THE UNIVERSITY of EDINBURGH STUDIE Literary

2015 LITERARY STUDIES

Key Textbooks 4 Bible & Classical 44 Literary Criticism 11 Theory 45 20th Century 16 Transatlantic Literature 51 War Literature 18 Arabic & Persian Literature 53 Modernism 20 Scottish Literature 54 Gothic 34 Journals 62 19th Century, Romanticism 36 Index 65 Shakespeare & Renaissance 42 Order Form 67

Placing your order Please email our sales department: [email protected] Mailing list Join our mailing list to sign up for catalogues, email bulletins and journal ToC alerts. Create your account and manage your mailing preferences at www.euppublishing.com/action/registration Ebooks Books marked with an ebook are available as ebooks. Our ebooks are available for individuals to buy from the Kindle and Nook stores and are available to libraries from a number of aggregators and platforms. See the full list at: www.euppublishing.com/page/infoZone/librarians/e-books Textbooks Books marked with a textbook are available to lecturers on inspection. Request your copy using the order form at the back, or email [email protected] with the course and book details. Journals Prices noted below are for individuals. More information, including editors, aims & scope, submission details and the full range of subscription options for individuals and institutions worldwide, is available on our website. If you have any questions, please email [email protected] or call +44 (0) 131 650 4218. Contacts Publisher Marketing Manager Jackie Jones Carla Hepburn 0131 650 4217 0131 651 1286 Cover image: [email protected] [email protected] © Augusta Street, São Paulo, Brazil. 2 www.euppublishing.com WELCOME A message from Jackie Jones Publisher for Literature Studies, Edinburgh University Press Welcome to our catalogue for Literary Studies which presents our new books and selected backlist titles. New research monographs include 7 new titles in the Edinburgh

FORTHCOMING Critical Studies in Victorian Culture series as well as the first titles in the new Edinburgh Critical Studies in Romanticism series. Three new titles are publishing in our Gothic Companions series: on Romantic Gothic, American Gothic Culture and Women and the Gothic. We have several new research companions – The Edinburgh Companion to Modern Jewish Fiction and The Edinburgh Companion to Critical Theory – as well as The Edinburgh Dictionary of Modernism, edited by Vassiliki Kolocotroni and Olga Taxidou. We are also delighted to publish The Poetry and Critical Writings of Katherine Mansfield, the 3rd volume in The Edinburgh Edition of the Collected Works of Katherine Mansfield series, edited by Gerri Kimber and Angela Smith. NEW Look out for the newly annotated critical edition of Coleridge’s Biographia Literaria, edited by Adam Roberts, The Edinburgh Critical Edition of the Selected Writings of Andrew Lang, in two volumes as well as the first volume in The Edinburgh Edition of the Periodical Criticism of Walter Scott and The Edinburgh Edition of Walter Scott’s Minstrelsy of the Scottish Border, complete in a 3-volume set. Key new textbooks for classroom use include The European Avant- Gardes, 1905–1935: A Portable Guide and Teaching Transatlanticism: Resources for Teaching Nineteenth-Century Anglo-American Print Culture, with its accompanying dedicated website. Books in paperback for students and general readers are Shakespeare and Continental Philosophy, The Decadent Short Story:

NEW IN PAPERBACK An Annotated Anthology and 9/11 and the Literature of Terror. We hope there is something here for your research, your library and your teaching. Kind regards, Jackie Jones Edinburgh University Press

THE UNIVERSITY Literary Studies 3 of EDINBURGH Key Textbooks Teaching Transatlanticism Resources for Teaching Nineteenth-Century Anglo- American Print Culture Edited by Linda K. Hughes and Sarah R. Robbins, both at Texas Christian University

FORTHCOMING An essential resource for teaching 19th-century print culture in Transatlantic Studies The 18 chapters in this book outline conceptual approaches to the field and provide practical resources for teaching, ranging from ideas for individual class sessions to full syllabi and curricular frameworks. February 2015 312pp The book is divided into 5 key sections: Curricular Histories Pb 978 0 7486 9446 4 £29.99 and Key Trends; Organising Curriculum through Transatlantic Hb 978 0 7486 9445 7 £90.00 Lenses; Teaching Transatlantic Figures; Teaching Genres in ebook textbook Transatlantic Context; and Envisioning Digital Transatlanticism. Individual chapters from experts in the field range from reconceptualising entire courses to revisiting individual texts, authors and genres through a transatlantic lens. Weaving in strategies from innovative teaching shaped by the digital humanities, the collection also looks ahead to the future of this growing field. A dedicated Teaching Transatlanticism website accompanies the book: https://teachingtransatlanticism.tcu.edu/

Key Features • Provides readers with help about the conceptual and practical issues • Classroom accounts address multiple genres, issues and media • Reflections on real-world teaching contexts are blended with scholarly analysis of key issues in the field today • The specially designed project website supports the book and invites continued conversations through a moderated discussion space and submission venue for readers’ own teaching materials

4 www.euppublishing.com Key Textbooks Modernist and Avant-Garde Performance An Introduction Claire Warden, University of Lincoln The first detailed, student-focused introduction to modernist avant-garde performance

FORTHCOMING This textbook introduces the reader to modernist avant- garde theatre. It clearly explains the key terms as well as the major movements, including expressionism, dadaism, futurism, Workers’ theatres, constructivism and the living newspaper, and mass performance, using a case study approach. It introduces the important innovations of the modernist avant-garde, reassesses theatrical techniques, February 2015 224pp and provides examples of plays and performances from Pb 978 0 7486 8155 6 £19.99 across Europe and America. There are also chapters on the Hb 978 0 7486 8154 9 £70.00 modernist body and on interdisciplinary performance. The ebook textbook book approaches the modernist avant-garde both as an area of academic study and as potential raw material for contemporary performance.

Key Features • The first introductory guide to the modernist theatrical avant-garde • Includes case studies, practical exercises at the end of each chapter, an annotated bibliography and a glossary of performance terms • Includes links to performance-based explorations of theatrical techniques • Provides a springboard for further independent study, both theoretical and practical

Literary Studies 5 Key Textbooks

Sascha Bru The European Avant-Gardes, 1905–1935 A Portable Guide

The European Sascha Bru, KU Leuven Avant-Gardes, The first introduction to the early 20th-century European 1905-1935 avant-gardes A Portable Guide FORTHCOMING The works of the classic European avant-gardes (cubism, futurism, expressionism, Dadaism, constructivism and many other -isms) today still strike many students of modernism as strange or incomprehensible. Is this art? Do we have to take a sound poem seriously? How, at all, are we to read and interpret avant-garde works? And what on earth is the fourth dimension in physics that fascinated so many avant-gardists? December 2015 288pp Pb 978 0 7486 9591 1 £24.99 This engaging introduction is designed to answer all these Hb 978 0 7486 9590 4 £75.00 questions and more. ebook textbook In 3 thematic sections – Strategies and Tactics; Spaces and Places; and Times and Temporalities, each divided into 3 chapters – the book sketches the cultural and political contexts in which the avant-gardes operated, taking readers on a journey throughout the whole of Europe, from to Moscow, and back. It discusses the most salient features of the avant-gardes’ work in all the arts (including dance and film), and it succinctly surveys all major avant-garde movements. Clearly written, this textbook shows students how and why the avant-gardes are to be taken seriously as an important force in the development of modern art and writing.

Key Features • An up-to-date, historically and geographically comprehensive textbook for students of modernism • Covers all the arts of the ‘classic’ European avant-gardes, from 1905 to 1935 • 9 concise chapters with a topical and thematic approach • 12 text-boxes handily summarise the most important modernist avant-garde movements • Clearly and accessibly written, illustrated throughout

6 www.euppublishing.com Key Textbooks Creative Criticism An Anthology and Guide Edited by Stephen Benson and Clare Connors, both at University of East Anglia A guide to the creative possibilities of critical writing, with sample texts from a range of writer/critics Of interest to all students, teachers and critics of literature and creative writing, this anthology gathers 14 exemplary texts, which share a common question: how to write criticism in response to artworks whose aim is to change the ways in which we see and describe our world?

2014 320pp Key Features Pb 978 0 7486 7433 6 £24.99 Hb 978 0 7486 7432 9 £75.00 • Unique as an anthology of and guide to creative critical writing ebook textbook • Demonstrates a range of ways to write critically and creatively • Extensive introduction; explanatory headnotes to each text

The Handbook of Creative Writing Edited by Steven Earnshaw, Sheffield Hallam University An inspirational resource for tutors, students and other creative writing professionals With contributions from over 50 poets, novelists, dramatists, 2ND EDITION publishers, editors, tutors, critics and scholars, this is the essential guide to writing and getting published.

Key Features • Covers topics such as self-publishing, social media, flash fiction, song lyrics, creative-critical hybrids and collaboration in the theatre 2014 560pp • Revised chapters on Making a Living as a Writer, Theories of Pb 978 0 7486 8939 2 £24.99 Creativity, and Writing for the Web ebook textbook • Up-to-date information on teaching, copyright, writing for the web and earning a living as a writer

Literary Studies 7 Key Textbooks The Edinburgh Introduction to Studying English Literature Edited by Dermot Cavanagh, Alan Gillis, Michelle Keown, James Loxley and Randall Stevenson, all at University of Edinburgh New edition of this established guide to studying literature 2ND EDITION Extensively tested at the University of Edinburgh, this introduction to the tools required for literary study provides all the skills, background and critical knowledge which students require to approach their study of literature with confidence. This second edition includes 3 new chapters on Reading, Writing an Essay and Reflecting. Each focuses on the ‘how to’ element when studying literature, and covers issues such as how to avoid plagiarism and 2014 256pp how to prepare a bibliography. Pb 978 0 7486 9132 6 £15.99 ebook textbook New for this edition: • Three new chapters: Reading, Writing an Essay and Reflecting • Updated Works Cited • Texts discussed in the book keyed to the latest edition of The Norton Anthology of English Literature

The Cultural Politics of Emotion Sara Ahmed, Goldsmiths College, University of London A bold take on the crucial role of emotion in politics The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, 2ND EDITION psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives.

New for this edition • A substantial 15,000-word Afterword on ‘Emotions and Their Objects’ which provides an original contribution to the 2014 264pp burgeoning field of affect studies Pb 978 0 7486 9113 5 £24.99 • A revised Bibliography ebook textbook • Updated throughout

8 www.euppublishing.com Key Textbooks Literature Now Key Terms and Methods for Literary History EDITED BY SASCHA BRU, BEN DE BRUYN AND MICHEL DELVILLE Edited by Sascha Bru, KU Leuven, Ben de Bruyn, KU Leuven and Michel Delville, University of Liège LITERATURE Introduces the most important terms for understanding FORTHCOMING literature, past and present NOW Literature Now provides a thought-provoking argument as well as an authoritative exploration of the key terms of

KEY TERMS AND METHODS FOR LITERARY HISTORY literary studies. It will appeal to anyone who wants to explore theoretical issues from a historically informed perspective.

Key Features September 2015 340pp • 20 chapters on the key terms used in literary studies today Pb 978 0 7486 9925 4 £24.99 • Emphasis on the importance of literary history today ebook textbook • Authors are leading literary critics, theorists and historians

Children’s Literature M. O. Grenby, University of Newcastle upon Tyne Provides a thorough history of British and North American children’s literature from the 17th century to the present day 2ND EDITION Children’s Literature traces the development of the main genres of children’s books one by one, including fables, fantasy, adventure stories, moral tales, family stories, school stories, children’s poetry and illustrated and picture books. Grenby shows how these forms have evolved over 300 years and asks why most children’s books, even today, continue to 2014 288pp fall into one or other of these generic categories. Pb 978 0 7486 4902 0 £18.99 New to this edition ebook textbook • A new chapter on illustrated and picture books (includes 8 illustrations) • An expanded glossary • An updated further reading section

Literary Studies 9 Key Textbooks Introducing Criticism in the 21st Century Novel Edited by Julian Wolfreys, University of Portsmouth Provides a wide-ranging guide to current directions in literary criticism

This new and revised edition provides 14 chapters 2ND EDITION introducing new modes of ‘hybrid’ criticism which have emerged in the twenty-first century. The chapters provide thought-provoking overviews of critical thinking at the cutting edge. Each of the authors explains in lucid terms the various contours of their discourses while bringing these into sharp relief for the student reader March 2015 320pp through readings of canonical novels, poems, plays, films and Pb 978 0 7486 9529 4 £24.99 websites. ebook textbook

The 21st-Century Novel Notes from the Edinburgh World Writers’ Conference Edited by Jonathan Bastable and Hannah McGill Contemporary creative writers reflect on the past, present and future of the novel

NEW In 2012–2013, a year-long conversation between writers took place at 17 literary festivals around the world, from Jaipur to Krasnoyarsk, and from Melbourne to Berlin. Distinguished novelists such as Irvine Welsh, Ahdaf Soueif and Ali Smith shared their thoughts on various aspects of contemporary literature – the challenges it faces and the directions it is taking. This book is in part an anthology of the best of those accounts and also 2014 352pp an overview of the lively wide-ranging global debate that the Pb 978 0 7486 9834 9 £18.99 authors’ views engendered among the many writers who took ebook textbook part. It adds up to an arresting and thought-provoking picture of the state of world literature today.

10 www.euppublishing.com Literary Criticism

From: MACKENZIE Rebecca Date: 4 July 2014 16:24:10 BDT T O THE E DINBU R G H C O M P ANION To: Michael Chatfield

M O D E R N J W ISH FI C T I The Edinburgh Companion to Modern Jewish Fiction Subject: RE: Brauner & Staehler THE EDINBURGH Hi again, Edited by David Brauner, University of Reading and Can we go with option 1, however I have been informed COMPANION TO that Axel’s surname should appear as Stähler rather than Staehler. MODERN Axel Staehler, University of Kent Thanks, STÄHLER JEWISH FICTION Kate EDITED BY DAVID BRAUNER AND AXEL STÄHLER Provides critical overviews of the main writers and key

-----Original Message----- Ä Ë Ï Ö Ü From: Michael Chatfield [mailto:[email protected]] themes of Anglophone Jewish fiction Sent: 24 June 2014 12:59 To: MACKENZIE Rebecca Subject: Brauner & Staehler Hi Kate FORTHCOMING The Companion is divided into four sections: American-Jewish

Fronts for Brauner & Staehler attached (5 pages). Pages 2,3 & 4 show the AND AXEL ST Ä EDITED BY DAVID BRAUNER full image, on pages 1 & 5 the image is cropped. Thanks for the Baron brief. Fiction; British Jewish Fiction; Other Anglophone Jewish Fiction; Michael TO SEND HLER and Transatlantic, Transnational and Transethnic Connections. The 29 essays discuss established post-war American-Jewish novelists, Cover image: Ghetto Theatre by David Bomberg, 1920 © DACS Cover design: Michael Chatfield ISBN 978–0–7486–4615–9 including Saul Bellow, Philip Roth, Norman Mailer, Bernard

Kate’s barcode style Malamud, Joseph Heller, Grace Paley and Cynthia Ozick, as well as 38mm x 23.5mm (22%) contemporary novelists such as Michael Chabon, Jonathan Safran June 2015 480pp Foer and Nicole Krauss. Hb 978 0 7486 4615 9 £150 ebook

The Decadent Short Story An Annotated Anthology Edited by Kostas Boyiopoulos and Yoonjoung Choi, University of Durham and Matthew Brinton Tildesley, Hanuk University of Foreign Studies

NEW The first anthology of Decadent short stories reflecting a variety of fin de siècle themes This wide-ranging anthology showcases for the first time the short story as the most attractive genre for British writers who experimented with Decadent themes and styles. From familiar writers such as Ernest Dowson, Arthur Symons and Oscar Wilde to less well known writers such as December 2014 432pp Charles Ricketts, Victoria Cross and Ella D’Arcy, the 36 stories Pb 978 0 7486 9214 9 £24.99 demonstrate ideas of class, gender, sexuality, and science as Hb 978 0 7486 9213 2 £80.00 well as the Gothic, social satire, Symbolist fantasy, fairy tale, ebook textbook Naturalism/Realism, Impressionism, erotica, and the scientific romance.

Literary Studies 11 Literary Criticism Biographia Literaria by Samuel Taylor Coleridge Edited by Adam Roberts, University of London A new, fully annotated critical edition of this key Romantic text This new edition of the Biographia supersedes all previous editions. Crucially, it takes into consideration three decades of NEW research and scholarship on Coleridge and includes all Coleridge’s references and allusions. In tracing all unattributed references, Adam Roberts has in some cases opened up whole new avenues of interpretation for the text, materially altering or changing the way we read this classic work.

