Girl Talk Curriculum Cycle Two
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Making memory work: Performing and inscribing HIV/AIDS in post-apartheid South Africa Thesis How to cite: Doubt, Jenny Suzanne (2014). Making memory work: Performing and inscribing HIV/AIDS in post-apartheid South Africa. PhD thesis The Open University. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000eef6 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Making Memory Work: Performing and Inscribing HIV I AIDS in Post-Apartheid South Africa Jenny Suzanne Doubt (BA, MA) Submitted towards a PhD in English Literature at the Open University 5 July 2013 1)f\"'re:. CC ::;'.H':I\\\!:;.SIOfl: -::\ ·J~)L'I ..z.t.... L~ Vt',':·(::. 'J\:. I»_",i'~,' -: 21 1'~\t1~)<'·i :.',:'\'t- IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl,uk PAGE NUMBERING AS ORIGINAL Jenny Doubt Making Memory Work: Performing and Inscribing HIV/AIDS in Post-Apartheid South Africa Submitted towards a PhD in English Literature at the Open University 5 July 2013 Abstract This thesis argues that the cultural practices and productions associated with HIV/AIDS represent a major resource in the struggle to understand and combat the epidemic. -
The US Anti- Apartheid Movement and Civil Rights Memory
BRATYANSKI, JENNIFER A., Ph.D. Mainstreaming Movements: The U.S. Anti- Apartheid Movement and Civil Rights Memory (2012) Directed by Dr. Thomas F. Jackson. 190pp. By the time of Nelson Mandela’s release from prison, in 1990, television and film had brought South Africa’s history of racial injustice and human rights violations into living rooms and cinemas across the United States. New media formats such as satellite and cable television widened mobilization efforts for international opposition to apartheid. But at stake for the U.S. based anti-apartheid movement was avoiding the problems of media misrepresentation that previous transnational movements had experienced in previous decades. Movement participants and supporters needed to connect the liberation struggles in South Africa to the historical domestic struggles for racial justice. What resulted was the romanticizing of a domestic civil rights memory through the mediated images of the anti-apartheid struggle which appeared between 1968 and 1994. Ultimately, both the anti-apartheid and civil rights movements were sanitized of their radical roots, which threatened the ongoing struggles for black economic advancement in both countries. MAINSTREAMING MOVEMENTS: THE U.S. ANTI-APARTHEID MOVEMENT AND CIVIL RIGHTS MEMEORY by Jennifer A. Bratyanski A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2012 Approved by Thomas F. Jackson Committee -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
Il Mio Sogno Più Grande Pressbook ITALIANO
Presenta Un film di Davis Guggenheim Con Carly Schroeder Elisabeth Shue Andrew Shue Dermot Mulroney I materiali sono scaricabili dal sito www.moviemax.it Durata film 93’ DAL18 LUGLIO AL CINEMA SINOSSI La quindicenne Gracie Bowen (Carly Schroeder) vive a South Orange nel New Jersey ed è l’unica femmina in una famiglia di tre figli maschi. La vita dei Bowen ruota quasi esclusivamente attorno agli uomini della famiglia finchè un giorno si verifica un triste evento: Johnny (Jesse Lee Soffer), il fratello maggiore di Gracie - suo unico alleato all’interno della famiglia - rimane ucciso in un incidente automobilistico. Gracie decide di riempire il vuoto lasciato dal fratello impiegando tutti i suoi sforzi per convincere suo padre e i suoi fratelli che lei è forte abbastanza per realizzare il sogno che suo fratello rincorreva da sempre: segnare il gol della vittoria nella sua squadra di calcio. Per vincere questa sfida però trascurerà la scuola, allontanando i suoi amici e rischiando di perdere il fidanzato. Ma grazie alla sua tenacia Gracie non solo spingerà il padre e i suoi amici a vederla come la persona bella e forte che è sempre stata, ma riuscirà anche a tenere unita la famiglia in un momento estremamente difficile. Dopo “Il bacio che aspettavo”, un altro film generazionale che parla ai teenager e ai loro genitori. Il film Il mio sogno più grande racconta la storia di una ragazzina che nel 1978, dopo aver perso suo fratello in un incidente stradale, rischia di perdere contatto con il suo mondo e fatica ad integrarsi nella sua famiglia ma si impegna con incredibile determinazione a realizzare il sogno più grande del fratello che l’ha lasciata. -
