THE Narrative READER

Total Page:16

File Type:pdf, Size:1020Kb

THE Narrative READER THE Narrative READER The Narrative Reader provides a comprehensive survey of theories of narrative from Plato to post-structuralism. The selection of texts is bold and broad, demonstrating the extent to which narrative permeates the entire field of literature and culture. It shows the ways in which narrative crosses disciplines, continents and theoretical perspectives, and is a long overdue and welcome addition to the field. The Narrative Reader will fascinate students and researchers alike, providing a much needed point of entry to the increasingly complex field of narrative theory. Canonical texts are combined with texts which are difficult to get hold of elsewhere, and new translations and introductory material. The texts cover many crucial issues and topics including: • formalism • structuralism • responses to narratology • narrative and sexual difference • psychoanalysis • race • phenomenology • history • deconstruction Part III is designed to guide the student reader through the texts, including a helpful chronology of narrative theory, a glossary of narrative terms and a checklist of narrative theories. Selected authors include: Plato, Aristotle, E. M. Forster, Walter Benjamin, Mikhail Bakhtin, John Berger, Claude Lévi-Strauss, Jonathan Culler, Roland Barthes, Umberto Eco, Jean-François Lyotard, Laura Mulvey, Barbara Hernstein Smith, Jacques Derrida, Paul Ricoeur, Fredric Jameson, Edward Said, Shoshana Felman, Henry Louis Gates, Jr, Homi K. Bhabha. Martin McQuillan is lecturer in cultural theory and analysis at the University of Leeds. His other books include Deconstructing Disney (1999) with Eleanor Byrne, and the co-edited collection Post-Theory: New Directions in Criticism (1999). THE Narrative READER EDITED BY MARTIN McQUILLAN LONDON AND NEW YORK First published 2000 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2002. © 2000 Martin McQuillan All rights reserved. No part of this book may British Library Cataloguing in Publication be reprinted or reproduced or utilised in any Data form or by any electronic, mechanical, or A catalogue record for this book is available other means, now known or hereafter from the British Library invented, including photocopying and Library of Congress Cataloging in recording, or in any information storage or Publication Data retrieval system, without permission in McQuillan, Martin. writing from the publishers. The narrative reader / Martin McQuillan. p. cm. Includes bibliographical references and index. 1. Narration (Rhetoric) I. Title. PN212 .M39 2000 808–dc21 00–032308 ISBN 0–415–20533–6 (pbk) ISBN 0–415–20532–8 (hbk) ISBN 0-203-45906-7 Master e-book ISBN ISBN 0-203-76730-6 (Adobe eReader Format) Contents Acknowledgements ix How to use this book xi Introduction: Aporias of Writing: Narrative and Subjectivity 1 PART I: openings 35 1 Form and Discourse 37 i. Classical Analysis 37 Plato, The Republic, Chapter XXV, ‘The Allegory of the Cave’ 37 Aristotle, from The Poetics, ‘Plot’ 39 ii. Twentieth-century Analysis 44 E.M. Forster, ‘The Story’ and ‘The Plot’ 44 Walter Benjamin, ‘The Storyteller: Reflections on the Works of Nicolai Leskov’ 46 Mikhail Bakhtin, from The Dialogic Imagination 53 Vladimir Propp, ‘Oedipus in the Light of Folklore’ 58 Victor Shlovsky, ‘Sterne’s Tristram Shandy: Stylistic Commentary’ 63 Boris Tomashevsky, ‘Thematics’ 67 Wayne Booth, from The Rhetoric of Fiction 69 2 Structuralism 75 i. Definitions 75 Claude Lévi-Strauss, ‘The Structural Study of Myth’ 75 Mieke Bal, from Narratology 81 Christain Metz, ‘Notes Toward a Phenomenology of the Narrative’ 86 ii. Theories 91 Gérard Genette, ‘Order in Narrative’ 91 Seymour