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Recruiting Al Gore
RECRUITING AL GORE For years, he was introduced as the “next President of the United States” -- but in the wake of a personally devastating and controversial defeat in the 2000 election, Al Gore did something entirely unexpected. He hit the road, not in search of exile, but as a traveling showman. His “show” is a non-partisan, multimedia presentation that reveals, via an original mix of humor, cartoons and convincing scientific evidence, the resonant effects that global warming is wreaking upon our planet. It is also an arresting, inspirational “call to arms,” pointing out the opportunity that stands before the nation to put American ingenuity and spirit to work in attacking this crisis. With little fanfare, Gore has presented his show more than 1,000 times in cramped school auditoriums and hotel conference rooms in cities large and small, hoping to propel audiences to make a difference in what might otherwise turn out to be the biggest catastrophe of human history. Two people who became entranced by Gore’s show are leading environmental activist Laurie David and movie producer Lawrence Bender. David hosted two of Gore’s sold-out presentations in New York and Los Angeles, where it had a transforming effect on her. “I felt like Al Gore had become the Paul Revere of our times,” says David, “traveling around the country calling out this vital warning that we really can’t ignore.” She also realized that Gore faced a daunting uphill battle in getting his message out into the zeitgeist. “Having researched this subject for some 40 years, nobody understands the issue better than Al Gore and nobody can explain it more clearly and compellingly to the lay person,” notes David. -
Il Mio Sogno Più Grande Pressbook ITALIANO
Presenta Un film di Davis Guggenheim Con Carly Schroeder Elisabeth Shue Andrew Shue Dermot Mulroney I materiali sono scaricabili dal sito www.moviemax.it Durata film 93’ DAL18 LUGLIO AL CINEMA SINOSSI La quindicenne Gracie Bowen (Carly Schroeder) vive a South Orange nel New Jersey ed è l’unica femmina in una famiglia di tre figli maschi. La vita dei Bowen ruota quasi esclusivamente attorno agli uomini della famiglia finchè un giorno si verifica un triste evento: Johnny (Jesse Lee Soffer), il fratello maggiore di Gracie - suo unico alleato all’interno della famiglia - rimane ucciso in un incidente automobilistico. Gracie decide di riempire il vuoto lasciato dal fratello impiegando tutti i suoi sforzi per convincere suo padre e i suoi fratelli che lei è forte abbastanza per realizzare il sogno che suo fratello rincorreva da sempre: segnare il gol della vittoria nella sua squadra di calcio. Per vincere questa sfida però trascurerà la scuola, allontanando i suoi amici e rischiando di perdere il fidanzato. Ma grazie alla sua tenacia Gracie non solo spingerà il padre e i suoi amici a vederla come la persona bella e forte che è sempre stata, ma riuscirà anche a tenere unita la famiglia in un momento estremamente difficile. Dopo “Il bacio che aspettavo”, un altro film generazionale che parla ai teenager e ai loro genitori. Il film Il mio sogno più grande racconta la storia di una ragazzina che nel 1978, dopo aver perso suo fratello in un incidente stradale, rischia di perdere contatto con il suo mondo e fatica ad integrarsi nella sua famiglia ma si impegna con incredibile determinazione a realizzare il sogno più grande del fratello che l’ha lasciata. -
The Nerve Interview: It Might Get Loud Director Davis Guggenheim | Nerve Entertainment 10/11/09 7:59 PM
The Nerve Interview: It Might Get Loud director Davis Guggenheim | Nerve Entertainment 10/11/09 7:59 PM PERSONALS | RSS | HELP | SITE MAP | ADVERTISE ON NERVE FEATURES ADVICE ENTERTAINMENT PHOTOGRAPHY BLOGS DATING CONFESSIONS 1 Aug 11th, 2009 With It Might Get Loud, director Davis Guggenheim wanted to tell the personal stories of three guitar legends from different generations: Jack White from the White Stripes, The Edge from U2, and Jimmy Page from Led Zeppelin. Guggenheim, who directed the 2007 global-warming doc An Inconvenient Truth, wanted to stay away from typical rock-documentary tactics. It Might Get Loud has no rock critics, no ex-girlfriends, and no narration. Instead Guggenheim focuses on why these three write and play the way they do and how they developed their personal styles. Guggenheim wanted the three to open up — and they did. Jimmy Page plays air guitar while listening to music that influenced him as a kid, Jack White writes an original song on camera, and The Edge talks about how he drives everyone crazy trying to get the music in his head to come out of the amps. The movie brings the three together on a soundstage to share stories, show one another their songs, and play. Nerve spoke with Guggenheim about the men behind the legends. — Emily Wilson You won an Oscar for An Inconvenient Truth. After that, why did you choose to do a movie about the electric guitar? I just make movies about people that fascinate me. The next one could be about an archeologist or I don’t know, a proctologist. -
