dixi & harmony

telecinemas dixisd&harmonyhd

Unique design with 3CCD with closed loop control system features Halogen lamps Fast and fully automatic alignment Color integrating sphere Capstan drive Frame storage and integrated tools Calibration color control Integrated color correction

Low-cost solution designed specifically for dailies, archives, benefits and television production in standard- and high-definition resolutions Lowest possible operational and maintenance costs and high system availability.

Product manager > Telecine Serge LAZZARI CCDs ensure no wear, tear, drift, or degrading Reliability based on over 80 telecine over the course of 10 years Easy-to-service design Dixi SD is upgradable to HD

CTM DEBRIE from film to digital 37 telecinemas

unique conception capstan drive with 3CCD with closed loop control system Film is propelled by a Capstan drive, thus assuring CTM Debrie telecinemas use state of the art CCD accuracy and steadiness. CTM Debrie telecinemas Technology that has been proven to produce a use servo systems, which employing the smooth clean desirable artistic look. Low maintenance continuous-motion of the Capstan drive system. costs come from a digitally controlled CCD The capstan drive removes the risk of damaging the camera together with closed loop control negative, even if there is a failure, since it is neither systems throughout the machine. There are no necessary to “pull” nor to “push” the film as is the parts requiring regular service on CTM Debrie case when mechanical sprockets, or pins, are telecinemas. CTM Debrie telecinemas are built located in the film sprocket holes. Film can be also to provide the perfect balance between cost, driven by sprocket (optional) image quality, feature sets and utilization for today’s markets and applications. halogen lamp The illumination system is an innovative combination of a cost efficient Halogen light source, optical fiber transmission system and pre-gate filters to allow precise optical reproduction of any 8, 9,5, 16 or 35mm film format. CTM Debrie telecinemas have practically no cost associated with consumable parts, using a low cost Halogen lamp, which is simple to install and requires no alignment. Compared frame store and integrated tools to the cost and associated downtime in dealing with Vacuum tube (CRT) machines the cost for 10 bit digital frame storage based on an industrial the CTM Debrie telecinemas is relatively PC with dual processor, in/out video board and insignificant. windows based software. More than 1000 images can be stored on the hard disc. fast and fully automatic alignment Drag and drop features enables easy access and overview throughout the process with thumbnail The color control system is highly reliable, and pictures for easy swift identification. the digital CCD camera extremely stable. The 3 lamps of the lamp house are automatically Split screen facility allows comparison between stabilized by an optoelectronic closed loop. stored and live images at full resolution. Monitoring tools including Vectorscope for chrominance, waveform monitor for luminance, RGB parade and histograms display are also available.

color integrating sphere Diffuse illumination is vital for the natural, artifact-free optical reduction of the effects of dirt and scratches. The film is illuminated by a diffused light that comes from the color-integrating sphere located just above the film. Not only does it have a very strong effect on the reduction of film grain, especially important with 16mm, but this technique is also extremely effective in reducing discolored sports and scratches with results bearing a close resemblance to those achieved with wet gates, yet without using chemicals.

38 telecinemas dixi sd & harmony hd dixi

sd hd &

dixi &harmony harmony

illumination adjustment CTM DEBRIE telecinemas also provide the possibility for the user to adjust the illumination level (or exposure) relative to the density of the film with precise optical matching for the type of film being used. This process, again very simple, is close to the natural photographic process of optical film printing and therefore delivers more filmic, natural results.

calibration color control Though conceptually simple, the system offers two major benefits by varying the brightness and color of lights illuminating the film: Laboratory compatibility with color correction values in printer points. Now the DP knows how the film was exposed in internationally compatible units. Improved image quality, unlike most color analysers that degrade the picture as the negative gets darker, CTM DEBRIE telecinemas maintain constant signal to noise regardless of negative exposure.

color correction CTM DEBRIE telecinemas are provided with a standard primary Color corrector (RGB) which offers extensive range and latitude combined with precise digital control. This correction is real time. There are applications in which the basic primary functionality needs to be enhanced with basic secondary color control. See KAMELEON (page 42)

simple exchange of formats Changing from one format to another requires less than one minute. An operator can do so by changing the gate assembly, and selecting the format on the front panel.

easy-to-service design All racks are easily accessible. All hardware components used for computer are standard, and can be found locally.

CTM DEBRIE from film to digital 39 telecinemas dimensions dixisd&harmonyhd Width: 123 cm Depth: 82 cm specification technical Height: 185 cm Film transport Color corrector Feed and take up capacity: 2000ft (600m) RGB exposure control: 50x0.025Log E steps Weight: 620 kg Sync speeds NTSC: 24fps Gross weight: 910 kg Sync speed PAL: 25fps, 24fps (option) Trim control Power: 220V or 110V single phase Shuttle speed: 3 x sync speed 50x0.025Log E steps 2,5 kVA, 50 or 60 Hz LUT with curve software Synchronisation Biphase for external sound sync: Sound system 25HzPAL, 24Hz NTSC. Optical sound 35mm: 80 to 10 000 Hz +/- 2dB video output In option: 50, 250 Hz (PAL), 30, 60 Hz (NTSC) Optical sound 16mm: 80 to 6 300 Hz +/- 2 dB dixi SD Serial: RS-422 I/O (Sony 9 pin) S/N: 57 dB Wow and flutter: 0,3% weighted Multi standard video output – analog & digital - dixi sd

3 IT CCD 2/3 inch camera Delivered with Remote - Sync speed, Format aspect ratio 4/3 shuttle speed, RGB, FCC, Fade controls PAL: H752 x V582 Fast transport run-up and instant stop H720 x V576 real NTSC: H768 x V494 H720 x V480 real Steadiness: < & line Outputs: R,G,B & sync components, SDI (option) range Model Designation DIXI 8/16 Telecine SD for 8 / super8 / 9,5 / 16 / super 16mm DIXI 16/35 Telecine SD for 16 / super 16 / 35 / super 35mm video output HARMONY 8/16 Telecine HD for 8 / super8 / 16 / super 16mm harmony HD HARMONY 16/35 Telecine HD for 16 / super 16 / 35 / super 35mm Multi standard video output – analog & digital - harmony hd

Sensor 3CCD 2/3 type 16:9 FIT optionsoptions Horizontal resolution: 1000 TV lines Format H1920 x V1080 sound DSP: 12 bit A/D conversion OP320, OP321, OP322, OP323, OP327, OP329 Down conversion to SD formats 8, 16 & 35 mm optical & magnetic sound with amplifier, Dolby reader. (option)

1080/23.98psf HD SDI video coder 1080/24psf HD SDI OP312 1080/25psf HD SDI 10-bit processing standards converter, synchronizer and time base stabilizer with SDI, composite and YC interfaces. Standards conversion 1080/30psf HD SDI between 525 and 625 line standards (NTSC/PAL) employs a powerful 1080/50i HD SDI 20 point, 4-field, 5-line interpolation aperture to give smooth motion 1080/59.94i HD SDI and maximum vertical resolution. 1080/60i HD SDI Std SDI 50i (option) Std SDI 59.94i (option) multiformat converter Standard Analog Component OP126 (option) Broadcast quality aspect ratio converter with serial digital inputs and Standard Analog RGB (option) outputs, designed for hands-off operation. Typical applications are to Composite NTSC/PAL (option) convert existing 4:3 studios or OBs to 16:9. Eight preset conversion ratios are provided and any variable aspect, size and position can be preset and stored in memory. All these specifications are constantly completed – please noise reducer check current available outputs OP313 (OP312 requested) A real-time noise reducer with the ability to correct artifacts using motion compensation. Film Grain, dirt, scratches and dropouts are examples of impairments that can be detected and repaired by the real- time operation of the Noise Reducer.

40 telecinemas dixi & harmony dixi

optionsoptions & harmony text and logo inserter Text and logo inserter – OP340 Designed to manage and store multiple logos. The size of each is variable. The position of the logo and fade rates are user controllable. Multiple logos can be keyed simultaneously with independent fade control for each logo. aaton’s reader OP332, OP334 35mm & 16mm Aaton reader. Able to read Keycode, Aatoncode, Arri FIS from 16- or 35 mm negatives, while simultaneously generating video TC. As the film is scanned the Keycode and TC date are inserted into the video image as readable data as well as in VITC and LTC channel formats as required archives kit OP316 Special gate for shrunken film. This gate is designed for use on films that have shrunk as much as 2%. With this gate and the capstan drive, archive material is driven gently and copied with unprecedented steadiness.

