DOCSLIB.ORG

Responses to a Series of Questions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Responses to a Series of Questions COLLAPSE Philosophical Research and Development VOLUME IV COLLAPSE IV COLLAPSE Philosophical Research and Development Published in 2008 in an edition of 1000 comprising numbered copies 1-950 VOLUME IV and 50 hors-commerce copies. Edited by Robin Mackay Electronic version published in 2009 ISBN 978-0-9553087-3-4 Published by Urbanomic, The Old Lemonade Factory Windsor Quarry Falmouth TR11 3EX United Kingdom Printed by Athenæum Press All material remains © copyright of the respective authors. Please address all queries to the editor at the above address. www.urbanomic.com URBANOMIC FALMOUTH COLLAPSE IV May 2008 EDITOR : Robin Mackay ASSOCI A T E EDITOR : Damian Veal Editorial Introduction..........................................................3 GE OR ge SI eg Infinite Regress into Self-Referential Horror: The Gnosis of the Victim....................................................29 EU ge N E TH A CK E R Nine Disputations on Theology and Horror...................55 RA F A NI Czech Forest.......................................................................93 CHIN A MIÉVILL E M. R. James and the Quantum Vampire: Weird; Hauntological: Versus and/or and and/or or?....105 RE Z A Nega R E ST A NI The Corpse Bride: Thinking with Nigredo......................129 JA K E A ND DINOS CH A P ma N I Can See.................................................................................162 MICH E L HOU E LL E B E CQ Poems..............................................................................173 Jame S TR A FFORD The Shadow of a Puppet Dance: Metzinger, Ligotti and the Illusion of Selfhood.................185 THO ma S LI G OTTI / OL eg KULIK Thinking Horror / ‘Memento Mori’ – Dead Monkeys.....208 QU E NTIN ME ILL A SSOUX Spectral Dilemma.............................................................261 BE N jam IN NOYS Horror Temporis...................................................................277 1 COLLAPSE III IA IN Ham ILTON GR A NT / TODOSCH Being and Slime: The Mathematics of Protoplasm in Lorenz Oken’s ‘Physio-Philosophy’ / Drawings.........................286 ST E V E N SH ea R E R Poems.............................................................................323 GR A H am HA R ma N / KE ITH TILFORD On the Horror of Phenomenology: Lovecraft and Husserl / Singular Agitations and a Common Vertigo..........332 KRIST E N ALV A NSON Arbor Deformia...................................................................366 Notes on Contributors and Acknowledgements.............391 2 COLLAPSE IV Editorial Introduction Robin Mackay Surveying a century in which experience has taught us that man is capable of inventing ever more atrocious forms of violence and horror, is it necessary to remark that much of modern thought offers little to soothe, and much to exacerbate our disquiet? Nietzsche famously observed that the psychic well-being of the human organism is predicated, minimally, upon a drastically partial perspective, and ultimately upon untruth. Human cognitive defaults continue to cry out against the insights which modern physics, cosmology, genetics, neuroscience, psychoanalysis and the rest seem to require us to integrate into our worldview. As for philosophy, it has largely replaced wonder, awe, and the drive to certainty with dread, anxiety and finitude. Moreover, despite the diverse technological wonders they have made possible, the modern sciences offer little existential respite: There is no consolation in the claim that (for instance) I am the contingent product of evolution, or a chance formation of elementary particles, or that my ‘self’ is 3 COLLAPSE IV Editorial Introduction nothing but the correlate of the activation of neurobiological Such experiments are already being undertaken – not phase-spaces. Yet mundane thought, whether through for the most part by philosophers, but by those working in obstinacy or inertia, maintains its stubborn course literature and the arts who, drawing upon the resources of regardless, as if oblivious to their consequences, or at modern thought, have devised means by which to produce most allowing them to subsist at a safely delimited, solely experiences of the conceptual upheavals characteristic of theoretical level. the post-Enlightenment age. It is the scenarios of weird What if, prising the more disturbing elements of modern and horror fiction, the excessive existential sufferings of thought loose from their comfortable framing as part of an literature, the abstract emotional engineering of sound-art intellectual canon, we were to become fully attentive to and music, and the poetical extrapolations of artists, that their most harrowing consequences? What if, impatient are apt to put us in the place of individuals set loose from with a consideration of their claims solely from the point the protective envelope of consensual reality, forced to of view of their explanatory power and formal consistency, integrate directly the lacerating force of thoughts usually we yielded to the (perhaps ‘unphilosophical’) temptation blunted (even – or, sad to say, especially – in philosophical to experiment with their potentially corrosive effects upon discourse) by the knowledge that they are, after all, ‘only lived experience? If the overriding affect connected with thoughts’. It is through them that we identify ourselves what we ‘know’ – but still do not really know – about