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Racial Politics, Gendered Norms, and the Rt Ansformation of Puerto Rican Identity in the Wet Ntieth Century Cristóbal A
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 Unspoken Prejudice: Racial Politics, Gendered Norms, And The rT ansformation Of Puerto Rican Identity In The weT ntieth Century Cristóbal A. Borges University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Latin American History Commons, Latin American Languages and Societies Commons, Latin American Studies Commons, Other French and Francophone Language and Literature Commons, and the United States History Commons Recommended Citation Borges, Cristóbal A., "Unspoken Prejudice: Racial Politics, Gendered Norms, And The rT ansformation Of Puerto Rican Identity In The wT entieth Century" (2014). Open Access Theses & Dissertations. 1590. https://digitalcommons.utep.edu/open_etd/1590 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. UNSPOKEN PREJUDICE: RACIAL POLITICS, GENDERED NORMS, AND THE TRANSFORMATION OF PUERTO RICAN IDENTITY IN THE TWENTIETH CENTURY CRISTÓBAL A. BORGES Department of History APPROVED: Sandra McGee Deutsch, Ph.D., Chair Jeffrey P. Shepherd, Ph.D. Michael Topp, Ph.D. Marion Rohrleitner, Ph.D. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Cristóbal A. Borges 2014 Dedication Para Julie, Sofía e Ilia. Thank you for all the support. UNSPOKEN PREJUDICE: RACIAL POLITICS, GENDERED NORMS, AND THE TRANSFORMATION OF PUERTO RICAN IDENTITY IN THE TWENTIETH CENTURY by CRISTÓBAL A. BORGES, B.A., M.S., M.A. -
00Ner Agazine
THE 00NER AGAZINE OCTOBER, 1929 MIGRATION DAY NUMBER Stanley Vestal and Isabel Campbell Tell How They Wrote Their First Novels Muna Lee Writes on the Cultural interchanges between the Americas Adelaide Loomis Parker Contributes A Beautiful Memoir of Professor Parrington David Ross Boyd, First University President, Tells of the University's Founding Texas Game (October 19) Plans In Detail in This Issue Vol. II University of OhlahomaNo. 1 School Equipment enetian Mirrors Our Furniture is serving you now, If in later years you MIRRC RS --WE MAKE should become a buyer of school Furniture follow the WE TAKE YOUR OLD FANCY VENETIAN MIRRORS example of your ALMA MATER and ALL WC RK GUARANTEE D WE & LSO BUY FROM SIPES-IT PAYS RESILVER JA SPER SIPES CO. THOMPSON Oklahoma City GLASS CO. 19 1/2 W, Main L. D. 259 209-211 S . ROBINSON OKLAHOMA CITY TYLER and SIMPSON COMPANY Wholesale BRANCH HOUSES : ESTABLISHED 1879 ARDMORE, OKLA . INCORPORATED 1902 PAULS, VALLEY, OK, PRINCIPAL OFFICE NORMAN, OKLAHOMA GAINSVILLE, TEXAS Grocers DUNCAN, OKLAHOMA Norman, Oklahoma jLOST YOUR PIN? THE FOLLOWING OFFICIAL JEWELRY MAY BE PURCHASED AT LETZEISER'S FRATERNITIES Phi Kappa Psi SORORITIES Sigma Tau Lambda Nu Alpha Tau Omega Sigma Phi Epsilon Pi Beta Phi Student Council Alpha Sigma Delta Phi Beta Delta Pi Kappa Phi Kappa Kappa Gamma Oratorical Council Battle Axe Delta Upsilon Alpha Sigma Phi Kappa Alpha Theta Toga O. U, Orchestra Sigma Alpha Epsilon Kappa Sigma Gamma Phi Beta Woman's Council Mystic Key Sigma Nu Delta Tau Delta PROFESSIONAL P-A-T Blue Pencil Acacia Phi Delta Theta Phi Delta Chi Alpha Pi Mu Pe-Et Pi Kappa Alpha Sigma Chi Alpha Delta Sigma Theta Nu Epsilon Mu EtaTau Pi Gamma Alpha Beta Theta Pi Sigma Delta Chi Checkmate Tau Omega Phi Gamma Delta XXX Tri Chi LETZEISER & CO . -
The New World Neighbors Series and Inter-American Education During World War II
TEXTBOOK DIPLOMACY: The New World Neighbors series and Inter-American Education during World War II Breanne Robertson, Ph.D. Candidate, Department of Art History and Archaeology, University of Maryland Between 1941 and 1944 the publishing firm D.C. Heath and Company produced a line of twenty social studies textbooks. The stated purpose of these volumes, titled The New World Neighbors series, was to introduce the “history and spirit” of Latin American cultures to United States schoolchildren.1 Brief introductions provide a basic overview of the geography, climate, natural resources, industries, and indigenous populations of each country, while one or more short stories, based loosely on historical fact and local custom, aim to familiarize and endear young readers to their Latin American counterparts. For example, Along the Inca Highway sent United States schoolchildren on a virtual journey to South America. Published in 1941 as one of the first eight volumes in The New World Neighbors series, the textbook contains three short stories drawn from Peruvian history. To aid readers in their imaginary travels through time and space, author Alida Malkus frames these stories with an airplane trip from Panama. Students learn about the flourishing precontact Inca Empire, the Spanish conquest led by the “ruthless conquistador” Francisco Pizarro, and the “deeds of the great Liberator” Simón Bolívar. Similar in tone and format to other books in the series, Along the Inca Highway celebrates indigenous cultural achievements, underscores the injustices of Spanish colonialism, and highlights Latin Americans’ revolutionary actions and modern republican spirit. In so doing, the book assimilates Latin Americans to a United States ideal of American-ness and fosters a sense of unity across the American continents. -
