Year Exhibition Number Exhibition Title Dates 1941 A1941.06A Painting Today and Yesterday in the U.S

Total Page:16

File Type:pdf, Size:1020Kb

Year Exhibition Number Exhibition Title Dates 1941 A1941.06A Painting Today and Yesterday in the U.S Year Exhibition Number Exhibition Title Dates 1941 A1941.06a Painting Today and Yesterday in the U.S. June 5-September 1, 1941 1941 A1941.09a Van Gogh Paintings (& Jongkind) September 9 1941 1941 A1941.09b Three Master French Impressionists: Monet, September 9-October Sisley, and Pissarro 14, 1941 1941 A1941.09c Watercolor Exhibition from the Museum of September 9- mid Fine Arts, San Diego October 1941 1941 A1941.09d Oils and Tempers Paintings by Clarence September Hinkle 1941 A1941.09e Photographs by Charles Kerlee September 1941 A1941.10a Channel City Camera Club Exhibition October 5-October 31 1941 1941 A1941.10b Paintings by Clarence Hinkle October 7- October 31 1941 1941 A1941.10c Early American Paintings from Mrs. October 16 Frederick Saltonstall Gould Collection 1941 A1941.10d Paintings by Dan Lutz October 16 1941 1941 A1941.10e Photographs by Joseph Muench October 19- November 2, 1941 1941 A1941.10f Masterpieces of Ancient China from Jan October 19- Kleijkamp Collection November 23, 1941 1941 A1941.10g Recent Work by Eugene Berman October 27- Mid November 1941 1941 A1941.11a Celluloids from the Disney Studios November 1941 A1941.11b Watercolors by Michael Czaja November 1941 A1941.11c Portraits by Samuel Waldo November 9 1941 A1941.11d Photographs by Fred Archer November 11 1941 A1941.11e National Art Week Exhibit: New Prints, November 17- Pictures, and Sculpture by Santa Barbara and December 1,1941 Tri-County Artists 1941 A1941.11f Paintings by Lyla M. Harcoff November 30- December 16 1941 1941 A1941.12a Photographs by Karl Obert December 1941 A1941.12b RETROSPECTIVE Exhibition of Paintings, December 3- Sculpture, and Etchings by Kenneth Gordon December 15, 1941 Grant 1941 A1941.12c Children’s Art Week December 3- December 31, 1941 1941 A1941.12d Drawings by Peter Takal December 14- December 31, 1941 1941 A1941.12e Personality of a Package December 14- December 31, 1941 1941 A1941.12f California Watercolor Society’s 21st Annual December 15 Exhibition 1942 A1942.01a Photography by Prize Winners in January 4 competition sponsored by Camera Club Magazine 1942 A1942.01b Works by Sara Kolb Danner January- February, 1942 1942 A1942.01c Recent Watercolors by Douglass Parshall January- February 13, 1942 1942 A1942.01d French Impressionist Painting January 12- March 31 1942 1 1942 A1942.02a American and English Furniture of the February Sheraton and Hepplewhite Periods 1942 A1942.02b Photography by H. Edgerton and Florence February 15 McAllister 1942 A1942.02c Recent Canvases by Jack Gage Stark February 15 1942 A1942.02d Photographs by Shreve Ballard February 25- March 1, 1942 1942 A1942.02e Oil Paintings by Eunice C. MacLennon February 29- March 14, 1942 1942 A1942.03a Paintings by Emma Lou Packard March 1 1942 A1942.03b Paintings by Santa Barbara Artists March 1 1942 A1942.03c Prints and Aquatints by Marian Hebert March 1 1942 A1942.03d Joe Cannon Watercolors March 1942 A1942.03e La Cumbre Junior High School Children’s March Exhibition 1942 A1942.03f Works by Frank Van Sloun March 1942 A1942.03g Walter Cheever, Paintings March- April 5 1942 1942 A1942.04a Santa Barbara Artists April 1 1942 A1942.04b Tri-County Exhibition April 1-May 3, 1942 1942 A1942.04c Oil Paintings by Meyer (Papa) Hiler April 16 1942 A1942.04d