the with tormented individuals compelled – even if only universe and our place in it, would be one of horror, then, momentarily – to live the problem of the rational corrosion inversely, how might the existing literature of horror inform of our cherished self-image, to viscerally absorb thoughts a reading of these tendencies of contemporary thought? ‘whose merest mention is paralysing’ (Lovecraft). These are some of the questions with which this In the twentieth century, SF , weird fiction, and horror in volume of COLL A PS E sets out to grapple, imagining for a particular have furnished a laboratory for shaping narratives moment a philosophy absolved of humanistic responsibili- pointedly informed by the conceptual paradoxes produced ties, devoting itself to the experimental marshalling of all by modern science and philosophy. And increasingly, possible resources in the service of a transformation that philosophy itself, and the high arts which so long looked would no longer be circumscribed within the bounds of the with disdain upon such pulp fictions, are realising with what purely theoretical, and thus striking an alliance with those anticipatory clarity these genres have formulated problem- affects which, for the most part elided, nonetheless haunt atics which are becoming ever more pressing, not only philosophical thought like its very shadow. A philosophy, conceptually and aesthetically, but even politically (given then, bound to experiment with the employment of horror, what is at stake in our maintenance of a naïve, comfortable that its insights might begin slowly but effectively to erode self-image even as the most speculative theoretical insights anthropic automatism. are immediately and ruthlessly operationalised throughout the sociopolitical and commercial spheres, from advertising to healthcare, from warfare to banking). 4 5 COLLAPSE IV Editorial Introduction Given this discursive intersection between the attempt commonplace – the Zoroastrian concept of druj as to rethink reality through contemporary science and xenophobia turned inward. However, in order for horror philosophy, and the tropes of the horror ‘genre’, then, to flower, he emphasises, another element is necessary – there is a certain logic in examining together conceptual a thoroughgoing materialism, in which the knowledge armature and artistic dramatisation. It was this double- of non-apparent conceptual distinction – the sensitivity edged approach that we decided to take in the present towards hidden otherness – is prevented from diffusing into volume, by bringing together contributions from authors mysticism: The very birth, one might say, of the distinction of weird fiction, artists, and philosophers – only to discover between philosophy and religion, is also the birth of horror. ourselves vindicated by the impossibility of determining It is this compaction, suggests Sieg, which finally blocks all where the concept ends and the horror begins. The theme exit from a self-referential universe pregnant with horror thus presented an opportunity to bring more fully to fruition and yet (or precisely because it is) entirely rational – a COLL A PS E ’s vision of an integration of elements originating universe in which the innocent victim is defenceless before from very different spheres, mutually catalysing so as to the monstrous knowledge which invades them. produce a series of conceptual ‘interzones’. In his contribution EU ge N E TH A CK E R details how GE OR ge SI eg ’s contribution ably demonstrates how, in theology has, nevertheless, maintained a consistent historical examining the nature of horror as an affect, a rich inter- relation to horror. His ‘Nine Disputations on Theology and section of cognitive, conceptual, existential and political Horror’ examines the extent to which the concept of ‘life’ stakes comes into view. Firstly, unlike the essentially animal owes its integrity to an immanent ‘after-life’ which is the responses of fear and terror, horror attaches especially to proper object of horror. If life is defined by a duplicity– the the conceptual abstraction and reflexivity attendant upon distinction between the living being and life
Load more

Recommended publications
  • Schelling's Naturalism: Motion, Space, and the Volition of Thought
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-23-2015 12:00 AM Schelling's Naturalism: Motion, Space, and the Volition of Thought Ben Woodard The University of Western Ontario Supervisor Tilottama Rajan The University of Western Ontario Joint Supervisor Joan Steigerwald The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Ben Woodard 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the History of Philosophy Commons Recommended Citation Woodard, Ben, "Schelling's Naturalism: Motion, Space, and the Volition of Thought" (2015). Electronic Thesis and Dissertation Repository. 3314. https://ir.lib.uwo.ca/etd/3314 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Schelling's Naturalism: Motion, Space, and the Volition of Thought (Thesis Format: Monograph) by Benjamin Graham Woodard A thesis submitted in partial fulfillment of the requirements for the degree of Doctorate of Philosophy in Theory and Criticism The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ben Woodard 2015 Abstract: This dissertation examines F.W.J. von Schelling's Philosophy of Nature (or Naturphilosophie) as a form of early, and transcendentally expansive, naturalism that is, simultaneously, a naturalized transcendentalism.
