-422 I/O (Sony 9 pin) S/N: 57 dB Wow and flutter: 0,3% weighted Multi standard video output – analog & digital - dixi sd 3 IT CCD 2/3 inch camera Delivered with Remote - Sync speed, Format aspect ratio 4/3 shuttle speed, RGB, FCC, Fade controls PAL: H752 x V582 Fast transport run-up and instant stop H720 x V576 real NTSC: H768 x V494 H720 x V480 real Steadiness: < & line Outputs: R,G,B & sync components, SDI (option) range Model Designation DIXI 8/16 Telecine SD for 8 / super8 / 9,5 / 16 / super 16mm DIXI 16/35 Telecine SD for 16 / super 16 / 35 / super 35mm video output HARMONY 8/16 Telecine HD for 8 / super8 / 16 / super 16mm harmony HD HARMONY 16/35 Telecine HD for 16 / super 16 / 35 / super 35mm Multi standard video output – analog & digital - harmony hd Sensor 3CCD 2/3 type 16:9 FIT optionsoptions Horizontal resolution: 1000 TV lines Format H1920 x V1080 sound DSP: 12 bit A/D conversion OP320, OP321, OP322, OP323, OP327, OP329 Down conversion to SD formats 8, 16 & 35 mm optical & magnetic sound with amplifier, Dolby reader. (option) 1080/23.98psf HD SDI video coder 1080/24psf HD SDI OP312 1080/25psf HD SDI 10-bit processing standards converter, synchronizer and time base stabilizer with SDI, composite and YC interfaces. Standards conversion 1080/30psf HD SDI between 525 and 625 line standards (NTSC/PAL) employs a powerful 1080/50i HD SDI 20 point, 4-field, 5-line interpolation aperture to give smooth motion 1080/59.94i HD SDI and maximum vertical resolution. 1080/60i HD SDI Std SDI 50i (option) Std SDI 59.94i (option) multiformat converter Standard Analog Component OP126 (option) Broadcast quality aspect ratio converter with serial digital inputs and Standard Analog RGB (option) outputs, designed for hands-off operation. Typical applications are to Composite NTSC/PAL (option) convert existing 4:3 studios or OBs to 16:9. Eight preset conversion ratios are provided and any variable aspect, size and position can be preset and stored in memory. All these specifications are constantly completed – please noise reducer check current available outputs OP313 (OP312 requested) A real-time noise reducer with the ability to correct artifacts using motion compensation. Film Grain, dirt, scratches and dropouts are examples of impairments that can be detected and repaired by the real- time operation of the Noise Reducer. 40 telecinemas dixi & harmony dixi optionsoptions & harmony text and logo inserter Text and logo inserter – OP340 Designed to manage and store multiple logos. The size of each is variable. The position of the logo and fade rates are user controllable. Multiple logos can be keyed simultaneously with independent fade control for each logo. aaton’s reader OP332, OP334 35mm & 16mm Aaton reader. Able to read Keycode, Aatoncode, Arri FIS from 16- or 35 mm negatives, while simultaneously generating video TC. As the film is scanned the Keycode and TC date are inserted into the video image as readable data as well as in VITC and LTC channel formats as required archives kit OP316 Special gate for shrunken film. This gate is designed for use on films that have shrunk as much as 2%. With this gate and the capstan drive, archive material is driven gently and copied with unprecedented steadiness. 2 & 3 perforation gate OP314, OP315 speed electronic board OP317 Perfect for running old films at 16, 18, 20, 21, 22, 24, 25 fps paper tape puncher OP127 The GNT Reader/Punch Stations are interfaced with all types of NC/CNC equipment and your PC or CAD/CAM Systems. Punching speed on all three units is up to 75 cps. The read speed is up to 150 cps on the 4601 and up to 400 cps on the 4604 and 4606. Baud rates are from 110 to 19,200 depending on the model.
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