Key Features September 2014 608pp • The first new edition in three decades to critically engage and Hb 978 0 7486 9208 8 £150.00 situate Coleridge’s classic work for students of Romanticism ebook studies • Fully explains the genesis, the poetic and philosophical contexts and debates surrounding the text • Provides the chance to revitalise Romanticism studies more generally

The Literature of Pity David Punter, University of Bristol Traces an entire history of pity, as an emotion and as an element in the arts

Key Features • Original treatment of the concept of pity providing detailed textual criticism and speculative argument • Wide-ranging: running from ancient Greek theory to the present day • Covers a wide variety of texts, including fiction, poetry and drama 2014 256pp • Engages with the most recent theoretical debates about Hb 978 0 7486 3949 6 £70.00 literature and the emotions ebook

12 www.euppublishing.com Literary Criticism British Women Short Story Writers British Women Short Story Writers The New Woman to Now The New Woman to Now Edited by Emma Young, University of Lincoln and James Bailey,

Katherine Angela Carter Mansfield George Egerton HelenMichèle Simpson Roberts Edith Nesbit University of Sheffield Ali Smith May Sinclair Tessa Hadley Dorothy Richardson Tania Hershman Katherine Jenn Ashworth Examines the relationship between British women writers MansfieldElizabeth Bowen Angela Muriel Spark FORTHCOMING George Egerton CarterMichèle Roberts Helen Simpson Ali Smith Edith Tessa Hadley and the short story genre from the late 19th century to the Tania Hershman GeorgeNesbit Egerton Jenn Ashworth Edith Nesbit, May Sinclair, Dorothy Angela Carter Richardson, Michèle Roberts, Helen Simpson Katherine Ali Smith, Mansfield, Tessa present day Eliza- Hadley beth Tania Hershman Bowen, Jenn Ashworth Muriel Muriel Spark Spark What is the relationship between the British woman writer and the short story? This collection examines what this versatile genre Edited by Emma Young & James Bailey offers women writers, and what this can tell us about the society and culture they inhabit. From the rise of the modern printing September 2015 256pp press at the end of the 19th century through to the present Hb 978 1 4744 0138 8 £70.00 digital age, these essays examine how the short story has been deployed and reworked by women writers and how they have ebook influenced and shaped the genre’s development. L e t

t Letter Writing Among Poets From: MACKENZIE Rebecca er ‘Vicarious lives, the alter egos of unwritten or belatedly written poems, trap letters can be and have been all these and more. This collection isn’t just the last Date: 26 November 2014 19:30:14 word so far on a topic (two topics, at least) ... but an example for literary critics in r From William Wordsworth to Elizabeth Bishop general: Anne Fadiman’s defense of Hartley Coleridge, Paul Muldoon on Bishop GMT i and (or Bishop vs.) Lowell, Michael Hurley on humour in Hopkins, Ellis himself t

To: Michael Chatfield i n g Among Poets on frustration and temporality in Bishop and Keats – here is a model for writers. And for readers. And for letter-writers, scholarly and otherwise, everywhere.’ Subject: RE: Ellis Stephen Burt, Harvard University FROM Edited by Jonathan Ellis, University of Sheffield A ‘Letters blur the boundaries between ordinary experience and literary art, William Wordsworth to

Hi Michael improvisation and convention, individual expression and collaboration. Somehow m they matter especially for poets and poetry. With speculative force, nuanced Elizabeth Bishop

One last correction on this one. interpretation, and lively narrative too, the various essays in this book, the only o one of its kind, begin to answer the question (important to poetry and letters n g both) of why.’ The first book to look at poets’ letters seriously as an art Can you change the From on the Langdon Hammer, Yale University front cover to FROM P

The first book to look at poets’ letters as an art form o Cheers Fifteen enlightening chapters by leading international biographers, critics and e form

poets examine letter writing among poets in the last 200 years. Poets discussed t

Stuart include Coleridge, Wordsworth, Keats and Shelley in the nineteenth century s and Eliot, Yeats, Bishop and Larkin in the twentieth. Divided into three sections – Contexts and Issues, Romantic and Victorian Letter Writing and Twentieth-Century FORTHCOMING Letter Writing – the volume demonstrates that real letters still have an allure that virtual post struggles to replicate. Key Features Fifteen enlightening chapters by leading international • A comprehensive collection of essays on the art and genre of letter writing among Romantic, Victorian and twentieth-century poets

• Contributors are leading international biographers, critics and poets, including Jonathan Ellis Edited by Hermione Lee, Paul Muldoon, Daniel Karlin, Hugh Haughton, Anne Fadiman, biographers, critics and poets examine letter writing among Edna Longley and Angela Leighton • An absorbing history of literary friendship, literary love and literary rivalry • A sensitive study of the often close relationship between letter writing and poetry Jonathan Ellis is Senior Lecturer in American Literature at the University of Sheffield. poets in the last two hundred years. They range from

Cover image: City Island, 1958 (EK167) © Ellsworth Kelly, courtesy Matthew Marks Gallery ISBN 978–0–7486–8132–7 Coleridge, Wordsworth, Keats and Shelley in the 19th century Cover design: Michael Chatfield

Edited by Jonathan Ellis to Eliot, Yeats, Bishop and Larkin in the 20th. Divided into three sections – Contexts and Issues, Romantic and Victorian Letter Writing and 20th Century Letter Writing – the volume January 2015 272pp demonstrates that real letters still have an allure that virtual Hb 978 0 7486 8132 7 £70.00 post struggles to replicate. ebook textbook

Literary Studies 13 Literary Criticism Writing for Critical Essays on an American Periodical Edited by Fiona M. Green, Original critical essays on an iconic American periodical, providing new insights into 20th-century literary culture

NEW This collection of newly commissioned critical essays reads across and between New Yorker departments, from sports writing to short stories, cartoons to reporters at large, poetry to annals of business. Attending to the relations between these kinds of writing and the magazine’s visual and material constituents, the collection examines the distinctive ways in which imaginative writing has inhabited the ‘prime real estate’ of this enormously January 2015 272pp influential periodical. Hb 978 0 7486 8249 2 £70.00 ebook

Crisis and the US Avant-Garde Poetry and Real Politics Ben Hickman, University of Kent A major re-evaluation of experimental poetry’s social function in the US

FORTHCOMING In 1934, the Marxist and Modernist poet Louis Zukofsky was labelled a ‘detached recorder of isolated events’ by his communist contemporaries, a writer who ‘identifies life with capitalism, and so assumes that the world is merely a wasteland’. Crisis and the US Avant-Garde charts the trajectory of this tension between avant- garde poetics and vanguard politics since the twin legacies of Modernism and the Great Depression. July 2015 240pp Hb 978 0 7486 8285 0 £70.00 ebook

14 www.euppublishing.com Literary Criticism Textual Deceptions False Memoirs and Literary Hoaxes in the Contemporary Era Sue Vice, University of Sheffield Argues that literary deceptions and false memoirs have particular cultural value and significance

NEW Textual Deceptions considers a wide range of 20th and 21st- century literary works in which the relationship between text and author is not what it seems. By exploring a variety of examples of false or embellished memoirs, purportedly autobiographical novels that are in fact thoroughly fictional, as well as bogus authorial personae, Sue Vice discusses whether it is possible to judge veracity by means of textual clues alone. October 2014 224pp Hb 978 0 7486 7555 5 £70.00 ebook

Eutopian Imagining Surveillance Imagining and Dystopian Eutopian and Dystopian Literature and Film Literature Surveillance and Film Peter Marks, University of Sydney. Critically assesses how literary and cinematic utopias and dystopias have imagined and evaluated surveillance FORTHCOMING Key Features • The first sustained account of the representation of surveillance in utopian and dystopian literature and film • Charts surveillance’s historical development and creative Peter Marks responses to that development • Provides a detailed critical account of the ways that surveillance June 2015 240pp studies has utilised utopias to formulate its ideas Hb 978 1 4744 0019 0 £70.00 • Offers new readings of literary texts and films from More’s ebook textbook Utopia through George Orwell’s Nineteen Eighty-Four to Margaret Atwood’s Maddaddam trilogy and films from Fritz Lang’s Metropolis to Niel Blomkamp’s Elysium

Literary Studies 15 20th Century Archipelagic Modernism Literature in the Irish and British Isles, 1890–1970 John Brannigan, University College Dublin Provides a new model for understanding 20th-century British and Irish literatures as ‘archipelagic’ narratives

NEW Aimed at students taking their study of modern literature to an advanced level, John Brannigan argues that the literatures of the British Isles constitute an important resource for thinking about alternative political geographies and ecologies. From the height of the British Empire in 1890, to the increasing sense by 1970 of the imminent ‘break-up’ of Britain, he outlines the ways in which an ‘archipelagic modernism’ turned to the December 2014 296pp ‘peripheral’ spaces of islands, coastlines, and the sea to re-invent Pb 978 0 7486 4335 6 £24.99 the Irish and British archipelago as a plural and connective Hb 978 0 7486 4336 3 £80.00 space. Providing new readings of modernist writers such as ebook textbook Yeats, Synge, Joyce, and Woolf, Brannigan shows how literature engages deeply with place and environment in the 20th century.

Key Features • Interdisciplinary – particularly the relationships between literature, ecology, and geography • Offers a new interpretation of how literature engages with place and environment in the 20th century • Includes major new interpretations of key modernist writers such as Yeats, Synge, Joyce and Woolf, and gives canonical examples of archipelagic modernism accessible to the classroom • Explores archipelagic narratives of literary history as a new model for understanding 20th-century British and Irish literatures, and opens up ways of critically evaluating conventional literary histories of ‘EngLit’ and national literatures

16 www.euppublishing.com SERIES 20th Century The Edinburgh History of Twentieth-Century Literature in Britain Series Editor: Randall Stevenson Once completed, this series of ten volumes will offer a decade-by-decade history of literature in Britain, and of its interrelations with the wider culture and history of the times. www.euppublishing.com/series/TCLB

Literature of the 1930s: Border Country Volume 4 Rod Mengham, University of Cambridge Reads the literature of 1930s against the uncertain times that produced it

NEW IN PAPERBACK Too often thought of as a period defined by the preoccupations of a handful of prestigious writers, the decade of the 1930s is here re-read in ways that relate these preoccupations to popular cultural emphases as well as to international debates, attending to middlebrow tastes as well as to avant-garde experimentation, and recognising the significance of regional emphases and issues of gender. December 2015 272pp Hb 978 0 7486 3945 8 £70.00

The Edinburgh History of Twentieth-Century Literature in Britain General Editor: Randall Stevenson Literature of the 1940s: War, Postwar and ‘Peace’ Each of the ten volumes in this series analyses the literary developments of a single decade in their widest contexts.

Literature of the Literature of the 1940s Literature of the 1940s: War, Postwar and ‘Peace’ War, Postwar and ‘Peace’ Volume 5 Gill Plain

‘Gill Plain is a passionate, omnivorous and discerning reader, with strong instincts for what matters and sharp insights into its significance. In this rich Gill Plain and innovative study, she attends to verse dramas and domestic thrillers, Gill Plain, forgotten authors and big names alike in order to redress the neglect of an explosive, melancholy and jagged decade.’

Marina Warner, University of Essex 1 9

‘It’s hard to imagine a better guide to the literary world of the 1940s than Gill 4 0s Plain’s lucid, witty, and engaging volume. This is a book destined to send A groundbreaking re-reading of the literary response to a readers to the library to discover and re-discover the impressive array of texts discussed. It sheds brilliant light on how writers bore witness to the traumas War, and upheavals of the entire decade.’ Susan R. Grayzel, University of Mississippi Postwar and ’Peace’ decade of trauma and transformation A groundbreaking re-reading of the literary response to a decade of trauma and transformation This new study undoes the customary division of the 1940s into the Second World War and after. Instead, it focuses on the thematic preoccupations that NEW IN PAPERBACK emerged from writers’ immersion in and resistance to the conflict. Through seven chapters – Documenting, Desiring, Killing, Escaping, Grieving, Adjusting This study undoes the customary division of the 1940s into and Atomising – the book sets middlebrow and popular writers alongside residual modernists and new voices to reconstruct the literary landscape of the period. Detailed case studies of fiction, drama and poetry provide fresh critical perspectives on writers as diverse as Margery Allingham, Alexander Baron, Elizabeth Bowen, Keith Douglas, Henry Green, Graham Greene, Georgette the Second World War and after. Instead, it focuses on the Heyer, Alun Lewis, Nancy Mitford, George Orwell, Mervyn Peake, J. B. Priestley,

Terence Rattigan, Mary Renault, Stevie Smith, Dylan Thomas and Evelyn Waugh. Gill Plain

Gill Plain is Professor of English Literature and Popular Culture at the University of St Andrews. thematic preoccupations that emerged from writers’ immersion

Cover image: Burning Cows, detail from Eighteen Ideas for War Drawings, 1940. Reproduced by permission of The Henry Moore Foundation. ISBN 978–0–7486–2744–8 Cover design: Michael Chatfield in and resistance to the conflict. Through seven chapters – Edinburgh THE EDINBURGH HISTORY OF TWENTIETH-CENTURY LITERATURE IN BRITAIN: VOLUME FIVE Documenting, Desiring, Killing, Escaping, Grieving, Adjusting and Atomising – the book sets middlebrow and popular writers

Copy alts received 14/7/13 – wanted by end July alongside residual modernists and new voices to reconstruct the April 2015 288pp literary landscape of the period. Pb 978 0 7486 2745 5 £24.99 (2013) Hb 978 0 7486 2744 8 £70.00 ebook

Literary Studies 17 War Literature Contemporary American Trauma Narratives Alan Gibbs, University College Cork Examines the representation of trauma in contemporary American fiction and non-fiction This book looks at the way writers present the effects of trauma in their work. It explores narrative devices, such as ‘metafiction’, as well as events in contemporary America, including 9/11, the Iraq War and reactions to the Bush administration. Contemporary American Trauma Narratives offers a timely and dissenting intervention into debates about American writers’ depiction of trauma and its after-effects.

2014 280pp Pb 978 0 7486 9407 5 £24.99 Hb 978 0 7486 4114 7 £80.00 ebook

Fighting France From Dunkerque to Belfort Edith Wharton Edited by Alice Kelly, Yale University A new edition of Edith Wharton’s war reportage from the

FORTHCOMING COMING First World War SOON Edith Wharton was one of the first woman writers to be allowed FROM to visit the war zones in France. This resulting collection of 6 essays presents a fascinating and unique perspective on wartime France by one of America’s great novelists. Written with Wharton’s distinctive literary skills to advocate American intervention in the war, this little-known war text demonstrates that she was a November 2015 224pp complex and accomplished propagandist. Hb 978 1 4744 0692 5 £70.00 ebook

18 www.euppublishing.com War Literature The Judicial Imagination Writing After Nuremberg Lyndsey Stonebridge, University of East Anglia Tells the story of the struggle to imagine new forms of justice after Nuremberg

NEW IN PAPERBACK Returning to the work of Hannah Arendt as a theoretical starting point, Lyndsey Stonebridge traces a critical aesthetics of judgement in postwar writers and intellectuals, including Rebecca West, Elizabeth Bowen, Muriel Spark and Iris Murdoch. Writing in the false dawn of a new era of international justice and human rights, these complicated women intellectuals were drawn to the law because of its promise of justice, yet critical of its 2014 178pp political blindness and suspicious of its moral claims. Pb 978 0 7486 9125 8 £19.99 (2011) Hb 978 0 7486 4235 9 £70.00 ebook

9/11 9/11 and the Literature of Terror Explores the fiction, poetry, theatre and cinema

that have represented the 9/11 attacks and the Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage Martin Randall, University of Gloucestershire and Mohsin Hamid are discussed in relation to the specific problems 9/11 and the of writing about such a visually spectacular ‘event’ that had enormous

Literature global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge Literature of Terror of describing traumatic history and the ways in which the terrorist Explores the fiction, poetry, theatre and cinema that have attacks have been discussed culturally in the decade since September 11. MARTIN RANDALL Key Features

★ represented the 9/11 attacks Contributes to the growing literature on 9/11, presenting an of of overview of some of the main texts that have represented the attacks and their aftermath Terror ★ Focus on Don DeLillo: adds to the literature surrounding this major American novelist Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage ★ Focus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayist ★ Man on Wire: provides a critical analysis of this Oscar winning NEW IN PAPERBACK and Mohsin Hamid are discussed in relation to the specific film regarding its oblique references to 9/11

MARTIN RANDALL is a Senior Lecturer in Creative Writing at the University of Gloucestershire. His PhD dealt with literary problems of writing about such a visually spectacular ‘event’ that representations of the Holocaust in Contemporary British Fiction. MAR

TIN has had enormous global implications. Other chapters analyse

RAND

ALL initial responses to 9/11, the intriguing tensions between fiction ISBN 978-0-7486-9119-7 and non-fiction, the challenge of describing traumatic history 9780748 691197

Cover image: New York, NY, September 25, 2001. Photo by Mike Rieger/FEMA News Photo Cover design: www.paulsmithdesign.com and the ways in which the terrorist attacks have been discussed 651 eup Randall_PB.indd 1 30/04/2014 07:51 culturally. 2014 174pp Pb 978 0 7486 9119 7 £19.99 (2011) Hb 978 0 7486 3852 9 £70.00

Literary Studies 19 Modernism

NEW TEXT TO COME T h e E d i n b u r g D c t o a The Edinburgh Dictionary of Modernism EDINBURGH HISTORICAL LINGUISTICS Series Editors: Joseph Salmons and David Willis T h e E d i n b u r g h Edinburgh Historical Linguistics is a series of advanced textbooks, where individual volumes Edited by Vassiliki Kolocotroni, and cover key subfields within Historical Linguistics in depth. The series provides a comprehensive introduction to this broad and increasingly complex field. D i c t i o n a r y o f Olga Taxidou, University of Edinburgh ANALOGY AND MORPHOLOGICAL CHANGE

‘Fertig’s valuable and insightful book on analogy and morphological change is an extremely welcome contribution to the field.’ Lyle Campbell, University of Hawai’i at Manoa y o f MOD The first dictionary to gather, delineate and make

This advanced textbook provides a thorough, critical examination of traditional approaches M O D E R N I S to analogical change and an in-depth introduction to important recent work in a variety of frameworks. Key topics include the relationship between covert reanalysis and overt accessible the literary, artistic, critical, cultural and political innovation, the relative importance of acquisition, repetition, and speaker creativity in grammatical change, the status of several supposedly less important types of change including folk etymology, blending, and back formation, and various aspects of the relationship between analogical change and sound change. It also takes a close look at E R N the value of concepts such as ‘naturalness’ for explaining and predicting directions of FORTHCOMING practices that we associate with Modernism change.