    [Show full text]
  • Dio Chrysostom's Charidemus and Aristotle's Eudemus
    Dio Chrysostom’s Charidemus and Aristotle’s Eudemus Katarzyna Jażdżewska IO CHRYSOSTOM’S DIALOGUE Charidemus exhibits a rich intertextual network, and recent scholarship has D explored Dio’s interaction with Plato’s Phaedo, with Hellenistic philosophy (particularly Stoicism and Cynicism), and with consolation, λόγος παραµυθητικός.1 In this note I would like to add to the literary background of the dialogue by arguing that, so far as extant evidence allows us to judge, Dio’s Charidemus seems to have been particularly closely associated with Aristotle’s lost dialogue Eudemus in respect to format, overall character, and themes covered. Aristotle’s Eudemus was a dialogue written to commemorate Eudemus of Cyprus, a deceased friend and a member of the Academy, who died in Syracuse around 354 B.C.E.2 Ps.- Plutarch’s Consolation to Apollonius 115B (= Arist. fr.44) informs us that Aristotle’s work was known under the title Eudemus, or On the soul. We do not know who the interlocutors were; Aristotle may have been one of the speakers.3 From Cicero’s De 1 For Plato see J. Moles, “The Dionian Charidemus,” 187–210, and M. Trapp, “Plato in Dio,” 213–239, in S. Swain (ed.), Dio Chrysostom. Politics, Letters, and Philosophy (Oxford 2000); K. Jażdżewska, “Dio Chrysostom’s Charidemos: A Study,” Eos 101 (2014) 67–81, at 69–76. For consolatory topoi, M. C. Giner Soria, “Acotaciones a un diálogo consolatorio,” Faventia 12–13 (1990) 293–305. For an overview of various influences on the Charidemus, M. Menchelli, Dione di Prusa. Caridemo (Or. XXX) (Naples 1999) 37–75.
    [Show full text]
  • Download (8Mb)
    A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction.
    [Show full text]
  • Masses, Turbo-Capitalism and Power in Jean Baudrillard's Social
    International Journal of Theology, Philosophy and Science No. 3, Year 2/2018 MASSES, TURBO-CAPITALISM AND POWER IN JEAN BAUDRILLARD’S SOCIAL AND POLITICAL ONTOTHEOLOGY PhD. Prof. Spiros MAKRIS Assistant Professor in Political Theory University of Macedonia, Thessaloniki, GREECE Email: [email protected] ABSTRACT If postmodern Jean Baudrillard (1929-2007) could be defined as a theorist of power - to the extent that for some this is a contradiction by definition, although something very similar takes place in the case of Michel Foucault, he could be defined as a theorist of meta-power in the globalized era of turbo-capitalism. In his late texts (2005), which were published in 2010, the eminent French philosopher builds a provocative theory about power by using the classic concepts of domination and hegemony within the contemporary social, economic, political and ideological context of neoliberal globalization. In these papers, he analyzes in-depth the meta- power of hegemony in comparison with the power of domination. Actually, by signifying the critical passage of postwar capitalism from the phase of production to the phase of consumption, as Zygmunt Bauman does in his relevant work, Baudrillard formulates a meta-power theory as the equivalent of what he defines as turbo-capitalism. What is at stake is no longer the conventional issues of state sovereignty, Marx-inspired concept of alienation and Critical Theory-like negative dialectics but the crucial questions of hegemony, hostage and evilness. In short, Jean Baudrillard builds a new ontological and by extension disciplinary and theoretical field concerning global power, where the ‘Empire of Good’, or turbo-capitalism in his own terminology, is reborn in a totally catastrophic way (see simulation in the sense of a capitalist hypocrisy) either as an ‘Axis of Evil’ or as the ‘problem of terror’ (see simulacrum in the sense of a Lacanian stage of image within which turbo-capitalism represses, through a Freudian process of repelling, its unfamiliar self/i.e.