The African-American Consumer 2013 Report
RESILIENT, RECEPTIVE AND RELEVANT THE AFRICAN-AMERICAN CONSUMER 2013 REPORT VOICE OF THE BLACK COMMUNITY DIVERSE INTELLIGENCE INSIGHTS SERIES Nielsen and the National Newspaper Publishers Association have strategically collaborated for three years to present an annual in-depth analytical report on the African-American consumer unsurpassed by any other similar product on the market. The reports have become widely respected, industry chronicles touted for their exclusive insights, data, trends and perspectives that better prepare marketers and brands to connect with this audience segment. By concurrently sharing the reports with millions of readers around the country we have also helped create SUSAN WHITING VICE CHAIR, NIELSEN conscious consumers, who are aware, now more than ever, how their economic power has a direct impact on the marketplace overall. We are proud that the combined Nielsen and NNPA resources have galvanized corporations and consumers alike to think and behave differently toward valuing the African-American consumer and their economic impact on the U.S. marketplace. We proudly present the Resilient, Receptive and Relevant African-American Consumer 2013 Report. CLOVES CAMPBELL CHAIR, NATIONAL NEWSPAPER PUBLISHERS ASSOCIATION SUSAN WHITING CLOVES CAMPBELL CHERYL PEARSON-MCNEIL CHERYL PEARSON-MCNEIL SVP, PUBLIC AFFAIRS AND GOVERNMENT RELATIONS, NIELSEN 2 Resilient, Receptive and Relevant: The African-American Consumer CONTENTS EXECUTIVE SUMMARY .................................4 SECTION I Demographics ............................................................... -
Goals on and Off the Field
GRACIE Goals On and Off the Field Discussion Guide A facilitator’s discussion guide for youth leaders, educators and families to accompany the movie, Gracie AGES 13 – 18 Official movie website: www.graciemovie.com Gracie © 2007 New Line Cinema Picturehouse Holdings, Inc. All Rights Reserved. Guide Developed by Liza Silverman GRACIE Goals On and Off the Field Discussion Guide Dear Group Facilitator Set in 1978, Gracie is a Picturehouse film that tells the story of a teenage girl who fights to achieve her dream of playing competitive soccer at a time when girls’ soccer did not exist. The movie is based on true events from the lives of the Shue family (producer and co-star Andrew Shue, actress Elisabeth Shue). Living in New Jersey, 15 year old Gracie Bowen is the only girl in a family of three brothers obsessed with soccer. Tragedy unexpectedly hits when Gracie’s older brother Johnny, star of the high school varsity soccer team and Gracie’s role model, is killed in a car accident. Struggling with grief over her family’s loss, Gracie decides to fill the void left on her brother’s team by petitioning the school board to allow her to play on the boys’ high school varsity soccer team in his place. Her father, a former soccer star himself, tries to prove to Gracie that she is not tough enough or talented enough to play with boys. Unwilling to give up, Gracie discovers courage and strength she never knew existed. Through her efforts, Gracie forces her father to recognize her strength and brings her family together in the face of their tragedy. -
Springfield Cop Charged with Misconduct After Shooting
Serving Springfield and Mountainside SPRINGFIELD N.J., VOL. 75 NO- 50 THURSDAY AUGUST 5, 2004 TWO SECTION} D.C. memorial makes nearby stop By Rick Klittich phy. He received a reprimand th;it wa.