Ancient American Art: 500 B.C. to A.D. April 18- June, 1942 1500 [Arts of America Before Columbus: 500 B.C. - AD 1500] 1942 A1942.04e Picture for Children April 26 1942 A1942.05a Collection of 18th Century Chinese Puppets May loaned by Mr. Jan Kleijkamp 1942 A1942.05b Photographs by Edward Weston May 1942 A1942.05c Selection of pictures of interest to children May 1942 A1942.05d United Nations Festival and Free France May Exhibit lent by Mr. and Mrs. Walter Arensberg and Edward G. Robinson 1942 A1942.05e Photographs from Early American Indian May 10 Pictographs or frescoes in Barrion Canyon, Utah (Federal Art Project) 1942 A1942.05f Posters lent by Mr. and Mrs. E.D. Baring May 10 Gould 1942 A1942.05g Watercolors by Chinese painter Lin-Fong- May 10 Ming 1942 A1942.05h Paintings of Circus Life May 14 1942 A1942.05i Watercolors by Peter Teigen May 14 1942 A1942.06a Watercolors by Thomas Handforth June 1942 A1942.06b Ink Drawings by Milt Gross June 1942 A1942.06c Portrait photographs by the Gledhills June 1942 A1942.06d American paintings lent by the Hatfield June 1- June 20, 1942 Galleries 1942 A1942.06e Color drawings by Clarence Hinkle June 21- July 12, 1942 1942 A1942.06f Sculpture and drawings by Helene Sardeau June 21- July 12, 1942 1942 A1942.06g Watercolors and drawings by Joseph June 21- July 12, 1942 Knowles 1942 A1942.07a Early American Pressed Glass July 1- July 31, 1942 1942 A1942.07b Modern Mexican Painters July 1- July 31, 1942 1942 A1942.07c Persian Miniatures, ceramics and textiles July 1- July 31, 1942 1942 A1942.07d Photography by Ernest Knee July 1- July 31, 1942 2 1942 A1942.07e Material Related to Poetry by Robinson July 12 Jeffers from Una Jeffers Collection 1942 A1942.07f Pottery by Manuele Jalanavich and Ingvardt July 15 Olsen 1942 A1942.07g Textiles by Robert Harndon July 15 1942 A1942.07h Etchings by Thomas Handforth Late July 1942 1942 A1942.07i Watercolors and colored lithographs by Late July 1942 Hayes Tyon 1942 A1942.08a Henry Eichheim Exhibit (His Life and August Works) 1942 A1942.08b Pastels and watercolor drawings by Robert August Henri 1942 A1942.08c Drawings and paintings by Rico Lebrun August 5 1942 1942 A1942.09a Collection of Handbound Books by Fred September Korsmeier 1942 A1942.09b Costume Design and Stage Sets by Robert September Edmond Jones 1942 A1942.09c Paintings by Martin Baer September 1942 A1942.09d Photographs by Grant Duggins September 1942 A1942.09e Old Masters Exhibit September 13- October 18, 1942 1942 A1942.10a Paintings in Watercolor and Color Drawings October 16 by John Edward Thompson 1942 A1942.10b Paintings by Ernst and Kari van Leyden October 18- October 30, 1942 1942 A1942.10c Art of Ancient India October 31- November 30, 1942 1942 A1942.10d Watercolors by Charlotte Berend October 31- November, 1942 1942 A1942.10e Joint Exhibition of Oils and Gouaches by October 31- Lew Davis and Sculpture in Stone and Wood November 30, 1942 by Mathilde Schaeffer 1942 A1942.11a Watercolors by Nicholas Brigante November 1942 A1942.12a Works from the Permanent Collection (1 ½ December 4 1942 year exhibit) 1942 A1942.12b Prize-Winning War Savings Posters December 4- December 15, 1942 1942 A1942.12c Morgenroth Collection of Renaissance December 13 Medals and Reliefs 1942 A1942.12d Eighteenth Century Italian Groscho Figurines December 27 1943 A1943.01a Photographs by Michael Conversa January 10 1943 A1943.01b California Watercolor Society Exhibit January 10- February 1, 1943 1943 A1943.01c Brush and Line Drawings by Henry