    [Show full text]
  • The Protrepticus of Clement of Alexandria: a Commentary
    Miguel Herrero de Jáuregui THE PROTREPTICUS OF CLEMENT OF ALEXANDRIA: A COMMENTARY to; ga;r yeu'do" ouj yilh'/ th'/ paraqevsei tajlhqou'" diaskedavnnutai, th'/ de; crhvsei th'" ajlhqeiva" ejkbiazovmenon fugadeuvetai. La falsedad no se dispersa por la simple comparación con la verdad, sino que la práctica de la verdad la fuerza a huir. Protréptico 8.77.3 PREFACIO Una tesis doctoral debe tratar de contribuir al avance del conocimiento humano en su disciplina, y la pretensión de que este comentario al Protréptico tenga la máxima utilidad posible me obliga a escribirla en inglés porque es la única lengua que hoy casi todos los interesados pueden leer. Pero no deja de ser extraño que en la casa de Nebrija se deje de lado la lengua castellana. La deuda que contraigo ahora con el español sólo se paliará si en el futuro puedo, en compensación, “dar a los hombres de mi lengua obras en que mejor puedan emplear su ocio”. Empiezo ahora a saldarla, empleándola para estos agradecimientos, breves en extensión pero no en sinceridad. Mi gratitud va, en primer lugar, al Cardenal Don Gil Álvarez de Albornoz, fundador del Real Colegio de España, a cuya generosidad y previsión debo dos años provechosos y felices en Bolonia. Al Rector, José Guillermo García-Valdecasas, que administra la herencia de Albornoz con ejemplar dedicación, eficacia y amor a la casa. A todas las personas que trabajan en el Colegio y hacen que cumpla con creces los objetivos para los que se fundó. Y a mis compañeros bolonios durante estos dos años. Ha sido un honor muy grato disfrutar con todos ellos de la herencia albornociana.
    [Show full text]
  • Daniel Jugrin
    Studia Philosophiae Christianae UKSW 52(2016)2 DanIel JuGrIn THE WAY OF ἈΝΆΛΥΣΙΣ: CLEMENT OF ALEXANDRIA AND THE PLATONIC TRADITION Abstract. In Clement of Alexandria, the three ways of knowing God appear implicitly in the form: the way of analogy, the way of negation (in the mathematical version), and the way of eminence. A basic aspect of the negation appears as an expression of Clementine criticism on anthropomorphism. The Platonic traditional model of via negativa is related to the mathematical theory of abstraction and is defined as a denial of the material things in order to reach the contemplation of God through pure mind: “we start by abstracting the surface, and we are left with the line; we abstract the line, and we are left with the point; we abstract the point, or strictly speaking the monad, and we are then precipitated into the greatness of Christ” (Stromateis V.11.71.2). Clement of Alexandria is, also, one of the authors who emphasize silence and prayer as having great importance in the knowledge process. The cessation of the activity of the senses leads to the supreme state of contemplation with a pure mind. Silence becomes, in this way, a symbol of God, and knowledge – not a matter of speaking, but of being. Keywords: Clement of Alexandria, Platonic Tradition, knowledge of God, abstractive way, analysis, aphairesis, silence 1. The geometrical method of ἀνάλυσις . 2. Via negativa and the theme of silence in Clement of Alexandria. 3. The origin of the mathematical model of via negativa. St. Justin, martyr and philosopher (103 – 165 AD), was the first Christian thinker who claimed that God can be characterized only in negative terms.1 His vision was familiar in the context of Helle- nistic Judaism: Philo of Alexandria (20 BC – 50 AD)2 had already established the ideas put forward by Justin.
    [Show full text]
  • Language After Philosophy of Nature: Schelling’S Geology of Divine Names
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Liverpool Repository LANGUAGE AFTER PHILOSOPHY OF NATURE: SCHELLING’S GEOLOGY OF DIVINE NAMES DANIEL WHISTLER Each mineral is a real philological problem.1 Future commentary on Dante belongs to the natural sciences… No one has yet approached Dante with a geologist’s hammer, in order to ascertain the crystalline structure of his rock, in order to study the particles of other minerals in it, to study its smoky colour, its garish patterning, to judge it as a mineral crystal which has been subjected to the most varied series of accidents.2 What happens to language after the post-linguistic turn? In what does a speculative approach to religion consist? Such are the two questions around which this essay is structured. It is not my purpose to give a comprehensive answer to either question; rather, I am concerned with one very specific approach that could be taken, and this is the approach of F.W.J. Schelling. Schelling has never been so relevant, and this is in no small part thanks to Iain Hamilton Grant’s Philosophies of Nature after Schelling. Grant’s work–part of the recent resurgence in speculative philosophies—has been instrumental in presenting Schelling’s Naturphilosophie as a viable pursuit for philosophy in the wake of Deleuze. This chapter is intended as a “regional application” of Grant’s presentation of Schelling onto philosophy of language and religion. It is important to stress straight-off that, while language and the numinous may well be two of the deconstructionist’s favourite tools for undermining theoretical discourse, this chapter has no such aim.