*. "because he liked being a Muslim Staff Writer thrown out by an Army general one ch.iplain. "They ruined his career and After being cleared of espionage month later reputation. He's got to move on." charges and being imprisoned for 76 Yee's father, Joscpli Yee, *aid he Joseph said that he got angrier each days, Muslim chaplain and former spoke with his son ilu^ p.ist weekend day his son was being held on the Springfield resident Copt. James Yee prior to Monday's decision. charges, and that in his eyes, there was officially resigned from the Army "Basically, 1 '.oieed my opinion no justice. Monday. The way things were going, he didn't He added that he and his son arc Yee, who ministered to prisoners at owe-them anything," said[Joseph Yee still trying to spur an investigation, as Guantanatno Bay naval station, where of his son's service to the military. they have been pushing senators and the military is holding .suspected Mus- "They owed him," congressmen to help with the process. lim terrorists, was taken into custody Still, officials never apologized or The case has been scrutinized for, after the military linked him to a pos- allowed Yee to retrieve his belonging;, calling into question military justice, sible espionage ring at the Cuba naval from Guantnnamo Bay, he said and the lesser charge*; Yee was found station. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each orignal is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 AMBIGUITY AND DECEPTION IN THE COVERT TEXTS OF SOUTH AFRICAN THEATRE: 1976-1996 DISSERTATION Presented in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Allan John Munro, M.A., H.D.E. -
2020 ANNUAL REPORT Our Vision NAMI Envisions a World Where All People Affected by Mental Illness Live Healthy, Fulfilling Lives Supported by a Community That Cares
2020 ANNUAL REPORT Our Vision NAMI envisions a world where all people affected by mental illness live healthy, fulfilling lives supported by a community that cares. Our Mission NAMI provides advocacy, education, support and public awareness so that all individuals and families affected by mental illness can build better lives. Our Values HOPE We believe in the possibility of recovery, wellness and the potential in all of us. INCLUSION We embrace diverse backgrounds, cultures and perspectives. EMPOWERMENT We promote confidence, self-efficacy and service to our mission. COMPASSION We practice respect, kindness and empathy. FAIRNESS We fight for equity and justice. A PERSONAL MESSAGE FROM NAMI CEO DANIEL H. GILLISON, JR. “When millions needed us As I began my role as NAMI’s new CEO in January 2020, I was looking forward to the challenge and most, NAMI opportunity of leading this great organization, but I had no idea what was headed our way. was ready Within weeks, the COVID-19 pandemic hit our nation hard. Fear, isolation, stress and uncertainty threatened the mental health to serve.” of millions. Never before had the need for NAMI’s resources been more urgent — or the pressures we faced more overwhelming. The NAMI team rose to the challenge. I am Throughout this report, you’ll read about NAMI’s especially proud of the role NAMI played in powerful response to these challenges. With the starting a weekly conversation with the senior support of our strategic partners and volunteers, leaders of 13 leading mental health, substance our combined efforts at the NAMI national, state use and advocacy groups. -
Black Theatre Movement PREPRINT
PREPRINT - Olga Barrios, The Black Theatre Movement in the United States and in South Africa . Valencia: Universitat de València, 2008. 2008 1 To all African people and African descendants and their cultures for having brought enlightenment and inspiration into my life 3 CONTENTS Pág. ACKNOWLEDGEMENTS …………………………………………………………… 6 INTRODUCTION …………………………………………………………………….. 9 CHAPTER I From the 1950s through the 1980s: A Socio-Political and Historical Account of the United States/South Africa and the Black Theatre Movement…………………. 15 CHAPTER II The Black Theatre Movement: Aesthetics of Self-Affirmation ………………………. 47 CHAPTER III The Black Theatre Movement in the United States. Black Aesthetics: Amiri Baraka, Ed Bullins, and Douglas Turner Ward ………………………………. 73 CHAPTER IV The Black Theatre Movement in the United States. Black Women’s Aesthetics: Lorraine Hansberry, Adrienne Kennedy, and Ntozake Shange …………………….. 109 CHAPTER V The Black Theatre Movement in South Africa. Black Consciousness Aesthetics: Matsemala Manaka, Maishe Maponya, Percy Mtwa, Mbongeni Ngema and Barney Simon …………………………………... 144 CHAPTER VI The Black Theatre Movement in South Africa. Black South African Women’s Voices: Fatima Dike, Gcina Mhlophe and Other Voices ………………………………………. 