Benjamin Now: Critical Encounters with the Arcades Project
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Democratic Relationships: an Institutional Way of Life With/In the Writing Center
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of April 2007 Democratic Relationships: An Institutional Way of Life with/in the Writing Center Katie Hupp Stahlnecker University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Stahlnecker, Katie Hupp, "Democratic Relationships: An Institutional Way of Life with/in the Writing Center" (2007). Dissertations, Theses, and Student Research: Department of English. 6. https://digitalcommons.unl.edu/englishdiss/6 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DEMOCRATIC RELATIONSHIPS: AN INSTITUTIONAL WAY OF LIFE WITH/IN THE WRITING CENTER by Katie Hupp Stahlnecker A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Chris W. Gallagher Lincoln, Nebraska May, 2007 DEMOCRATIC RELATIONSHIPS: AN INSTITUTIONAL WAY OF LIFE WITH/IN THE WRITING CENTER Katie Hupp Stahlnecker, Ph. D. University of Nebraska, 2007 Adviser: Chris W. Gallagher In this dissertation, I build upon the notion that for writing centers to thrive in the twentyfirst century, they must reposition themselves not as marginal but as central to alliance building within the institution (Brannon and North). I tell the story of establishing one writing center’s mission that thrives on building democratic relationships within the institution and dissolving traditional academic hierarchies. -
Shadows and Light. Ernie Gehr Exhibitions at the Museum of Modern Art
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Shadows and Light. Ernie Gehr Exhibitions at the Museum of Modern Art Sean M. Fuller Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/753 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SHADOWS AND LIGHT. ERNIE GEHR EXHIBITIONS AT THE MUSEUM OF MODERN ART by SEAN FULLER A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2016 © 2016 SEAN FULLER All Rights Reserved ii SHADOWS AND LIGHT. ERNIE GEHR EXHIBITIONS AT THE MUSEUM OF MODERN ART by SEAN FULLER This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies satisfying the thesis requirement for the degree of Master of Arts. Professor Robert Singer ____________ _____________________________________________________ Date Thesis advisor Dr. Matthew K. Gold ____________ _____________________________________________________ Date Executive officer THE CITY UNIVERSITY OF NEW YORK iii Abstract SHADOWS AND LIGHT. ERNIE GEHR EXHIBITIONS AT THE MUSEUM OF MODERN ART by SEAN FULLER This thesis examines exhibitions and media installations of Ernie Gehr’s work at The Museum of Modern Art (MoMA), beginning with the pivotal 1970 show Information, which presented four films by Gehr. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Åsa Elzén Curriculum Vitae Born in Sweden. Lives and Works In
Åsa Elzén Curriculum Vitae Born in Sweden. Lives and works in Stockholm and Berlin Education 2007-08 Whitney Independent Study Program, New York 2003 The Romantic , Art & Architecture, Royal University College of Fine Art, Stockholm, 2000-02 M.F.A. Royal University College of Fine Art, Stockholm 1996 Art History, Stockholm University 1991-96 B.A. 1st Class Honours, Fine Art Sculpture, National College of Art and Design, Dublin, (thesis: To play a language game: Wittgenstein on the inner, rules and private language) Group Shows (selected) 2010 -Second World Congress of Free Artists part of the show Modifications, Aarhus Kunstbygning, Aarhus, Denmark (Förenigen JA!/The YES! Association), initiated by the Camel Collective -THE MODERNA EXHIBITION 2010, Moderna Museet, Stockholm, (Förenigen JA!/The YES! Association) curated by Fredrik Liew with Gertrud Sandqvist and Lisa Rosendahl -Y-Gallery, Minsk, Belarus curated by Martin Schibli -(Dis)Agreements: the utility, effectiveness, and problematics of categories at making ourselves visible:a day-long project in feminist space-making, Elizabeth A.Sackler Center for Feminist Art, Brooklyn Museum, New York, (Förenigen JA!/The YES! Association), initiated by Liz Linden and Jen Kennedy 2009 -Living in a Modern Society , Kaliningrad State Art Gallery, curated by Martin Schibli -Asia Panic, Second Gwangju Art Vision, Gwangju Biennale Exhibition Hall. Gwangju, South Korea, curated by Chang Suk-won and Choi Jae-chang -Lively presence, 7th Biennale of Mercosur, Porto Alegre, Brazil and Galeria Metropolitana, Santiago de Chile, Chile, editorial project curated by Instituto Divorciado -A Space on the Side of the Road, Röda Sten, Gothenburg, Sweden (Föreningen JA!/The YES! Association) curated by Kajsa Dahlberg and Henrik Anderson -Incheon Women Artist!s Biennial, Incheon, South Korea, curated by Heng-Gil Han a.o. -