2 & 3 perforation gate OP314, OP315 speed electronic board OP317 Perfect for running old films at 16, 18, 20, 21, 22, 24, 25 fps paper tape puncher OP127 The GNT Reader/Punch Stations are interfaced with all types of NC/CNC equipment and your PC or CAD/CAM Systems. Punching speed on all three units is up to 75 cps. The read speed is up to 150 cps on the 4601 and up to 400 cps on the 4604 and 4606. Baud rates are from 110 to 19,200 depending on the model. workstation OP150 A workstation dedicated to the integration of remote controllers and all peripherals. ptr OP336 Built-in Particle Transfer Rollers

OP 122 20” video Monitor OP 310 Digitalization Control Unit rack with 1 SVGA monitor including Frame store with split screen (OP312 requested) OP 311 Calibration software - LUT without automation OP 312 Video coder rack for SDI, YUV components, composite output OP 313 Digital noise reducer (OP312 requested) Keylink options OP 126 Multi formats adaptater rack (OP312 requested) OP 332 35 mm keylink system (OP312 requested) Universal code reader head, PC with 1 SVGA monitor Sound options OP 333 1 year maintenance contract for Keylink OP 320 16 mm mono optical sound COMOPT (reader) OP 334 16 mm keylink option OP 321 16 mm mono magnetic sound COMMAG (reader) OP 322 35 mm mono optical sound COMOPT (reader) Archives options OP 323 35 mm stereo optical sound SR COMOPT (reader) without processor OP 314 2 perf gate option ( techniscope) OP 324 35 mm DOLBY digital sound SRD (reader) without processor OP 315 3 perf gate option OP 325 Mono amplifier rack for COMOPT reader with delay OP 316 Archives suited sprocket and film gate - 1 & 2% OP 326 Stereo amplifier rack for COMOPT reader with delay OP 317 16/18/20/21/22/24/25fps film transport OP 327 S8 mono magnetic sound (reader) OP 034 Mono control amplifiered speaker Film grading options OP 035 Stereo control amplifiered speaker OP 127 Paper tape puncher / reader OP 329 DTS reader with cable OP 128 Printer

Color correction options Other options OP 330 KAMELEON Module 1 - LUT & TSL OP 149 Workstation MIDDLE with automation plan by plan OP 150 Workstation LARGE OP 331 Control panel KAMELEON OP 336 2 PTR rollers with mountings D= 1”1/2 OP 338 KAMELEON Module 2 - Secondary Color correction OP 340 Text & logo inserter

CTM DEBRIE from film to digital 41 color correction kameleon

Color correction for Dixi & Harmony

This option is a cost-efficient solution designed to be used with DIXI or HARMONY. Just as the Primary color correction system, this secondary color corrector is also real-time, and works with the full film.

The basic secondary color processor complements the primary color corrector already supplied with DIXI and HARMONY and vastly increases the functionality and flexibility of the basic Telecine system. Saturation and hue levels can be changed across a wide spectrum for selected colors. Creative latitude is increased by the vast possibilities of adjustment of position and width of each sector thus allowing further refined color levels. A master saturation control is also provided. Visuel: capture écran “Secondary color correction “ et “Tonal range change” (idem catalogue P30)

KAMELON consists of one rack with an independent processor and multiple cards. A custom- tailored control panel is highly recommended. This option is available for any DIXI or HARMONY previously delivered. It will make your work flow smoothly and efficiently. The adjustable and comfortable trackballs, as well as the programmable controls surrounding them, facilitate optimal working conditions for color correction. Visuel: télécommande KAMELEON range KAMELEON Module 1 – Useful primarily for the transfer of videos for editing or achiving, this machine allows for primary corrections of type HLS on the three levels of luminance: shadow, midtones and highlights to be made. By the use of trackballs as remotes, this module accommodates the need to make corrections scene by scene.

KAMELEON Module 2 – Useful for touching up certain colors upon a given image while leaving the others unchanged. The machine allows for secondary corrections to be made simultaneously to an unlimited number of colors (which is the equivalent of an infinite number of vectors – to use the terminology of Da Vinci or Avid). A given color is modified in terms of hue and saturation to create a new ‘version’ of the original color. Upon completion of modifications, the parameters of this new version are applied to the entire image, replacing

the original color’s dimensions; there is no windows mode “power window” (to use Da Vinci’s Programmer > color correction software Didier CALLE terminology).

KAMELEON can not be installed on machines other than DIXI and HARMONY. It is not possible to place this machine on a stand alone system.

42 color correction kameleon ultraclean series

cleaning machine ultracleanseries

Dual cleaning action with buffers & ultrasonic cavitation features Continuous solvent recovery & distillation Triple stage drying system Closed loop air drying Film drive by capstan Perchloroethylene and HFE 3M

Higher cleaning speed benefits Superior engineering Low solvent consumption Low solvent fume level Low vapor escape Design & development > cleaning machine Stephane LORCET Better comfort of the user

CTM DEBRIE from film to digital 43 cleaning machine ultracleanseries dimensions

Width: 131 cm Depth: 74 cm dual cleaning action closed loop air drying with buffers & ultrasonic cavitation Closed loop air-drying has the essential benefit Height: 194 cm This system uses four buffers that, having been of reducing water contamination of the solvents. Crating size: 150 x 226 x 94 cm immersed in perchlorethylene, are mounted Others machines draw in ambient (humid) air (W x H x D) asymmetrically so that large areas of the film’s from their surroundings to dry the film, which Weight: 625 kg surface comes into contact with the velvet. The inevitably condenses, thus leaving traces of ultrasonic cavitation assists in the cleaning. water in the solvent. Furthermore, by including Shipping weight: 725 kg Thus the dual cleaning action gives the film the the air of the cabinet space in the closed loop of Power: 220V, 50Hz, uniphase best treatment possible, removing stubborn the processing system, the amount of solvent 35Amp dirt, grease, oil, fingerprints and other deposits, vapor released into the atmosphere is without the risk of harming the film in any way. dramatically reduced to minimal percentages. With conventional drying systems, during the loading and unload of film, vapors can easily escape. ULTRACLEAN uses a partition to isolate recovery & distillation the film loading section from the cleaning area, Continuous solvent recovery & distillation thereby limiting the concentration of vapors that The solvent is continuously reprocessed to can be found in the cleaning area. maintain its purity and cleanliness for optimum quality of cleaning. ULTRACLEAN’s double condenser system then reprocesses the cleaning solution and returns it to the main reservoir. film drive by capstan Filters remove particles as well as any aqueous Film is propelled by a Capstan drive, thus contaminants. The purification processes occur assuring accuracy and steadiness. CTM during operation, thus no time is lost for DEBRIE cleaners use servo-systems, employing recovery and distillation. the smooth, continuous motion of the Capstan drive system. The capstan drive removes the risk of damaging the negative, even if there is a failure, since it is necessary neither “to pull” triple stage drying system nor “to push” the film as is the case when This specially designed drying system includes mechanical sprockets, or pins, are located in three separate stages – the first uses a pair of the film sprocket holes. The machine is air knives, the second utilizes a pair of hollow therefore suitable for archive materials. Film velvet rollers, allowing the hot air to pass can be also driven by sprocket (optional) through, and the final stage uses a pair of squeegee rollers to withdraw the solvent from the perforations. The film then rests in a long drying cabinet. ULTRACLEAN film cleaners perchloroethylene and HFE 3M paired with perchloroethylene solution can Each model is available in ready supply to be clean 50-100% more film per hour than using used with perchloroethylene or with HFE. A the same solvent with conventional ultrasonic machine can function with either of the solvents, cleaners. however those machines using perchloroethylene can be upgraded at any point to use HFE. specification technical Film capacity 4000 feet, 16mm/35mm Film speed with PERCH 50, 100, 200 feet/min (1000, 2000, 4000 meters/hour), variable speed Film speed with HFE 3M 50, 100, 240 feet/min (1000, 2000, 4400 meters/hour), variable speed Cleaning tank capacity 12 liters Distillation tank capacity 16 liters Tank capacity 18 liters Distillation time 4 hours Controls safety interlocks, film break detector, solvent level detector, temperature indicators, cleaning tank, drying pressure indicators, compressed air - solvent range Model Designation Ultraclean 2000 16/35 Film cleaning machine with solvent recovery with Perchlo as cleaning agent, speed up to 2000m/h (100ft/min) Ultraclean 4000 16/35 Film cleaning machine with solvent recovery with Perchlo as cleaning agent, speed up to 4000m/h (200ft/min) Ultraclean 4800 16/35 Film cleaning machine with solvent recovery with HFE as cleaning agent, speed up to 4400m/h (240ft/min)

44 cleaning machine ultraclean series aquaclean series

washing machine aquacleanseries

Designed to eliminate the emulsion particles’ residue

Full modularity, 16mm or 35mm prints features Step-by-step washing process Deep & efficient drying process Multi-purpose control panel

Higher reliability benefits Lower operating costs Easy access for maintenance

CTM DEBRIE from film to digital 45 Ultrasonic generator Designation 380V/220V, 3 phase 380V/220V, 30Amp, 8kw 600kg Aquaclean 3600 Aquaclean D) x H x x 126 cm (W 222 x 180 1800: Aquaclean D) x H x x 126 cm (W 184 x 180 Weight: Power: options Reference OP 401 dimensions series drying process deep & efficient deep & efficient multi-purpose control panel washing machine machine washing The control panel bears the speed indicator, and a stapler digital temperature indicator, detector for automatic stop, which warns the operator to change the reels. Each cabinet holds two 9-loop racks. The Each cabinet holds is 70 feet of film. capacity of each rack (1200 to 1400m3/h) A built-in fan with filter of 1 kw each are and three electronic heaters The air is sent by way mounted in the cabinet. guide air directly on to of pipes with slots that and ensure deep and the film emulsion rear of each drying efficient drying. At the device that allows the cabinet, there is a the quantity of air operator to easily adjust circulating in & out the cabinet. aquaclean

ModelAquaclean 1800Aquaclean 3600 machine with 1 drying cabinet, variable speed from 0 to 110ft/min Washing machine with 2 drying cabinet, variable speed from 0 to 200ft/min Washing Designation