Although the focus is on morphological change, the book also examines the role of analogy in syntactic, semantic, and phonological change. Numerous examples are provided from V a n d O l g T a s i l k K o c t r English and a wide variety of other languages, making this an absorbing and illuminating read for advanced students in linguistics. E d i t e b y I S M The Edinburgh Dictionary of Modernism provides a wide ranging David Fertig is Associate Professor in the Department of Linguistics at the University at a x i d o u Buffalo (SUNY). He is the author of Morphological Change Up Close (2000).

o n i resource both to the canon of ‘High modernism’ and to current E d i t e d b y theoretical perspectives that have contributed to the renewed Cover design: www.hayesdesign.co.uk

ISBN 978-0-7486-3703-4 V a s s i l i k i K o l o c o t r o n i

a n d O l g a T a x i d o u interest in modernism and have lent it renewed range and www.euppublishing.com critical rigour in the early 21st century. A team of current experts in the field provide clear and fully contextualised definitions of September 2015 504pp key terms, concepts, texts, movements, practitioners, as well as Hb 978 0 7486 3702 7 £150.00 influential critical views and legacies. ebook

Wyndham Lewis A Critical Guide Edited by Andrzej Gasiorek, University of Birmingham and Nathan Waddell, University of Nottingham The first guide to the work of Wyndham Lewis as writer, FORTHCOMING novelist and critic These 15 newly commissioned essays explain the complex role Lewis’s work played in the formation, development, and criticism of modernism. There are chapters on Lewis and Vorticism and Avant-Gardism, War, Cultural Criticism, Satire, Race and Gender, Politics, Technology and Mass Media, and July 2015 288pp modernism as well as individual chapters on key texts, including Pb 978 0 7486 8568 4 £24.99 Tarr, The Apes of God, The Revenge for Love, The Human Age and Hb 978 0 7486 8567 7 £80.00 Self-Condemned. ebook textbook

20 www.euppublishing.com Modernism and the Materiality of Theory Sex, Animal, Life Derek Ryan, University of Kent Explores Woolf’s writing alongside Deleuze’s philosophy and new materialist theories of ‘sex’, ‘animal’ and ‘life’

NEW IN PAPERBACK Derek Ryan demonstrates how materiality is theorised in Woolf’s writings by focusing on the connections she makes between culture and nature, embodiment and environment, human and nonhuman, life and matter. Through close readings of texts including To the Lighthouse, Orlando, A Room of One’s Own, The Waves, Flush and ‘Sketch of the Past’, he details the fresh insights Woolf provides into issues concerning the natural world, sexual April 2015 232pp difference, sexuality, animality and life itself. Pb 978 1 4744 0234 7 £24.99 (2013) Hb 978 0 7486 7643 9 £70.00

Haptic Modernism Touch and the Tactile in Modernist Writing Abbie Garrington, Newcastle University Opens up the field of literary studies to the promise of a haptic-oriented analysis NEW IN PAPERBACK Key Features • Offers a coherent history of ideas of the haptic, tracing their impact on literary innovation • Analyses the transformations of haptic experience in the modernist period • Provides in-depth studies of the work of Joyce, Woolf, Lawrence May 2015 256pp and Richardson from a new, haptic-oriented perspective Pb 978 1 4744 0142 5 £19.99 • Puts literary experiments with the haptic in the context of work (2013) on touch in other fields Hb 978 0 7486 4174 1 £70.00 ebook

Literary Studies 21 Modernism SERIES Edinburgh Critical Studies in Modernist Culture Series Editors: Tim Armstrong and Rebecca Beasley This series of monographs on selected topics in modernism is designed to reflect and extend the range of new work in modernist studies. The studies in the series aim for a breadth of scope and for an expanded sense of the canon of modernism, rather than focusing on individual authors. www.euppublishing.com/series/ecsmc NEW

Lesbian Modernism Modernism and the Sonic Modernity Censorship, Sexuality Frankfurt School Representing Sound in and Genre Fiction Tyrus Miller, University of Literature, Culture and Elizabeth English, California the Arts Metropolitan University Provides a single- Sam Halliday, Queen The first book-length volume introduction Mary, University of study to explore to the important London the importance of connection of Reveals the many roles genre for the body Frankfurt School and forms of sound in of literature we call thought and modernist modernism lesbian modernism culture 2013 224pp November 2014 224pp 2014 192pp Hb 978 0 7486 2761 5 £70.00 Hb 978 0 7486 4018 8 £70.00 Hb 978 0 7486 9373 3 £70.00 ebook ebook ebook

22 www.euppublishing.com SERIES Modernism The Collected Works of Katherine Mansfield Series Editor: Gerri Kimber The four volumes in this series contain everything Mansfield ever wrote (other than her already collected letters): her fiction, poetry, satirical sketches, literary reviews, translations and diaries. www.euppublishing.com/series/cwkm

The Poetry and Critical Writings of Katherine Mansfield Edited by Gerri Kimber, University of Northampton and Angela Smith, University of Stirling Editorial Assistant Anna Plumridge, University of Wellington Katherine Mansfield’s non-fiction collected in one volume

NEW for the first time This volume redefines Katherine Mansfield as a critic, translator and poet. Bringing together all of Mansfield’s poetry (some 179 poems and several songs), her literary translations (including letters by Anton Chekhov as well as those of Dostoevsky to his wife), her witty, sometimes scorching, parodies and pastiches, her imaginative aphorisms, her many incisive and heartfelt reviews of October 2014 784pp the novels of the day, and her essays, including those for the little Hb 978 0 7486 8501 1 £125 magazine, Rhythm, this collection attests to the enormous variety and distinctiveness of the non-fiction writing that Mansfield produced, some of it unpublished until this edition.

From: MACKENZIE Rebecca Date: 21 November 2014 13:50:15 GMT Collected To: “Michael Chatfield ([email protected])” Works, Volume 4

The D The Diaries of Katherine Mansfield Subject: New Brief: Kimber & Davidson The Edinburgh Edition Hi Michael, of the Collected Works of ‘”We owe to her the prosperity of the ‘free’ story”, Elizabeth Bowen said of Katherine iaries of Including Miscellaneous Works Please findMansfield: a new brief“she untrammelled attached init from the conventions”.Collected WorksHere, at last,of is the evidence in Katherine full:Mansfield the edition series. Mansfield I would deserves.’ really appreciate it if KATHERINE MANSFIELD you could Davidget a Trotter, draft University to me early of Cambridge next week if at all possible – sorry for the rush and don’t worry if you can’t VOLUME 4

The Edinburgh Edition of the Collected Works of Katherine Mansfield, Volume 2 Katherine Mansfield manage it. – Edited by Gerri Kimber, University of Northampton and The Collected Fiction of Katherine Mansfield, 1916 1922 Edited by Gerri Kimber and Vincent O’Sullivan The Diaries of Katherine Mansfield Thanks, Including Miscellaneous Works The first complete edition of Katherine Mansfield’s fiction Kate Volumes one and two of the Collected Works of Katherine Mansfield bring together Claire Davison, Université Paris 3 Sorbonne Nouvelle 220 of Mansfield’s stories, including four newly discovered, previously unpublished stories. Together the volumes expand considerably upon the previous definitive edition of 85 stories. Gathered here are Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own Katherine Mansfield’s diaries ordered chronologically for manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922. Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their FORTHCOMING the first time cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth-century English-language writers and to her rare and original

handling of the short story form. and Claire Davison Edited by Gerri Kimber

Gerri Kimber is a Senior Lecturer in Modernism at the University of Northampton. Vincent O’Sullivan, Professor Emeritus, Victoria University of Wellington, has This edition remaps all the entries in the Notebooks not used published widely on Mansfield and is President of the Katherine Mansfield Society. in the Collected Fiction volumes, and presents the material in

Cover image: Katherine Mansfield, Villa Isola Bella, Menton, 1920 © Photo courtesy of Queen’s University Archives, Kingston, Ontario, Antony Alpers fonds, Location 2316. chronological order, with annotations. This edition provides Cover design: Michael Chatfield ISBN 978–0–7486–8505–9 Edited by a fascinating, chronological account of Mansfield’s life, as she Gerri Kimber and Claire Davison wrote it and Mansfield will be read differently and far more Background text not wanted!!!!!! 24/11/14 accurately as a result. December 2015 336pp Hb 978 0 7486 8505 9 £85.00

Literary Studies 23 Modernism SERIES Katherine Mansfield Studies General Editors: Delia da Sousa Correa and Gerri Kimber Katherine Mansfield Studies is the peer-reviewed, annual publication of the Katherine Mansfield Society. It offers opportunities for collaboration between international researchers with interests in postcolonial studies and in modernism in literature and the arts. www.euppublishing.com/series/kmsj

Katherine Mansfield and Translation

Katherine Mansfield and Translation Katherine Mansfield and Translation Katherine Mansfield Studies, Volume 7 Katherine Mansfield Attracting the interest of scholars of modernism and readers of Mansfield alike, Katherine Mansfield Studies offers fresh critical insights and new work by distinguished writers. and Translation Edited by Gerri Kimber, University of Northampton, Delia Fantastic and Gothic readings of Mansfield’s short stories present us with a covert, darker world, alongside seemingly familiar actions and events. da Sousa Correa, The Open University and W. Todd Martin, This volume investigates an unexpectedly rich vein of literary gothic motifs and tropes found within Mansfield’s modernist, experimental prose. The essays investigate her development of the fairytale in several stories discloses how the ‘Cinderella’ story underpins ‘Her First Ball’, how ‘Little Red Riding Hood’ lurks beneath ‘The Little University of Huntington, Indiana Governess’, and how the figure of the changeling inhabits ‘A Suburban Fairy Tale’. Mansfield’s explorations of the conscious and unconscious mind are elucidated through a discussion of Freud’s theory of the uncanny and the unsettling effects of language in Mansfield’s In A German Pension stories. Finally, the term ‘charm’ is revealed as spanning the two extremes of the fantastic and the ordinary which Associate editor Claire Davison, Université Paris 3 Sorbonne combine in Mansfield’s evocations of the enchantment of domestic interiors.

Delia da Sousa Correa is Senior Lecturer in English at the Open University. Her research centres on connections between literature and music in the nineteenth- century and modernist periods. Nouvelle FORTHCOMING Gerri Kimber is Senior Lecturer in English at the University of Northampton. She is Chair of the Katherine Mansfield Society, and Series Editor of the four volume Edinburgh Edition of the Collected Works of Katherine Mansfield. Susan Reid is Editor of the Journal of D. H. Lawrence Studies and Reviews Editor Kimber Gerri Davison, by Claire Edited Enables the reader to appreciate Mansfield’s central place in of the Journal of Postcolonial Writing.

Gina Wisker is Professor of Contemporary Literature and Higher Education at and W. Todd Martin the University of Brighton where she teaches women’s writing and the Gothic and manages the Centre for Learning and Teaching. various trans-European networks of modernism

Our understanding of Anglophone modernism has been Cover image: Umbrellas 1917 by Dorothy Brett. Reproduced with kind permission of Manchester City Galleries. © The John Manchester Foundation. ISBN 978-1-4744-0038-1 Edited by Claire Davison, Gerri Kimber transformed by recent critical interest in translation. The central and W. Todd Martin 9781474 400381 place of translation in the circulation of aesthetic and political ideas in the early 20th century has been underlined, for example, September 2015 224pp as well as translation’s place in the creative and poetic dynamics Hb 978 1 4744 0038 1 £70.00 of key modernist texts. This volume in the Katherine Mansfield ebook Studies series offers a timely assessment of Mansfield’s place in such exchanges.

Katherine Mansfield and World War One Edited by Gerri Kimber, University of Northampton, Delia da Sousa Correa, The Open University and W. Todd Martin, University of Huntington, Indiana Associate editors Alice Kelly, Yale University and Isobel Maddison, University of Cambridge NEW Examines Katherine Mansfield’s engagement with the First World War and its impact on her writings This special edition in the series is in remembrance of the centenary of one of the most significant events of the modernist period. Like the reclamation of women’s war writings that we have already seen in relation to Virginia Woolf and others, Mansfield’s literary September 2014 224pp response to the key political event of her time is fundamental to Hb 978 0 7486 9534 8 £70.00 our understanding of her developing writerly style. ebook

24 www.euppublishing.com Modernism The Urewera Notebook by Katherine Mansfield Edited by Anna Plumridge, University of Wellington An authoritative scholarly edition of Mansfield’s camping journal, offering new understandings of her colonial life ‘This timely, critical edition will make Katherine Mansfield’s unique

FORTHCOMING camping journal more widely available for scholars and readers and provide a firm foundation for future interpretations about her direction in life and relationship to colonial New Zealand. It promises to be the indispensable version of the Urewera Notebook.’ Janet Wilson, Professor of English and Postcolonial Studies, University of Northampton March 2015 128pp This publication is the first scholarly edition of the Urewera Hb 978 1 4744 0015 2 £30.00 Notebook, providing an original transcription, a collation of the ebook alternative readings and textual criticism of prior editors, and new information about the politics, people and places Mansfield encountered on her journey.

Katherine Mansfield and Literary Influence Edited by Melinda Harvey, Monash University and Sarah Ailwood, University of Canberra Provides new reflections on literary influence using Katherine Mansfield as a case study

FORTHCOMING It is commonplace to talk about writers in terms of their similarities with and differences from other writers but how does literary influence actually work? This book seeks to understand this mysterious but powerful impetus for artistic production through an examination of Katherine Mansfield’s wide net of literary associations. Mansfield’s case proves that influence is careless of chronologies, spatial limits, artistic movements and July 2015 256pp cultural differences and has many ‘shades’ or ‘tones’. Hb 978 0 7486 9441 9 £70.00 ebook

Literary Studies 25 Modernism Translation as Collaboration Virginia Woolf, Katherine Mansfield and S.S. Koteliansky Claire Davison, Université Paris 3 Sorbonne Nouvelle The first book-length study of the poetics of co-translation in the context of British and European modernism

NEW This study focuses on the considerable but neglected body of works translated by S. S. Koteliansky in collaboration with Virginia Woolf and Katherine Mansfield. It provides close-readings and broad cross-cultural contextualisations to assess the influence that translating from Russian had on the individual writers, as well as its resonance within the dynamics of modernist writing.

June 2014 208pp Key Features Hb 978 0 7486 8281 2 £70.00 • Analyses the impact that translating from the Russian had on ebook individual writers • Feeds into a recent renewal of interest in the era of Russian fever in the early 20th century • Focuses on the processes of translating including style, voice, and textual rhythm • Tackles the cultural and historical dynamics of translation

Virginia Woolf Virginia Ambivalent Activist Woolf Clara Jones, Queen Mary, University of London Ambivalent Activist The first full-length study of Virginia Woolf’s activism As well as tracing Woolf’s career as an activist across 45 years, FORTHCOMING this book also explores the consistent but often contradictory way in which this participation is written into a range of Woolf’s short stories, novels and essays including ‘Report on Teaching at Morley College’, ‘Memoirs of a Novelist’, ‘The Journal of

Clara Jones Mistress Joan Martyn’, Melymbrosia, The Voyage Out, Night and Day, The Years, ‘Introductory Letter’, ‘On Being Ill’, ‘Cook Sketch’, the ‘Dreadnought Hoax Talk’, ‘The Leaning Tower’ and Between November 2015 272pp the Acts. Hb 978 1 4744 0192 0 £70.00 ebook

26 www.euppublishing.com page size 234 x 156mm but follows EUP PPC jacket Hires CMYK pdf from Indesign CS6 Modernism

17 mm

3 mm Virginia Woolf Virginia ‘A very timely offering of exciting new material and new readings, this book is at the cutting edge of a new turn Virginia Woolf to theory and philosophy in Woolf studies that is flexible enough to encompass material, cultural and historical as well as archival and editorial aspects, bringing into productive dialogue previously separated critical camps.’ Twenty-First-Century Approaches Jane Goldman, University of Glasgow Reconsiders Virginia Woolf’s work for the 21st-century Edited by Jeanne Dubino, Appalachian State University, Gill focusing on coevolution, duality, and contradiction These 11 newly commissioned essays represent the evolution, or coevolution, of Woolf studies in the early 21st-century. Divided into 5 parts – Self and Identity; Language and Translation; Culture and Commodification; Human, Lowe, University Campus Suffolk, Vara Neverow, Southern Animal, and Nonhuman; and Genders, Sexualities and Multiplicities – the essays represent the most recent scholarship on the subjective, provisional, and contingent nature of Woolf’s work. The expert contributors consider unstable constructions of self and identity and language and translation from Connecticut State University and Kathryn Simpson, Cardiff multiple angles, including shifting textualities, culture, and the marketplace,

critical animal studies, and discourses that fracture and re-envision gender Vara Neverow, Simpson and Kathryn Edited by Jeanne Dubino, Gill Lowe, and sexuality. 234 mm Metropolitan University Key Features NEW l Extends existing critical work on Woolf l Demonstrates original and diverse ways of reading this canonical author l Considers new configurations around Woolf’s work in a postmillennial era Reconsiders Virginia Woolf’s work for the 21st century Jeanne Dubino is Professor of English and Global Studies, Department of Cultural, Virginia Gender and Global Studies, Appalachian State University, North Carolina. Gill Lowe is Senior Lecturer in English at University Campus Suffolk, Department of Arts and Humanities, University Campus Suffolk. focusing on coevolution, duality and contradiction Vara Neverow is Professor of English and Women’s Studies, English Department, Woolf Southern Connecticut State University. Kathryn Simpson is Senior Lecturer in English, Department of Humanities, Cardiff Metropolitan University. Twenty-First-Century Approaches

ISBN 978-0-7486-9393-1 Edited by Jeanne Dubino, Gill Lowe, These 11 newly commissioned essays represent the evolution, Vara Neverow, and Kathryn Simpson www.euppublishing.com

Cover image: © Augusta Street, São Paulo, Brazil. Cover design: www.richardbudddesign.co.uk. or coevolution, of Woolf studies in the early 21st century. Divided

3 mm into five parts: Self and Identity; Language and Translation; 17 mm Culture and Commodification; Human, Animal and Nonhuman;

17 mm 3 mm 156 mm November 2014156 mm 240pp3 mm 17 mm 2 mm spine 22 mm 2 mm and Genders, Sexualities and Multiplicities, the essays represent Hb 978 0 7486 9393 1 £70.00 the most recent scholarship on the subjective, provisional, and ebook contingent nature of Woolf’s work.

Virginia Woolf’s Essayism Randi Saloman, Wake Forest University Explores the way Woolf used essay-writing techniques to develop her conception of the modern novel The focus of this study is on Virginia Woolf’s vast output of essays NEW IN PAPERBACK and their relation to her fiction. Randi Saloman shows that it was by employing tools and methods drawn from the essay genre – such as fragmentation, stream-of-consciousness and dialogic engagement with the reader – that Woolf managed to leave behind the realism of the 19th-century novel.