The Inter-American Commission of Women: a New International Venture
The Inter-American Commission of Women: A New International Venture By MUNA LEE Few international questions present such conflicting and perplexing aspects as that of the nationality of women. It is a modern question, because only within the last generation or so have women, generally speaking, begun to travel widely and carry on diverse activities in a complex and ever-changing world. Women might lose their nationality fifty years ago, as indeed they did often, without ever becoming aware of the fact. Not only were they less likely to leave their own country, but they were less likely to marry foreigners. Now they have been forced into a rude awareness of the completely chaotic conditions of existing nationality laws. A woman may find herself possessing several nationalities or none! In some countries, a married woman takes the nationality of her husband in all cases. Sometimes, she loses her nationality on marrying a foreigner, providing that her husband’s country gives her her nationality. Again, she loses it only if she goes to her husband’s country to live, and if that country gives her his nationality. In other countries, the law works both ways: a native woman who marries a foreigner takes his nationality; a foreign woman who marries a native man takes his nationality. But in still others the law works only one way. In other cases, which give rise to lamentable and even tragic situations, a woman has no nationality. An Englishwoman, for example, married to an Argentine, ceases to enjoy British nationality according to British law, but does not become Argentine by Argentine law; she is cast off by her own country and not accepted by her husband’s. -
HEMISPHERE Visual Cultures of the Americas
HEMISPHERE Visual Cultures of the Americas Special Edition on Nationalism, Transnationalism, and Postnationalism VOLUME IV, 2011 CHIEF EDITOR: Johanna Wild, Ph.D. Student EDITORIAL COMMITTEE: Heather Kline, M.A. Student, Treasurer Hilary Ellenshaw, M.A. Student Sara Hagerty, M.A. Student Gustavo Larach, Ph.D. Student Emmanuel Ortega, Ph.D. Student Gay Falk, M.A. Student Corey Dzenko, Ph.D. Candidate FACULTY ADVISOR: Catherine Zuromskis, Ph.D., Assistant Professor All members of the Editorial Committee are affiliated with the Department of Art and Art History at the University of New Mexico. ADVISORY BOARD: Kirsten P. Buick, Ph.D., Associate Professor, Department of Art and Art History, UNM David Craven, Ph.D., Distinguished Professor, Department of Art and Art History, UNM Ray Hernández-Durán, Ph.D., Associate Professor, Department of Art and Art History, UNM Catherine Zuromskis, Ph.D., Assistant Professor, Department of Art and Art History, UNM Darío A. Euraque, Ph.D., Professor of History and International Studies, Trinity College, Hartford, Connecticut Abigail McEwen, Ph.D., Assistant Professor, Department of Art History and Archaeology, University of Maryland EDITORIAL ADDRESS: Department of Art and Art History MSC04 2560 1 University of New Mexico Albuquerque, NM 87131-0001 Email: [email protected] ACKNOWLEDGMENTS: The publication of Volume IV would not have been possible without funding from the following sources at the University of New Mexico: The Graduate Art Association, Department of Art and Art History, College of Fine Arts; David Craven, Chair of Department of Art and Art History, College of Fine Arts; and Jim Linnell, Acting Dean of College of Fine Arts with funds from the Dean's Circle. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Aim Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A HEMISPHERE OF WOMEN: LATIN AMERICAN AND U.S. FEMINISTS IN THE lACW, 1915-1939 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Esther Sue Wamsley, B.A., M.A. -
POINTS of FIRE a Pan-American Tale