AQUACLEAN is a water-based cleaning AQUACLEAN is a water-based machine designed to eliminate the emulsion particles’ residue. 3 step process: Stage 1 consists of 1 x 50 liter capacity tank with water & wetting agent (e.g. Agepon), kept at a temperature of 45C° of a heater because and an electronic temperature controls. Dacron Stage 2 employs four counter-rotating covered buffers in a washing box. The contact of the Dacron micro-fiber with the film ensures complete removal of undesired residues. Stage 2 is completed by four high-pressure rinses during which filtered jets of solution from tank 1 spray the film (two before the rollers and two at after). Then, two delta wipers are provided the exit of the washing box to avoid the transfer of solution from tank 1 into tank 2. Stage 3 consists of another tank with 35 liters of water for film rinsing. Some stabilizer agent can be added to this tank to avoid marks on the delta wipers are film during drying. Two provided at the exit of tank 2 to reduce water The consumption to about ten liters per hour. film is then transported in a pre-dryer station where four wipers are attached to a vacuum device to suck the water from the film. Designed to wash 16mm or 35mm film, Designed to wash 16mm of a 1800m capacity AQUACLEAN, composed tanks, a washing box, feed plate, washing take-up unit (comprising drying cabinets and a the control panel and a 1800m capacity plate, can switch from one the electronic cabinet), without requiring any format to another friction drive, variable manipulation. Demand feet per minute on speeds from 0 to 110 from 0 to 200 feet per AQUACLEAN 1800 and minute on AQUACLEAN 3600. washing machine aquaclean series

range

46

process step-by-step washing

or 35mm print full modularity, 16mm clara series

rejuvenating machine claraseries

Removing fungus – Reducing scratches

Full rejuvenating process features Ultrasonic cavitation (option) Water & detergent spray buffers Efficient drying unit Demand-drive Electronic controlled Independent circulation group

Low-cost solution designed specifically for new and old films benefits Lowest possible operational and maintenance costs Easy-to-service design

CTM DEBRIE from film to digital 47 rejuvenating machine claraseries dimensions

Width: 316 cm full rejuvenating process efficient drying unit Depth: 130 cm One rewashing unit consists of a 4 PVC tanks It is composed of 1 or 2 stainless steel cabinet of: Height: 199 cm and 4 stainless steel 9 loop racks of a length of - 2 x 9 loop racks of a length of 70 feet each with rack lifted: 290 cm the first tank can be filled with a chemical - 1 film drying system of reheating agent or film processing agent. This product - 1 temperature regulator with probe (whose Weight: 900 kg circulates and is maintained at a temperature adjustment can be easily modified according Gross weight: 1200 kg by means of a pump exchanger. This tank is to the speed and type of film running in the built so as to receive a stainless steel element machine) Power: 220V or 110V of the ultrasonic transducers that can be single phase immersed. The 2 other tanks enable rinsing by 2,5 kVA, 50 or 60 Hz means of a countercurrent washing. The last demand-drive tank contains water with a wetting agent to avoid any stains during the drying. Film is driven by demand-drive. CLARA uses servo systems, which employing the smooth continuous-motion of the demand-drive system. The demand-drive removes the risk of damaging water & detergent spray buffers the negative, even if there is a failure, since it is In tank 2 and 3, a washing box can be installed neither necessary to “pull” nor to “push” the for a more efficient cleaning. This box is film as is the case when mechanical sprockets, composed of 2 buffers turning in the opposite or pins, are located in the film sprocket holes. direction of the film run by means of a motor reducer. Before the 2 spray buffers spread water & detergent on the film. After the 2 sprays buffers are provided with clean water to electronic controlled remove the last dirty particles. When placing CLARA’s take-up and take-off processes are the washing box on the tanks, the film runs by electrically controlled. It contains the circulating from tank number 1 to 3 and 4, or temperature control elements (drying of the number 1 and 2 to 4. processing tank), an hourly counter and various control buttons (general, switch on, stop, pump, speed variator). ultrasonic cavitation (option) Ultrasonic cavitation can be installed for an optimum cleaning of the film (this set & independant circulation group stainless steel element of the transducer are CLARA has an independent circulation group optional extras). and storage tank. It is composed of a stainless steel support on which are installed: a group for temperature operation and a pump for tank 1 (and tank number 2 if needed). A tank & a pump anabling the washing box to be filled with water & detergent. specification technical Capacity 600, 1200 or 1800 meter (2000, 4000 or 6000 feet) Film formats 16mm & 35mm Film speed variable up to 500 m/h, or 1000m/h Take-off and take-up electronic controlled Film drive electronic controlled Solvent used Acetone range Model Designation CLARA 500 500m/h rejuvenating machine CLARA 1000 1000m/h rejuvenating machine

48 rejuvenating machine clara series glancy

glancering machine glancy

Dulling or polishing machine

Polishing machine for 16mm et 35mm films features Dulls or polishes with the simple change of a glass reel Capstan drive Electronic controlled Safe for the operator

Low-cost solution designed specifically for new and old films benefits Lowest possible operational and maintenance costs and high system availability. Easy-to-service design

CTM DEBRIE from film to digital 49 glancering machine glancy dimensions

Width: 123 cm Depth: 82 cm polishing machine Height: 185 cm for 16mm et 35mm films Weight: 200 kg GLANCY is an universal polishing machine for Gross weight: 280 kg the triacetate 16mm and 35mm film, on which all usual acetate emulsion carriers can be Power: 220V or 110V regenerated on the base side. single phase 2,5 kVA, 50 or 60 Hz dulling or polishing by changing the glass reel Depending on the scratches or similar damages on the base side, GLANCY can be used as dulling or polishing machine by simple change of the glass reel. Big diameter of the reel (400 mm) guarantees a highest possible meter capacity with optimal polishing or dulling results. capstan drive Film is driven by capstan. GLANCY uses servo systems, which employing the smooth continuous-motion of the Capstan drive system. The capstan drive removes the risk of damaging the negative, even if there is a failure, since it is neither necessary to “pull” nor to “push” the film as is the case when mechanical sprockets, or pins, are located in the film sprocket holes. Film can be also driven by sprocket (optional) electronic controlled GLANCY’s take-up and take-off processes are electrically controlled, as are the other controls and alarms for changing formats, regulating liquid, etc. The feel of polishing liquid takes place through the use of a needle valve. safety of the operator GLANCY is equipped with two hermetic doors in order to assure the operator’s safety from acetone vapours. specification technical Capacity 600 meter (2000 feet) Film formats 16mm & 35mm Film speed variable up to 2000 m/h Take-off and take-up electronic controlled Film drive electronic controlled Glass reel Dulled or polished Housing diameter 400mm, width 40mm, aluminum cabinet Solvent used Acetone range Model Designation GLANCY 2000 Dulling or polishing machine

50 glancering machine glancy hdc series

viewing tables hdcseries

Designed for film laboratories 2, 4, 6, 8 plate models

Full flexibility for 16mm or 35mm film features CTM DEBRIE sprockets High sound quality Special lamp system Variable speed Multi film formats Multipurpose counter High speed inspection kit benefits

Design & development > tables Alain ALBERT Higher reliability Lower operating costs Easy access for maintenance

CTM DEBRIE from film to digital 51 viewing tables hdcseries dimensions without screen without screen with screen Weight Length Height Model Width full flexibility allows the operator to choose between automatic Width for 16mm or 35mm film muting at high speeds (20dB less once the speed Bidirectional table, equipped with a clutch and exceeds 30 fps),and no muting even at high an electromagnetic brake that can be moved by speeds. HDC 16 1475 826 800 1176 140 hand. On the 16/35 tables, changing from 16mm HDC 35 1475 900 800 1250 140 to 35mm film does not require any tools since the variable speed HDC 1635 1675 1010 800 1360 230 16mm and 35mm picture heads are side by side Speed can be controlled by continuous variation as well as separate magnetic soundtracks are backwards and forwards from 0 to 80 fps in Power: 100/110/120/220/240 16mm, 17.5mm, and 35mm. The optical lenses 35mm and 0 to 200 fps in 16mm. Easy VAC/50/60 Hz are designed for a projection with academic ratio. operation is rendered by a smooth handle for Cinemascope, super 16mm, super 35mm, variable speed in both directions, as well as 1.66mm, and 1.85mm with magnified aspect synchronous speed. Sync speed 24 or 25 fps, ratio (options). whether forward or in reverse, can be switched through a switch placed on the front panel of the ctm debrie sprockets table. Hand framing is possible at stand still. Accurate film transport is achieved by means of a revolving sprocket ring that guarantees multi-purpose counter smooth and careful film transportation and A multi-unit counter is delivered with the table excellent picture steadiness. A special archives and is fitted under the screen. It measures all film sprocket wheel (for both picture and sound) can length (frame, time 24 & 25 fps, feet, meters) and accommodate material that has shrunk up to is able to convert every count immediately into 2%. another. special lamp system high speed inspection kit Convenient focus adjustment located just next An independent motor and tension-sensitive to the optical head allows for the automatic rollers located by the feed and take ups for higher dimming of the lamp system when the film is at speed inspection, as well as constant and rest to protect the film from heat damage. continuous film tension regardless of spool However, it is still possible to have full diameter. Equipped with three motors, one for the brightness while the film is in stationary mode, sprocket and one for each plate, thus removing the by changing and adjusting the picture lamp dust-creating friction that the plates' inertia from the top. usually creates. Sound track and perforation are revealed on the screen. The visual display of the high sound quality complete optical sound track including digital High quality sound reproduction is possible by Dolby SRD, allows easy fault detection and means of specially designed amplifiers of 20W checking. output and two loudspeakers (40W each. A switch specification technical Fromat 35mm 16mm Brightness 350 Lux 280 Lux Sharpness 56 lines/mm in the screen 53 lines/mm in the screen 80 lines/mm in the air 80 lines/mm in the air Picture steadiness < 0,5% in mm < 0,5% in mm Frequency response COMOPT 80-10 000 Hz +/- 2dB 80-6 300 Hz +/- 2dB COMMAG 63-10 000 Hz +/- 2dB SEPMAG 40-12 500 Hz +/- 2dB 63-10 000 Hz +/- 2dB Signal to noise ratio COMOPT 58 dB 57 dB SEPMAG 58 dB 58 dB COMMAG 53 dB Wow and flutter SEPMAG weight < 0,3% < 0,3% range Model Designation HDC 162M 16 mm plate editor no sound HDC 162S 16mm 2 plate editor (1 p, 1 COMOPT) HDC 164 16mm 4 plate editor (1 p, 1 COMOPT, 1 SEPMAG) HDC 166 16mm 6 plate editor (1 p, 1 COMOPT, 2 SEPMAG) HDC 168 16mm 8 plate editor (1 p, 1 COMOPT, 3 SEPMAG) HDC 352M 35 mm 2 plate editor no sound HDC 352S 35mm 2 plate editor (1 p, 1 COMOPT) HDC 354 35mm 4 plate editor (1 p, 1 COMOPT, 1 SEPMAG) HDC 356 35mm 6 plate editor (1 p, 1 COMOPT, 2 SEPMAG) HDC 358 35mm 8 plate editor (1 p, 1 COMOPT, 3 SEPMAG) HDC 1635/02 2 plate combination (1p 16,1p 35, 1comopt 16, 1comopt 35) HDC 1635/04 4 plate combination (1p 16,1p 35, 1comopt 16, 1comopt 35, 1 sepmag 16/35) HDC 1635/06 6 plate combination (1p 16,1p 35, 1comopt 16, 1comopt 35, 2 sepmag 16/35) HDC 1635/08 8 plate combination (1p 16,1p 35, 1comopt 16, 1comopt 35, 3 sepmag 16/35) HDC 352C 35mm 2 plate editor, 3 motors, complete sound track