June 2014 192pp Pb 978 0 7486 9410 5 £19.99 ebook

Literary Studies 27 Modernism Virginia Woolf and Classical Music Politics, Aesthetics, Form Emma Sutton, University of St Andrews Explores the formative influence of classical music on Woolf’s writing

NEW IN PAPERBACK In this unique study Emma Sutton discusses all of Woolf’s novels as well as selected essays and short fiction, offering detailed commentaries on Woolf’s numerous allusions to classical repertoire and to composers including Bach, Mozart, Beethoven and Wagner. Sutton explores Woolf’s interest in the contested relationship between politics and music, placing her work in a matrix of ideas about music and national identity, class, anti- May 2015 184pp Semitism, pacifism, sexuality and gender. Pb 978 1 4744 0143 2 £19.99 (2013) Hb 978 0 7486 3787 4 £70.00 ebook

Jean Rhys Twenty-First Century Perspectives Edited by Erica L. Johnson, Pace University and Patricia Moran, University of Limerick, Ireland Presents new critical perspectives on Jean Rhys in relation

FORTHCOMING to modernism, postcolonialism, and theories of affect The 11 newly commissioned essays collected in this volume demonstrate Jean Rhys’s centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie and Good Morning, Midnight, as well as her later bestseller, Wide Sargasso Sea (1966). July 2015 256pp Hb 978 1 4744 0219 4 £70.00 Key Features ebook • New research highlights key areas of her work • Contributors are leading scholars on Jean Rhys from the US, the UK and Australia • Organised around 3 important themes: Rhys and modernism, the postcolonial Rhys, and Rhys and affect theory

28 www.euppublishing.com Modernism War and the Mind Ford Madox Ford’s Parade’s End, Modernism and Psychology Edited by Ashley Chantler, University of Chester and Rob Hawkes, Teeside University

FORTHCOMING New critical essays illuminate Ford Madox Ford’s First World War modernist masterpiece Parade’s End These 10 newly commissioned essays by critics focus on the psychological effects of the war, both upon Ford himself and upon his novel: its characters, its themes and its form. The chapters explore: Ford’s pioneering analysis of war trauma, trauma theory, shell shock, memory and repression, insomnia, June 2015 224pp empathy, therapy, literary Impressionism and literary style. Hb 978 0 7486 9426 6 £70.00 Other writers discussed alongside Ford include Conrad, ebook Siegfried Sassoon, May Sinclair, Rebecca West and Virginia Woolf as well as theorists William James, Freud, W. H. R. Rivers, Deleuze and Guattari and Michel Foucault.

British Modernism and Chinoiserie Edited by Anne Witchard, University of Westminster Explores Chinese artistic and stylistic influences on Modernist practice in early-20th-century Britain This volume examines the ways in which an intellectual NEW vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealised notion of China, chinoiserie was revived in in London’s avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their 18th century forebears, turned to China as a cultural and aesthetic utopia. March 2015 256pp Hb 978 0 7486 9095 4 £70.00 ebook

Literary Studies 29 Modernism SERIES Other Becketts Series Editor: S. E. Gontarski This series focuses on underexplored approaches to Samuel Beckett’s work, examining those of Beckett’s interests that were more arcane than mainstream, quirky, or strange, even, and those of his works that are less thoroughly explored critically, such as the poetry, the criticism, the later prose and drama. Volumes might, therefore, cover any of the following: unusual illnesses (for instance, Akathisia and Duck’s disease in Murphy and unusual mental disorders in Watt); mathematical peculiarities (irrational numbers and factorial or Fibonacci sequences); linguistic failures (from Nominalism to Mautner); or citations or allusions to contrarian aesthetic philosophies and philosophers working in a more or less irrationalist tradition (such as those of Nietzsche or Bergson).

Key Features • Deploys new critical approaches • Addresses underexplored works in the Beckett canon • Presents new critiques of representation and philosophy • Attentive to critical thinking around affect and/in literature www.euppublishing.com/series/orbt

Other Becketts Creative Involution Bergson, Beckett, Deleuze S. E. Gontarski, Florida State University An original philosophical approach to one of the 20th century’s most important literary figures

FORTHCOMING This is the first study to emphasise how a philosophical trajectory – what Gilles Deleuze calls ‘a line of flight’ – particularly ideas of Creative Involution process, becoming and multiplicity, function in Samuel Beckett’s Bergson, Beckett, Deleuze art, and to what effect. Such an approach provides new ways

S. E. GontarSkI of looking at Beckett’s work as a constant opening up of new worlds, whose emphasis is less didactic than affective. The book details Beckett’s lifelong interest in process philosophy, September 2015 256pp particularly as manifest in Henri Bergson, to whose work Hb 978 0 7486 9732 8 £70.00 Beckett was introduced during his early years at Trinity College, ebook Dublin, and in Bergson’s heir, Gilles Deleuze, as well as in other philosophers Deleuze has critiqued, such as Baruch Spinoza and Friedrich Nietzsche, among others.

30 www.euppublishing.com Modernism Samuel Beckett: Laughing Matters, Comic Timing Laura Salisbury, Birkbeck College, University of London Reads Beckett’s comic timing as part of a post-war ethics of representation ‘Always itself witty and entertaining, this is the first

NEW IN PAPERBACK comprehensive picture of the way that Beckett’s comedy is woven into the temporal, ethical and political fabric of his writing. In this book, Laura Salisbury shows us that comedy is not a by- product of Beckett’s work – not a consolation for the bleakness of his vision, or a side effect of it – but the motor that drives his literary thinking.’ Peter Boxall, Sussex University February 2015 272pp Ranging widely over Beckett’s fiction, drama and critical writings, Pb 978 1 4744 0140 1 £19.99 (2012) this book demonstrates that it is through Beckett’s comic timing Hb 978 0 7486 4748 4 £80.00 that we can understand the double gesture of his art. ebook

The Edinburgh Companion to Samuel Beckett and the Arts Edited by S. E. Gontarski, Florida State University A landmark collection showcasing the diversity of Samuel Beckett’s creative output NEW Key Features • Outlines the nature of Beckett studies for the next generation by focusing on the most vital, ground-breaking research in the field • The most comprehensive range of topics and approaches relating to Beckett and the ‘arts’ ever attempted February 2014 512pp • Contributors include major Beckett scholars such as Steven Hb 978 0 7486 7568 5 £150.00 Connor, David Lloyd, Andrew Gibson, John Pilling, Chris ebook Ackerley, Mark Nixon as well as emerging new Beckett scholars

Literary Studies 31 Modernism Empathy and the Psychology of Literary Modernism Meghan Marie Hammond, University of Chicago Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernism ‘Empathy’ is a cognitive and affective structure of feeling, a bridge NEW across interpersonal distance. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.

Key Features • Recovers early psychology as a framework for literary modernism October 2014 216pp • Provides a conceptual history of empathy that expands our Hb 978 0 7486 9098 5 £70.00 understanding of the modernist world ebook • Grants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathy • Prompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated

Modernism and Affect Edited by Julie Taylor, University of Northumbria at Newcastle This collection reconsiders Modernism in the light of the humanities ‘affective turn’ This book addresses an under-researched area of modernist FORTHCOMING studies, reconsidering modernist attitudes towards feeling in the light of the humanities’ turn to affect. The eleven original chapters and chapter-length introduction consider the affective dimensions of a range of forms and media – including literature, architecture, philosophy, dance, visual art and design – tracing modernism from its origins in the 19th century to its afterlives in the postwar period. May 2015 256pp Hb 978 0 7486 9325 2 £70.00 ebook

32 www.euppublishing.com Modernism The Modernist Party Edited by Kate McLoughlin, Leading international scholars illuminate the party’s significance in modernism

Key Features NEW IN PAPERBACK • Develops the concept of space, currently of central concern to modernist scholars • Explores the tensions between modernism as an aesthetics of intensity and modernism as a movement of the everyday • Adds a new and vital area of research to investigations March 2015 240pp of modernism as the product of intellectual and social Pb 978 1 4744 0141 8 £19.99 networks ebook

The Vogue for Russia Modernism and the Unseen in Britain 1900–1930 Caroline Maclean, University of London Explores the influence of Russian aesthetics on British modernists

NEW The Vogue for Russia explores the influence of Russian aesthetics of the unseen on British modernists. In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and ‘the Russian soul’ – prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals – attach themselves to the existing January 2015 240pp British fashion for theosophy, vitalism and occultism? In Hb 978 0 7486 4729 3 £70.00 answering these questions, this study is the first to explore ebook the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain.

Literary Studies 33 Gothic SERIES Edinburgh Companions to the Gothic Series Editors: Andrew Smith and William Hughes Each volume in this series takes either a period or a theme and explores their diverse attributes, contexts and texts via completely original essays. Each volume provides an authoritative critical tool for both scholars and students of the Gothic. www.euppublishing.com/series/ecg

American Gothic Culture An Edinburgh Companion Edited by Jason Haslam, Dalhousie University and Joel Faflak, University of Western Ontario A new critical companion to the Gothic traditions of

FORTHCOMING American Culture This new Companion surveys the traditions and conventions of the dark side of American culture – its repressed memories, its anxieties and panics, its fears and horrors, its obsessions and paranoias. Featuring new critical essays by established and emerging academics from a range of national backgrounds, this collection offers new discussions and analyses of canonical October 2015 256pp and lesser-known texts in literature and film, television, Hb 978 1 4744 0161 6 £75.00 photography and video games. ebook

Romantic Gothic An Edinburgh Companion Edited by Angela Wright, University of Sheffield and Dale Townshend, University of Stirling Assesses the Gothic aesthetic in proto-Romantic and

FORTHCOMING Romantic British, American and European culture, 1740–1840 Romantic Gothic: An Edinburgh Companion provides a thorough critical, textual and historical account of the Gothic aesthetic as manifested across a wide range of Romantic-era literary texts, from the adumbrations of the Gothic mode in the proto- Romantic poetry of the 1740s, through to the ‘belated’ Gothic fictions of the late 1820s. October 2015 272pp Hb 978 0 7486 9674 1 £75.00 ebook

34 www.euppublishing.com Gothic The Victorian Gothic An Edinburgh Companion Edited by Andrew Smith, University of Sheffield and William Hughes, The first multi-disciplinary scholarly consideration of the

NEW IN PAPERBACK Victorian Gothic ‘Very professionally edited by two world leaders in Gothic studies, this collection offers well-written, sharply documented, and “heart of the matter” accounts by experts on each significant realm of the Victorian Gothic, along with an excellent bibliography of further readings. It is therefore a highly valuable book for students of the Gothic world-wide.’ May 2015 272pp Jerrold E. Hogle, University Distinguished Professor, The University Pb 978 0 7486 9116 6 £19.99 of Arizona ebook

Women and the Gothic An Edinburgh Companion Edited by Avril Horner, and Sue Zlosnik, Manchester Metropolitan University A re-assessment of the Gothic in relation to the female,

FORTHCOMING the ‘feminine’, feminism and post-feminism This collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of ‘Women and the Gothic’. The 14 chapters in this volume engages with debates about ‘Female Gothic’ from the 1970s and ’80s, through second wave feminism, theorisations of gender and a long interrogation December 2015 272pp of the category ‘women’ as well as with the problematics of Hb 978 0 7486 9912 4 £70.00 post-feminism, now itself being interrogated by a younger ebook generation of women.

Literary Studies 35 19th Century, Romanticism SERIES Edinburgh Critical Studies in Romanticism Series Editors: Ian Duncan and Penny Fielding This innovative series of research monographs aims to develop a properly extensive, inclusive and internationalist view of British Romanticism with Scotland as one of its generative cores. Volumes will contribute to the on-going redefinitions of the field. www.euppublishing.com/series/ecsr

The Politics A Feminine of Romanticism Enlightenment

The Social Contract British Women Writers and Literature and the Philosophy of Progress, 1759–1820 FORTHCOMING NEW FORTHCOMING

Zoe Beenstock JoEllen DeLucia

The Politics of A Feminine Ornamental Romanticism Enlightenment Gentlemen The Social Contract British Women Writers Literary and Literature and the Philosophy of Antiquarianism and Zoe Beenstock, Tel Aviv Progress, 1759–1820 Queerness in British University JoEllen DeLucia, Central Literature and Culture, Redefines Romantic Michigan University 1760–1890 sociability through Revises established Michael E. Robinson, a reading of social understandings Boğaziçi University, contract theory of British women Istanbul December 2015 256pp writers’ contributions The collector of books Hb 978 1 4744 0103 6 £70.00 to Enlightenment reveals the history ebook narratives of social and of sexuality to be the historical progress history of literature February 2015 256pp October 2015 256pp Hb 978 0 7486 9594 2 £70.00 Hb 978 0 7486 8245 4 £70.00 ebook ebook

36 www.euppublishing.com SERIES 19th Century, Romanticism Edinburgh Critical Studies in Victorian Culture Series Editor: Julian Wolfreys Drawing on provocative research, volumes in the series provide timely revisions of the 19th-century’s literature and culture. www.euppublishing.com/series/ecve Dickens’s London

Edinburgh Critical Studies in Victorian Culture Edinburgh Critical Studies in Victorian Culture Series Editor: Julian Wolfreys Drawing on provocative research, volumes in the series provide timely revisions of the nineteenth- century’s literature and culture.

Dickens’s London Perception, Subjectivity and Phenomenal Urban Multiplicity Julian Wolfreys Dickens’s London This phenomenological exploration of the streets of Dickens’s London opens up new perspectives on the city and the writer Perception, Subjectivity and ‘In this ground-breaking and stylish new work, Julian Wolfreys deploys philosophy and theory expertly to present a rich account of Dickens’s London as a dynamic, lived world of issues, energy and marvels, NEW IN PAPERBACK Phenomenal Urban Multiplicity FORTHCOMING NEW capturing the vitality and intensity of Dickens’s encounter with the city. A benchmark of innovative literary criticism.’ Nick Mansfield, Professor of Critical and Cultural Studies, Macquarie University Taking Benjamin’s Arcades Project as an inspiration, Dickens’s London opens a dialogue between Julian Wolfreys phenomenology, philosophy and the Dickensian representation of the city in all its forms. Wolfreys suggests that in their representations of London Dickens’s novels and journalism can be seen as

forerunners of urban and material phenomenology. While also addressing those aspects of the urban Julian Wolfreys that are developed from Dickens’s interpretations of other literary forms, styles and genres, Dickens’s London presents in twenty-six episodes a radical reorientation to London in the nineteenth century, the development of Dickens as a writer, and the ways in which readers today receive and perceive both. Illustrated with 19 black and white maps and illustrations. Julian Wolfreys is Professor of Modern Literature and Culture at Loughborough University.

Jacket design concept by Cathy Sprent Edinburgh Jacket images: from Megale chymia, vel magna alchymia, by Leonard Thurneisser, 1583

ISBN 978-0-7486-4040-9

9780748 640409

104 eup Wolfreys_PPC.indd 1 Dickens’s London 15/04/2012 10:31 British India and The Decadent Image Perception, Victorian Culture The Poetry of Wilde, Subjectivity and Máire ni Fhlathúin, Symons, and Dowson Phenomenal Urban University of Nottingham Kostas Boyiopoulos, Multiplicity University of Durham Extends current Julian Wolfreys, scholarship on the Explores culturally University of Portsmouth Victorian period with significant encounters An exploration of the a wide-ranging and between sensuality streets of Dickens’s innovative analysis of and artifice in the London which opens the literature of British poetry of Wilde, up new perspectives India Symons and Dowson on the city and the September 2015 272pp May 2015 224pp writer Hb 978 0 7486 4068 3 £65.00 Hb 978 0 7486 9092 3 £70.00 April 2015 272pp ebook ebook Pb 978 1 4744 0238 5 £19.99 ebook

Literary Studies 37 19th Century, Romanticism SERIES Women and the Railway, 1850–1915 Anna Despotopoulou, University of Athens

Examines cultural representations of women’s experience of the railway in a period of heightened mobility NEW

March 2015 256pp Hb 978 0 7486 7694 1 £70.00 ebook

Anthony Trollope’sAnthony Late Style Anthony Trollope’s Late Style

Edinburgh Critical Studies in Victorian Culture Edinburgh Critical Studies in Victorian Culture Frederik Van Dam, University of Leuven, Belgium Series Editor: Julian Wolfreys Drawing on provocative research, volumes in the series provide timely revisions of the nineteenth- century’s literature and culture.

Anthony Trollope’s Late Style Frederik Van Dam Focuses on Anthony Trollope’s stylistic innovations in ‘The reach of eugenics extended beyond the grave. Illuminating the dark rooms of spiritualist séances, this important study contests the fashionable representation of transatlantic Spiritualism as Anthony Trollope’s “subversive” and “progressive”, and reveals the surprising links between speaking to the dead and silencing the living.’ Elana Gomel, Department of English and American Studies, Tel-Aviv University Late Style relation to Victorian liberalism ‘This bold work demolishes many of our preconceptions about spiritualism by actually reading the wonderful, bizarre publications of the spiritualists themselves. Ferguson’s revelations will require FORTHCOMING everyone who is interested in gender, nationality, or eugenics in this context to rethink their assumptions.’ Jay Clayton, Vanderbilt University Examines the Spiritualist movement’s role in disseminating eugenic and hard hereditarian thought Studying transatlantic spiritualist literature from the mid-nineteenth to the early twentieth century, Frederik Van Dam

Christine Ferguson focuses on the incorporation and dissemination of bio-determinist and eugenic Frederik Van Dam thought. The book draws on rare material, including articles and serialised fiction from Spiritualist periodicals such as Light, The Two Worlds and The Medium and Daybreak as well as on Spiritualist healing, parentage and sex manuals.