Springfield Cop Charged with Misconduct After Shooting
Serving Springfield and Mountainside SPRINGFIELD N.J., VOL. 75 NO- 50 THURSDAY AUGUST 5, 2004 TWO SECTION} D.C. memorial makes nearby stop By Rick Klittich phy. He received a reprimand th;it wa.*. "because he liked being a Muslim Staff Writer thrown out by an Army general one ch.iplain. "They ruined his career and After being cleared of espionage month later reputation. He's got to move on." charges and being imprisoned for 76 Yee's father, Joscpli Yee, *aid he Joseph said that he got angrier each days, Muslim chaplain and former spoke with his son ilu^ p.ist weekend day his son was being held on the Springfield resident Copt. James Yee prior to Monday's decision. charges, and that in his eyes, there was officially resigned from the Army "Basically, 1 '.oieed my opinion no justice. Monday. The way things were going, he didn't He added that he and his son arc Yee, who ministered to prisoners at owe-them anything," said[Joseph Yee still trying to spur an investigation, as Guantanatno Bay naval station, where of his son's service to the military. they have been pushing senators and the military is holding .suspected Mus- "They owed him," congressmen to help with the process. lim terrorists, was taken into custody Still, officials never apologized or The case has been scrutinized for, after the military linked him to a pos- allowed Yee to retrieve his belonging;, calling into question military justice, sible espionage ring at the Cuba naval from Guantnnamo Bay, he said and the lesser charge*; Yee was found station. -
A Review of Waiting for Superman Directed by Davis Guggenheim
________________________________________________________________________ Waiting for Balance: A Review of Waiting for Superman Directed by Davis Guggenheim Paramount Vantage and Participant Media, 2010. Approximately 90 minutes. ________________________________________________________________________ Reviewed by Joseph Flynn, Northern Illinois University Introduction Waiting for Superman is the latest documentary by the Academy Award winning director Davis Guggenheim. Guggenheim also directed An Inconvenient Truth, the Al Gore documentary about climate change and global warming. What made An Inconvenient Truth such a masterwork was that it presented stark and incontrovertible information about the destruction of our environment and further challenged the viewers to do something about it. Waiting for Superman follows a similar formula. It presents the viewer with an incredible amount of troubling information about our public schools and models of seemingly progressive advocates for change. The data represented is also properly cited on-screen, differentiating it from personal polemics like Michael Moore’s Bowling for Columbine and Fahrenheit 9-11. It concludes with a challenge to act for the best interests of our nation’s youths; the end credits in- clude a web site where viewers can go for ideas. That makes it difficult to speak negatively about the film, but upon a closer analysis we find that most of the information presented in the film is over-generalized and highly debatable. The problem with the film, ultimately, is that it is true and false, comprehensive and incomplete. Framing the Film The film begins with Geoffrey Canada, a dynamic educator and social activist who, as foun- der and Chief Executive Officer of the Harlem Children’s Zone, has created significant success for the community. -
7. Challenging Waiting for Superman Through Detournement 1
JAMES TRIER 7. CHALLENGING WAITING FOR SUPERMAN THROUGH DETOURNEMENT 1 Waiting for Superman (2010) is a film directed by Davis Guggenheim, who won an Academy Award for the documentary An Inconvenient Truth (2006). Billing itself on its DVD cover as a “groundbreaking feature film that provides an engaging and inspiring look at public education in the United States,” Waiting for Superman received mostly glowing reviews in the mainstream media, won several film festival awards, and Guggenheim and the film’s heroes have been celebrated guests on dozens of news channels and talk shows, along with receiving high praise from President Obama, Bill Clinton, and other powerful political luminaries. However, the film has also drawn some criticism from reviewers in the popular press, from teachers, and from academics in the field of Education. In this chapter, I describe a pedagogical project that involved preservice teachers in responding to Waiting for Superman , and then reacting to a video detournement —i.e., a countertext—that challenged the main arguments of the documentary. The detournement caused several students to reconsider the accuracy and believability of the film’s main claims and arguments. THE TWO MAIN NARRATIVES OF WAITING FOR SUPERMAN Waiting for Superman comprises two intertwining narratives. One concerns five kids who have their hearts and minds set on attending charter schools, where they believe they will receive superior educations than from their neighborhood schools. Of the five kids, four are children of color whose low-income families live in urban neighborhoods: kindergartener Bianca lives with her mother in Harlem; first-grader Francisco lives with his mother in the Bronx; fifth-grader Anthony lives with his grandmother in Washington, D.C.; and fifth-grader Daisy lives with her mother and father in East Los Angeles. -