POINTS OF FIRE A Pan-American Tale BY JONATHAN COHEN The sun this morning rose out of the sea like a mythic god. It scaled the stone fortress wall of El Morro, as no warrior had ever done before, and it entered the centuries-worn cobbled streets of San Juan, as if dressed in the fresh white suit of a tropical doctor making a house call. And at that early hour, it quietly cast its first light on Muna’s empty house, which overlooked the harbor that was just waking up with the maritime activity of another day. The governor’s black sedan passed near it as he left La Fortaleza, his mansion, with a single motorcycle escort on the way to Mimiya Hospital, driving slowly through the old narrow streets and then picking up speed on the palm-lined main road leading to Ashford Avenue along the sea, where the shiny new hotels of the Condado towered above the few remaining Spanish-style houses near the water. Arriving at the hospital, not far from there, the car stopped in front beneath an old royal palm, and the driver stepped out to open the door for Don Luis, who emerged from the car with the verve of a young man (which he no longer was), then stopped short and glanced up at the hospital with eyes that for just a moment were the saddest eyes in the world. He was a tall man like that old palm tree, still very handsome, too, at sixty-six. He walked up the short flight of steps, entered the white hospital, and knowing exactly where he had to go, he proceeded down the hallway, taking a long deep breath as he mustered the courage to go back in time and back in his heart, in order to move forward with his life and his all-important work. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard marginc and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aity photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Informaiion Company 300North Zeeb Road. Ann Arbor.Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9505307 Ambassadors of the arts: An analysis of the Eisenhower administration’s incorporation of “Porgy and Bess” into its Cold War foreign policy Taylor, John Harper, Ph.D. -
William Faulkner's Ibero-American Novel Project: the Politics Of
William Faulkner’s Ibero-American Novel Project: The Politics of Translation and the Cold War* Deborah Cohn Indiana University - Bloomington Faulkner’s presence in Spanish American literature has been felt both directly and indirectly over the years. Much has been written about his impact on the work of authors such as Jorge Luis Borges, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa, among others, since he was first read by Spanish American authors in the 1930s.1 Much less has been written about Faulkner’s efforts to influence the course of Latin American literature, or about the geopolitical context in which these interventions took place. This essay will begin by presenting an overview of the Ibero-American Novel Project that he set up in 1961 at the University of Virginia, and its origins. It will examine the Project’s goals and mechanisms, as well as assessing the extent to which these were influenced by contemporary Cold War politics. Finally, I will look to the contemporary literary context—the early years of the so-called “Boom,” when Spanish American literature hit the international mainstream—for possible explanations of the Project’s failure to accomplish its goals. In 1950, when Faulkner was awarded the Nobel Prize, he initially refused to travel to Stockholm to pick up the award. The U.S. ambassador to Sweden sent an urgent cable to John Foster Dulles expressing his concern at the situation; ultimately, Muna Lee, southern poet and State Department official, was recruited to convince Faulkner to go to Stockholm and thus avoid international embarrassment for the U.S. -
The Political Concepts of Luis Muñoz Rivera
THE POLITICAL CONCEPTS OF LUIS MUNOZ RIVERA (1859-1916) OF PUERTO RICO By FREDERICK ELWYN KIDDER A DISSERTATION PRESENTED TO THE GRADUATE COUNQL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA August, 1965 ACXN0WLEDGM3NTS It is my privilege to thank publicly the members of my supervisory committee, under each of v/hom I have studied: Manning J. Dauer, Professor of Political Science Ph.D. , University of Illinois, 1933 Robert W. Bradbury, Professor of Economics Ph.D., University of Michigan, 1937 Gladys M. Kammerer, Professor of Political Science Ph.D., University of Chicago, 1946 Lyle N. McAlister, Professor of History Ph.D., University of California, 1950 Harry Kantor, Professor of Political Science; Chairman Ph.D., University of California at Los Angeles, 1952 I am also grateful to Dr. A. Curtis Wilgus , former Director of