January 22 Rasmusen 1943 A1943.01d Sculpture by Miss Betty Ford January 22 1943 A1943.01e The Artist Looks at the Red Cross January 28 1943 A1943.02a Milford Zornes February 1943 A1943.02b Photographs by 75 Northern New England February 2 Photographers 1943 A1943.02c Watercolor and Ink Line Studies by Lyonel February 6- February Feininger 28 1943 1943 A1943.02d Pen and Ink, and Watercolor Drawings by February 16 Edna van Nuys Hesthal 3 1943 A1943.02e Watercolors and Temperas by Eunice February 22 MacLennan 1943 A1943.03a Five Centuries of Painting lent by Jacob March 7- April 11, Heimann 1943 1943 A1943.03b Oils, Watercolors, and Drawings by Victor March 25 Tischler 1943 A1943.04a Drawings, Color Compositions, and April 11 Arrangements by William Hesthal 1943 A1943.04b Portraits, Still Life Studies, and Landscapes April 11 by Della Shield Thompson 1943 A1943.04c Religious Art of Mexico April 16 1943 A1943.04d Watercolors and Oils by Russell Cowles April 16 1943 A1943.05a Watercolors by Anders Aldrin May 1943 A1943.05b Photographs by Wanda Westbury May 2 1943 A1943.05c Gifts by Spencer Kellogg to Wright May 9 Ludington 1943 A1943.05d Paintings by Anne Louise Snider May 16 1943 A1943.05e Watercolors by William Gaskin May 16 1943 A1943.05f Watercolors by Millard Everingham May-17 1943 A1943.06a Paintings, Sculpture, and Lithographs by 3-Jun Arnold Ronnebeck 1943 A1943.06b Recent Oils by Stanton MacDonald-Wright 6-Jun 1943 A1943.06c Flower Paintings by Lyla M. Harcoff June 18- June 30 1943 A1943.06d Old Master Drawings lent by the William June 18- July 18, 1943 Hayes Fogg Art Museum 1943 A1943.06e Abstract Watercolors by Elizabeth Mills 27-Jun 1943 A1943.07a Pastels by DeWitt Parshall 11-Jul 1943 A1943.07b Watercolors by Walter Cheever 11-Jul 1943 A1943.07c Gouaches by Anthony Toney 18-Jul 1943 A1943.07d Oils by Lee Hursch 18-Jul 1943 A1943.07e Watercolors and Gouaches by Walter July 18 Kuhlman 1943 A1943.07f Drawings and Paintings by Charles Dana 25-Jul Gibson 1943 A1943.07g Nudes by William Mortenson July 27 1943 A1943.08a Works by Clarence Hinkle August 1943 A1943.08b Oils by Roger Holt August 1- August 15, 1943 1943 A1943.08c Paintings by Nikolai Gelikhowsky 8-Aug 1943 A1943.08d Portraits by Edith Catlin Phelps August 8 1943 A1943.08e Paintings by Liz Clarke August 22 1943 A1943.09a Retrospective Show of Paintings by John September 4- Gamble September 30, 1943 1943 A1943.09b Man Ray 12-Sep 1943 A1943.09c Oil and Watercolors by Helene Van Cleve September 24- October 12, 1943 1943 A1943.09d Watercolors by Rex Brandt September 24- October 1943 1943 A1943.10a Loans and Acquisitions October –November 1943 1943 A1943.10b Oriental Arts of Charles H. Ludington and October – December Wright Ludington Collection 1943 1943 A1943.10c Silkscreen Prints by Guy Macoy
Recommended publications
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Elizabeth Sprague Coolidge Foundation Collection [Finding Aid]
    Elizabeth Sprague Coolidge Foundation Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1980 Revised 2014 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012012 LC Online Catalog record: http://lccn.loc.gov/2012562124 Processed by the Music Division of the Library of Congress Collection Summary Title: Elizabeth Sprague Coolidge Foundation Collection Span Dates: 1894-1953 Bulk Dates: (bulk 1920-1953) Call No.: ML29 Creator: Coolidge, Elizabeth Sprague, 1864-1953 Extent: 56,680 items ; 109 containers ; 48.50 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog.