Christine Ferguson is a Lecturer in English Literature at the University of Glasgow. Her previous publications include the monograph Language, Science, and Popular Fiction in the Victorian Fin-de- Siècle: The Brutal Tongue (2006). October 2015 Edinburgh Cover design concept by Cathy Sprent 256pp Hb 978 0 7486 9955 1 £70.00 ISBN 978-0-7486-4068-3

9780748 640683 ebook

Rudyard Kipling’s Fiction Rudyard Kipling’s Fiction

Edinburgh Critical Studies in Victorian Culture Edinburgh Critical Studies in Victorian Culture Mapping Psychic Spaces Series Editor: Julian Wolfreys Drawing on provocative research, volumes in the series provide timely revisions of the nineteenth- century’s literature and culture. Lizzy Welby, College Fançais Bilingue de Londres, London Rudyard Kipling’s Fiction Mapping Psychic Spaces Lizzy Welby ‘This wonderfully illuminating book presents the best, most detailed, readings I know of Jane Eyre, Rudyard Kipling’s Fiction Middlemarch, and Wuthering Heights. Basing his approach on a brilliant reading of Nietzsche’s “physio-psychology” in its intellectual context, Staten shows, against critical tradition, that these Mapping Psychic Spaces novels dramatise the new materialist biological morality of life energy.’ Reads Kipling’s fiction through the lens of French feminism J. Hillis Miller, Comparative Literature and English, University of California, Irvine

Traces the development of critical moral psychology in the NEW central novels of the Brontës and George Eliot to reinstate the abjected maternal feminine in his art This book explains how, under the influence of the new ‘mental materialism’ that held sway in mid-Victorian scientific and medical thought, the Brontës and George Eliot in their greatest novels Lizzy Welby broached a radical new form of novelistic moral psychology. This one was no longer bound by the idealising presuppositions of traditional Christian moral ideology, and, as Henry Staten argues, is closely related to Nietzsche’s physiological theory of will to power (itself directly influenced by Herbert Spencer). On this reading, Staten suggests, the Brontës and George Eliot participate, with Flaubert, Baudelaire and Nietzsche, in the beginnings of the modernist turn toward a strictly naturalistic moral WelbyLizzy psychology, one that is ‘non-moral’ or ‘post-moral’. Henry Staten is Byron W. and Alice L. Lockwood Professor in the Humanities and Professor of English and Adjunct Professor of Philosophy at the University of Washington. Although he was originally trained as a Victorianist, his acclaimed first book,Wittgenstein and Derrida, was one of the first philosophical commentaries on deconstruction. Since then his work has ranged widely across April 2015 literature and philosophy from the Greeks through modernism. In 1998 he received the William Riley Parker Prize for an outstanding essay in PMLA. Edinburgh Cover design by Cathy Sprent 256pp Hb 978 0 7486 9855 4 £70.00 ISBN 978-0-7486-9855-4

9780748 698554 ebook

674 eup Welby_PPC.indd 1 03/06/2014 07:18

38 www.euppublishing.com SERIES 19th Century, Romanticism Roomscape Susan David Bernstein, University of Wisconsin-Madison Examines the Reading Room of the British Museum using documentary, theoretical, historical and literary sources ‘Roomscape deserves to find a readership, for its original pursuit

NEW IN PAPERBACK of a rich topic and the possibilities it suggests for further study.’ Matthew Ingleby, Times Literary Supplement Roomscape explores a specific site – the Reading Room of the British Museum – as a space of imaginative potential in relation to the emergence of modern women writers in Victorian and early 20th-century London. Drawing on archival materials, September 2014 248pp Roomscape is the first study to integrate documentary, Pb 978 0 7486 9794 6 £17.99 historical, and literary sources to examine the significance of this space and its resources for women who wrote translations, ebook poetry and fiction. 1895 :

Drama, Disaster and Disgrace in Late Victorian Britain 1895

‘Nicholas Freeman’s entertaining and instructive book ... stitches together a rich Edinburgh Critical Studies in Victorian Culture Drama, Disaster and Disgrace in Late Victorian Britain tapestry of the year’s incidents, debates, scandals and diversions. Freeman writes with enthusiasm and knowledge.’ Matthew Sturgis, Times Literary Supplement Nicholas Freeman, Loughborough University ‘By analyzing a cross-section of stories in the popular press, Freeman provides a fascinating look at a year in the life of Great Britain at the fin de siècle.’ The Year’s Work in English Studies (92) ‘Freeman will provide scholars working on interdisciplinary approaches to Explores the lasting cultural and political impact of this cultural history with a very useful model for analyzing the relationship between texts and events, and readers will gain much from his valuable contextualization of the Wilde trial.’ 1895 Deaglán Ó Donghaile, Modernism/modernity remarkable year Oscar Wilde’s libel suit against the Marquess of Queensberry and its disastrous Drama, Disaster and Disgrace repercussions dominated British newspapers during the spring of 1895, but as this innovative study reveals, the Wilde scandal was by no means the only event to NEW IN PAPERBACK in Late Victorian Britain capture the public’s imagination that year. Freak weather, a flu epidemic, a General Election, industrial unrest, ‘sex novels’ and New Women, trials of murderers and Drawing on strikingly diverse primary sources, Nicholas Freeman fraudsters, accidents, anarchists, bombers, balloonists and bicyclists were all topics of interest and alarm. Had Jack the Ripper returned? Did the Prime Minister have Nicholas Freeman a dreadful secret? Were Aubrey Beardsley’s drawings corrupting the nation? Were overpaid foreign players corrupting English football? Was Britain really staring Nicholas Freeman examines the recurrent preoccupations of a turbulent year, into a moral abyss? And just who were the ‘women who did’?

Drawing on strikingly diverse primary sources, Nicholas Freeman examines the recurrent preoccupations of a turbulent year, showing how 1890s’ Britain is at once showing how 1890s’ Britain is at once far removed from our own far removed from our own day and yet strangely familiar. Nicholas Freeman is Senior Lecturer in English at Loughborough University. day and yet strangely familiar. Cover design by Cathy Sprent Edinburgh ISBN 978-0-7486-9466-2 9780748 694662 Key Features

664 eup Freeman_v2_NiP.indd 1 28/05/2014 11:35 • Interweaves literature, politics and historical biography June 2014 248pp with topics such as crime, the weather, sport, visual art and Pb 978 0 7486 9466 2 £19.99 journalism to give an overarching view of everyday life in 1895 ebook • Draws on strikingly diverse primary sources, from the Aberdeen Weekly Journal to the Women’s Signal Budget, and from the Illustrated Police News to The Yellow Book • Eclectically illustrated with stills from plays and reproductions of newspaper front

Literary Studies 39 19th Century, Romanticism SERIES Exploring Victorian Travel Literature Disease, Race and Climate Jessica Howell, King’s College London Studies representations of white illness in Victorian travel narratives about Africa and the Caribbean

NEW ‘By linking illness to the African and Caribbean environment, the five British writers Howell discusses wrote illness into the framework of Victorian once-popular disease theories. By adeptly exploring how and why her authors clung to anachronistic ideas, Jessica Howell makes a significant contribution to the histories of both science and literature.’ Barbara T. Gates, Alumni Distinguished Professor Emerita, May 2014 208pp University of Delaware Hb 978 0 7486 9295 8 £70.00 ebook

Spirit Becomes Matter The Brontës, George Eliot, Nietzsche Henry Staten, University of Washington Traces the development of critical moral psychology in the central novels of the Brontës and George Eliot

NEW ‘This wonderfully illuminating book presents the best, most detailed, readings I know of Jane Eyre, Middlemarch and Wuthering Heights. Basing his approach on a brilliant reading of Nietzsche’s “physio-psychology” in its intellectual context, Staten shows, against critical tradition, that these novels dramatize the new materialist biological morality of life energy.’ J. Hillis Miller, Comparative Literature and English, University of June 2014 208pp California, Irvine Hb 978 0 7486 9458 7 £70.00 ebook

40 www.euppublishing.com SERIES 19th Century, Romanticism Love Among the Archives Love Among the Archives Writing the Lives of George Scharf, Victorian Bachelor Writing the Lives of George Scharf, Helena Michie, Rice University and Robyn Warhol, Ohio State Victorian Bachelor University Two Literary Critics Romancing the Archive at London’s

FORTHCOMING National Portrait Gallery Part biography, part detective novel, part love story, and part meta-archival meditation, Love Among the Archives is an experiment in writing a life. Our subject is Sir George Scharf, the

Helena Michie and Robyn Warhol founding director of the National Portrait Gallery in London, well known and respected in the Victorian period, strangely obscure in our own. As we comb through 50 years of daily diaries, we August 2015 256pp stumble against plots we bring to the archive from our reading of Pb 978 1 4744 0664 2 £19.99 novels. We ask questions like, did Scharf have a beloved? Why did Hb 978 1 4744 0663 5 £85.00 Scharf kick his aged father out of the family home? What could ebook someone like Scharf mean when he referred to an earl as his ‘best friend’? The answers turn out never to be what Victorian fiction – or Victorianist Studies – would have predicted.

Shakespeare and Renaissance Culture Forgetting Differences Tragedy, Historiography and the French Wars of Religion Andrea Frisch, University of Maryland Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560–1630 FORTHCOMING Key Features • Confronts historiography and tragedy in the era of the French Wars of Religion • Provides both close readings and a broad argument about the impact of the monarchical politics of reconciliation on conceptions of how history and tragedy should ‘move’ their June 2015 208pp audiences Hb 978 0 7486 9439 6 £70.00 • Broad coverage of French authors and texts including five Edinburgh Critical Studies in theatrical tragedies: François de Chantelouve’s Tragédie de Renaissance Culture Coligny; Pierre Matthieu’s Guisiade; Simon Belyard’s Guysien; ebook Claude Billard de Courgenai’s La mort de Henri IV; and the anonymous Tragédie des rebelles, ou les noms sont feints

Literary Studies 41 Shakespeare and Renaissance Culture Shakespeare and Continental Philosophy Edited by Jennifer Bates, Duquesne University and Richard Wilson, Kingston University The first collection to explore the interface between continental thinking and Shakespeare’s plays

NEW This collection of 15 essays by celebrated authors in Shakespeare studies and in continental philosophy brings the two fields into dialogue with each other. The contributors pair plays with one or more philosophers, drawing from current continental philosophy (e.g. Lacan, Foucault, Derrida), from the 19th-century continental tradition (e.g. Hegel, Kierkegaard), and from the early roots of continental tradition September 2014 288pp (e.g. Aristotle, Ibn Sina). Shakespeare is represented by a Pb 978 0 7486 9559 1 £29.99 range of plays, including Hamlet, The Tempest, Richard II, Hb 978 0 7486 9494 5 £90.00 A Midsummer Night’s Dream, Troilus and Cressida, Coriolanus, ebook textbook As You Like It, as well as The Sonnets.

Islamic Conversion and Christian Resistance on the Early Modern Stage Jane Hwang Degenhardt, University of Massachusetts, Amherst Explores the spectre of Christian conversion to Islam in early modern British drama NEW IN PAPERBACK Situating British theatre in a global context, this book looks at how East-West power dynamics informed representations of identity, embodiment and race. In particular, this study examines the stage’s treatment of religious conversion as a sexual seduction, showing how gender was a key variable in exposing interconnections between conversion to Islam and racial reinscription. It also focuses on how confessional identities fused May 2015 272pp into racial categories, to offer a unique approach to discussions of Pb 978 1 4744 0237 8 £24.99 race in the early modern period. (2010) Hb 978 0 7486 4084 3 £80.00 ebook

42 www.euppublishing.com Shakespeare and Renaissance Culture Rethinking Shakespeare’s Political Philosophy From Lear to Leviathan Alex Schulman, Duke University A new interpretation of Shakespeare’s plays as a unified statement of early modern political theory

NEW From Shakespeare’s interpretation of ancient and medieval politics to his wrestling with issues of legitimacy, religious toleration, family conflict and economic change, Alex Schulman shows how Shakespeare produces a fascinating map of modern politics at its crisis-filled birth. As a result, there are brand new readings of Troilus and Cressida, Coriolanus, Julius Caesar, Antony and Cleopatra, King Lear, Richard II and Henry IV, parts I and II, The July 2014 248pp Merchant of Venice and Measure for Measure. Hb 978 0 7486 8241 6 £70.00 Edinburgh Critical Studies in Shakespeare and Philosophy ebook

Re-Humanising Shakespeare Literary Humanism, Wisdom and Modernity Andrew Mousley, De Montfort University Can Shakespeare help us with the question of how to live? A key addition to this new edition is an extended discussion 2ND EDITION of the nature of Shakespeare’s literary humanism. Revised throughout, the book includes: a new introduction which focuses attention on what is specific to literature’s treatment of the human (as epitomised by Shakespeare); a section drawing on new work on literary genres as different forms of engagement with human life; and a new chapter on Richard II. Blending theory and an updated critical vocabulary with close March 2015 240pp Pb 978 0 7486 9123 4 £ 24.99 analysis of the plays, this book makes provocative reading for all those interested in Shakespeare, ethics, human being and the ebook textbook value of literature.

Literary Studies 43 Bible & Classical The Edinburgh Companion to the Bible and the Arts Edited by Stephen Prickett, University of Glasgow and University of Kent Presents original and authoritative assessments of the changing relationship between the Bible and the arts

NEW In this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. The specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call ‘the’ Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, February 2014 608pp whose selection has depended historically on a variety of cultural Hb 978 0 7486 3933 5 £150.00 pressures, theological, social and, not least, aesthetic. ebook

Bible & Classical SERIES Edinburgh Critical Studies in Literary Translation Series Editors: Stuart Gillespie and Emily Wilson The series reflects the current vitality of the subject, and will be a magnet for future work. Its remit is not only the phenomenon of translation in itself, but the impact of translation too. www.euppublishing.com/series/ecslt The English Æneid Translations of Virgil 1555–1646 Sheldon Brammall, The Ludwig Boltzmann Institute The first book-length study of the English Renaissance translations of Virgil’s Æneid

FORTHCOMING This study brings to light a history of English Renaissance Æneids that has been lost from view. The book covers the period from the beginning of Elizabeth’s reign to the start of the English Civil War, during which time there were 13 authors who composed substantial translations of Virgil’s epic. These translators include prominent literary figures – such as Richard Stanyhurst, Christopher Marlowe, and Sir John Harington – as well as scholars, July 2015 256pp schoolmasters and members of parliament. Hb 978 0 7486 9908 7 £70.00 ebook

44 www.euppublishing.com Theory The Edinburgh Companion to Critical Theory Edited by Stuart Sim, Northumbria University THE EDINBURGH COMPANION TO A wide-ranging reference guide to the changing role of CRITICAL critical theory in the 21st century THEORY Edited by Stuart Sim Why do so many critical theorists turn to science to find FORTHCOMING reinforcement for their theories? Can the cognitive sciences provide a new direction for critical theory? Can Marxism still contribute to theoretical debate after the fall of communism? Is postmodernism a dead end? These are just some of the questions posed by this Companion, in which an international team of academic specialists on the topic consider both the legacy and the changing role of critical theory in the September 2015 600pp new century, demonstrating its continuing relevance across Hb 978 0 7486 9339 9 £150.00 disciplines ranging from the arts and social sciences through to ebook the hard sciences. Taking note of the many new developments in the field in recent years, these 30 newly commissioned chapters are divided into 11 sections – including Marxism, Structuralism, Poststructuralism, Postmodernism, Postcolonialism, Gender, Feminism, Historicism, Formalism, Science and Critical Theory, and Psychoanalysis and Critical Theory. They offer readers a welcome opportunity to reorient themselves within the history and role of critical theory in its many forms.

Key Features • Demonstrates the continued relevance and importance of critical theory across all academic disciplines • Maps out and analyses recent developments in the field, and the new lines of enquiry that have arisen from these • Repositions critical theory against the changing socio- political circumstances of the new century

Literary Studies 45 Theory Animal Theory A Critical Introduction Derek Ryan, University of Kent A critical introduction to theoretical approaches to the animal in modern and contemporary philosophy FORTHCOMING This text outlines the significance of the animal for thinkers including Friedrich Nietzsche, Martin Heidegger, , Gilles Deleuze, Donna Haraway, Peter Singer, Giorgio Agamben and Rosi Braidotti. The reader will gain a firm understanding of the complex theoretical debates on the question of the animal and their on-going relevance to contemporary philosophy, animal studies, literary studies and posthumanities more broadly. August 2015 192pp Pb 978 0 7486 8220 1 £24.99 Key Features Hb 978 0 7486 8219 5 £80.00 • Guides the reader through the key concepts in animal theory ebook textbook • Includes summary boxes and further reading lists at the end of each chapter and a glossary of key terms at the end of the book • Intervenes in current debate by critically engaging with theoretical issues and suggesting fresh ways to consider the question of the animal

46 www.euppublishing.com Theory The Derrida Wordbook Maria-Daniella Dick, University of Glasgow and Julian Wolfreys, University of Portsmouth A glossary of words associated with Jacques Derrida accommodating the far-reaching implications of his work

NEW IN PAPERBACK This cornucopia of words and definitions intervenes at crucial points of tension across the entire range of Derrida’s publications, including those published posthumously. It offers sustained expository engagement with a series of 67 key words – from ‘Aporia’ to ‘Yes’ – having significance throughout Derrida’s thought and writing. Touching on the literary, as well as on political, aesthetic, phenomenological and psychoanalytic discourses, and tracing April 2015 512pp how Derrida’s own practice of close reading shadows faithfully the Pb 978 0 7486 2276 4 £24.99 texts he reads before producing a breaking point in the logical ebook limits of a given text, each word, the essays illustrate, is not a final word. Instead, each shows itself, through close reading that places the terms, figures, tropes and motifs in their broader contexts, to be a gateway, opening on to innumerable, interconnected concerns that inform the work of Jacques Derrida.

Tactile Poetics Touch and Contemporary Writing Sarah Jackson, Nottingham Trent University The first sustained study to explore the relationship between touching and writing in contemporary literature

FORTHCOMING For centuries, writers have explored the intimate links between the page and the skin, between the hand and writing, and between language and the caress. It is only in recent decades, however, that touch has become the subject of scholarship. And yet despite the current surge of interest in the surface of our bodies, the precise relationship between touching and writing remains neglected. Drawing on new debates in deconstruction July 2015 224pp and psychoanalysis, this book provides an original and timely Hb 978 0 7486 8531 8 £70.00 intervention in the field, investigating the different ways that ebook literary texts make contact with or ‘touch’ their readers.