Chatman, ‘Point of View’ 96 Gerald Prince, ‘Introduction to the Study of the Narratee’ 99 Jonathan Culler, ‘Story and Discourse in the Analysis of Narrative’ 104 iii. Readings 109 Roland Barthes, ‘Introduction to the Structural Analysis of Narratives’ 109 Umberto Eco, ‘Narrative Structure in Ian Fleming’ 115 Tsvetan Todorov, ‘The Typology of Detective Fiction’ 120 VI CONTENTS 3 Post-narratology 128 i. Reflections 128 Gérard Genette, from Narrative Discourse Revisited 128 Gerald Prince, ‘On Narratology (Past, Present, Future)’ 129 Roland Barthes, ‘Textual Analysis: Poe’s “Valdemar”’ 130 ii. Responses 138 Barbara Hernstein Smith, ‘Narrative Versions, Narrative Theories’ 138 Peter Brooks, from Reading for the Plot 145 Andrew Gibson, from Towards a Postmodern Theory of Narrative 152 iii. Beyond 157 Jean-François Lyotard, from The Postmodern Condition 157 Donald N. McCloskey, ‘Storytelling in Economics’ 161 Bernard S. Jackson, ‘Narrative Theories and Legal Discourse’ 163 Rom Harré, ‘Some Narrative Conventions of Scientific Discourse’ 165 Susan McClary, ‘The Impromptu That Trod on a Loaf: or How Music Tells Stories’ 166 John Berger, ‘Stories’ 170 PART II: diaspora 175 4 Psychoanalysis 177 Laura Mulvey, ‘Visual Pleasure and Narrative Cinema’ 177 Laura Mulvey, ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” Inspired by Duel in the Sun’ 182 Stephen Heath, ‘Narrative Space’ 184 Elizabeth Bronfen, ‘Spectral Stories’ 192 5 Sexual Difference 198 Susan S. Lanser, ‘Toward a Feminist Narratology’ 198 Nilli Diengott, ‘Narratology and Feminism’ 201 Teresa de Lauretis, ‘Desire in Narrative’ 204 Judith Roof, from Come As You Are: Sexuality and Narrative 212 6 Deconstruction 220 Jacques Derrida, ‘The Law of Genre’ 220 Paul de Man, ‘Reading (Proust)’ 227 J. Hillis Miller, ‘Line’ 231 Barbara Johnson, ‘The Critical Difference: BartheS/BalZac’ 238 7 Phenomenology 244 Wolfgang Iser, ‘A Conversation with Wayne Booth’ 244 Dorrit Cohn, from Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction 250 Paul Ricoeur, ‘Narrative Time’ 255 CONTENTS VII 8 History 262 Shoshana Felman, from Testimony: Crises of Witnessing in Literature, Psychoanalyis and History 262 Fredric Jameson, from The Political Unconscious: Narrative as a Socially Symbolic Act 266 Samuel Weber, ‘Capitalizing History: Thoughts on The Political Unconscious’ 269 Hans Kellner, ‘Narrativity in History: Post-structuralism and Since’ 275 9 Race 284 Edward Said, from Culture and Imperialism 284 Henry Louis Gates, Jr., ‘Thirteen Ways of Looking at a Black Man’ 288 Homi K. Bhabha, ‘DissemiNation: Time, Narrative and the Margins of the Modern Nation’ 292 Trin Minh-Ha, ‘Grandma’s Story’ 297 PART III: taxonomies 309 A chronology of narrative theory in the twentieth century 311 A glossary of narrative terms 314 A checklist of narrative theories 330 Index 347 Acknowledgements This volume has a convoluted narrative of its own and I would like to thank all those who at some stage, knowingly or not, have been instrumental in its construction. So, in (I believe) chronological order I would like to thank Sandra Kemp, Drummond Bone, Patrick Reilly, Vassiliki Kolokotroni, Eleanor Byrne, Gun Orgun, Robin Purves, Graeme Macdonald, Stephen Thomson, Claire Brennan, Ellen Jackson, Damien Walsh, Mary Reilly, John Boyle, Shona Allan, Janet Stewart, Jane Cavani, Willy Maley, Bob Maslen, Julian Wolfreys, John Coyle, Robert Eaglestone, Andrew Gibson, Jim Phelan, Sophie Gibson, Rosie Waters, Liz Brown, Talia Rogers, Stephen Heath, John Berger, and my colleagues and friends at Staffordshire University (past and present). For permission to reproduce material, I would like to thank the following copyright holders: Plato, from The Republic, trans. F. Cornford, reprinted