    [Show full text]
  • Two Berkeley Professors: Arthur Bliss and Albert Elkus
    N. WILLIAM SNEDDEN - ARTICLE - Two Berkeley Professors: Arthur Bliss and Albert Elkus N. William Snedden Independent 1. The Early Years in California: 1923-25 Introduction Arthur Bliss’s first visit to the USA as a young man of 31 took place in April 1923, accompanying his American father Francis, step-mother Ethel, and their children Enid, Cynthia, and Patrick. They sailed from Southampton to New York on the SS Aquitania; by coincidence Gustav Holst was also on board. Francis, aged 75, wanted to return to the place of his birth before re-settling with Ethel on the Pacific coast in Santa Barbara.1 For many years Francis had directed the Anglo-American Oil Company of John D. Rockefeller in London. Upon arrival in America the Bliss family stayed in Manhattan with Francis’s cousin Lorenzo Daniels, a wealthy merchant.2 From 1923 till 1931 Arthur journeyed to the USA on alternate years (see Table 1.1), staying with his father at 15 School House Road ‘Paradero’ in Montecito, Santa Barbara. Situated close by was ‘Casa Dorinda’, the famous 80-roomed mansion estate of William Henry Bliss (no relation), completed in 1919 and named after William’s wife Anna Dorinda Bliss (née Blaksley). The likes of Paderewski, Heifetz and Mischa Elman gave recitals there, including Arthur and the tenor Lawrence Strauss in a performance for Anna Bliss in October 1924. Francis was an avid and sophisticated art collector (as was Arthur), acquiring works by Manet and Zorn. He also held a large collection of etchings by the French painter Alphonse Legros (1837-1911) and by the ‘cowpuncher artist’ John Edward Borein (1872-1945).3 In common with H.
    [Show full text]
  • The AIC Paintings Specialty Group POSTPRINTS VOLUME TWENTY
    FM.indd Page 1 02/06/15 10:07 PM f-w-155-user /204/AIC00002/work/indd The AIC Painting Specialty Group POSTPRINTS VOLUME TWENTY-FIVE 2012 The American Institute for Conservation of Historic and Artistic Works AIC AMERICAN INSTITUTE FOR CONSERVATIO N OF HISTORIC AND ARTISTIC WORKS FM.indd Page 1 02/06/15 10:07 PM f-w-155-user /204/AIC00002/work/indd The AIC Painting Specialty Group POSTPRINTS VOLUME TWENTY-FIVE 2012 The American Institute for Conservation of Historic and Artistic Works AIC AMERICAN INSTITUTE FOR CONSERVATIO N OF HISTORIC AND ARTISTIC WORKS FM.indd Page 2 02/06/15 10:07 PM f-w-155-user /204/AIC00002/work/indd The Paintings Specialty Group of the American Institute for Conservation of Historic and Artistic Works 2011-2012 Officers Chair LAURA RIVERS Program Chair KATRINA BARTLETT RUSH Assistant Program Chair MATTHEW CUSHMAN Secretary/Treasurer DAWN ROGALA Nominating Committee NICHOLAS DORMAN, Chair JOANNA DUNN, AND MARY MCGINN Listserv Moderator CHRIS STAVROUDIS Publications Chair BARBARA BUCKLEY Painting Conservation Catalog, Interim Project Director JUDY DION Web Editor CHRISTINA MILTON O’CONNELL Wiki Editor ERICA JAMES FM.indd Page 3 02/06/15 10:07 PM f-w-155-user /204/AIC00002/work/indd The AIC Paintings Specialty Group POSTPRINTS V O L U M E T W E N T Y - F I V E 2 0 1 2 Papers Presented at the 40th Annual Meeting of the American Institute for Conservation of Historic and Artistic Works Albuquerque, New Mexico May 8-11, 2012 Compiled by Barbara Buckley AIC AMERICAN INSTITUTE FOR CONSERVATIO N OF HISTORIC AND ARTISTIC WORKS Copyright © 2015 by the Paintings Specialty Group of the American Institute for Conservation of Historic and Artistic Works, 1156 15th St., NW, Suite 320, Washington DC 20005.