52 viewing tables hdc series dual series

comparison tables dualseries

Specially designed for Archives

Double multi-formats screen features Full flexibility for 16mm or 35mm film CTM Debrie sprocket High sound quality Special lamp system Variable speed Multipurpose counter

Higher reliability benefits Lower operating costs Easy access for maintenance

CTM DEBRIE from film to digital 53 comparison tables dimensions without screen without screen

dualseries with screen Weight Length Height Model Width Width double multi formats screen special lamp system Tables in the DUAL series are equipped with a Convenient focus adjustment located just next double screen that permits the operator to to the optical head allows for the automatic DUAL 16 1675 1000 800 1350 240 simultaneously view two films. The optical dimming of the lamp system when the film is at DUAL 35 1675 1000 800 1350 260 lenses are designed for the projection of 16mm rest to protect the film from heat damage. DUAL 1635 1675 1016 800 1366 270 or 35mm films with academic ratio. Upon However, it is still possible to have full request, it is possible to view a cinemascope, brightness while the film is in stationary mode, Power: 100/110/120/220/240 super 16mm, super 35mm, 1.66mm, and by changing and adjusting the picture lamp VAC/50/60 Hz 1.85mm with magnified aspect ratio. from the top. full flexibility high sound quality for 16mm or 35mm film High quality sound reproduction is possible by Film can be made to run horizontally in either means of specially designed amplifiers of 20W direction on one of a series of tracks, each of output and two loudspeakers (40W each). Well- which is equipped with a clutch and an arranged round potentiometers for each sound electromagnetic brake that can be moved by channel, as well as for general volume, bass, hand. On the 16/35 tables, changing from and treble, all give the machine the capacity to 16mm to 35mm film does not require any tools individually match each sound that it needs to since the 16mm and 35mm picture heads are reproduce. A recessed panel renders the side by side as well as separate magnetic amplifier controls protected. A system of swivel soundtracks are 16mm, 17.5mm, and 35mm. sound rollers with adjustable dampers and dly- wheels and a headphone socket, DIN all allow for optimal sound quality. A switch allows the ctm debrie sprocket operator to choose between automatic muting Accurate film transport is achieved by means of at high speeds (20dB less once the speed a revolving sprocket ring that guarantees exceeds 30 fps), and no muting even at high smooth and careful film transportation and speeds. excellent picture steadiness. For film archives, a special sprocket wheel (for both picture and sound) can accommodate material that has variable speed shrunk up to 2%. Speed can be controlled by continuous variation backwards and forwards from 0 to 80 fps in 35mm and 0 to 200 fps in 16mm. Easy operation is rendered by a smooth handle for variable speed in both directions, as well as synchronous speed. Sync speed 24 or 25 fps, whether forward or in reverse, can be switched through a switch placed on the front panel of the table. Hand framing is possible at stand still. specification technical Fromat 35mm 16mm Brightness 350 Lux 280 Lux Sharpness 56 lines/mm in the screen 53 lines/mm in the screen 80 lines/mm in the air 80 lines/mm in the air Picture steadiness < 0,5% in mm < 0,5% in mm Frequency response COMOPT 80-10 000 Hz +/- 2dB 80-6 300 Hz +/- 2dB COMMAG 63-10 000 Hz +/- 2dB SEPMAG 40-12 500 Hz +/- 2dB 63-10 000 Hz +/- 2dB Signal to noise ratio COMOPT 58 dB 57 dB SEPMAG 58 dB 58 dB COMMAG 53 dB Wow and flutter SEPMAG weight < 0,3% < 0,3% range Model Designation DUAL 1620M 16mm 4 plates editor (2p, no sound) DUAL 1620S 16mm 4 plates editor (2p, 2 COMOPT) DUAL 1621S 16mm 6 plates editor (2p, 2 COMPOT,1 SEPMAG ) DUAL 3520 35 mm 4 plates editor (2p, 2 COMOPT) DUAL 3521 35mm 6 plate editor (2p, 2 COMPOT, 1 SEPMAG ) DUAL 3522 35mm 8 plate editor (2p, 2 COMOPT, 2 SEPMAG) DUAL 3523 35mm 8 plate editor (2p, 2 COMOPT, 3 SEPMAG) DUAL 163520 4 plates editor (1p 16mm, 1 comopt 16 & 1p 35mm, 1 comopt 35 simultaneously)

54 comparaison tables dual series dual options for &

dual&hdcseries hdc video transfer The telecine adapter is an inexpensive way to transfer 16mm or 35mm prints series onto video instantly without releasing the films to outside agencies. It provides a workable print quality. It consists of a mono CCD ? inch video camera, a beam splitter to view image both in the screen and in the video monitor. Bi-phase output to interface either a VITC Time Code generator or a digital audio recorder. options pack 1 kit keycode reader – ten Consisting of a Keycode head and TEN software, this kit is used for auto- conforming a film’s work print against an EDL. The software accepts telecine log files and the editor’s EDL to create a Keycode edit list (KDL). See TEN (page 57 of this catalogue).

The pulling operation is automated by a computer that tells the editor where the cut points are. All the required takes are extracted flash-to-flash corresponding to the way they have been logged, labeled, and placed on a numbered rack. The computer uses the keycode to find the film that has to be extracted. The edit can then be fine-tuned after a full screening before finalizing to cut the original negative. general options OP 74 SRD sound revealed on screen OP 10 Table working lamp with dimmer OP 75 LTC playback track OP 11 Loose cover for editor OP 76 2 track symetrical input OP 15 Working hour counter OP 78 PTR D = 38,4 unit OP 20 Extension board right OP 79 PTR D = 76,2 unit OP 21 Extension board left OP 80 Multi unit counter OP 22 Motor driven rewinder OP 81 Additional Built-in electronic counter for picture hood OP 24 16 or 35 sound reader (finder) + preamp OP 82 Preset counter for M OP 25 16 / 35 sound reader (finder) + preamp OP 83 Preset counter for TR4 OP 32 Stereo amplifier OP 89 Adapter for Super 35 mm format OP 36 kit 35 mm COMMOPT sound head (dye track cyan) OP 90 Adapter for super 16mm format OP 39 Supplementary preamps for 2 track head OP 91 Adapter for cinemascope format OP 40 Supplementary preamps for 3 track head OP 92 Optical device for 1.66 magnification (scope screen is necessary) OP 41 Supplementary preamps for 4 track head OP 93 Optical device for 1.85 magnification OP 42 Supplementary preamps for 6 track head (scope screen is necessary) OP 43 Twin track head 16mm + support OP 94 Film sprocket wheel for shrunk stock along OP 44 Three track head 35mm + support with sound sprocket OP 45 Four track head 35mm + support OP 95 16 mm keykode reader head & fitting bracket OP 46 Six track head + support OP 96 35 mm keykode reader head & fitting bracket OP 47 16 mm Commag sound head OP 97 PC based keykode reading board OP 48 35 mm Commag sound head OP 100 TV camera adapter for 16mm including beam splitter, OP 49 35 mm Commag sound head for two plates editor audio output, video genlock + lens OP 50 16mm optical sound head (SEPOPT) + preamp OP 101 TV camera adapter for 35mm including beam splitter, audio output, video genlock + lens OP 51 35 mm optical sound head (SEPOPT) + preamp OP 103 TV camera adapter for combination 16/35mm picture OP 60 Manual handle on front panel including beam splitter, audio output, video genlock + lens OP 61 Adapter for band writing system on 16 or 35mm flatbed OP 104 1/3 Inch Video camera with Power Adapter OP 62 Adapter for band writing system on 16 / 35mm flatbed OP 108 Adapter for 16 - super 16 telecine OP 64 Take-up plate with A/B switch OP 109 Adapter for 35 - super 35 telecine OP 65 Independant motor with tension sense roller OP 118 16 or 35 electronic board to have 16-18-20-22-24 & 25 fps OP 66 Separate clutch for plate OP 119 16 / 35 electronic board to have 16-18-20-22-24 & 25 fps OP 67 16 mm or 35 mm motor controlled sound shift system OP 120 phase reversal rack (Neg./pos.) + electronic OP 69 16/35 mm motor controlled sound shift system masks for video transfer OP 70 16mm biphase pulse generator ( 10pt/fr) OP 121 17” video monitor OP 71 35mm biphase pulse generator ( 10pt/fr) OP 122 20” video monitor OP 72 Audio input OP 123 20” video monitor output/input SDI OP 73 Biphase input OP 124 LTC/VITC generator/inserter