Bloomsbury Adult Catalog Fall 2020
BLOOMSBURY Fall 2020 September – December BLOOMSBURY PUBLISHING SEPTEMBER 2020 The Apology Eve Ensler From the bestselling author of The Vagina Monologues—a powerful, life-changing examination of abuse and atonement. Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father’s point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology, Eve has set out to provide a new way for herself and a BIOGRAPHY & AUTOBIOGRAPHY possible road for others so that survivors of abuse may finally envision how to / LITERARY be free. She grapples with questions she has sought answers to since she first Bloomsbury Publishing | 9/15/2020 9781635575118 | $16.00 / $22.00 Can. realized the impact of her father’s abuse on her life: How do we offer a doorway Trade Paperback | 128 pages rather than a locked cell? How do we move from humiliation to revelation, from 8.3 in H | 5.5 in W curtailing behavior to changing it, from condemning perpetrators to calling Other Available Formats: them to reckoning? What will it take for abusers to genuinely apologize? Hardcover ISBN: 9781635574388 Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to reemerge and heal. -
Download Issue In
L&L6FCv3.qxd:L&L1/04FC 3/4/08 16:29 Page 1 Labelexpo Americas Sponsor of Volume 29 Issue 6 Dec/Jan 2007 Issue 6 Volume 29 The wider world of narrow web Labelexpo review INDUSTRY-LEADING QUALITY AND INNOVATION FOR SMOOTH SAILING, ALL THE WAY. Part two of L&L’s comprehensive Labelexpo Labels and Labeling technology round-up Analysis How should converters respond to new Braille requirements? Technology When you’re in the middle of a fast-paced run, choppy conditions are the last thing you need to encounter. RotoMetrics flexible dies can keep you on course, with industry-leading quality that outperforms the competition. Our crew of experts can help you determine the flexible die that’s right for you — or choose a multi-level or folding carton specialty die, as well as a full range of durable surface treatments. Developments in solid and Dec/Jan 2007 All are designed to meet your exact needs, plus give you maximum effectiveness flexible dies are covered in and value. Visit us online or contact a RotoMetrics office today to learn more. this feature Coverprintedon SyntheticPaperYUPOFEB250. Combiningthestrengthoffilms World Headquarters (US)+1 636 587 3600 ¥UK +44 (0)1922 610000 ¥Germany withtheprintabilityofpaper +49 6134 72 62 0 www.yupo.com France+33 1 64 79 61 00Australia ¥ +61 3 9358 2000 ¥Canada +1 905 858 3800 www.labelsandlabeling.com | www.labelexpo.com When innovation and partnership meet, anything is possible. At Avery Dennison, we work closely with our customers to turn bright ideas into practical, real-life labelling products. Understanding your business enables us to explore new possibilities and develop innovative decorating and information transfer solutions that can make a signifi cant difference to your bottom line. -
To Download a PDF File of FM 3-05.70
Preface As a soldier, you can be sent to any area of the world. It may be in a temperate, tropical, arctic, or subarctic region. You expect to have all your personal equipment and your unit members with you wherever you go. However, there is no guarantee it will be so. You could find yourself alone in a remote area—possibly enemy territory—with little or no personal gear. This manual provides information and describes basic techniques that will enable you to survive and return alive should you find yourself in such a situation. If you are a trainer, use this information as a base on which to build survival training. You know the areas to which your unit is likely to deploy, the means by which it will travel, and the territory through which it will travel. Read what this manual says about survival in those particular areas and find out all you can about those areas. Read other books on survival. Develop a survival-training program that will enable your unit members to meet any survival situation they may face. It can make the difference between life and death. The proponent of this publication is the United States Army John F. Kennedy Special Warfare Center and School (USAJFKSWCS). Submit comments and recommended changes to Commander, USAJFKSWCS, ATTN: AOJK-DT-SF, Fort Bragg, NC 28310-5000. Unless this publication states otherwise, masculine nouns and pronouns do not refer exclusively to men. 1 Chapter 1 Introduction This manual is based entirely on the keyword SURVIVAL. The letters in this word can help guide your actions in any survival situation. -
Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact 2014
Repositorium für die Medienwissenschaft Annie van den Oever (Hg.) Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact 2014 https://doi.org/10.25969/mediarep/13709 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: van den Oever, Annie (Hg.): Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact. Amsterdam: Amsterdam University Press 2014. DOI: https://doi.org/10.25969/mediarep/13709. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.26530/OAPEN_607770 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Technē/Technology The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Academic Advisory Board Francesco Casetti Laurent Creton Jane Gaines Frank Kessler András Bálint Kovács Eric de Kuyper Laura Mulvey Roger Odin Patricia Pisters Emile Poppe Pert Salabert Heide Schlupmann Vivian Sobchack Janet Staiger Technē/Technology Researching Cinema and Media Technologies– Their Development, Use, and Impact Edited by Annie van den Oever Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative initia- tive to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. -
LARGE PRINT the ARCADES Contemporary Art and Walter
LARGE PRINT The ARCADES Contemporary Art and Walter Benjamin Please return to the exhibition entrance when finished Elevator lobby THE ARCADES: CONTEMPORARY ART AND WALTER BENJAMIN A Arcades, Magasins de Nouveautés, Sales Clerks B Fashion C Ancient Paris, Catacombs, Demolitions, Decline of Paris D Boredom, Eternal Return E Haussmannization, Barricade Fighting F Iron Construction G Exhibitions, Advertising, Grandville H The Collector I The Interior, The Trace J Baudelaire K Dream City and Dream House, Dreams of the Future, Anthropological Nihilism, Jung L Dream House, Museum, Spa M The Flâneur N On the Theory of Knowledge, Theory of Progress O Prostitution, Gambling 1 P The Streets of Paris Q Panorama R Mirrors S Painting, Jugendstil, Novelty T Modes of Lighting U Saint-Simon, Railroads V Conspiracies, Compagnonnage W Fourier X Marx Y Photography Z The Doll, The Automaton a Social Movement b Daumier d Literary History, Hugo g The Stock Exchange, Economic History i Reproduction Technology, Lithography k The Commune l The Siene, The Oldest Paris m Idleness p Anthropological Materialism, History of Sects r École Polytechnique 2 ARTISTS Erica Baum Walead Beshty Milena Bonilla Andrea Bowers Nicholas Buffon Chris Burden Haris Epaminonda and Daniel Gustav Cramer Simon Evans Walker Evans Claire Fontaine Lee Friedlander Rodney Graham Andreas Gursky Raymond Hains Pierre Huyghe Voluspa Jarpa Jesper Just Sanya Kantarovsky Mike Kelley Tim Lee Jorge Macchi Adam Pendleton Martín Ramírez 3 Bill Rauhauser Mary Reid Kelley Ry Rocklen Markus Schinwald Collier Schorr Cindy Sherman Taryn Simon Joel Sternfeld Mungo Thomson Timm Ulrichs James Welling Guido van der Werve Cerith Wyn Evans 4 Anne & Bernard Spitzer Gallery Introduction THE ARCADES: CONTEMPORARY ART AND WALTER BENJAMIN The Arcades Project is the final, unfinished masterwork of the great twentieth-century Jewish philosopher Walter Benjamin. -
Introduction 1 Traditional Theories of Style
Notes Introduction 1. Berel Lang, Ed., The Concept of Style (Ithaca and London: Cornell University Press, 1987) 14. 2. ‘style’, accessed at: www.merriam-webster.com (my emphasis). 3. ‘style’, accessed at: www.oxforddictionaries.com (my emphasis). 4. ‘style’, accessed at: www.merriam-webster.com 5. Maurice Merleau-Ponty, ‘Indirect Language and the Voices of Silence’, in Signs, trans. Richard C. McCleary (Illinois: Northwestern University Press, 1964) 39–83 (54). 6. Nelson Goodman, Ways of Worldmaking (Indianapolis, IA: Hackett Pub Co Inc., 1978) 26. 7. George Kubler, ‘Toward a Reductive Theory of Visual Style’, in Berel Lang, Ed., The Concept of Style 119–128 (119). 8. Giuseppe Stellardi, Heidegger and Derrida on Philosophy and Metaphor: Imperfect Thought (Amherst: Humanity Books, 2000) 21. 9. Stellardi, Heidegger and Derrida 21. 10. See, for example, Alain Badiou, Being and Event, trans. Oliver Feltham (London: Bloomsbury Academic, 2013) 11. Michael Marder, The Event of the Thing: Derrida’s Post-Deconstructive Realism (Toronto: University of Toronto Press, 2009) 4. 