    [Show full text]
  • 2001 Great Plains Prairie
    2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S.
    [Show full text]
  • Head of a Woman Program Final Digital
    HEAD OF A WOMAN Redressing the Parallel Histories of Collaborative Printmaking and the Women’s Movement Presented by Tamarind Institute with support from Frederick Hammersley Foundation Sixty years ago June Wayne, founder of collaborative printmaking over the past sixty years. The rise of Tamarind Lithography Workshop, submitted contemporary printmaking in the 1960s and 1970s runs parallel to the her proposal to the Ford Foundation to burgeoning women’s movement, which no doubt contributed to the establish a model workshop in Los Angeles, steady surge of women printers and printmakers. Head of a Woman brings together an intergenerational roster of artists, printers, scholars, specifically designed to restore the fine and publishers, with the hopes of reflecting on this intertwined history art of lithography. This symposium pays and propelling the industry--and the thinking around prints--forward. tribute to the creative industry that Wayne imagined, and the many remark- Diana Gaston able women who shaped the field of Director, Tamarind Institute 11:00 | THE LONG VIEW: WOMEN IN THE TAMARIND MORNING WORKSHOP AND THEIR CONTINUED IMPACT PRESENTATIONS CHRISTINE ADAMS holds a BFA in printmaking from Arizona State University and received 9:30 | DOORS OPEN her Tamarind Master Printer certificate in May 10:00 | INTRODUCTION 2019. Her printing experience includes positions at the LeRoy Neiman Center for Print Studies at Columbia University and Lower East Side 10:15 | INKED UP: SIXTY YEARS Printshop. Adams is currently a collaborative printer at Universal Limited Art Editions (ULAE) OF COLLABORATIVE WOMEN PRINTMAKERS and a member of the printmaking faculty at Parsons School of Design in New York City.
    [Show full text]
  • Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
    HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd.
    [Show full text]
  • Contemporary American Painting and Sculpture
    AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J.
    [Show full text]
  • Transforming Practices
    Transforming Practices: Imogen Cunningham’s Botanical Studies of the 1920s Caroline Marsh Spring Semester 2014 Dr. Juliet Bellow, Art History University Honors in Art History Imogen Cunningham worked for decades as a professional photographer, creating predominantly portraits and botanical studies. In 1932, she joined the influential Group f.64, a group of West Coast photographers who worked to pioneer the concept of “Straight Photography,” a movement that emphasized the use of sharp focus and high contrast. Members of Group f.64 included Ansel Adams and Edward Weston, whose works have since overshadowed other photographers in the group. Cunningham has been marginalized in histories of Group f.64, and in the history of photography in general, despite evidence of her development of many important photographic practices during her lifetime. This paper builds on scholarship about Group f.64, using biographical information and analysis of her photographs, to argue that Cunningham influenced more of the ideas in the group than has been recognized, especially in her focus on the simplification of form and the creation of compelling compositions. Focusing on her botanical studies, I show that many of the ideas of f.64 existed in her oeuvre before the formal creation of the group. Analysis of her participation in the group reveals her contribution to developments in art photography in that period, and shows that her gender played a key role in historical accounts that downplay her significant contributions to f.64. Marsh 2 Imogen Cunningham became well known in her lifetime as an independent and energetic photographer from the West Coast, whose personality defined her more than the photographs she created or her contribution to the developing straight photography movement in California.