CTM DEBRIE from film to digital 55 manual negative editing table hdcsseries

traditional editing general specifications full flexibility lighting and storage shelves for 16mm or 35mm film The HDC35S4 table is equipped with a range of The HDC35S4 table is based upon the same shelves that allow one to stock negative rolls design as the HDC table, however it lacks a which await assembly. The entirety of the table is screen. It is equipped with four plates that allow very well lit in order to allow the operator to have for the charging of one positive copy and the a clear view of the Keycode and to check that the assembly of a negative copy. It also allows the negative rolls correspond to the appropriate editor to verify that the negative and positive rolls positive films correspond to each other. The operator can therefore proceed to manually unite the two films at any place on the table, remaining assured that the two takes will accurately correspond to one variable speed another. electric and manual Speed can be controlled by continuous variation ctm debrie sprocket backwards and forwards from 0 to 80 fps in 35mm and 0 to 200 fps in 16mm. Easy Accurate film transport is achieved by means of operation is rendered by a smooth handle for a revolving sprocket ring that guarantees variable speed in both directions, as well as smooth and careful film transportation and synchronous speed. Sync speed 24 or 25 fps, excellent picture steadiness. For film archives, whether forward or in reverse, can be switched a special sprocket wheel (for both picture and through a switch placed on the front panel of the sound) can accommodate material that has table. Manual handle is located at the front of the shrunk up to 2%. table. special lamp system multi-purpose counter Convenient focus adjustment located just next to A multi-unit counter is delivered with the table the optical head allows for the automatic and is fitted under the screen. It measures all dimming of the lamp system when the film is at film length (frame, time 24 & 25 fps, feet, rest to protect the film from heat damage. meters) and is able to convert every count However, it is still possible to have full brightness immediately into another. while the film is in stationary mode, by changing and adjusting the picture lamp from the top. range Model Designation HDC 35S4 35 mm 4 plates, 2 sprockets + lighting + shelf HDC 16S4 16 mm 4 plates, 2 sprockets + lighting + shelf

56 manual negative aditing table hdc s series ten

negative auto conforming ten

Pulling all the takes used by the final edit

Easy pulling operation features Checking before making the cut Specific camera Multi-format synchronizing software New PC based version Negative breakdown (optional)

Nicely designed in cooperation with end users benefits Comfort for the operator

Programmer > Patrick BAZSALICZA Well arranged controls TEN & TDN software

CTM DEBRIE from film to digital 57 negative auto conforming ten dimensions

Model: TEN Length: 1475 easy pulling operation rush identification The pulling mechanism is automated by a There is one file per videotape (therefore a Width without screen: 826 computer that brings the film to the cut point. single file per reel of negative). It consists in Width with screen: 800 All the required takes are extracted flash-to- an analysis of Keycode breaks on the negative flash corresponding to the way they have been and by the association of the time-codes Height without screen: 1176 logged, labeled, and placed on a numbered corresponding to these breaks. In contrast to rack. The computer in the TEN tables uses the EDL, there is no standard associated with the Weight: 140 Keycode reader to find the film that has to be structure of this file. TEN software is organized Power: 100/110/120/220/240 extracted. Another benefit of this table is that to facilitate receiving files from a variety of VAC/50/60 Hz one can start with the lab roll tail out and finish sources: Start of take Keycode - End of take with the pulled takes head-out, and therefore Keycode - Start of take Time-code - End of take ready for the assembly operation. Time-code. framing of Keycode reader specific software - TEN To determine the position of this reference The TEN negative extraction table is controlled frame, there is an automatic location function by software that has been specially developed to that analyzes the reel Keycodes that have been search, completely automatically, for shots on read and progressively searches for their negatives in the files of a computerized editing precise position. This function should be used system. However, it remains possible to use just once, when the table is initially set up for them in traditional work methods by simulating the first time for each of the formats (35mm data contained in the files, thus putting to good and 16mm). Normally the function does not use the power of the identification system have to be used again. provided by Keycode. The general treatment principle is based on the existence of two types multi-parameter counter of file: 1. The edit list (EDL) which gives the The main frame counter shows results editing structure. 2. The rush identification files produced by an electronic counter located in opened by telecinema, creating a link between the micro computer. The auxiliary counter is a identification managed by the editing system software counter that follows the main counter, (Time-code) and the negative (Keycode or but which can be modified to do partial counts. Barcod). The time-code counter follows the main counter adopting normalized time counting, HH:MM:SS:FF. The Keycode counter is in full compatibility direct relation to the table's reader. It is with standard and non standard EDL therefore not affected by the zero setting and This file is opened by an editing system that initialization functions. The value displayed is links selected shots taken in editing and their reworked to take account of the difference positions in the videotape coming from the between the reader and the reference position telecinema. This file is consistent with the and bad read problems. This explains why a standard generally used by all editing system fictional count is done on those parts of the manufacturers. However, TEN software is film without Keycode. However, a star behind organized so as to be able to adapt quickly to a the Keycode indicates that it has been structure, which is not consistent with this calculated and not detected. standard. specification technical Capacity 600 meters (2000 feet) Formats 16mm, S16mm, 35mm, S35mm Speed control manual handle + jog/shuttle Speed adjustment from 0 to 74 fps Size of the glass 275 x 195mm Synch Sony 9-pin RS422 remote control protocol Video format PAL and NTSC range Model Designation TEN 35 Negative auto-conforming table for 35mm TEN 16 Negative auto-conforming table for 16mm

58 negative auto conforming ten tdn series

negative & conforming tables tdnseries

Cutting the film against a video edit

Easy assembling operation features Checking before making the cut Specific camera Multi format synchronizing software New PC based version Negative breakdown (optional)

Nicely designed in cooperation with end users benefits Comfort for the operator Well arranged controls

CTM DEBRIE from film to digital 59 1480 x 800 x 830 mm 1480 x 800 (WxHxD) 100/110/120/220/240 Hz VAC/50/60 All TDN models Light device in 2 sprockets for 16 mm OP 261 Light device in 2 sprockets for 35 mm OP 262 sync and video cables OP 263 lens and mounting camera, Video bracket w/o monitor Size: Power: options Reference Designation OP 70 Biphase coder 16 mm 10 pt/frame OP 71 Biphase coder 35 mm 10 pt/frame OP 80 Electronic multi-unit counter OP 121 Monitor 17” PAL/NTSC OP 200 Simple shelf OP 201 Double shelf OP 202 Lighting for shelf OP 211 Coder 16 mm 1 pt/frame for CMU OP 212 Coder 35 mm 1 pt/frame for CMU OP 213 Coder 16 mm 10 pt/frame OP 216 Pluse converter OP 249 17.5 mm split reel OP 250 16 mm split reel OP 251 35 mm split reel OP 252 4X16 hand synchronizer OP 253 4X35 hand synchronizer OP 254 2X16 hand synchronizer OP 255 2X35 hand synchronizer OP 256 2X35 / 2X16 hand synchronizer OP 257 2X16 / 2X35 hand synchronizer OP 258 2X35 hand synchronizer three perf OP 260 dimensions Model: M10 (optional) series specific camera tdn negative breakdown checking before making the cut before making checking If a TEN table is not purchased, the negative breakdown can be made on a basic inspection No table under manual control (M10 table). Keycode reader is required. Each lab roll is placed on the left platter and wound manually to the right spindle. The operator pulls the takes based on the printed pull list supplied by an off-line editing system by reference to the Keycode numbers that can be read directly off of the film, without using any form of apparatus. To make the visual comparison between film and make the visual comparison between To a miniature video camera is video easier, mounted over the synchronizer to view the film. The image is converted from negative to positive so the each of the two monitors show a picture that can then be easily compared to one another to ensure that there are no cutting errors. The comparison may be made on any frame, whether at the start, the middle or the end of a shot. If a client wants to check the image against the to check the image If a client wants synchronizer making the cut, the video before one frame past the end needs to be locked down The tail of the assembled of the previous scene. and replaced by the roll must then be removed in the center of the first frame of the new scene images on the monitors The two synchronizer. scene can then be should match. The new and joined to the tail of advanced, cut at the head right of the synchronizer. the assembled reel to the has the added benefit of This method of operation to join each section, letting a client use clips no attempt to wind the provided that there is foot operated splicer and assembled roll to the a cement join as in the replace each clip with present practice. TDN 9TDN 10 4X16, manual Table TDN 11 4X35 manual Table TDN 12 2X16 manual Table TDN 13 2X35 manual Table TDN 14 2X16 / 2 clutches, manual Table TDN 15 2X35 / 2 clutches, manual Table 1X16 / 1X35 / 2 clutches, manual Table 600 meters (2000 feet) 16mm, S16mm, 35mm, S35mm manual handle + jog/shuttle from 0 to 74 fps 275 x 195mm Sony 9-pin RS422 remote control protocol and NTSC PAL negative & conforming tables tables conforming & negative ModelTDN 3 Designation TDN 4 electrical Table 4X16, TDN 5 electrical Table 4X35, TDN 6 / 2X35, electrical Table 2X16 TDN 7 / 2X16, electrical Table 2X35 TDN 8 electrical Table 2X16, electrical Table 2X35, Size of the glass Synch format Video Capacity Formats Speed control Speed adjustment