by permission of Oxford University Press. Aristotle, from The Poetics, trans. T. S. Dorsch, reprinted by permission of Penguin Books. E. M. Forster, Aspects of the Novel, reprinted by permission of the Provost and Scholars of Kings’ College, Cambridge. Walter Benjamin, ‘The Storyteller’, trans. H. Zohn, reprinted by permission of Harcourt, Brace & World Inc. Mikhail Bakhtin, from The Dialogic Imagination, reprinted by permission of the University of Texas Press. Victor Shlovsky, ‘Sterne’s Tristram Shandy: Stylistic Commentary’ and Boris Tomashevsky, ‘Thematics’, reprinted by permission of the University of Nebraska Press. Wayne Booth, from The Rhetoric of Fiction, reprinted by permission of Penguin Books. Claude Lévi-Strauss, ‘The Structural Study of Myth’, reprinted by permission of Penguin Books. Mieke Bal, from Narratology, reprinted by permission of the author and the University of Toronto Press. Christain Metz, ‘Notes Toward a Phenomenology of the Narrative’, reprinted by permission of Oxford University Press, New York. Gerard Genette, from Narrative Discourse, reprinted by permission of Basil Blackwell Ltd. Seymour Chatman, from Coming to Terms, reprinted by permission of Cornell University Press. Gerald Prince, ‘Introduction to the Study of the Narratee’, reprinted by permission of the author. Jonathan Culler, ‘Story and Discourse in the Analysis of Narrative’, reprinted by permission of Routledge. Roland Barthes, ‘Introduction to the Structural Analysis of Narrative’, reprinted by permission of Stephen Heath. Umberto Eco, ‘Narrative Structure in Ian Fleming’, reprinted by permission of Indiana University Press. Tsvetan Todorov, ‘A Topology of Detective Fiction’, reprinted by permission of Cornell University Press. Roland Barthes, ‘Analysis of Poe’s Valdemer’, reprinted by permission of Routledge. Barbara Hernstein Smith, ‘Narrative Versions, Narrative Theories’, reprinted by permission of the author and the University of Chicago Press. Peter
Recommended publications
  • The City Anthology: Definition of a Type
    Marven, L 2020 The City Anthology: Definition of a Type. Modern Languages Open, 2020(1): 52 pp. 1–30. DOI: https://doi.org/10.3828/mlo.v0i0.279 ARTICLE The City Anthology: Definition of a Type Lyn Marven University of Liverpool, GB [email protected] This article uses a corpus of over one hundred and fifty Berlin literary anthologies from 1885 to the present to set out the concept of a ‘city anthology’. The city anthology encompasses writing from as well as about the city, and defines itself through a broad sense of connection to the city rather than thematic subject matter as such. This article uses the example of Berlin to set out the unique traits of the city anthology form: the affective connection between authors, editors, readers, texts and the city; diversity of contributors and literary content; and a tendency towards reportage. It further uses the corpus to identify four key types of city anthology – survey, snapshot, retrospective and memory anthology – and to argue for a functional rather than formal definition of the anthology. Finally, Berlin anthologies challenge precepts of that city’s literary history in two key ways: in mapping different historical trajectories across the nineteenth to twenty-first centuries, and in particular countering the focus on the much better known city novel. The often-overlooked city anthology thus constitutes a specific form of city literature as well as anthology. As a literary manifestation – not just a representation – of the city, city anthologies inhabit a border space between literary geographies and urban imaginaries with the potential to open up an affective dimension in urban studies.