Girl Talk Curriculum Cycle Two
GIRL TALK CURRICULUM CYCLE TWO GIRL TALK STATEMENT (April 2011): LOCKING GIRLS UP ISN’T GENDER-RESPONSIVE BUT WE STILL HAVE TO SUPPORT INCARCERATED GIRLS… Introduction: Every night, between 25 to 50 girls lay their heads on pillows in 7.5 by 14.5 foot cells at the Cook County Juvenile Temporary Detention Center (JTDC). These girls have prior histories of sexual and physical abuse (Bloom et al 2003); they are suffering from depression (Obeidallah and Earls 1999); they are poor, disproportionately from racial minority groups (Moore and Padavic 2010); they transgress gender identity norms and are punished for it (Dang 1997); some are battling addiction; and many are under-educated. These are the young people that society has left behind and wants to erase from our consciousness. The most important thing that we can do then is to insist that young women in conflict with the law be made visible and that their voices be heard. Across the United States, girls are the fastest growing youth prison population. Due to an over-reliance on the criminalization of social problems in the last two decades leading up to the twenty-first century, arrest and detention rates of U.S. girls soared to almost three-quarters of a million in 2008 (Puzzanchera 2009). By 2009, girls comprised 30 percent of all juvenile arrests. Many observers suggest that youth behavior has not changed during this period; it was society’s response to such behavior that had changed. Regardless, the result of our punishing culture is that thousands of young women are shuffled through police stations, detention facilities and probation departments across the nation annually. -
The Yes Men Are Revolting
THE YES MEN ARE REVOLTING SYNOPSIS For the last 20 years, notorious activists the Yes Men (Mike Bonanno and Andy Bichlbaum) have staged outrageous and hilarious hoaxes to draw international attention to corporate crimes against humanity and the environment. Armed with nothing but thriftstore suits and a lack of shame, these iconoclastic revolutionaries lie their way into business events and government functions to expose the dangers of letting greed run our world. In their third cinematic outing (after The Yes Men and The Yes Men Fix The World), they are now well into their 40s, and their midlife crises are threatening to drive them out of activism forever – even as they prepare to take on the biggest challenge they’ve ever faced, climate change. More than the first two installments, The Yes Men Are Revolting is as much a character study as it is an entertaining depiction of their latest interventions. Revealing the real people behind the ruses, at its heart lies a hopeful message about fighting for change. KEY CREATIVE PERSONNEL Laura Nix, Director and Producer Laura Nix directed and produced the documentary The Light in Her Eyes, which premiered at IDFA, was broadcast on the series POV on PBS, and toured the world as part of Sundance's Film Forward program. She cowrote the Emmynominated PBS doc California State of Mind: The Legacy of Pat Brown, and her shortform nonfiction work has been shown on HBO, IFC, Planet Green, and the History Channel. She produced festival hit The Yes Men Fix the World, which was sold to HBO and won the audience award at the Berlinale. -
I Debut CD Stinks up The· Place' Having Fun with the Big Wigs Philly Band, the Trio Released an EP of Four Songs,
r ".-, .... ~ I ~ ........ ~."I--... ....:"\ .. ..;...-~~ ... "....... -.-...;-.~..:.. ..... :.. __' .. page 14 The Orion Novembsr :1.9, 1997 Scuttlebutt Tasty aris' &' entertaillment tidbits for iolks Oil the nm. I Debut CD stinks up the· place' Having fun with the big wigs Philly band, The trio released an EP of four songs, .. Are you sti1l trying to figure out what to do with all of the extra which gathered positive reviews time you'll have over vacation? TIle folks at The Blue Room are gear Interpreters, leave a from New Musical Express and ing up for a fun-filled holiday week with the play "Cheapside." The Rolling Stone alike. The EP, "In play is about a handful of those famous English writers that everyone lot to be desired Remembrance of That Fine, Fine seems to be so familiar with. Local rockin' roller Matt Hogan stars Evening" included two songs along with fomler city council candidate Hugh Bra-shears and the Lisa RIvera produced by She! Talmy, who The Interpreters Blue Room's local legend Jeff DiFranco. "Cheap-side" opens Nov. 20 Staff Writer worked with TIle Who, The "Back In The U.S.S.A." at 7:30 p.m. It runs on Nov. 21,22,28,29 and 30. TIckets are avail Kinks and David Bowie. able at the door; $8 general, $6 for students and seniors and $4 for Not even cool liner notes and But any momentum The Freeworld Recordings children under 12. For more information, can 895-3749. packaging could keep The Interpreters might have had ..... / "U/I,.n.,. thel nterpreters .com Inte£preter's debut album, "Back going won't seem to be enough A secret history in the U .S.S.A,'· from sinking to shoot them into mainstream. -