Instead of coupling the negative to a VCR, the video is first digitized or imported on to the DIGISCOPE dedicated to the direct to-disk station. TDN has all the benefits of a direct-to- disk machine as it requires no time for rewinding. The synchronizer includes a video interface that allows the VCR containing the edited film frame The to accurately follow the film assembly. interface works with any VCR that supports the Sony 9-pin RS422 remote control protocol. The operator places the take required for the next places the take required The operator The front right left hand spindle. cut on the front assembled contains the negatives hand spindle scene being on the the tail of the past thus far, views the image on the The camera synchronizer. shows the same synchronizer and the videotape VCR, all locked in sync by frame coming from the software. The head end of the TDN synchronizing new scene to be cut the take containing the to the second passes above the synchronizer right. By locking off the take-up spindle on the and engaging the second assembled negative roll be cross-wound between spindle, the film can operator identifies the the two take-ups until the it's takes are fairly short so cut point. Generally, to locate the desired not difficult for the operator Keycode and frame by eye. This frame is cut and joined to the tail of the assembled roll. As the be assembled roll is wound, the new shot can checked against the video.

technical negative & conforming tables tdn series range

60

DIGISCOPE new PC based version

VICODE multi format synchronisation multi format synchronisation easy assembling operation easy assembling specification tmn series

restoration tables tmnseries

Examination of multiple components of a film title simultaneously

Easy comparative examination for restoration features Specific clutch system Multi-unit counter Easy feed & take-up Multiple Speed Controls

Nicely designed in cooperation with end users benefits Very precise measurements Comfort for the operator

Product manager > tables Damien DECASTRO Well arranged controls

CTM DEBRIE from film to digital 61 restoration tables dimensions

tmnseries Model: All TMN models Size: 1480 x 800 x 830 mm (WxHxD) easy comparative easy feed & take-up Power: 100/110/120/220/240 examination for restoration A simple and proven friction drive system VAC/50/60 Hz The film restoration bench allows for the differentiates between the feed and take-up comparative examination of multiple systems thereby ensuring that the film is not components of multiple film titles stressed. Adjustable friction devices can control simultaneously (up to 4 films) or of a single take-up and feed mechanisms, namely wheels given film title. The operator can directly for easy transport and a jack bolt for easy compare content and condition of components, operating. Simple thread up is offered by the which aids in selecting only the most complete, ability to raise and lower the feed / take-up best quality material to be retained. The film arms. options path passes closely over a large light box for Reference easier film inspection. Designation multiple speed controls OP 80 Speed control can be adjusted by continuous Electronic multi-unit counter specific clutch system variation backwards and forwards. Speed Clutches lock the disengaged sprocket(s) while controls range from frame-to-frame to 3 times OP 200 the other strands move, thus ensuring that the the play speed. Sensitive bi-directional foot Simple shelf stationary film remains under a controlled pedal controls leave the operator’s hands free OP 201 tension at all times. Special 10 frames for film inspection. Independent motion of one Double shelf sprockets are available. (or more) strands against another. Gentle handling of shrunk film. OP 202 Lighting for shelf multi-unit counter OP 213 Double foot control The electronic frame counter provided for each strand can show meters, feet, frame and time. OP 218 Four clutch with four electronic multi-unit counter spec. technical Capacity 600 meters (2000 feet) Speed control foot pedal or jog. shuttle Speed adjustment from 0 to 74 fps Size of the glass 2 glasses – 275 x 195mm 1 glass – xxx x xxx range Model Designation TMN 3 4 strands 16 TMN 4 4 strands 35 TMN 5 2 strands 16 / 2 strands 35 TMN 6 4 strands 16 synchronizer in the middle TMN 7 4 strands 35 synchronizer in the middle TMN 8 2 strands 16 / 2 strands 35 synchronizer in the middle

62 restoration tables tmn series tr3 & m series

inspection tables tr3&mseries

For new or very delicate material

Manual or electric features One direction or reverse Designed for 16 mm and 35 mm films New or archival material Multi-unit counter (optional)

Comfort for the operator benefits Well arranged controls Large choice of options

CTM DEBRIE from film to digital 63 inspection tables dimensions Model: M10 (ex TV1) tr3&mseries M11 (ex TV1R) M12 (ex TV1X) M13 (ex TV1XR) Manual or electric New or archival material Size: 1220 x 800 x 650 mm The inspections tables TR3 and M series offer This range of tables is ideal for handling (WxHxD) several configurations. The wide range of negatives, positives or very delicate archival Weight: 50kgs inspection tables available is in response to the material. Used for positive or negative film, a requirements and practices of operators. A light light box allows for a comfortable observation Model: M14 (ex TV2) box allows comfortable observation and and assessment of passing films. M15 (ex TV2X) assessment of the passing film. Size: 1220 X 800 X 640 mm Multi-unit counter (WxHxD) One direction or reverse The frame counters proposed for each strand Weight: 60kgs This machine allows an operator to rewind in can show meters, feet, frames and time. either direction 600 meters (2000 feet) or Power: 100/110/120/220/240 1200 meters (4000 feet) of film easily and VAC/50/60 Hz effectively through the use of well-arranged controls. A speed control is available in the form of a foot pedal or as a hand control located options on the front panel. Speeds range from 0 to 600 Reference Designation meters per minute. The operator has the option of reversing the direction of the film at high OP 80 speed without any risk of damage of any sort. Electronic multi-unit counter Feed and take up direction controls are OP 200 Simple shelf provided for winding Emulsion In or Emulsion OP 201 Double shelf Out (A or B wind). OP 202 Lighting for shelf OP 220 Designed for 16 mm and 35 PTR with mountings for TR3 OP 222 mm films PTR with mountings for M series Hand lever to retract core upon take-up plate OP 225 Simple foot control makes film manipulation easier. 16 mm and 35 OP 226 Double foot control mm guiding arms on take up plate as well as 9,5 - 17,5mm and other format film sprockets are OP 228 Vertical mechanical counter available on demand. 16 mm / feet OP 229 Vertical mechanical counter 16 mm / meter and decimeter OP 230 Vertical mechanical counter 35 mm / feet OP 231 Vertical mechanical counter 35 mm / meter and decimeter OP 232 Horizontal mechanical counter 16 mm / meter and decimeter OP 233 Horizontal mechanical counter 35 mm / feet OP 234 Horizontal mechanical counter 35 mm / meter and decimeter OP 240

spec. technical 16 mm sprocket and encoder (OP 80 is necessary) Capacity 600 meters (2000 feet) or 1200 meters (4000 feet) OP 241 Speed control foot pedal or jog. shuttle, or manual handle 35 mm sprocket and encoder Speed adjustment from 0 to 400 meters/min (1300 feet/min) – without sprocket (OP 80 is necessary) from 0 to 300 meters/min (1000 feet/min) – with sprocket OP 242 Size of the glass 275 x 195mm Light device in the sprocket 16 mm OP 243 Light device in the sprocket 35 mm range OP 244 Model Designation 16 mm and 35 mm sprocket and M10 (ex TV1) 16/35, 600 m, horizontal unidirectional manual inspection table encoder (OP 80 is necessary) M11 (ex TV1R) 16/35, 600 m, horizontal bidirectional manual inspection table OP 245 M12 (ex TV1X) 16/35, 1200 m, horizontal unidirectional manual inspection table 35 mm film sprocket for shrunk M13 (ex TV1XR) 16/35, 1200 m, horizontal bidirectional manual inspection table stock (4.70 performation pitch) M14 (ex TV2) 16/35, 600 m, horizontal unidirectional electric inspection table OP 246 M15 (ex TV2X) 16/35, 1200 m, horizontal unidirectional electric inspection table 17.5 mm film sprocket TR3 16/35, 600 m, electric reverse table

64 inspection tables tr3 & m series rt & ev series

rewinding tables rt&evseries

Friendly safe film rewinders

Manual or electric features One direction or reverse (RT) Automatic length control Film cleaner action (optional) Variable speed & constant tension

Comfort for the operator with well arranged controls benefits Complete safe hands-off operations Large choice of options

CTM DEBRIE from film to digital 65 rewinding tables dimensions & Model: RT27 (ex M27) rt evseries RT28 (ex M28) RT29 (ex TR4) RT30 (ex TR5) manual or electric automatic length control (EV) Size: 1000 x 640 x 800 mm The rewinding tables RT Series and EV Series Pre-set counter measures film lengths in (WxHxD) offer several configurations. This wide range of meters. Tables are equipped with an automatic rewinding tables is available in response to the stop capability at the selected length (more or Weight: 40kgs requirements and practices of operators. With less 10 meters due to deceleration time). EV Power: 100/110/120/220/240 RT & EV series tables, starting, stopping and series has been designed to rewind large VAC/50/60 Hz winding are electronically controlled, thus capacity reels and to enable film raw stock to negatives can be wound with complete safety. be measured, stopped and spliced at desired Model: EV600 Manual (RT) or electric, these rewinding tables length efficiently and safely, all of which can be EV1200 are designed for 16 mm and 35 mm films and done while the operator remains seated. EV1800 speed can be controlled by foot or by hand and cut-off at the film’s end, by pressing a stop Size: 1250 x 1508 x 600 mm button or, alternatively, at the film brake. film cleaner action (WxHxD) Fitted with four PTR rollers (optional), the Weight: 80kgs rewinding table can be used as a low-cost, one direction or reverse (RT) environment-friendly, safe film cleaner. As film Power: 100/110/120/220/240 RT and EV series tables allow operators to moves through the rollers, dust, dirt and other VAC/50/60 Hz rewind 600 meters (2000 feet) or 1200 meters unwanted particles are removed from both (4000 feet) of film in either direction through sides. the use of well-arranged foot pedals or hand controls located on the front panel. Speeds vary from 0 to 600 meters per minute. Operators are variable speed & constant tension given the option of reversing the direction of the The operator retains full servo-control over film at high speeds without the risk of speed and film tension regardless of the size of damaging the film. Feed and take-up direction the feed & take-up rolls. Electronic drive selectors (switches) are provided for winding system contains two DC motors and one Emulsion In or Emulsion Out (A or B wind). electronic rack. Tachymeter disc is placed under the main sprocket for speed servo control. The take-up’s motor assures speed regulation. Tension remains constant during acceleration and deceleration. specification technical Capacity 600 m (2000 feet), 1200 m (4000 feet) or 1800 m (5480 feet) Rewinding speed 400 m/min (1300 feet/min) – without sprocket – for RT Series 300 m/min (1000 feet/min) – with sprocket – for RT Series 400 m/min (1200 ft/min) winding speed for EV 1800 m (5480 feet) of film 480 m/min (1440 ft/min) winding speed for EV 1200 m (4000 feet) of film 400 m/min (1200 ft/min) winding speed for EV 600 m (2000 feet) of film Speed control foot pedal or jog. shuttle, or manual handle