    [Show full text]
  • Australian Anarcha-Punk Zines: Poststructuralism in Contemporary Anarchist and Gender Politics
    Australian Anarcha-Punk Zines: Poststructuralism in Contemporary Anarchist and Gender Politics Author Nicholas, Lucy Katherine Published 2006 Thesis Type Thesis (Masters) School School of Arts, Media and Culture DOI https://doi.org/10.25904/1912/2826 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367436 Griffith Research Online https://research-repository.griffith.edu.au Australian Anarcha-punk Zines: Poststructuralism in contemporary anarchist and gender politics. Lucy Katherine Nicholas BA (Hons) Politics and Society with Combined Studies, University of Gloucestershire Submitted in fulfilment of the requirements of the degree of Master of Philosophy in the Faculty of Arts, Griffith University. Date of Submission: September 2005 Abstract This thesis describes and analyses the politics of the Australian DIY anarcha-punk scene and the ethos of the culture’s participants. Eschewing the orthodox sub-cultural approach which situates “punk” within a structuralist hegemony / resistance paradigm, the thesis uses participant observation and textual analysis techniques to understand the role played by zines (hand made publications) in fostering the intellectual and ethical capacities needed to participate in the Australian DIY anarcha-punk scene. The zines, in their deviation from classical anarchism, often invoke concepts of power and “the political” analogous with those of poststructuralist theory, yet DIY anarchist politics also diverge from poststructuralism. I therefore address DIY anarchist politics by questioning the significance of these inconsistencies with Theory. In doing so I am led to suggest that the zines may be more usefully approached as elements in the ethico- political practice of DIY anarchism, which nonetheless draws on the “conceptual vocabulary” of much poststructuralism, as well as other theoretical approaches.
    [Show full text]
  • Film Adaptation As the Interface Between Creative Translation and Cultural Transformation
    The Journal of Specialised Translation Issue 29 – January 2018 Film adaptation as the interface between creative translation and cultural transformation: The case of Baz Luhrmann’s The Great Gatsby Katerina Perdikaki, University of Surrey ABSTRACT Adaptation is prominent in many facets of the creative industries, such as the performing arts (e.g. theatre, opera) and various forms of media (e.g. film, television, radio, video games). As such, adaptation can be regarded as the creative translation of a narrative from one medium or mode to another. This paper focuses on film adaptation and examines its role in cultural production and dissemination within the broader polysystem (Even-Zohar 1978a). Adaptation has been viewed as a process which can shed light on meaningful questions on a social, cultural and ideological level (cf. Casetti 2004; Corrigan 2014; Venuti 2007). Nevertheless, an integrated framework for the systematic analysis of adaptations seems to have remained under-researched. The paper puts forward a model for adaptation analysis which highlights the factors that condition adaptation as a process and as a product. In this way, adaptation is studied as a system monitored by economic, creative and social agendas which nevertheless transforms the communicating vessels of the literary system and the film industry. To illustrate this, the paper discusses how the two systems and various creative and socioeconomic considerations interlace in the latest film adaptation of The Great Gatsby (Luhrmann 2013). It concludes on the benefits of a holistic approach to adaptation. KEYWORDS Film adaptation, translation, polysystem, paratexts, creative industries, The Great Gatsby. 1. Introduction Adaptations play a crucial part in the contemporary creative industries.