173 CONCLUSION ………………………………………………………………………… 193 BIBLIOGRAPHY ……………………………………………………………………… 199 APPENDIX I …………………………………………………………………………… 221 APPENDIX II ………………………………………………………………………….. 225 5 ACKNOWLEDGEMENTS Writing this book has been an immeasurable reward, in spite of the hard and critical moments found throughout its completion. The process of this culmination commenced in 1984 when I arrived in the United States to pursue a Masters Degree in African American Studies for which I wish to thank very sincerely the Fulbright Fellowships Committee. I wish to acknowledge the Phi Beta Kappa Award Selection Committee, whose contribution greatly helped solve my financial adversity in the completion of my work. -
William Kentridge
CAP UCLA presents Refuse the Hour William Kentridge Philip Miller Dada Masilo, Catherine Meyburgh, Peter Galison Fri, Nov 17 & Sat Nov 18 | Royce Hall Photo by John Hodgkiss East Side, MESSAGE FROM THE DIRECTOR West Side, All Around LA Welcome to the Center for the Art of Performance The Center for the Art of Performance is not a place. It’s more of a state of mind that embraces experimentation, encourages Photo by Ian Maddox a culture of the curious, champions disruptors and dreamers and One would have to admit that the masterful work of William Kentridge leaves supports the commitment and courage of artists. We promote virtually no artistic discipline unexplored, untampered with, or under-excavated in rigor, craft and excellence in all facets of the performing arts. service to his vigilant engagement with the known world. He has done x, y z, p, d, q, (installations, exhibitions, theater works, prints, drawings, animations, innumerable collaborations, etc.) and then some, over the arc of his career and there is nothing on the horizon line of his trajectory that indicates any notion of relenting any time 2017–18 SEASON VENUES soon. Royce Hall, UCLA Freud Playhouse, UCLA Over the years I have been asked to offer explanations and descriptions of the The Theatre at Ace Hotel Little Theater, UCLA works of William Kentridge while encountering it in numerous occasions around the Will Rogers State Historic Park world. As a curator, one is expected to possess the necessary expertise to rapidly summarize dimensional artistry. But in a gesture of truth, my attempts fail in UCLA’s Center for the Art of Performance (CAP UCLA) is dedicated to the advancement juxtaposition to the vastly better reality of experiencing his utter artistic singularity, of the contemporary performing arts in all disciplines—dance, music, spoken word and the staggering dimension of thoughtful care he takes in finding form. -
Star System for South Africa
The Star System in South Africa November 2020 Page 1 of 72 DOCUMENT INFORMATION Document title: THE STAR SYSTEM IN SOUTH AFRICA 2020 Prepared by: Urban-Econ Development Economists Contact details: 37 Hunt Road Glenwood Durban 4062 South Africa Tel: +27 (0)31 202 9673 e-mail: [email protected] Contact Person: Eugene de Beer Prepared for: KZN Film Commission 115 Musgrave Road,13th Floor Musgrave Towers, Berea, Durban 4001 Tel: 031 325 0200 Contact Person: Dr N. Bhebhe Manager: Research and Development Email: [email protected] 031 325 0216 Page 2 of 72 CONTENTS 5.8 THE CURRENT STATUS OF THE BILLS .............................................. 46 1. EXECUTIVE SUMMARY ....................................................................... 6 5.9 CONCLUSION................................................................................ 47 2. INTRODUCTION ................................................................................. 8 6. THE CONCEPTUAL FRAMEWORK OF THE PROPOSED SYSTEM .... 49 2.1 BACKGROUND ................................................................................ 8 6.1 INTRODUCTION ............................................................................. 49 2.2 METHODOLOGY .............................................................................. 8 6.2 STRUCTURE AND FORM ................................................................ 49 2.3 REPORT STRUCTURE ......................................................................... 9 6.3 RULES AND REGULATIONS ...........................................................