Literary Studies 47 Theory SERIES The Frontiers of Theory Series Editor: Martin McQuillan This series brings together internationally respected figures to comment on and re-describe the state of theory in the 21st century. www.euppublishing.com/series/tfot

The Frontiers of Theory

The Frontiers of Theory Series Editor: Martin McQuillan, Kingston University This series brings together internationally respected figures to comment on and re-describe the state of theory in the twenty-first century. Readings Readings of Derrida Readings of Derrida Sarah Kofman of Translated by Patience Moll

‘De Man’s readings of Mallarmé, Yeats, and George in the 1950s demonstrate how a reflection on an authentically poetic vocation cannot help but produce a concomitant reflection on Derrida what constitutes a genuinely literary criticism and theory. It is fascinating to see how de Man’s pushing of a Hegelian phenomenological “method” to its limits engenders what we now call “de Manian” rhetorical or “deconstructive” reading. The Post-Romantic Predicament is essential reading for anyone concerned with the question of “the literary”.’ Andrzej Warminski, University of California, Irvine Sarah Kofman Translated by Patience Moll First publication of a collection of critical texts from ’s Harvard University years

From 1955–1961 Paul de Man was a Junior Fellow at Harvard University where he wrote a doctoral thesis entitled ‘The Post-Romantic Predicament: a study in the poetry of Mallarmé and Yeats’. These texts from this period include de Man’s extended considerations of Stéphane Mallarmé and W. B. Yeats as well as essays on Hölderlin, Keats and Stefan George. This writing reflects recognisable concerns for de Man: the figurative dimension of language, NEW IN PAPERBACK NEW the borders between philosophy and literature, the ideological obfuscations of Romanticism, FORTHCOMING

and the difficulties of the North American heritage of New Criticism. These essays, brought Kofman Sarah together from the Paul de Man papers at the University of California (Irvine), make a significant contribution to the cultural history of deconstruction, and to the present state of .

Paul de Man (1919–1983) was the Sterling Professor of French and Comparative Literature at Yale University. He is the author of some of the most important works of literary theory and deconstruction including Blindness and Insight, Allegories of Reading, The Rhetoric of Romanticism and Aesthetic Ideology. Martin McQuillan is Professor of Literary Theory and Cultural Analysis and Dean of the Faculty of Arts and Social Sciences at Kingston University, London. His recent publications include Deconstruction After 9/11 and Roland Barthes, or, The Profession of Cultural Studies.

Cover image: Beach at Heist Georges Lemmen, 1891-92 © akg-images / Erich Lessing Cover design: Michael Chatfield Edinburgh

The Unexpected Modern Thought in The Readings of Narrative Temporality Pain Derrida and the Philosophy of Philosophy, Politics, Sarah Kofman Surprise Psychoanalysis Translated by Mark Currie, Queen Mary, Simon Morgan Patience Moll, Tulane University of London Wortham, Kingston University Explores the University Distinguished critic relationship between Analyses how modern reads Derrida’s early unexpected events in conceptions of politics, texts in terms of sexual narrative and life ethics, and critical difference, the uncanny April 2015 192pp thought may be re- and psychoanalysis Pb 978 1 4744 0235 4 £24.99 evaluated through the July 2015 192pp Hb 978 0 7486 7629 3 £70.00 question of pain Hb 978 0 7486 7540 1 £70.00 ebook November 2014 168pp ebook Hb 978 0 7486 9241 5 £70.00 ebook

48 www.euppublishing.com SERIES Theory Cixous’s Semi Fictions Thinking at the Borders of Fiction Mairéad Hanrahan, University College London

Explores the links between the fictional and the theoretical NEW in Hélène Cixous’s writing

September 2014 256pp Hb 978 0 7486 4228 1 £60.00 ebook

The Paul de Man Notebooks Paul de Man Edited by Martin McQuillan, Kingston University

Opens up de Man’s archive of notebooks, critical texts and NEW papers for the first time

April 2014 336pp Hb 978 0 7486 4104 8 £80.00 ebook

Without Mastery Reading and Other Forces Sarah Wood, University of Kent

Speaks to and helps us address where we are now, NEW institutionally, environmentally and in thinking about reading

May 2014 208pp Hb 978 0 7486 6997 4 £65.00 ebook

Literary Studies 49 Theory FORTHCOMING FORTHCOMING

Jean Baudrillard: Derrida and Other Animals Derrida and Hospitality From Hyperreality to The Boundaries of the Human Theory and Practice Disappearance Judith Still Judith Still Edited by Richard G. Smith June 2015 232pp 2012 304pp and David B. Clarke Hb 978 0 7486 8097 9 £80.00 Pb 978 0 7486 6963 9 £24.99 June 2015 200pp ebook (2010) Pb 978 0 7486 9429 7 £19.99 Hb 978 0 7486 4027 0 £85.00 Hb 978 0 7486 9428 0 £75.00 ebook ebook

CORCORAN_PB1.qxp_Layout 1 19/11/2014 11:32 Page 1

pb + ppc versions. Derrida's new text to come The Nancy Dictionary EDINBURGH PHILOSOPHICAL GUIDES EDINBURGH PHILOSOPHICAL GUIDES The Badiou Dictionary T h e General Editor: Douglas Burnham

T h e The Edited by Edited by The books in this series are specifically written for students reading

N a n c y philosophy for the first time. Focusing on passages most frequently taught B a d i o u Steven Corcoran at university level each book is a step-by-step guide to help you read the Voice and Phenomenon ‘The Lyotard Dictionary provides an exceptionally clear presentation Nancykey texts from the history of philosophy with confidence and perception. ‘The Lyotard Dictionary provides an exceptionally clear presentation of his complex and challenging ideas. The entries are written with of his complex and challenging ideas. The entries are written with Each book offers:

precision, detail and clarity, offering helpful introductions to unfamiliar D i c t o n a r y precision, detail and clarity, offering helpful introductions to unfamiliar • a summary of the text

D i c t o n a r y concepts as well as fascinating insights for those who already know concepts as well as fascinating insights for those who already know Dictionary Lyotard’s work. It will be an indispensable guide for students of Lyotard • an overview of its key ideas Lyotard’s work. It will be an indispensable guide for students of Lyotard • historical context at all levels.’ at all levels.’ Edited by Simon Malpas, University of Edinburgh • a guide to further reading and study Simon Malpas, University of Edinburgh Peter Gratton The first dictionary dedicated to the work of Jean-François Lyotard The first dictionary dedicated to the work of Jean-François Lyotard and Jean-François Lyotard is famed for being one of the most acute Jean-François Lyotard is famed for being one of the most acute Derrida's Voice and Phenomenon observers on the cultural phenomenon of the postmodern, and his observers on the cultural phenomenon of the postmodern, and his Marie-Eve Morin ideas resonate throughout the academic world, from philosophy and ideas resonate throughout the academic world, from philosophy and Vernon W. Cisney the social sciences through to literary, media and cultural studies. the social sciences through to literary, media and cultural studies. Drawing on the internationally recognised expertise of a multi- Drawing on the internationally recognised expertise of a multi- ‘xxxxxxxx’ disciplinary team of contributors, the entries in The Lyotard Dictionary disciplinary team of contributors, the entries in The Lyotard Dictionary xxxxxxxxx FORTHCOMING FORTHCOMING NEW explain all of Lyotard’s main concepts, contextualising these within his B e n j a m i

S t e v n explain all of Lyotard’s main concepts, contextualising these within his A step-by-step guide to Derrida's Voice and Phenomenon work as a whole and relating him to his contemporaries. It forms an work as a whole and relating him to his contemporaries. It forms an essential introduction to this fascinating and hugely influential thinker, essential introduction to this fascinating and hugely influential thinker, xxxxxxxxxx demonstrating his continuing significance as a cultural theorist. demonstrating his continuing significance as a cultural theorist. Vernon W. Cisney xxxxxx Vernon W. Cisney C o r c a n Stuart Sim is Visiting Professor in the Department of English and Stuart Sim is Visiting Professor in the Department of English and

The H u t c h e n s Creative Writing at Northumbria University. He is widely published Creative Writing at Northumbria University. He is widely published in the field of critical theory, and his works on Lyotard include in the field of critical theory, and his works on Lyotard include Derrida's Jean-François Lyotard (1996), and Lyotard and the Inhuman (2001). Jean-François Lyotard (1996), and Lyotard and the Inhuman (2001). Badiou Voice and Cover image: © itmpa.co.uk

Cover design: Cover image: © itmpa.co.uk www.hayesdesign.co.uk Dictionary Phenomenon Cover design: www.hayesdesign.co.uk Cover design: www.paulsmithdesign.com E ISBN: 978-0-74864645-6 ISBN 978-0-7486-4420-9 Edited by dinburgh Vernon W. Cisney Steven Corcoran www.euppublishing.com www.euppublishing.com

The Badiou Dictionary The Nancy Dictionary Derrida’s Voice and Edited by Steven Corcoran Edited by Peter Gratton Phenomenon July 2015 426pp and Marie-Eve Morin Vernon W. Cisney Pb 978 0 7486 4096 6 £26.99 June 2015 264pp 2014 264pp Hb 978 0 7486 4097 3 £90.00 Pb 978 0 7486 4645 6 £22.99 Pb 978 0 7486 4420 9 £19.99 ebook Hb 978 0 7486 4646 3 £75.00 Hb 978 0 7486 4421 6 £70.00 ebook ebook 50 www.euppublishing.com Transatlantic Literature Elizabeth Bishop Lines of Connection Linda Anderson, Newcastle University A new reading of Elizabeth Bishop’s work ranging across archival, historical and theoretical materials

NEW IN PAPERBACK ‘This is a book that has the capacity to surprise us. It is a book that holds at its centre a deep respect for the poetic process. I found myself realising as I read that it is an essential book, and one we have been waiting a long time for.’ Deryn Rees-Jones, University of Liverpool Linda Anderson explores Elizabeth Bishop’s poetry, from May 2015 192pp her early days at Vassar College to her last great poems in Pb 978 1 4744 0236 1 £24.99 Geography III and the later uncollected poems. Drawing (2013) generously on Bishop’s notebooks and letters, the book situates Hb 978 0 7486 6574 7 £70.00 Bishop both in her historical and cultural context and in terms of ebook her own writing process, where the years between beginning a poem and completing it, for which Bishop is legendary, are seen as a necessary part of their composition.

Key Features • Draws on archival and historical material • Provides readings of Bishop’s major poetry and prose in context • Draws on psychoanalytic and poststructuralist theory • Connects the poems with their process of composition

Literary Studies 51 Transatlantic Literature SERIES Edinburgh Studies in Transatlantic Literatures Series Editors: Colleen Glenney Boggs, Laura Doyle and Andrew Taylor Founding Editors: Susan Manning and Andrew Taylor The Edinburgh Studies in Transatlantic Literatures series fosters new paradigms of exchange, circulation and transformation for transatlantic literary studies, expanding the critical and theoretical work of this rapidly developing field. www.euppublishing.com/series/estl NEW IN PAPERBACK NEW NEW IN PAPERBACK

American Literature and Music , Oscar Modernism’s in the Atlantic World, Wilde and Aesthetic Expatriate Scene 1767–1867 Culture The Labour of Catherine Jones, Michèle Mendelssohn, Translation Oxford University Daniel Katz, University of Explores the Challenges critical Warwick interaction of literature assumptions about Examines the and music in the the way Aestheticism practice and trope Atlantic world in the responded to anxieties of translation in the age of Enlightenment about nationality, context of American and Romanticism sexuality, identity, modernist writing, July 2014 288pp influence, originality with a special focus on Hb 978 0 7486 8461 8 £70.00 and morality expatriate writers and ebook October 2014 328pp travel Pb 978 0 7486 9753 3 £24.99 June 2014 198pp ebook Pb 978 0 7486 9121 0 £19.99 ebook

52 www.euppublishing.com Arabic and Persian Literature

Studying Modern Classes of Ladies of Arabic Literature Cloistered Spaces: Mustafa Badawi, Scholar Writing Feminist History and Critic through Biography in Edited by Roger Allen fin-de-siecle Egypt and Robin Ostle Marilyn Booth NEW NEW April 2015 232pp January 2015 472pp Hb 978 0 7486 9662 8 £70.00 Hb 978 0 7486 9486 0 £80.00

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Writing Beirut War and Occupation in Mappings of the City in Iraqi Fiction the Modern Arabic Novel Ikram Masmoudi Samira Aghacy June 2015 256pp March 2015 240pp Hb 978 0 7486 9655 0 £70.00 Hb 978 0 7486 9624 6 £70.00 NEW FORTHCOMING

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Sun’allah Ibrahim The Edinburgh Rebel with a Pen Companion to the Paul Starkey Arab Novel in English November 2015 224pp Hb 978 0 7486 4132 1 £70.00 The Politics of Anglo Arab and Arab American

FORTHCOMING NEW IN PAPERBACK Literature and Culture Edited by Nouri Gana April 2015 512pp Pb 978 0 7486 8554 7 £24.99 ebook ebook (2013) Hb 978 0 7486 8553 0 £125.00

Literary Studies 53 Scottish Literature The New Edinburgh Edition of the Collected Works of Robert Louis Stevenson Series Editors: Stephen Arata, Richard Dury, Penny Fielding and Antony Mandal This new, ground-breaking complete edition allows readers to understand for the first time the development of Stevenson’s work, his collaborations, his relations with publishers, and his place in the literary history of his period. www.euppublishing.com/series/nrls

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THE EDINBURGH EDITION OF A L MINSTRELSY THE EDINBURGH EDITION OF THE WAVERLEY NOVELS TheTHE WAV EEdinburghRLEY NOVELS Edition of Walter Scott’s ‘Minstrelsy of the T E R EDITOR-IN-CHIEF OF THE THE EDINBURGH EDITION OF Professor David Hewitt WALTER SCOTT THE WAVERLEY NOVELS SCOTTISH “the single Shakespearean talent of the English novel” V.S. Pritchett on Walter Scott THE ABBOT to be complete in thirty volumes S BORDER

C O T Scottish Border’ The first of the Waverley Novels burst anonymously Waverley (1814) Edited by upon an astonished world in 1814. Its publication Guy Mannering (1815) COMPLETE Christopher Johnson marked the emergence of the modern novel in the The Antiquary (1816) western world and was to have an influence on the FIRST EDITION, 1802 The Black Dwarf (1816) The Abbot (1820), which concludes the fiction great European writers of the nineteenth century, begun in The Monastery (published earlier the including Tolstoy, Balzac, Manzoni and Stendhal. But The Tale of Old Mortality (1816) 3 Volume Set same year), follows the fortunes of young it is difficult now to realise the force of that original Rob Roy (1818) Roland Graeme as he emerges from rural shock for, since Scott's death in 1832, the only text of The Heart of Mid-Lothian (1818) obscurity to become an attendant of Mary the Waverley Novels available to the general reader The Bride of Lammermoor (1819) Queen of Scots during her captivity in has been a late revision—the magnum opus edition of Lochleven Castle. Roland’s part in Mary’s 1829–33—whose historical introduction and notes add A Legend of the Wars of Montrose (1819) escape from the Castle is excitingly narrated, little to the imaginative verve of the novels. This new Ivanhoe (1820) Edited by Sigrid Rieuwerts, Johannes Gutenberg-Universität and Mary herself is vividly characterised in Edinburgh Edition is the first authoritative text of The Monastery (1820) M I N S T R E L Y

Scott's novels and differs in many important ways from S C O T I H B R D E captivity, in her brief period of freedom, and The Abbot (1820) in her final defeat near Glasgow in 1568. those published in the nineteenth and twentieth Kenilworth (1821) centuries. The Pirate (1822) Roland’s individual story, as he is fascinated After intensive study of the manuscripts and surviving Mainz proof-sheets, scholars have recovered what Scott The Fortunes of Nigel (1822) by the spirited Catherine Seyton and originally wrote and intended his public to read. Peveril of the Peak (1822) eventually discovers his own parentage, is set Because of the enormous pressure to publish quickly Quentin Durward (1823) against momentous historical events: Mary’s (the novels were often typeset and printed within three Saint Ronan’s Well (1824) conflict with the Earl of Moray and his allies NEW - VOL 1 VOL NEW - was religious as well as personal, and her months), many errors and misreadings were introduced Redgauntlet (1824) in the process of converting holograph manuscripts into defeat signalled the success of the Scottish The Betrothed (1825) This critical edition of Scott’s Minstrelsy presents a seminal printed books, and transmitted into later editions. For Reformation. the first time these errors have been corrected. The Talisman (1825) O F The Edinburgh Edition is based upon the first editions. Woodstock (1826) Based on the first edition, this new text Chronicles of the Canongate (1827) restores, from Scott’s manuscript and from the