    [Show full text]
  • Re-Contextualization and Representation of Folk Art in Advertising
    Re-contextualization and Representation of Folk Art in Advertising Dr. Manash Pratim Goswami Associate Professor, Dept. of Media and Communication, Central University of Tamil Nadu ([email protected]) Dr. Soubhagya Ranjan Padhi Professor, Dept. of Sociology & Social Anthropology, Indira Gandhi National Tribal University ([email protected]) Abstract: Although art and advertising are ideologically distant apart, yet they share a close and entwined relationship. Art imitates life and advertising imitates art to persuade. Advertising connects diverse and disconnected pieces of art to create semantic meaning in a message. The magic of an image with dots and lines can create powerful impact in an advertising message with a potential to influence people. The idea of appropriation of art or elements of art have been in practice for a long time. Advertising campaigns often re-contextualise popular imageries to influence people. The re- contextualization and representation of art, culture, motifs, patterns and designs of painting often help communicating advertising message effectively and lucidly. The current study focuses on investigating the appropriation of cultural characteristics and elements of folk-art and paintings to re-contextualise the creative expression of artists to communicate advertising messages. The study makes a qualitative analysis of ‘GE Works’- the advertising campaign of General Electric (GE) launched a decade ago, which recontextualised and represented four distinct and colourful Indian folk-art forms. Keywords: Appropriation, Recontextualization, Representation, Folk-art and Painting, Advertising. Introduction Art and advertising, although separated by ideological notions, share a close and intertwined relationship. Art is a commentary presented to be appreciated for its beauty or emotional power (Oxford University Press, n.d.) and advertising persuades, influences and convinces the individual for something.
    [Show full text]
  • “Signing, Sealing, Sailing: the Life and Work of J
    UCD Humanities Institute presents: “Signing, Sealing, Sailing: The Life and Work of J. Hillis Miller” Organized by Éamonn Dunne and Michael O’Rourke Saturday 2 June 2012, 10am to 5.30pm Room 204, UCD Humanities Institute of Ireland Seminar Room, University College Dublin, Belfield, Dublin 4, Ireland (http://www.ucd.ie/hii) Directions to the venue: See point 30 on the UCD Belfield Campus Map: http://www.ucd.ie/maps J. Hillis Miller’s professional career as a teacher and scholar of literature, philosophy and critical theory has spanned well over fifty years now. He is, according to Edinburgh University Press, “the single most significant North American literary critic of the twentieth century.” He has published twenty-seven books and countless articles, edited collections and book chapters. Hillis holds honorary degrees as Doctor of Letters from the University of Florida, Doctor of Humane Letters at Bucknell University, and Doctor Honoris Cause at the University of Zaragoza. He is also Honorary Professor of Peking University and past president of the Modern Language Association. He has taught at The Johns Hopkins University, Yale University and University of California, Irvine. He is a Fellow of the American Academy of Arts and Sciences and a member of the American Philosophical Society and currently Distinguished Research Professor of English and Comparative Literature at the University of California, Irvine. The First Sail: J. Hillis Miller (2012) is the first feature length film to catalogue the life and work of J. Hillis Miller. Through archive footage and interviews at the President’s House at the University of Florida, Miller’s homes at Deer Isle and Sedgwick, Maine, Dragan Kujundžić (Director) documents what Gregory Ulmer has referred to as “our own Living National Treasure.” Here Hillis reminisces about his childhood and the great contribution of his family to the University of Florida, where his father was president, as well as about his own career at Yale University, Johns Hopkins, and the University of California.
    [Show full text]
  • Papers of Surrealism, Issue 8, Spring 2010 1
    © Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination.
    [Show full text]
  • Copyright, Fair Dealing and Art in a Digital Age Part
    Art At Risk: copyright, fair dealings and art in a digital age Art At Risk: copyright, fair dealings and art in a digital age Part Two: Background Research Susan Ballard and Pamela McKinlay revised June 2011 1 Art At Risk: copyright, fair dealings and art in a digital age Art at Risk was a collaborative research project undertaken by Dr. Susan Ballard and Pam McKinlay at the Dunedin School of Art, Otago Polytechnic 2009-2010. It was funded by Ako Aotearoa Southern Regional Hub, the Dunedin School of Art and Otago Polytechnic Research Committee. This project would not have been possible without the support and assistance we have received from colleagues and mentors during this past year. We are indebted to David McLaughlin, the principal of McLaughlin Law (http://www.mclaughlinlaw.co.nz) who specialises in legal issues as they relate to the creative industries. We would like to acknowledge his support in reviewing the legal issues arising from the Case Studies. Our thanks also to Sacha McMeeking and Khyla Russell (kaitohutohu), for their insights and assistance with aspects to do with Matauranga Maori and cultural identity of Iwi Maori; thanks also to Laura Ferguson for her work on the “What’s Fair Poster,” Max Bellamy for photographing the “Can I Use That” poster, Tanya Low at the Bill Robertson Library, and Jenny Clark for proofreading. Our colleagues in the School of Art: Rachel Gillies, David Green, Bridie Lonie, and Prof. Leoni Schmidt provided excellent sounding boards and critical perspectives. We would also like to acknowledge the support of Jenny Aimers, Research Coordinator, and Robin Day, Deputy CEO and Head of Research at Otago Polytechnic for their ongoing support of the concerns and issues arising from research in the arts.