12. E. D. Hirsch Jr., The Aims of Interpretation (Chicago and London: The University of Chicago Press, 1976) 57. 13. Derek Attridge, The Singularity of Literature (London and New York: Routledge, 2004) 7. 14. Timothy Clark, The Poetics of Singularity: The Counter-Culturalist Turn in Heidegger, Derrida, Blanchot and the later Gadamer (Edinburgh: Edinburgh University Press, 2005) 35. 15. Clark, The Poetics of Singularity 34. 16. Dana Richard Villa, Arendt and Heidegger: The Fate of the Political (Princeton, NJ: Princeton University Press, 1995) 116. 17. Clark, The Poetics of Singularity 8. 18. David R. Olson¸ The World on Paper: The Conceptual and Cognitive Implications of Writing and Reading (Cambridge: Cambridge University Press, 1994). -
The Velvet Touch: Fashion, Furniture, and the Fabric of the Interior
Fashion Theory The Journal of Dress, Body and Culture ISSN: 1362-704X (Print) 1751-7419 (Online) Journal homepage: http://www.tandfonline.com/loi/rfft20 The Velvet Touch: Fashion, Furniture, and the Fabric of the Interior Freyja Hartzell To cite this article: Freyja Hartzell (2009) The Velvet Touch: Fashion, Furniture, and the Fabric of the Interior, Fashion Theory, 13:1, 51-81 To link to this article: http://dx.doi.org/10.2752/175174109X381328 Published online: 21 Apr 2015. Submit your article to this journal Article views: 83 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rfft20 Download by: [Bard Graduate Center] Date: 20 September 2016, At: 14:21 Fashion Theory, Volume 13, Issue 1, pp. 51–82 DOI: 10.2752/175174109X381328 Reprints available directly from the Publishers. Photocopying permitted by licence only. © 2009 Berg. The Velvet Touch: Fashion, Furniture, and the Fabric of Freyja Hartzell the Interior Freyja Hartzell is a doctoral Abstract candidate in the History of Art at Yale University. She holds a BA in Art and Art History from Grinnell This article engages with Walter Benjamin’s critical readings of velvet College and an MA from the Bard linings in nineteenth-century domestic interiors and fashions in The Ar- Graduate Center for Studies in cades Project, as well as Jacques Derrida’s more recent etymological the Decorative Arts, Design, and Culture. Her PhD dissertation and symbolic excavation of the hymen as textile, to argue for sensu- (in progress) examines Munich ous textiles as literal and figurative mediators of the nineteenth-century artist Richard Riemerschmid’s bourgeois desire to possess, articulated in the act of touching. -
Dialogical Memory and Immemorial Poetics: the Ethical Imperatives of Holocaust Literature
humanities Article Dialogical Memory and Immemorial Poetics: The Ethical Imperatives of Holocaust Literature Blake W. Remington Department of English, Belmont University, Nashville, TN 37212, USA; [email protected] Abstract: Drawing from Emmanuel Levinas’s philosophical ethics and Paul Celan’s dialogical poetics, this article interrogates the impossible memorial and ethical demands that literary responses to the Holocaust place upon their readers. While Levinas reveals our position as summoned to radical responsibility, Celan shows us how that responsibility plays out in the form of ethical reading. By attending to the imperative commands found in Celan’s longest poem, “Engführung”, this article demonstrates how Holocaust literature memorializes the Shoah through an invocation of Levinasian ethics and the concept of the immemorial—that which exceeds memory. Following the discussion of Levinas, Celan, and “Engführung”, I turn to Primo Levi’s “Shema”, a paradigmatic text that likewise directly challenges us, calling us into question as readers during the moment of reading and demanding an attentiveness to the text that proves beyond our ability to deliver. Throughout, I aim to show how dialogical memory enables us to better comprehend the ethical burden we encounter in the literary texts of the Holocaust. Keywords: memory; ethics; Holocaust; dialogue; poetry; Paul Celan; Emmanuel Levinas; responsi- bility; immemorial 1. Introduction Citation: Remington, Blake W. 2021. Dialogical Memory and Immemorial Why do we read Holocaust literature? What is it that draws us to these texts that Poetics: The Ethical Imperatives of document the destruction of human beings and the very idea of human being? What Holocaust Literature. Humanities 10: value does this reading bring? In order to fashion an answer, I propose we consider that 42.