All emendations (which are largely derived from the T H E manuscripts and proof-sheets) are listed. In addition the The Fair Maid of Perth (1828) evidence of early American editions set from p19th-centuryroof sheets at different stages, nearly 2000 work for a 21st-century audience critical apparatus in each volume includes an extended Anne of Geierstein (1829) authorial readings hitherto unprinted. It has essay on the development of the text, a Historical Note, Count Robert of Paris (1831) Explanatory Notes and a full Glossary of Scots, foreign also been possible for the first time, on the and archaic words. Castle Dangerous (1831) evidence of history, to make coherent the The Edinburgh Edition has required the full resources Stories from The Keepsake (1828) family relationships in the novel. of Scottish textual scholarship and the enthusiastic Introductions and Notes from the Magnum Opus support of Scottish universities, of the National Library edition of 1829–33 (two volumes) Christopher Johnson is a clerk in the House of Scotland and the Pierpont Morgan Library, New oThisf Lords. 3-volume edition of Scott’s Minstrelsy of the Scottish Border York, of individual owners, and of the British Academy and the Bank of Scotland as chief financial sponsors. The Edition is an Edinburgh project, but is E D I N B U R G H directed from Aberdeen, and the editorial team EDITED BY ISBN 978-0-7486-0575-0 includes scholars from the Universities of Aberdeen, SIGRID RIEUWERTS (1802–3) presents nearly 100 poems and songs, many of Cardiff, Edinburgh, Glasgow, Newcastle, Oxford, Stirling, Sussex, and from Flinders, South Australia, Miami, Ohio, and Nevada. 9 780748 605750 The Edition will comprise thirty volumes, and will be complete by 2004. Jacket image: detail from Sir Walter Scott, Abbotsford, by Sir Henry Raeburn. them containing fascinating narratives of death, murder and Photograph © Woodmansterne. abductions. It also includes his extended essays on history and the supernatural, in which Scott gives the background March 2015 2,100pp Vols 1-3 to the ballad narratives – opening up a window into the life Hb 978 0 7486 9582 9 £240 of the Scottish Borders around 1800. The Edinburgh edition Vol 1 presents Scott’s original text in a new critical way and tells the Hb 978 0 7486 9433 4 £85.00 stories behind the stories, naming the sources and singers, identifying places and bringing alive the cultural background. Vol 2 Hb 978 0 7486 9435 8 £85.00 For the first time, the extraordinary vitality of the Scottish culture and narratives in the Borders is brought to light through the Vol 3 Hb 978 0 7486 9437 2 £85.00 publication of this iconic text in Scotland’s cultural memory. ebook Key Features • Presents the first modern critical edition of Scott’s ballads and songs • Provides insight into the oral and the literate culture of Scotland at a critical point of transition between the two • Reveals the roots of Scott’s impact on Romantic perceptions and on the creation of an imagined Scotland • Shows the dynamic of Scott’s development from 1802 to 1812, between his earliest attempts at poetry and the appearance of his novels

54 www.euppublishing.com Scottish Literature

The Edinburgh Edition of the The Edinburgh Edition of the Periodical Criticism of Periodical Criticism of Sir Walter Scott Sir Walter Scott, Volume 1 Volume 1 1802–1807 1802–1807 Edited by Ross Alloway, University of Edinburgh The first in a four-volume critical edition of Sir Walter Scott’s

FORTHCOMING complete periodical criticism Ross Alloway Edited by This introductory volume will discuss the emergence of Scott’s criticism from its appearance in periodicals to its presence in the prefaces of his novels. It will consider how the prefaces to the

Edited by Ross Alloway Waverley novels, as well as Ballantyne’s Novelists Library were written as a comparatively long-lasting mediation between text and reader. July 2015 320pp Hb 978 0 7486 4268 7 £80.00 ebook textbook

The Edinburgh Critical Edition of the Selected Writings of THE EDINBURGH CRITICAL EDITION OF THE SELECTED WRITINGS OF Andrew Lang, Volume 1 Andrew Lang Anthropology, Fairy Tale, Folklore, The Origins of Religion,

VOLUME 1 Psychical Research The Edinburgh Critical Edition of the Selected Writings of FORTHCOMING Andrew Lang, Volume 2 Literary Criticism, History, Biography Edited by Andrew Teverson, Kingston University, Alexandra Edited by Andrew Teverson, Alexandra Warwick and Leigh Wilson Warwick and Leigh Wilson, both at University of Westminster The only available critical selection of the works of Andrew Lang June 2015 Vol 1 448pp This is the first critical edition of the works of Andrew Lang, the Hb 978 1 4744 0021 3 £150 Scottish writer whose enormous output spanned the whole Vol 2 304pp range of late-19th-century intellectual culture: from literary Hb 978 1 4744 0023 7 £150 criticism to anthropology, magic to archaeology, folklore to 2 Vol Set Scottish history. Critically neglected since his death, partly 978 1 4744 0025 1 £275 because of the diversity of his interests and the volume of his ebook writing, he was central to some of the most important debates of the period.

Literary Studies 55 Scottish Literature Waverley Walter Scott Edited by P. D. Garside, University of Edinburgh Walter Scott’s first novel, as he originally intended it to be read

NEW This edition of Scott’s Waverley marks the bicentenary of the first publication of the novel. It presents the authoritatively edited text by Peter Garside for the Edinburgh Edition of the Waverley Novels, together with a new short introduction, making the anonymous novel that enraptured its first audience again readily accessible to readers.

June 2014 384pp Hb 978 0 7486 9787 8 £14.99 ebook

The Collected Works of Robert Louis Stevenson Series Editor: Catherine Kerrigan Over a hundred years after his death, Robert Louis Stevenson (1850–94) remains an extraordinarily popular writer. Launched in his centenary year, this new edition of his works aims to give scholars, students and the general reading public authoritative texts with full introductions, textual and explanatory notes, and editorial commentary. www.euppublishing.com/series/rls

Prince Otto, by Robert Louis Stevenson Edited by Robert P. Irvine, University of Edinburgh A playful, self-reflexive tale of politics and ethics

Key Features

NEW • The first fully edited edition of the novel will provoke readers to think again about the scope and purpose of Stevenson’s brilliant story-telling • Explores the most modern of themes, the moral compromises required by marriage • A fascinating text for what it tells us about Stevenson’s goals and aspirations at this crucial stage of his career April 2014 272pp Hb 978 0 7486 4523 7 £70.00 ebook

56 www.euppublishing.com Scottish Literature The Stirling/South Carolina Research Edition of the Collected Works of James Hogg Founding General Editor: the late Douglas S. Mack General Editors: Ian Duncan, University of California, and Suzanne Gilbert, University of Stirling This is the first modern authentic edition of Hogg’s work, uncovering the full extent of his literary talents. Full introductions, explanatory notes and editorial comment accompany each text, making this collected edition the standard work on one of Scotland’s leading 19th-century writers. www.euppublishing.com/series/hogg

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The Stirling/South Carolina Research Edition of The Stirling/South Carolina Research Edition of JAMES HOGG The Collected Works of The Collected Works of JAMES HOGG The Collected Works of ContributionsJAMES HOGG to Musical Collections and Miscellaneous Founding General Editor: Douglas S. Mack Contributions to General Editors: JAMES HOGG Ian Duncan and Suzanne Gilbert The Collected Works of Musical Collections and Founding General Editor: Douglas S. Mack Miscellaneous Songs From reviews of previous volumes: Songs ‘Chastity, carnality, carnage and carnivorousness are General Editors: Edited by Kirsteen McCue among his favourite subjects, and dance together in Ian Duncan and Suzanne Gilbert his writings to the music of a divided life. [...] The In starting The Three Perils of Man Hogg embarked on an later eighteenth century was a time when [Scotland] ‘Simple congratulations are in order at the outset, to the ambitious project of emulating and perhaps surpassing his had taken to producing writers and thinkers of world editors and publisher […] of the projected Collected Works of friend and rival Walter Scott in Scott’s own chosen literary consequence. One of these – though long disregarded Edited by Kirsteen McCue, University of Glasgow James Hogg. It has taken a long time for Hogg to be recognised territory, chivalry and the Borders. Originally envisaged as a as such, long unimaginable as such – was Hogg.’ two volume ‘Border Romance’, entitled The Perilous Castle Karl Miller, Times Literary Supplement as one of the most notable Scottish writers, and it can fairly be said that the process of getting him into full and clear focus is and centred around Roxburgh Castle, it expanded to include events at Aikwood, another castle and home of the legendary ‘[The new] collected edition [...] will eventually run to still far from complete. That process is immeasurably helped by JAMES HOGG wizard Michael Scott, leading eventually to the adoption of some thirty volumes. The first three came out last year the provision of proper and unbowdlerised texts (in many cases [in 1995], and are magnificent: spaciously designed, the title The Three Perils of Man: War, Women, and for the first time), and in this the ongoing Collected Works will Witchcraft. Hogg offers a devastating critique of chivalry and scrupulously edited and thoughtfully introduced, with be a milestone […] we have an author of unique interest, force, Provides a broader literary and musical context to Hogg’s Antony Hasler’s Introduction to The Three Perils of combines it with a study of the supernatural, an area in and originality.’ which he had been steeped from his childhood, and which Woman especially illuminating. The two volumes Edwin Morgan, Scottish Literary Journal published along with The Three Perils of Woman are Contributions to produces some of his finest writing, including a magnificent much less disturbing than that book but immensely and Miscellaneous Songs portrait of the Devil disguised as an abbot. A host of other ‘Edinburgh University Press are also to be praised for the engaging. The Shepherd’s Calendar is a volume of Musical Collections characters led by the lovable Charlie Scott of Yardbire anecdotes and sketches of rural life in the Borders [...]. elegant presentation of the books. It is wonderful that at last Musical Collections providereception us with a vision of everyday Borders life and values to as a songwriter set against the more fantastic worlds of chivalry and wizardry. A Queer Book is a volume of poems. [...] There is a we are going to have a collected edition of this important Contributions to strangeness about some of these poems that recalls the author without bowdlerisation or linguistic interference […]. and Miscellaneous Songs Included in the novel is a story-telling contest which features self-consciousness of Hogg’s best fiction.’ These books of Hogg have been wonderfully presented and some of Hogg’s most powerful short stories. John Barrell, The London Review of Books edited. Hogg’s own idiosyncratic style has been left This edition is based on the first edition of 1822 but draws on FORTHCOMING untouched.’ the newly available manuscript in the Fales Library of New ‘ Unlike other volumes in the Stirling/South Carolina Ian Crichton Smith, Studies in Scottish Literature York University to provide a number of new readings, Edition, the Lay Sermons are textually very simple including the restoration of Hogg’s original audacious choice […]. This is a welcome addition to the series, essential ‘It may take some time, but when the current Collected Works of the name Sir Walter Scott for a key character. It includes to its completeness. Even here, some of Hogg’s Contributions to Musical Collections and Miscellaneous Songs an introduction describing the genesis, composition, characteristic narrative complexities surface, however. reaches its culmination, Hogg’s great novel should seem a little publication and subsequent revision of the novel, a historical […] It is a little hard to know what to do with such less oddly unique, and some other astounding books […] may and geographical note, full explanatory notes and a glossary. apparently wanton and provocative narratorial receive their share of belated glory.’ It also contains a comprehensive essay on the manuscript by disturbance, the more so as it does not seem to issue in Liam McIlvanney, London Review of Books Gillian Hughes. corresponding equivocation in the body of the provides access to the relevant material in the various musical Sermons themselves. The editor [Gillian Hughes], ‘[T]he Stirling/South Carolina edition of Hogg’s works is Judy King is a Research Fellow in English at Flinders wisely it seems to me, refrains from attempting a proving one of the major scholarly publishing events of the University. With J. H. Alexander and Graham Tulloch, she resolution of the inconsistency at this point; it is a decade.’ has edited Walter Scott’s The Siege of Roxburgh and Bizarro notable example of the restraint and good judgment Penny Fielding, Studies in Hogg and his World and, with Graham Tulloch, Scott’s Shorter Fiction and which characterizes her work, a measuredness that Catherine Helen Spence’s Tenacious of the Past. She has keeps it well clear of the strain of over-ingenious ‘A quiet revolution in Scottish literary studies has been going also collectionspublished articles on Beowulf. to which Hogg refers in his 1831 head notes, thus interpretation which has accompanied Hogg’s just re- on over the past 10 years. The Stirling/South Carolina Graham Tulloch is Professor of English at Flinders University positioning at the centre of nineteenth-century research edition of the collected works of James Hogg has been and has published books and articles on Scottish language Scottish literary-critical scrutiny over the past few steadily forcing a reassessment of one of our best-known but and literature. He has edited Walter Scott’s Ivanhoe, Marcus years.’ least-read authors.’ Clarke’s His Natural Life and Catherine Martin’s An Susan Manning, Eighteenth-Century Scotland James Robertson, The Herald Australianallowing Girl and has co-edited several texts with Judythe King. new readers of the 21st century to see in facsimile ISBN 978-0-7486-3811-6 EDINBURGH Gillian Hughes is the author of James Hogg: A Life (2007), and has edited or co-edited a number of volumes in the Stirling/South Carolina Edition of his works, including the three-volume Collected Letters of James Hogg (2004–8). She was thewhat founding editor of Studies inHogg Hogg and his World and is himself saw. currently working towards a new Hogg bibliography. 9 780748 638116 EDINBURGH UNIVERSITY PRESS 22 George Square, Edinburgh www.euppublishing.com ISBN 978 0 7486 3811 6

January 2015 432pp Hb 978 0 7486 3935 9 £70.00

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The Stirling/South Carolina Research Edition of The Stirling/South Carolina Research Edition of J A M E S H O G The Collected Works of The Collected Works of JAMES HOGG The Collected Works of SongsJAMES HOGG by the Ettrick Shepherd Founding General Editor: Douglas S. Mack Songs by the Ettrick Shepherd General Editors: JAMES HOGG Ian Duncan and Suzanne Gilbert The Collected Works of Edited by Kirsteen McCue Founding General Editor: Douglas S. Mack From reviews of previous volumes: Edited by Kirsteen McCue, University of Glasgow James Hogg’s Songs by the Ettrick Shepherd appeared in ‘Chastity, carnality, carnage and carnivorousness are General Editors: 1831 and presented his public with ‘a pocket volume’ of among his favourite subjects, and dance together in Ian Duncan and Suzanne Gilbert his best and most popular songs. It contains 113 songs his writings to the music of a divided life. [...] The spanning the whole of Hogg’s career as shepherd and professional writer, from his ‘first’ song, ‘Donald later eighteenth century was a time when [Scotland] ‘Simple congratulations are in order at the outset, to the had taken to producing writers and thinkers of world MacDonald’, created around 1803, to songs that had only editors and publisher […] of the projected Collected Works of consequence. One of these – though long disregarded just appeared in print. James Hogg. It has taken a long time for Hogg to be recognised A critical edition of Hogg’s 1831 retrospective on his lifetime as such, long unimaginable as such – was Hogg.’ Karl Miller, Times Literary Supplement as one of the most notable Scottish writers, and it can fairly be This volume is the first scholarly edition of the collection said that the process of getting him into full and clear focus is since its original appearance. It includes an Introduction, ‘[The new] collected edition [...] will eventually run to still far from complete. That process is immeasurably helped by giving an account of the importance to Hogg of songs some thirty volumes. The first three came out last year the provision of proper and unbowdlerised texts (in many cases JAMES HOGG and singing across his creative life, and detailed notes to [in 1995], and are magnificent: spaciously designed, for the first time), and in this the ongoing Collected Works will eachachievement of the songs Hogg presents. The volume is intended as a songwriter scrupulously edited and thoughtfully introduced, with be a milestone […] we have an author of unique interest, force, to be used alongside James Hogg’s Contributions to Musical

Antony Hasler’s Introduction to The Three Perils of and originality.’ S o n g s b y t h e E r i c k p d Collections and Miscellaneous Songs, containing musical Woman especially illuminating. The two volumes Edwin Morgan, Scottish Literary Journal copies of the songs, taken directly from the collections to published along with The Three Perils of Woman are which Hogg refers in Songs by the Ettrick Shepherd. As much less disturbing than that book but immensely Songs by the ‘Edinburgh University Press are also to be praised for the such it provides the full textual and musical contexts of engaging. The Shepherd’s Calendar is a volume of elegant presentation of the books. It is wonderful that at last these songs as Hogg’s public would have known and anecdotes and sketches of rural life in the Borders [...]. Ettrick Shepherd enjoyed them. A Queer Book is a volume of poems. [...] There is a we are going to have a collected edition of this important This volume is the first scholarly edition of the collection since strangeness about some of these poems that recalls the author without bowdlerisation or linguistic interference […]. These books of Hogg have been wonderfully presented and Kirsteen McCue is a graduate of the University of self-consciousness of Hogg’s best fiction.’ Glasgow and Balliol College, Oxford. She is currently John Barrell, The London Review of Books edited. Hogg’s own idiosyncratic style has been left NEW Head of Scottish Literature and Co-Director of the untouched.’ Centre for Robert Burns Studies at the University of ‘ Unlike other volumes in the Stirling/South Carolina Ian Crichton Smith, Studies in Scottish Literature Edition, the Lay Sermons are textually very simple Glasitsgow. She h as originalpublished widely on Romantic song appearance. It includes an Introduction, giving an […]. This is a welcome addition to the series, essential culture and is now working on an edition of Burns’s songs ‘It may take some time, but when the current Collected Works to its completeness. Even here, some of Hogg’s for George Thomson for the new Oxford edition of The characteristic narrative complexities surface, however. reaches its culmination, Hogg’s great novel should seem a little Works of Robert Burns. […] It is a little hard to know what to do with such less oddly unique, and some other astounding books […] may apparently wanton and provocative narratorial receive their share of belated glory.’ Liam McIlvanney, London Review of Books account of the importance to Hogg of songs and singing across disturbance, the more so as it does not seem to issue in corresponding equivocation in the body of the Sermons themselves. The editor [Gillian Hughes], ‘[T]he Stirling/South Carolina edition of Hogg’s works is wisely it seems to me, refrains from attempting a proving one of the major scholarly publishing events of the resolution of the inconsistency at this point; it is a decade.’ notable example of the restraint and good judgment Penny Fielding, Studies in Hogg and his World his creative life and detailed notes to each of the songs Hogg which characterizes her work, a measuredness that keeps it well clear of the strain of over-ingenious ‘A quiet revolution in Scottish literary studies has been going interpretation which has accompanied Hogg’s just re- on over the past 10 years. The Stirling/South Carolina positioning at the centre of nineteenth-century research edition of the collected works of James Hogg has been Scottish literary-critical scrutiny over the past few steadily forcing a reassessment of one of our best-known but presents. The volume is intended to be used alongside James years.’ least-read authors.’ Susan Manning, Eighteenth-Century Scotland James Robertson, The Herald

ISBN 978-0-7486-3936-6 E D I N B U R G H

EDIHogg’sNBURGH UNIVERSITY PRESS Contributions to Musical Collections and Miscellaneous The Tun – Holyrood Road 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ www.euppublishing.com 9 780748 639366 ISBSongsN 978 0 7486 3936 6 which contains musical copies of the songs, taken directly from the collections to which Hogg refers in Songs by the July 2014 432pp Ettrick Shepherd. As such it provides the full textual and musical Hb 978 0 7486 3936 6 £70.00 contexts of these songs as Hogg’s public would have known and enjoyed them.