the School of Inter- American Studies, who first suggested that I come to the University of Florida. Financial aid xvas supplied by a Graduate Fellowship in Political Science and a Rockefeller Caribbean Research Grant administered by the University of Florida; by a fellowship grant from the Southern Fellov^ships Fund; and by a year's leave of ab- sence with full salary provided by tbe University of Puerto Rico. Mr. Juan Suarez, librarian at Mayagiiez , greatly facilitated my research by providing me with an office. To my wife, Georgina G. Kidder, I owe so much that I cannot do less than dedicate this dissertation to her. IX . PREFACE This study proposes an examination of the political philosophy of Luis Munoz Rivera with particular respect to the political autonomy of Puerto Rico, as this philosophy is re- flected in his public acts, speeches, articles, poetry, correspondence and contemporary public documents. -
Center Professor Receives Prestigious Whiting Fellowship
SPRING/SUMMER 2017 Center Professor Receives Prestigious Whiting Fellowship Fresh off winning this year’s “I was ecstatic, and grateful Mississippi Humanities for this opportunity,” Skipper Council’s Scholar Award, said. “I will use this fellow- University of Mississippi assis- ship period to organize and tant professor Jodi Skipper has facilitate a series of work- received another accolade, this shops entitled Beyond the Big one a national honor. House: Interpreting Slavery Skipper, assistant professor in Local Communities. These of anthropology and southern workshops seek to connect a studies, has been awarded a growing population of commu- prestigious Whiting Public nities in Mississippi interested Engagement Fellowship from in addressing slavery through the Whiting Foundation, a historic sites.” Brooklyn, New York-based Skipper was selected for the organization that has a long award in recognition of her history of support for the involvement with the Behind humanities and literature. the Big House program, a The Whiting Public slave dwelling interpretation Engagement Fellowship, in its program started by Jenifer second year, is designed to cele- Eggleston and Chelius Carter brate and support faculty who in Holly Springs. “I have been embrace public engagement as privileged enough to help with part of the scholarly vocation. Jodi Skipper their project, which interprets Seven others were selected for the lives of enslaved persons this year’s cohort. Each fellow through the homes in which receives a semester of leave to pursue a public-facing they once lived,” she said. project, as well as a $10,000 stipend toward project costs. Behind the Big House, one of the few historic site Daniel Reid, the Whiting Foundation’s executive tours developed with the explicit goal of interpreting the director, said, “The foundation believes that those who experiences of enslaved people, will serve as a model for devote their professional lives to the study and teaching Skipper’s project. -
Luis Muñoz Marín: Ensayos Del Centenario
Fernando Picó Editor Luis Muñoz Marín: Ensayos del Centenario Fundación Luis Muñoz Marín 1999 La Fundación Luis Muñoz Marín en su función editorial, estimula la reflexión, el análisis y la crítica relacionada con la obra de la generación de Luis Muñoz Marín, generación que condujo a la modernización de las instituciones y procesos sociales, políticos y económicos del país. La Fundación también fomenta el estudio de las realidades de nuestra sociedad puertorriqueña. La Fundación Luis Muñoz Marín no se compromete, sin embargo, ni hace suya, ni endosa, las particulares posturas de los autores cuyas obras publica. Derechos reservados conforme a la ley rJ Para esta edición: Fundación Luis Muñoz Marín, 1999 Ruta Rural #2, Apartado 5 San Juan de Puerto Rico 00926-9719 Tels. (787) 755-7979, 755-4506, 761-7442 Fax: (787) 755-0240 ISBN: 0-9650019-7-0 Diseño de portada: John Rivera Diagramación: Julio E. Quirós Alcalá ÍNDICE Introducción por Fernando Picó i La idea independentista de Luis Muñoz Marín (1913-1931) por Luis E. Agrait Betancourt 1 Luis Muñoz Marín, la utopía liberal y los consumidores: apuntes para una genealogía de la cultura política en Puerto Rico por Astrid Cubano Iguina 15 Las lecciones de la guerra: Luis Muñoz Marín y la Segunda Guerra Mundial, 1943-1946 por Silvia Álvarez Curbelo 31 Política y administración pública en el pensamiento de Luis Muñoz Marín por Leonardo Santana Rabell 65 "Yo no me voy, yo regreso". Luis Muñoz Marín y el montaje del leviatán por Carlos Gil 93 La pugna entre dos grandes sistemas: la guerra en el discurso