    [Show full text]
  • The Other Country: Stories and a Novella
    UNLV Retrospective Theses & Dissertations 1-1-2006 The Other Country: Stories and a novella Vu Hoang Tran University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Tran, Vu Hoang, "The Other Country: Stories and a novella" (2006). UNLV Retrospective Theses & Dissertations. 2670. http://dx.doi.org/10.25669/oqxe-i2xn This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE OTHER COUNTRY: STORIES AND A NOVELLA by Yu Hoang Tran Bachelor of Arts University of Tulsa 1998 Master of Arts University of Tulsa 2000 Master of Fine Arts University of Iowa 2002 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy Degree in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3226632 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • The Appeal to Easiness in Aristotle's Protrepticus
    THE APPEAL TO EASINESS IN ARISTOTLE’S PROTREPTICUS Matthew D. Walker [Uncorrected draft. To be published in Ancient Philosophy 39 (2019). Please cite only the final published version.] Aristotle’s Protrepticus sought to exhort its audience to engage in philosophy (filosofi&a), i.e., the “acquisition and use of wisdom” (kth~si&v te kai_ xrh~siv sofi&av: 6, 40.2-3/B53; cf. 6, 37.7-9/B8).1 The Protrepticus is now lost. But work by D.S. Hutchinson and Monte Ransome Johnson (2005) has confirmed earlier speculation – initiated by Ingram Bywater (1869) – that Iamblichus preserves large passages of the work in his own Protrepticus. Hutchinson and Johnson 2018 argue that significant portions of the Protrepticus also appear in Iamblichus’ De Communi Mathematica Scientia (DCMS), and that the Protrepticus was originally a dialogue. In passages preserved in Chapter 6 of Iamblichus’ Protrepticus (at 40.15-41.2/B55- 56), Aristotle offers three linked arguments for the claim that philosophy is easy. (I number the arguments in the translation that follows.) [1] For, with no pay coming from people to those who philosophize, on account of which [the latter] would have labored strenuously in this way, and with a great lead extended to the other arts, nevertheless their passing [the other arts] in exactness despite running a short time seems to me to be a sign of the easiness about philosophy. [2] And further, everybody’s feeling at home in it and wishing to occupy leisure with it, leaving aside all else, is no small sign that the close attention comes with pleasure; for no one is willing to labor for a long time.
    [Show full text]
  • The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
    November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad.
    [Show full text]
  • Historical Synopsis of the Aristotelian Commentary Tradition (In Less Than Sixty Minutes)
    HISTORICAL SYNOPSIS OF THE ARISTOTELIAN COMMENTARY TRADITION (IN LESS THAN SIXTY MINUTES) Fred D. Miller, Jr. CHAPTER 1 PERIPATETIC SCHOLARS Aristotle of Stagira (384–322 BCE) Exoteric works: Protrepticus, On Philosophy, Eudemus, etc. Esoteric works: Categories, Physics, De Caelo, Metaphysics, De Anima, etc. The legend of Aristotle’s misappropriated works Andronicus of Rhodes: first edition of Aristotle’s works (40 BCE) Early Peripatetic commentators Boethus of Sidon (c. 75—c. 10 BCE) comm. on Categories Alexander of Aegae (1st century CE)comm. on Categories and De Caelo Adrastus of Aphrodisias (early 1st century) comm. on Categories Aspasius (c. 131) comm. on Nicomachean Ethics Emperor Marcus Aurelius establishes four chairs of philosophy in Athens: Platonic, Peripatetic, Stoic, Epicurean (c. 170) Alexander of Aphrodisias (late 2nd —early 3rd century) Extant commentaries on Prior Analytics, De Sensu, etc. Lost comm. on Physics, De Caelo, etc. Exemplar for all subsequent commentators. Comm. on Aristotle’s Metaphysics Only books 1—5 of Alexander’s comm. are genuine; books 6—14 are by ps.-Alexander . whodunit? Themistius (c. 317—c. 388) Paraphrases of Physics, De Anima, etc. Paraphrase of Metaphysics Λ (Hebrew translation) Last of the Peripatetics CHAPTER 2 NEOPLATONIC SCHOLARS Origins of Neoplatonism Ammonius Saccas (c. 175—242) forefather of Neoplatonism Plotinus (c. 205—260) the Enneads Reality explained in terms of hypostases: THE ONE—> THE INTELLECT—>WORLD SOUL—>PERCEPTIBLE WORLD Porphyry of Tyre (232–309) Life of Plotinus On the School of Plato and Aristotle Being One On the Difference Between Plato and Aristotle Isagoge (Introduction to Aristotle’s Categories) What is Neoplatonism? A broad intellectual movement based on the philosophy of Plotinus that sought to incorporate and reconcile the doctrines of Plato, Pythagoras, and Aristotle with each other and with the universal beliefs and practices of popular religion (e.g.
    [Show full text]
  • The Oxford Companion to English Literature, 6Th Edition
    e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip­ form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.
    [Show full text]