Literary Studies 57 Scottish Literature Scottish Pastorals: Together with Other Early Poems and ‘Letters on Poetry’ Edited by Suzanne Gilbert, University of Stirling

Presents Hogg’s first collection of poetry, Scottish Pastorals FORTHCOMING (1801) and poems he contributed to The Scots Magazine in 1805–6

August 2015 208pp Hb 978 0 7486 3937 3 £70.00

The Brownie of Bodsbeck and Other Tales Edited by Valentina Bold, University of Glasgow

Now published as a complete collection for the first time since 1818 FORTHCOMING

August 2015 400pp Hb 978 0 7486 3385 2 £70.00

Memoir of Burns Edited by Patrick Scott, University of South Carolina

The first modern editorial treatment of the work FORTHCOMING

August 2015 400pp Hb 978 0 7486 3416 3 £70.00 ebook

58 www.euppublishing.com Scottish Literature Bannockburns Scottish Independence and Literary Imagination, 1314–2014 Robert Crawford, University of St Andrews Shows how the idea of Scottish independence has been imagined by writers over 700 years Explores the literary-cultural background to Scottish nationalism and how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence from 1314 to today.

Key Features • The only book to set out in full what Scottish independence January 2014 288pp has meant in literature Pb 978 0 7486 8584 4 £19.99 • Shows how for 700 years the Battle of Bannockburn has ebook remained a key reference point • Helps add cultural and intellectual substance to today’s Scottish independence referendum

Interested in keeping up to date with the latest news from Literary Studies Stay at Edinburgh University Press? Register now and take advantage of these great benefits and features: • Sign up for email subject newsletters and print catalogues in your subject areas for all the latest news on our books In and journals, events and special offers • Subscribe to table of contents alerts for your favourite journals, delivered to you by email or RSS feed as soon as Touch new content becomes available • Save your favourite journals and articles for quick access • Save your searches: great if you frequently search for the same criteria • Get citation alerts to track citations to specific articles Creating your account is quick and easy: just visit our website www.euppublishing.com and click on ‘Create Your Account’. THE UNIVERSITY of EDINBURGH Literary Studies 59 Scottish Literature Don Paterson Contemporary Critical Essays Edited by Natalie Pollard, Queen Mary, University of London The first book-length critical study of the contemporary British poet, Don Paterson

NEW Eight essays by leading literary critics and writers explore the social, historical and personal dimensions of Paterson’s poetry and prose. Situating his work in dialogue with the classical, medieval, early modern, modernist and contemporary voices that inform it, the book considers Paterson as a figure actively negotiating his place within literary history and theory, as well as confronting that history with humour and directness. July 2014 176pp Hb 978 0 7486 6941 7 £70.00 ebook

Kathleen Jamie Essays and Poems on Her Work Edited by Rachel Falconer, University of Lausanne The first collection of critical essays on the writing of Kathleen Jamie

NEW Nationally acclaimed since her first major publications in the 1980s, Jamie stands out from other contemporary poets in her exceptional musicality, her strikingly unusual perspectives, her wry humour, translucent imagery, and hard-edged economy of expression. These 16 newly commissioned critical essays and 7 previously unpublished poems by leading poets make up the first full-length study of Kathleen Jamie’s writing. December 2014 256pp Hb 978 0 7486 9600 0 £70.00 Readers will have access to 14 audio recordings of Kathleen Jamie reading from works discussed in the volume available at ebook www.euppublishing.com/page/kathleenjamie/audio

60 www.euppublishing.com Scottish Literature The Voice of the People Hamish Henderson and Scottish Cultural Politics Edited by Corey Gibson, University of Groningen Examining Hamish Henderson’s search for the radical voice of the people in modern Scotland FORTHCOMING THE VOICE OF This book examines the life and times of Hamish Henderson THE PEOPLE (1919–2002) and his life-long commitment to finding a form HAMISH HENDERSON AND SCOTTISH of artistic expression suitable for post-war Europe. Though CULTURAL POLITICS COREY GIBSON Henderson is a major figure in Scottish cultural history, his reputation is largely maintained in anecdote and song. This study explores his ideas in their intellectual, cultural and political contexts. June 2015 288pp Hb 978 0 7486 9657 4 £70.00 ebook

Scots Spelling The Orthography of Literary Scots Jennifer Bann, University of Glasgow and John Corbett, University of Macau Provides the first full description of Modern Scots spelling

FORTHCOMING This work draws on the authors’ current research project, the Corpus of Modern Scottish Writing. The monograph uses this new corpora material to analyse the development of Modern ScotS Spelling the orthography of literary Scots Scots orthography and provide a description of consonant and

Jennifer Bann and John corBett vowel spellings in Modern Scots. Key Features October 2015 192pp • Evidence-based treatment of the material using two main Hb 978 0 7486 4305 9 £65.00 corpora ebook • First full description of Modern Scots spelling • Illustrated throughout

Literary Studies 61 JOURNALS

BJJ21_2Covers:BJJ21_2Covers 9/29/2014 3:16 PM Page 1 IRCL6_2COVERS:IRCL6_2COVERS 11/11/2013 4:09 PM Page 1 I NTERNATIONAL Comparative Critical Studies T H E Volume 6 Number 2 December 2013 VolumeContents 11

B E N NumberEditorial 1 Thinking in Other Ways JOHN STEPHENS2014 R SAC IN ESEARCH Articles

J O N S The Meaning of Children’s Poetry: A Cognitive Approach KAREN COATS Towards a Cognitive Theory of Picturebooks INTERNATIONAL BETTINA KÜMMERLING-MEIBAUER AND JÖRG MEIBAUER

Representing Adolescent Fears: Theory of Mind and Fantasy Fiction C ROBERTA SILVA HILDREN RESEARCH IN A Christmas Carol: Disability Conceptualised through Empathy and the Philosophy of ‘Technologically Useful Bodies’

J O U R N A L ESTER VIDOVIC´ ’ Repeated Childhood Pleasures: Rethinking the Appeal of S CHILDREN’S

Series Fiction with Gilles Deleuze L

JANE NEWLAND ITERATURE The Adult as Foe or Friend?: Childism in Guus Kuijer’s LITERATURE Criticism and Fiction VANESSA JOOSEN Volume 11 Reviews Volume 6.2 December 2013 • Number 1 Comparative V o l u m e • 2014 Critical Studies 2 1 •

N u m b e r The Journal of the International Research Edinburgh Society for Children’s Literature ISSN 1755-6198 eISSN 1755-6201 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Edinburgh University Press Jackson’s Entry, Edinburgh, EH8V o8PJlume 21 Edinburgh University Press

2 ISSN: 1744 1854 www.euppublishing.com eISSN: 1750-0109 Edinburghwww.euppublishing.com University Press Number 2

CCS11_1Covers.indd 1 06-03-2014 4:43 Ben Jonson Journal Comparative Critical Studies International Research in www.euppublishing.com/BJJ www.euppublishing.com/CCS Children’s Literature Frequency: May & November Frequency: February, June & October www.euppublishing.com/IRCL Volume 22 Volume: 12 Frequency: July & December Print ISSN: 1079 3453 Print ISSN: 1744 1854 Volume: 8 Online ISSN: 1755 165X Online ISSN: 1750 0109 Print ISSN: 1755 6198 Print or Online Price: £36.50 Print or Online Price: £37.00 Online ISSN: 1755 6201 Print & Online Price: £45.50 Print & Online Price: £46.50 Print or Online Price: £35.00 Print & Online Price: £43.00 IRISH UNIVERSITY REVIEW VolumeSpring / Summer 2014 IRISH UNIVERSITY 44, No. 1 SPECIAL ISSUE – Brendan Behan Special Issue Spring / Summer 2014 Journal of Beckett Studies Journal Journal of Beckett Studies IRISH UNIVERSITY REVIEW Volume 23 Number 1 Journal of MODERNIST Volume 44, No. 1 Spring / Summer 2014 Special Issue: The Performance Issue IRISH Guest edited by Jonathan Heron and Nicholas Johnson I JOHN BRANNIGAN Beckett Studies CULTURES Dirk Van Hulle and Mark Nixon: Performance and Beckett’s ‘Bare Room’ Introduction: A Bit of a Writer Jonathan Heron and Nicholas Johnson: ‘First both’: Introduction to ‘the Performance Issue’ Volume 9, Number 2 Autumn 2014 I JANET BEHAN Essays Volume 23 Brendan at the Chelsea UNIVERSITYAnna McMullan, Trish McTighe, David Pattie, David Tucker: Number 1 Edinburgh University Press Staging Beckett: Constructing Histories of Performance Derval Tubridy: Samuel Beckett and Performance Art I ANDREW MCNEILLIE MODERNIST CULTURES Catherine Laws: Beckett in New Musical Composition The Dublin End: Anecdotes of Brendan Behan on Árainn The PerformanceMODERNIST CULTURESIssue Dossier Volume 9, Number 2 Autumn 2014 I FRANK MCGUINNESS REVIEWJonathan Heron and Nicholas Johnson, With Burç Îdem Dinçel, Gavin Quinn, Edited by Jonathan Heron and Nicholas Johnson Saint Behan Sarah Jane Scaife and Áine Josephine Tyrrell: The Samuel Beckett Laboratory 2013 Contents Interviews I MICHAEL PIERSE ‘The Feeling in the Play’: An Interview with Ian Rickson Notes on Contributors ‘A dance for all the outcasts’: Class and Postcolonialism in Brendan Behan’s ‘Automatic in the Muscle’: An Interview with Robert Wilson An Giall and The Hostage Practitioners’ Voices Articles Rosemary Pountney on Performing Footfalls Ezra Pound’s Lost Book: Orientamenti I MAUREEN S.G. HAWKINS Number 1 Volume 23 Rieko Suzuki on Performing Un Soir Peter Nicholls ‘For all the outcasts of this world’: Song and Dance in Brendan Behan’s Barry McGovern on Adapting Watt An Giall and The Hostage ‘The Perfect Hostess’: Mrs. Dalloway, Gift Exchange, and the End of Laissez-Faire Obituaries Rebecca Colesworthy I BERNICE SCHRANK Iris Smith Fischer: Frederick Neumann (1926–2012) Matthew Causey: Herbert Blau (1926–2013) Rebecca West and the Origins of A Room of One’s Own Brendan Behan’s Borstal Boy: Politics in the Vernaculars Douglas Mao Theatre Reviews I STEPHEN WATT Thomas Irmer reviews Krapp’s Last Tape (Das letzte Band), directed by Peter Stein, at Schloss Taxi! The Modern Taxicab as Feminist Heterotopia Brendan Behan, Borscht Belt Comedian Neuhardenberg Anne E. Fernald Judith Wilkinson: Theatre in an Expanded Field? All That Fall and Embers Reimagined by Pan Pan Rural Modernity and the Wood Engraving Revival in Interwar England 9.2 I CLAIRE LYNCH Book Reviews Kristin Bluemel The Drinker with the Writing Problem: Brendan Behan’s Anecdotal Linda Ben-Zvi reviews Graley Herren’s Samuel Beckett’s Plays on Film and Television, Jonathan Bignell’s

Richard Aldington’s Images, the Metropolis, and the Masses AUTUMN 2014 Alcoholism Beckett on Screen: The Television Plays and Colin Gardner’s Beckett, Deleuze and the Televisual Event: Peephole Art Andrew Frayn Alys Moody reviews Laura Salisbury’s Samuel Beckett: Laughing Matters, Comic Timing

Wyndham Lewis and the Parables of Expressionist Architecture Notes on Contributors Kate Armond Book Reviews Cover Image: ‘Brendan Reading’, Daniel Farson/Picture Post, 1 August 1952. Cover: Drawing for Krapp’s Last Tape by Jocelyn Herbert for the 1973 production at the By kind permission of Getty Images. Royal Court Theatre. (© Estate of Jocelyn Herbert, Jocelyn Herbert Archive, Wimbledon College of EDINBURGH Art, University of the Arts London; sourced by the Staging Beckett project, A Journal of Irish Studies Universities of Reading and Chester.) ISSN 0309-5207 Brendan Behan eISSN 1759-7811 EDINBURGH Cover Design & Illustration: Barrie Tullett www.euppublishing.com/iur Edinburgh University Press ISSN: 2041-1022 eISSN: 1753-8629 ISSN 0021-1427 www.euppublishing.com Edinburgh University Press Edinburgh University Press www.euppublishing.com e-ISSN 2047-2153 Edinburgh University Press

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64 www.euppublishing.com INDEX

Aghacy, Samira 53 Doyle, Laura 52 Ahmed, Sara 8 Dubino, Jeanne 27 Ailwood, Sarah 25 Duncan, Ian 36, 57 Allen, Roger 53 Dury, Richard 54 Alloway, Ross 55 Earnshaw, Steven 7 Anderson, Linda 51 Ellis, Jonathan 13 Arata, Stephen 54 English, Elizabeth 25 Bailey, James 13 Faflak, Joel 34 Bann, Jennifer 61 Falconer, Rachel 60 Bastable, Jonathan 10 Fielding, Penny 36, 54 Bates, Jennifer 42 Freeman, Nicholas 39 Beenstock, Zoe 36 Frisch, Andrea 41 Benson, Stephen 7 Gana, Nouri 53 Bernstein, Susan David 39 Garrington, Abbie 21 Boggs, Colleen Glenney 52 Garside, P. D. 56 Bold, Valentina 58 Gasiorek, Andrzej 20 Booth, Marilyn 53 Gibbs, Alan 18 Boyiopoulos, Kostas 11, 37 Gibson, Corey 61 Brammall, Sheldon 44 Gilbert, Suzanne 57, 58 Brannigan, John 16 Gillespie, Stuart 44 Brauner, David 11 Gillis, Alan 8 Brinton Tildesley, Matthew 11 Gontarski, S.E. 30, 31 Bru, Sascha 6, 9 Gratton, Peter 50 Cavanagh, Dermot 8 Green, Fiona 14 Chantler, Ashley 29 Grenby, M.O. 9 Choi, Yoonjoung 11 Halliday, Sam 22 Cisney, Vernon 50 Hammond, Meghan Marie 32 Clarke, David 50 Hanrahan, Mairéad 49 Coleridge, Samuel Taylor 3, 12 Harvey, Melinda 25 Connors, Clare 7 Haslam, Jason 34 Corbett, John 61 Hawkes, Rob 29 Corcoran, Steven 50 Hickman, Ben 14 Crawford, Robert 59 Hogg, James 57, 58 Currie, Mark 48 Horner, Avril 35 da Sousa Correa, Delia 24 Howell, Jessica 40 Davison, Claire 23, 24, 26 Hughes, Linda 4 de Bruyn, Ben 9 Hughes, William 34, 35 de Man, Paul 49 Irvine, Robert 56 Degenhardt, Jane Hwang 42 Jackson, Sarah 47 DeLucia, JoEllen 36 Johnson, Erica 28 Delville, Michel 9 Jones, Catherine 52 Despotopoulou, Anna 38 Jones, Clara 26 Dick, Maria-Daniella 47 Katz, Daniel 52

Literary Studies 65 INDEX

Kelly, Alice 18, 24 Robinson, Michael 36 Keown, Michelle 8 Ryan, Derek 21, 46 Kerrigan, Catherine 56 Salisbury, Laura 31 Kimber, Gerri 3, 23, 24 Saloman, Randi 27 Kofman, Sarah 48 Schulman, Alex 43 Kolocotroni, Vassiliki 3, 20 Scott, Patrick 58 Lang, Andrew 3, 55 Scott, Walter 3, 54, 55, 56 Lowe, Gill 27 Sim, Stuart 45 Loxley, James 8 Simpson, Kathryn 27 Mack, Douglas 57 Smith, Andrew 34, 35 Maclean, Caroline 33 Smith, Angela 3, 23 Maddison, Isobel 24 Smith, Richard 50 Mansfield, Katherine 3, 23, 25 Staehler, Axel 11 Marks, Peter 15 Starkey, Paul 53 Martin, W. Todd 24 Staten, Henry 40 McCue, Kirsteen 57 Stevenson, Robert Louis 54, 56 McGill, Hannah 10 Stevenson, Randall 8, 17 McLoughlin, Kate 33 Still, Judith 50 McQuillan, Martin 48, 49 Stonebridge, Lyndsey 19 Mandal, Antony 54 Sutton, Emma 28 Manning, Susan 52 Taxidou, Olga 3, 20 Masmoudi, Ikram 53 Taylor, Andrew 52 Mendelssohn, Michèle 52 Taylor, Julie 32 Mengham, Rod 17 Teverson, Andrew 55 Michie, Helena 41 Townshend, Dale 34 Miller, Tyrus 22 Van Dam, Frederik 38 Moll, Patience 48 Vice, Sue 15 Moran, Patricia 28 Waddell, Nathan 20 Morgan Wortham, Simon 48 Warden, Claire 5 Morin, Marie-Eve 50 Warhol, Robyn 41 Mousley, Andrew 43 Warwick, Alexandra 55 Neverow, Vara 27 Welby, Lizzy 38 ni Fhlathúin, Máire 37 Wharton, Edith 18 Ostle, Robin 53 Wilson, Emily 44 Plain, Gill 17 Wilson, Leigh 55 Plumridge, Anna 23, 25 Wilson, Richard 42 Pollard, Natalie 60 Witchard, Anne 29 Prickett, Stephen 44 Wolfreys, Julian 10, 37, 47 Punter, David 12 Wood, Sarah 49 Randall, Martin 19 Wright, Angela 34 Rieuwerts, Sigrid 54 Young, Emma 13 Robbins, Sarah 4 Zlosnik, Sue 35 Roberts, Adam 3, 12

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