    [Show full text]
  • Manga Vision: Cultural and Communicative Perspectives / Editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, Manga Artist
    VISION CULTURAL AND COMMUNICATIVE PERSPECTIVES WITH MANGA ARTIST QUEENIE CHAN EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL MANGA VISION MANGA VISION Cultural and Communicative Perspectives EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL WITH MANGA ARTIST QUEENIE CHAN © Copyright 2016 Copyright of this collection in its entirety is held by Sarah Pasfield-Neofitou and Cathy Sell. Copyright of manga artwork is held by Queenie Chan, unless another artist is explicitly stated as its creator in which case it is held by that artist. Copyright of the individual chapters is held by the respective author(s). All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/mv-9781925377064.html Series: Cultural Studies Design: Les Thomas Cover image: Queenie Chan National Library of Australia Cataloguing-in-Publication entry: Title: Manga vision: cultural and communicative perspectives / editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, manga artist. ISBN: 9781925377064 (paperback) 9781925377071 (epdf) 9781925377361 (epub) Subjects: Comic books, strips, etc.--Social aspects--Japan. Comic books, strips, etc.--Social aspects. Comic books, strips, etc., in art. Comic books, strips, etc., in education.
    [Show full text]
  • Rewriting Shakespeare's Plays for and by the Contemporary Stage 3 Becomes the Constant Object of Actors’ Investigation
    Rewriting Shakespeare’s Plays For and By the Contemporary Stage Rewriting Shakespeare’s Plays For and By the Contemporary Stage Edited by Michael Dobson and Estelle Rivier-Arnaud Rewriting Shakespeare’s Plays For and By the Contemporary Stage Edited by Michael Dobson and Estelle Rivier-Arnaud This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Michael Dobson, Estelle Rivier-Arnaud and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8280-1 ISBN (13): 978-1-4438-8280-4 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Introduction ................................................................................................. 1 Meaning and Motivations for a Contemporary Appropriation of Shakespeare’s Drama PART ONE: The Rewriting Process under Scrutiny and its Stakes Chapter One ............................................................................................... 11 Unlearning Tradition: William Shakespeare’s King Lear, Jane Smiley’s and Jocelyn Moorhouse’s A Thousand Acres Anne-Kathrin Marquardt Chapter Two .............................................................................................
    [Show full text]
  • Literary Studies
    LITERARY 2015 STUDIES THE UNIVERSITY of EDINBURGH LITERARY STUDIES Key Textbooks 4 Bible & Classical 44 Literary Criticism 11 Theory 45 20th Century 16 Transatlantic Literature 51 War Literature 18 Arabic & Persian Literature 53 Modernism 20 Scottish Literature 54 Gothic 34 Journals 62 19th Century, Romanticism 36 Index 65 Shakespeare & Renaissance 42 Order Form 67 Placing your order Please email our sales department: [email protected] Mailing list Join our mailing list to sign up for catalogues, email bulletins and journal ToC alerts. Create your account and manage your mailing preferences at www.euppublishing.com/action/registration Ebooks Books marked with an ebook are available as ebooks. Our ebooks are available for individuals to buy from the Kindle and Nook stores and are available to libraries from a number of aggregators and platforms. See the full list at: www.euppublishing.com/page/infoZone/librarians/e-books Textbooks Books marked with a textbook are available to lecturers on inspection. Request your copy using the order form at the back, or email [email protected] with the course and book details. Journals Prices noted below are for individuals. More information, including editors, aims & scope, submission details and the full range of subscription options for individuals and institutions worldwide, is available on our website. If you have any questions, please email [email protected] or call +44 (0) 131 650 4218. Contacts Publisher Marketing Manager Jackie Jones Carla Hepburn 0131 650 4217 0131 651 1286 Cover image: [email protected] [email protected] © Augusta Street, São Paulo, Brazil.