options range Model Designation Reference Designation RT27 (ex M27) 16/35, 600 m, manual horizontal rewinder OP 210 Pre-set counter RT28 (ex M28) 16/35, 600 m, electric horizontal rewinder RT29 (ex TR4) 35 mm, 600 m, electric horizontal rewinder with constant tension OP 200 Simple shelf (RT Series) RT30 (ex TR5) 35 mm, 1200 m, electric horizontal rewinder with constant tension OP 201 Double shelf (RT Series) EV600 16/35, 600 m high speed electric vertical rewinder EV1200 16/35, 1200 m high speed electric vertical rewinder OP 205 Kit of 2 PTR EV1800 (ex M29) 16/35, 1800 m high speed electric vertical rewinder

66 rewinding tables rt & ev series single

singlepartkits part

CTM DEBRIE offers kits allowing clients to transform existing tables purchased from other companies to be more similar to the products we offer, or to build a table tailored to their own design.

Kit of manual winder - Plate 600m or 300m unwinder with its roller guide

Lyre

singlepartresale

film storage container Innovative film container completely re-designed to really meet your needs and the needs of the film itself for a longer and better preservation. Made from prime and inert polypropylene and designed specifically for long term storage and preservation.

With regard to the competition, these Film Storage Containers reflect a sharp understanding of the causes of the ageing and the deterioration of the film acetate or nitrate.

Film Storage Container are available in various size and colours, for 16mm (120m, 240m, 360m, 600m) and for 35mm (300m, 360m, 600m, 900m); also we can offer cores 16 and 35mm and stabilizers for transport. shrinkage gauge The shrinkage gauge was designed, based on an earlier system, especially for laboratories and film archives as well as for everybody handling shrunken film. This instrument allows for direct reading of the percentage of shrinkage with a digital gauge. Due to the well thought out design, measuring of the actual shrinkage with absolute accuracy is easy, even without prior experience in handling of archival films.

The shrinkage gauge is available for 16mm as well as 35mm film formats. A steel calibration gauge will be supplied with each instrument. Calibration is also very simple and does not require any prior knowledge.

cube light yellow 24vcc 125ma - LED cluster in a range of colours. - A range of illumination levels. - Smooth multi-turn adjustment potentiometer. - A compact, robust, moisture proof ABS enclosure. - Clear polycarbonate lens. - 3M directional film can be installed for polarisation and light direction. - Moisture proof gland. Termination by 2 meter, 2 core cable. - Low current consumption. 6mA at zero intensity, 125mA at max intensity. - Wall mounting plate supplied. No special installation tooling is required. - Mean Time Between Failure = 100,000 Hours. - Operating / Storage temperature range: 0 to +40 degrees C.

CTM DEBRIE from film to digital 67 splicer&cleaver series

S model 16 or 35 mm semi-automatic and manual splicer Film cement Splicers easy to operate, providing the end-users with 16 or 35 mm splices for film or microfilm with a very high sharpness, steadiness and toughness.

film splicer (adhesive tape)

film cleaver Film Cleaver Mk.“V“ ( variable ) produces an exact wedge-cut to edit film without any loss of image field. The Film can be invisibly re-cemented.

Film type DIN Wedge-cut Super 8 Film DIN - A 1,05 mm 9,5mm Film DIN - B 1,00 mm Super 9,5mm DIN - B 1,00 mm 16mm Negativ Single Filmband montage DIN-A 0,80 / 0,85 / 0,90 mm 16mm Negativ Single Filmband montage DIN - B 0,80 / 0,85mm 16mm Negativ Chessboard montage A - B Montage 1,05mm 16mm Positiv Single Filmband montage (Reversal) DIN A 0,80 / 0,85 / 0,90 / 1,05mm 16mm Positiv Single Filmband montage (Reversal) DIN B 0,80 / 0,85mm 16mm Positiv Single Filmband montage (copy) DIN A 1,05mm 35mm Negativ DIN-B 1,10 / 1,15 / 1,20mm 35mm Negativ Cinemascope ( CS ) 0,80mm 35mm Positiv DIN-B 1,10 / 1,15 / 1,20mm

film joiner The Film Joiner is very handy, it measures only 105 x 55 x 55 millimeters and requires very little space on the splicing table. The baseplate can be changed without tools and are available for these formats: 35mm Reversal / 35mm Negative / 16mm / Super 8 / 2 x Super 8 ( DS 410 ) / 9,5mm

film cleaver and splicer (adhesive tape) ultrasonic film splicer model 3001

The Model 3001 adapts to all major motion picture microfilm formats- Super 8 to 35mm (with changeable film register plates). Size: 8" x 12 .5" x 6.5" (20.3 x 31.8 x 16.5cm) Weight 16 lbs. (7.30 Kg).

68 splicer & cleavers series lighting II

laser subtitling lightingII

Burn subtitles directly onto the print or make a subtitle positive on black leader

Air-cooled Solid State Diode Pumped Laser features New writing head - Fastest system of the market Exceptional steadiness 16mm / 35mm & 70mm - – 600m / 1200m & 1800m New TEXTO software with all fonts available Comfort for the operator Integrated projector for checking Compact machine

Fastest machine of the world! benefits Product manager > subtitling Mohamed HOCINE Reliability with more than 70 systems already installed around the world Easy-to-service design Possibility to upgrade any existing machines, CTM DEBRIE or other

CTM DEBRIE from film to digital 69 laser subtitling dimensions

lightingII Width: 213 cm Depth: 80 cm air-cooled Solid State Diode new TEXTO software Height: 185 cm pumped Laser All fonts available Weight: 620 kg By using air-cooled Laser LIGHTING II, The new TEXTO windows-based software is very operational costs are reduced as laser energy user friendly, and easy to understand. All fonts Gross weight: 910 kg drops to about 3 KW/hour. Thus, no powerful are available and readable on screen Power: 220V or 110V external water chiller is required. (convenient for 2-bit coded language). single phase 2,5 kVA, 50 or 60 Hz new writing head comfort for the operator upgrade Fastest system of the market LIGHTING II can be left to run without operator Thanks to a new writing head, and optimized supervision. This leaves the operator free to Upgrade your old LIGHTING I or a software, the engraving speed has been prepare title data for the next film. Etching the subtitling machine of any brand! increased considerably to more than 250 pre-titling settings, the machine winds back CTM DEBRIE will change the title/hour. It makes our system the fastest on automatically to the test frame, thus saving laser, film transport mechanism, the market. Rewinding speed, i.e the time to time. No unthreading and reloading are and writing head. Former software rewind between 2 titles, is adjustable between needed. can be kept, or new TEXTO 40 to 50 frames per second. software can be implemented. integrated projector for checking LIGHTING II has an integrated projector, which exceptional steadiness allows critical title inspection during the LIGHTING II uses the unique CTM DEBRIE pin etching process. registered film transport mechanism that provides exceptional and reproducible title compact machine steadiness. LIGHTING II has been considerably reduced in size. Only 1.7 m2 of floor space is now needed per machine! All the parts are easily accessible 16mm / 35mm & 70mm – 600m / for cleaning and regular maintenance, making 1200m & 1800m it the best of like machines currently on the market! Several systems can be placed next to Exchangeable film transport units for the each other to facilitate the operation of several subtitling of 16mm and 70mm films are machines by a single operator. available. It is possible to mount them in less than 3 minutes. LIGHTING II features a standard configuration feed and take-up platters for 600m, 1200m and 1800m of film (2000 feet, 4000 feet & 6000 feet, respectively). spec. technical Etchning speed: 250 titles per hour Rewinding speed: 40 to 50 frames per second (adjustable) Formats: 16mm, 35mm, 70mm range Model Designation Movie 35WD480 35mm Wet/Dry modular printer, speed up to 480ft/min (dry) Movie 35D480 35mm Dry modular printer, speed up to 480ft/min Movie 35D1200 35mm Dry modular printer, speed up to 1200ft/min Movie 16WD 16mm Wet/Dry modular printer Movie 16D 16mm Dry modular printer

70 laser subtitling lighting II station texto

broadcast subtitling stationtexto

For Film – video broadcast & DVD

Flexible and upgradeable features Spotting Simulation Multi languages Multi functions New TEXTO Digital

Nicely designed in cooperation with end users benefits Comfort for the operator Well arranged controls

Programmer > subtitling softwares Patrick BAZSALICZA A single purchase for all applications