    [Show full text]
  • 1998 Acquisitions
    1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in.
    [Show full text]
  • Reminiscing with James Jarvaise
    REMINISCING WITH JAMES JARVAISE By Gerald Nordland The admiration I have nurtured for the work of James Jarvaise has grown from the time when, as a young art critic in Los Angeles for Frontier Magazine, I began to be aware of the burgeoning interest in the local art world for his work. It was the early fifties and I was writing about the American art world. By the mid-1950s, I was seeing more of Jarvaise’s work and wrote enthusiastically about it in Frontier, Arts, and the Los Angeles Mirror News. I was invited by Felix Landau Gallery to write an introduction for one of the shows he organized for him. The Gallery often included Jarvaise in its occasional group shows that I followed. I was well aware that Jarvaise’s work was being seen in important annual juried shows at national museums, notably: Metropolitan Museum of Art, NY; twice at the University of Illinois-Champaign/ Urbana (1953, 1957); Addison Gallery, Andover, MA; Butler Institute of American Art, Youngstown, OH; Corcoran Gallery, Washington D.C.; Denver Art Museum; San Francisco Museum of Art. Notably, he received purchase awards from Addison Gallery; the then Albright Art Gallery, Buffalo, NY; the then Carnegie-Tech, Philadelphia; and the Los Angeles County Museum of Art. In 1958, I reported that Jarvaise had been selected by Dorothy Canning Miller, a veteran curator of painting and sculpture at the Museum of Modern Art, NY and a valued assistant to the institution’s director, Alfred H. Barr Jr., to be among the artists featured in her Sixteen Americans exhibition.
    [Show full text]
  • Art Era Timeline 3 Early 20Th C – Modern
    1 Art Movement Timeline Early 20th C Centuryentury till the start of Modern Art Time Line Art Movement Description Artists & examples Late 19th/ Early 20th Century Design Britain, Late 19th Arts and Crafts The Arts and Crafts Century Movement was a celebration of individual design and craftsmanship, William Morris , a book designer, 18341834----18961896 spearheaded the William Morris movement. He also produced stained glass, textiles and wallpaper and was a painter and writer. © Nadene of http://practicalpages.wordpress.com 04/2010 2 Late 19th Century to Art Nouveau Art Nouveau is an Early 20th Century elegant decorative art style characterized by intricate patterns of curving lines. Its origins somewhat 18601860----19391939 rooted in the British Alphonse Mucha Arts and Crafts Movement of William Morris , 18721872----18981898 Aubrey Beardsley 18621862----19181918 Gustav Klimt Louis Comfort Tiffany . 18481848----19331933 © Nadene of http://practicalpages.wordpress.com 04/2010 3 1880's to 1920's The Golden Age of The Golden Age of European artists: Illustration Illustration was a period of unprecedented excellence in book and magazine 18451845----19151915 illustration. Walter Crane Advances in technology permitted accurate and inexpensive reproduction of art. The public demand for new graphic art grew in this time. Edmund Dulac 18821882----19531953 18721872----18981898 Aubrey Beardsley 18671867----19391939 Arthur Rackham 18861886----19571957 © Nadene of http://practicalpages.wordpress.com 04/2010 4 The Golden Age of Kay Nielsen . Illustration American artists: 18531853----19111911 Howard Pyle 18821882----19451945 N.C. Wyeth 18701870----19661966 Maxfield Parrish 18771877----19721972 Frank Schoonover 18521852----19111911 Edwin Austin Abbey . © Nadene of http://practicalpages.wordpress.com 04/2010 5 1920's to 1930's Art Deco Art Deco is an elegant style of decorative art, design and architecture which began as a Modernist reaction against the Art 18981898----19801980 Nouveau style.
    [Show full text]