    [Show full text]
  • Science in Society
    VOLUME 4 ISSUE 3 The International Journal of Science in Society SCIENCE-SOCIETY.COM The International Journal of Science in Society ………………………………… VOLUME 4 ISSUE 3 2012 THE INTERNATIONAL JOURNAL OF SCIENCE IN SOCIETY www.science-society.com First published in 2013 in Champaign, Illinois, USA by Common Ground Publishing LLC www.commongroundpublishing.com ISSN: 1836-6236 © 2012-2013 (individual papers), the author(s) © 2012-2013 (selection and editorial matter) Common Ground All rights reserved. Apart from fair dealing for the purposes of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected]. The International Journal of Science in Society is peer-reviewed, supported by rigorous processes of criterion- referenced article ranking and qualitative commentary, ensuring that only intellectual work of the greatest substance and highest significance is published. EDITOR ………………………………… Karim Gherab Martín, Spanish National Research Council, Consejo Superior de Investigaciones Científicas, Spain EDITORIAL ADVISORY BOARD ………………………………… Carlos Elias, University Carlos III of Madrid, Madrid, Spain Christopher Impey, University Distinguished Professor, Department of Astronomy, University of Arizona, Tucson, AZ Michael Peters, University of Illinois, Urbana-Champaign, USA Kayte Spector-Bagdady, Presidential Commission for Bioethics,
    [Show full text]
  • Marc Redfield
    Marc Redfield [email protected] Department of English Dept. of Comparative Literature 70 Brown Street 36 Prospect Street Box 1852 Box 1935 Brown University Brown University Providence, RI 02912 Providence, RI 02912 Education. Yale University: B.A. in History, the Arts and Letters, 1980, summa cum laude. Cornell University: M.A. in English, 1985; Ph.D. in English, 1990. Doctoral thesis: The Politics of Reception: Aesthetic Ideology and the Bildungsroman. Director: Jonathan Culler. Honorary Degrees. Brown University: M.A. ad eundem, 2011. Academic Appointments. 1986-1990 Assistant, Département de langue et littérature anglaises, Université de Genève. 1990-1996 Assistant Professor of English, The Claremont Graduate School. 1996-2001 Associate Professor of English, Claremont Graduate University (the institution’s name changed from The Claremont Graduate School to Claremont Graduate University [CGU] as of July 1997). 2001-2010 Professor of English, CGU 2010- Professor of English and Comparative Literature, Brown University Administrative Appointments. 2000-2003 Chair, Department of English, CGU 2007-2008 Interim Dean, School of Arts and Humanities, CGU 2008-2010 Dean, School of Arts and Humanities, CGU 2014-2017 Chair, Department of Comparative Literature, Brown University 2018- Chair, Department of Comparative Literature, Brown University Honorary Affiliations and Visiting Appointments. Distinguished International Fellow, London Graduate School. (Honorary affiliation.) 2010- Gastwissenschaftler, Graduiertenkolleg, “Mediale Historiographien” (funded by the Deutsche Forschungsgemeinschaft and administered jointly by the three universities of Thuringia: the Bauhaus-Universität Weimar, the Friedrich-Schiller-Universität Jena, and the Universität Erfurt). September 2012-March 2013. Gastwissenschaftler, Zentrum für Literatur- und Kulturforschung Berlin (ZfL). April-June 2013. Awards, Honors, Grants, Fellowships. Redfield /2 Yale University: R.S.
    [Show full text]