An Inconvenient Truth Questions
An Inconvenient Truth Directed by Davis Guggenheim Preparing for the Film 1. Our awareness of climate change and other ecological problems has increased in the time since Al Gore's film first appeared in 2006. What environmental concerns are most evident to you? 2. What changes have you and your friends made in your lives in response to the threats of global climate change? 3. Why might a film critic or ecologist claim that citizens "owe it" to themselves to see An Inconvenient Truth, Al Gore's documentary film about the environmental crisis? Reflecting on the Film 1. Why does the film open and close with serene images of nature: lush green leaves and a gently flowing river on a sunny day, followed by Al Gore’s voice-over about this peaceful place? 2. What is the intention of showing Gore delivering his slide show at town-hall-style meetings? How does Gore come across to the viewers as the camera follows him behind the scenes and on his tours? 3. What is the effect of Gore opening his presentation on a serious subject with self-irony: “I used to be the next president of the United States”? And after the audience laughs, Gore quips, “I don’t find that particularly funny.” Where else in this discussion of an environmental crisis do we see Gore’s humor? 4. In this film, Gore narrates a moment in 1989 when his six-year-old son dropped his father’s hand, ran into the street, and was severely injured. How does this personal story relate to Gore’s mission? 5. -
World Cup 2010 Bibliography
Legal Research Paper Series World Cup 2010 Bibliography Compile by Rich Porter and Sergio Stone Research Paper No. 29 July 2010 Robert Crown Law Library Crown Quadrangle Stanford, California 94305-8612 World Cup 2010 Bibliography Stanford Law School Robert Crown Law Library Compiled by Rich Porter and Sergio Stone Films Gracie. Picturehouse ; an Ursa Major Films/Elevation Filmworks production. Directed by Davis Guggenheim an dproduced by Andrew Shue. Story by Andrew Shue & Ken Himmelman & Davis Guggenheim; screenplay by Lisa Marie Petersen and Karen Janszen United States: New Line Home Entertainment, 2007. Law PN1995.9.S67 G73 2007 1 PERM‐RES http://library.stanford.edu/searchcat?ckey=7113470 “Gracie Bowen is your average 15‐year‐old, except for one thing‐‐ she is determined to play varsity boys soccer. When her school forbids her to play and even her family questions her ability, Gracie sets out on an extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing against some of the toughest competitors on the soccer field, Gracie must summon all of her strength and courage to finally show the world that a girl with a dream can do whatever she wants.” Cast includes Dermot Mulroney, Elisabeth Shue, Carly Schroeder, John Doman, and Andrew Shue. Pelada. Documentary directed by Luke Boughen, Rebekah Fergusson, Gwendolyn, and Ryan White. United States: Tripod Media, 2010. Physical Description: 1 videodisc (ca. 92 min.) : sd., col. ; 4 3/4 in. Related e‐resource: http://www.pelada‐movie.com Law GV942.7 .A1 P45 2010 http://library.stanford.edu/searchcat?ckey=8572153 “The story of two former soccer stars, Luke Boughen and Gwendolyn Oxenham, who did not make it to professional soccer, but instead, chased pick‐up games all over the world. -
Truth, Even Less Convenient Davis Guggenheim
More Truth, Even Less Convenient Davis Guggenheim Writer: Dean Nelson | Photographer: Bronson Pate hen Davis Guggenheim was young and living in the Washington D.C. area, his parents drove him past the local public schools and out into the suburbs where he attended a private Quaker school – the same one that President Obama’s daugh- ters attend today. Guggenheim remembers asking his parents why he had to drive so far away to school when there were closer schools in his neighborhood. His parents told him that the schools in his neighborhood weren’t very good. His parents were right, of course. Now, as an adult and father of three, he drives past the public schools in his neighborhood in Venice Beach, Calif., as he takes his own children to a private school. Same reason. Guggenheim is a filmmaker and a television producer and director. He has directed episodes for 24, Alias, Push, Nevada, ER, Deadwood, The Shield, and many other programs. He won an Emmy for Deadwood on HBO. He was the original director for the movie Training Day with Denzel Washington and Ethan Hawke (for which Washington won an Academy Award), but was abruptly fired by Washington early in the production and replaced. Guggenheim didn’t pick up a camera for a couple of years after that, but when he did, he began making documentaries.His 2006 movie An Inconvenient Truth put the topic of climate change on the culture’s agenda and he won an Academy Award. His music documentary It Might Get Loud portrays guitar legends Jimmy Page, The Edge, and Jack White as both the future and the past of rock music.