CTM DEBRIE from film to digital 71 broadcast subtitling stationtexto flexible and upgradeable multiple functions TEXTO consists of two modules: TEXTO Preview - Import / export of subtitle files and TEXTO Broadcast. in various formats TEXTO Preview: this is a station that permits - Copy, cut, paste and find/replace spotting and simulation in the preparatory - Automatic positioning of the video before sub- process of subtitles that will be keyed onto a title start in both spotting & simulation modes video or the production of a database of - Any True type font is supported subtitles for DVDs. TEXTO Broadcast: this is a - Adjustable size, color, and screen position complimentary station that facilitates the parameters keying of subtitles for general broadcasting in - Up to 4 vertical or horizontal lines of component and/or SDI. The software is the subtitles available in 2 languages same, which allows one to buy each module at - Teletext function a different time. - Time Code and/or text offsets - Software compatibility with other subtitling systems spotting TEXTO Preview is a Window-based on-line subtitling software system, that allows the user new texto digital from any time coded video source: A new type of TEXTO, TEXTO Digital, is now - To make the spotting (TC in / TC out) available in two versions: from a video to subtitle - A stand alone version with video and audio - To import or export the translation text file. digitalizing software TEXTO is a video character generator. Used to - A multi-station version with a single station check in real time the subtitles in sync with for multi-channel encoding and a server for the video before laser etching, video subtitling. storing video and subtitle files. This version also contains an administrative software station. - To convert TC 24, 25, or 29.97 to 24, 25, or 29.97 - To create subtitle files that will be used in DVD TEXTO Digital expands a clients possibilities authoring software (ex: Spruce, Scenarist) and options: - To generate subtitles in color for those hard of - working only with video files hearing or others. The software functions in - working with a timeline PAL and NTSC. - using Microsoft WORD for automatic spelling and grammar corrections - manipulating up to ten lines of subtitling in simulation every language! - Real time keying on the input video signal - Character generation based operating system on True Type ANSI / Unicode fonts One unique rack with TEXTO software for - Subtitles’ position parameters spotting, editing & simulation (Bilingual user (height, margin, leading) interface (English/French). - Automatic aligning of dialogue’s dashes - Variable size of edges Option of others as well - Bitmap logo keying - Windows application only in composite with TEXTO Preview - Two LCD displays - Display in a window on the Windows desk - Two speakers or output to full display - Jog/shuttle remote control

multiple languages TEXTO Preview is an international software, which can accomodate each languages using Unicode standards: Pan-european Latin languages, Baltic languages, Central European languages, Turkish, Greek, Cyrillic, Arabic, Chinese (simplified & traditional), Japanese, Korean, Hebrew, Thai, Vietnamese, etc.

72 broadcast subtitling station texto film film subtitling chain equipments & video

transfer/film to video spotting, translation HDC start

and simulation subtitling TEXTO

viewing chain HDC end

washing checking / sync AQUACLEAN TR3

laser subtitling LIGHTNING II video subtitling chain equipments

TEXTO EDITOR system used for the localization Video Player Beta ex.: SP or Digital

TEXTO PREVIEW TEXTO BROADCAST system allowing > system of incrustation to carry out simulation > video composante or composite

Inlaying Video Player In option Video Recorder In option CEEFAX Recorder ex. : Beta SP Video SDI (Teletext)

MAC or PC

Video Recorder ex.: Beta digital

Ligtning II Film

CTM DEBRIE from film to digital 73 Debrie editing machine 1932

74 archives cinestyle

off-line dubbing system cinestyle

For Film – Dubbing & Post-Synchronize Film

Dubbing or post-synchronizing films features Useful tools Modular system Software modules Workstation network

Nicely designed in cooperation with end users benefits Comfort for the operator Adaptable jog/shuttle controller knob Programmer > dubbing softwares Didier CALLE

CTM DEBRIE from film to digital 75 off-line dubbing system cinestyle dubbing or post- freelancers, it is also possible to have a synchronizing films dedicated workstation for one or several Cinestyle is a system designed to carry out all the activities: detection, adaptation and calligraphy. different stages prior to recording for dubbing or post-synchronizing films. Its design is based on the concept that integrating a computer system in software modules a dubbing environment can only be achieved by The modules which are available in the current observing work methods that have been tried and version are as follows: proven true for over 40 years. In order to obtain 1 Editing Module: for editing the virtual timing the ergonomics which meet the requirements of track and carrying out the detection, adaptation the detectors, authors and calligraphers, most of and calligraphy stages (this module requires the the processing in Cinestyle is carried out using an acquisition of a screen tablet and electronic pen). electromagnetic pen and a screen tablet. Thanks 2 Projection Module: for displaying the virtual to these design concepts, anyone who is used to timing track and the video image with various traditional dubbing or post-synchronization possible output formats (computerised XGA, techniques will quickly feel at ease with Cinestyle. composite, Y/C) and synchronizing options for recording (LTC, VITC, RS-422 and biphase). 3 Mixing Module: for mixing the virtual timing useful tools track directly into a video file. The mixed file may Cinestyle is not only based on proven methods – be used for projection or voice conformation on a it also involves numerous tools at every different recording device. stage of the dubbing process, both to save time 4 Print Module: for printing the virtual timing and to improve comfort, quality, clarity and track onto a physical timing track (this module accuracy. These tools enable e.g. automatic shot requires the acquisition a special printer). detection, automatic drawing of loops and 5 Detection Module: only for carrying out the detection symbols, improving tracing, automatic detection process. This module is in fact a sub- creation of the squaring sheet, zooming in the module of the Editing module. video, displaying the sound graph, correcting 6 Adaptation Module: only for carrying out the audio/video splits, etc. adaptation process (including typing the text if need be). This module is in fact a sub-module of the Editing module. modular system 7 Calligraphy Module: only for carrying out the Cinestyle is a modular system. This enables the calligraphy process (including typing the text). creation of specialized workstations to create a This module is in fact a sub-module of the consistent and optimal workflow within a given Editing module. company. It is thus possible to have special workstations for video acquisition and sync editing, projection, mixing and printing. For

workstation network

In an ideal architecture of dedicated workstations, there are four types of Cinestyle workstations: 1 Video acquisition workstations. 2 Virtual sync editing workstations: detection, adaptation and calligraphy. 3 Physical sync printing workstations. 4 Virtual sync projection workstations.

Here is a description of a standard network architecture : projection workstations master tape

video printing server acquisition workstations workstations video cinestyle files projects

timing editing track workstations

76 off-line dubbing system cineestyle services

services customer satisfaction program assure our expertise Then, the reliability and effectiveness of your equipment is a critical element to your success. In order to help you with these elements, CTM DEBRIE would like to introduce a new maintenance and training service that can be customized to your unique requirements.

These services, aimed at realizing the full potential from your investments, will focus on: - Adaptable contracts - Responsive Customer Support: skilled engineers will respond to your technical inquiries - Customized onsite training: we will educate you on the products, from installation and set-up to effective use training

adaptable contracts responsive customer support For all the CTM DEBRIE equipment you have Maintenance contracts: purchased, our maintenance contract is a Christelle Fochi - Service Manager security that will enhance the reliability and +33 1 40 85 82 82 productivity of your machines. Since time is essential to your business, it guarantees a quick, reactive and reliable service, which includes in-depth technical support, software Subtitling Machines updates, and regular up-keeping & tuning of Mohamed Hocine your machines. +33 1 40 85 82 82

- Regular preventive interventions depending on Telecine & Color Analyzer the requirements Serge Lazzari - Preferential prices for reactive interventions +33 1 40 85 82 82 - Customer Service and Support through our hotline Printing Machines - Quick & efficient response Grégory Loubière - For a preventive intervention, you simply need +33 1 40 85 82 82 to call, or send us a fax with your request. We will then send one of our technicians to your Electrical Support site. Michel Louis - For a curative intervention, we will evaluate +33 1 40 85 82 82 your request by phone. Once your request is validated, we will send one of our technicians Tables, Processing and Cleaning Machines to your site. Damien De Castro +33 1 40 85 82 82 Advantages - Defined price for the totality of preventive operations - Capped investment at no risk - Priority for all reactive interventions - Loan of equipment in case of breakdown - Adaptation of the contract according to your need and of the evolution of the equipment purchased

CTM DEBRIE from film to digital 77 ctm debrie

Technical Manager > Electronics & Datas Gérard Deshayes ctm group’s [email protected] technicalstaff

Production Manager Christophe Treme [email protected]

Manufacturing Manager Marc Joubert [email protected]

Outsourcing Manager ctm solutions Jean-Claude Régnier [email protected] CTM Solutions Manager Jean-Christophe Perney [email protected]

Purchasing Manager > Electronics & Datas Anthony Ledu [email protected] Technical Director Benoît d’Angelo [email protected]

Purchasing Manager > Mechanics Boualem Benbetka [email protected] Engineering & Systems Manager Josselin Millecamps [email protected]

Quality Manager Boris Landerwetsch [email protected] Audio Manager Philippe Le Gourdiol [email protected]

Service Manager Fabrice Dugast [email protected]

78 technical staff staff

ctm debrie sales&administrationstaff sales

Director of sales Arnaud Frilley [email protected]

Sales manager Patrick Corrion [email protected]

administration Sales manager Jean-Marc Ornelas [email protected] Administrative & Financial manager Florence Fiers [email protected]

Sales manager Yun Zheng Shao [email protected] Account manager Stephanie Taravella [email protected]

Services & Sales manager Account manager Christelle Fochi Keltouma Elkit [email protected] [email protected]

Logistics manager Céline Benard communication [email protected]

Communication manager Geneviève Perron [email protected]

CTM DEBRIE from film to digital 79 Edition 2005 - printed in France

CTM Debrie t. +33.1.40.85.82.82 f. +33.1.40.85.82.63

www.ctmdebrie.com

CTM Solutions t. +33.1.40.85.45.00 f. +33.1.40.85.45.18

www.ctmsolutions.com

125, avenue Louis Roches 92230 Gennevilliers France