State House Armenian Genocide Commemoration on April 19
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1925 Yearbook
1925 Year Book International Bible Students Association HEADQUARTERS 124 Columbia Heights, Brooklyn, N. Y., Phone Main 5421 Pastor CHARLES T AZE RUSSELL founder of International Bible Students Association To Us the Scriptures Clearly Teach HAT the church is "the temple of the liYing God", peculiarly "his workmanship"; that its construc T tion has been in progress throughout the Gospel Age--even since Christ became the world's Redeemer and the Chief Corner Stone of his temple, through which, when fini~>hed, God's blessing shall come "to all people", and they find access to him.-1 Corinthians 3: 16. 17; Ephesians 2: 20-22; Genesis 28: 14; Gala tians 3: 29. That meantime the chiseling, shaping, and polishing of consecrated believers in Christ's atonement for sin prop·esses; and when the last of these "living stones", "elect and preciom," shall have been made ready, the great l\Iaster Workman will bring all together in the first resurrection; and. the temple shall be filled with his glory, and be the meeting place between God and men throughout the Millennium.-Revelation 15: 5-8. That the basis of hope, for the church and the world, lies in the fact that "Jesus Christ, by the grace of God, ta~ted death for erery man," "a ransom for all," and will he "the true light which lighteth every man tha,t cometh into the world;'', "in due time."-Hebrews 2: ~: John 1: 9; 1 Timothy 2: 5, 6. That the hope of the church is that she may be lik~ her Lord, "see him as he is," be 'partaker of the divine nature', and share his glory as his joint-heir.-1 John 3 : 2; J olm 17 : 24; Romans 8 : 17 ; 2 Peter 1 : 4. -
LIFF 2017 Honoree Dan Wooding His Career Must Rate As One of the Most Unusual in Journalism
HEALING THROUGH THE ART OF CINEMA LOVE INTERNATIONAL FILM FESTIVAL Liff.info Healing and Guiding Children Through Art The Lotus Light Children’s Charity | www.thelotuslight.org Love International Film Festival We are living in a world where chaos challenges every nation and every individual equally. Our mission is to live in a world where chaos challenges every nation and every individual equally. Fear of violence, hatred, persecution, misuse of religious and financial uncertainty follows us all. We stand divided in belief, nationalities and even within © countries-– ideology. We are a world that often seems bereft of hope or a unifying vision. It is our goal to turn the world’s eyes to the beauty that exist in front of us all. It is my hope that we will play a part in art and creativity returning everyone to the abundance that surrounds us all. When you look at our little planet from space, its singular beauty is clearly seen. Its smallness in the great void should communicate that we all live in one home. This world of ours is exactly that, it is a world of OURS; a place for all of us to share, build and nurture. Regardless of your religious beliefs, I hope you still believe in Love and Peace for all. Lets define God in his purest form as love and peace, and with this new definition, help each other and help build our home in a way that there is enough for all of us. This is the message of the festival, that through the power of creative energy and the efforts of filmmakers and artists alike, the world can become a unified and beautiful place. -
Freedom of Religion Or Belief in Georgia 2010-2019
FREEDOM OF RELIGION OR BELIEF IN GEORGIA Report 2010-2019 FREEDOM OF RELIGION OR BELIEF IN GEORGIA REPORT 2010-2019 Tolerance and Diversity Institute (TDI) 2020 The report is prepared by Tolerance and Diversity Institute (TDI) within the framework of East-West Management Institute’s (EWMI) "Promoting Rule of Law in Georgia" (PROLoG) project, funded by the United States Agency for International Development (USAID). The report is published with the support from the Open Society Georgia Foundation (OSGF). The content is the sole responsibility of the Tolerance and Diversity Institute (TDI) and does not necessarily reflect the views of the United States Agency for International Development (USAID), United States Government, East-West Management Institute (EWMI) or Open Society Georgia Foundation (OSGF). Authors: Mariam Gavtadze, Eka Chitanava, Anzor Khatiashvili, Mariam Jikia, Shota Tutberidze, Gvantsa Lomaia Project director: Mariam Gavtadze Translators: Natia Nadiradze, Tamar Kvaratskhelia Design: Tornike Lortkipanidze Cover: shutterstock It is prohibited to reprint, copy or distribute the material for commercial purposes without written consent of the Tolerance and Diversity Institute (TDI). Tolerance and Diversity Institute (TDI), 2020 Web: www.tdi.ge CONTENTS Introduction .............................................................................................................................................................. 8 Methodology ..........................................................................................................................................................10 -
Fall 2010 Winter 2011 No
Culture AC M Heritage History Language Armenian Cultural Organization of Minnesota Established 1980 No. 131 Autumn 2010/Winter 2011 MMiinnnneeHHyyeeLLiitteess ACOM’s 2010 summer picnic was held at the vets,” Jim Favre and Mark Keljik. Great job, guys! Waubon area of Minnehaha Park in south They were upset winners over a couple of the Minneapolis. This year marks ACOM’s young guns. 30th Anniversary and well after everyone The scenic location provided us very close had left, the weather that evening provided access to the children’s wading pool and play- some fireworks to help us celebrate! ground area, so there was plenty of activity for Fifty-eight current and new friends attend- the young ones to enjoy, There was also a ed the fun-gathering of food, games and fellow- nice view overlooking the Mississippi ship. One of the many special treats provided was River - a short walk from the shelter. rojik Margaret Favre brought back from her recent A brief shower did not deter us in the slightest. We just moved trip to Armenia! Grilled corn on the cob, lamb, chicken and a our buffet line further inside the large shelter and were not affected. variety of salads were also shared. We are already looking forward to next year’s picnic. As a tribute to his friend, Beatrice Ohanessian, caricature On behalf of ACOM and personally, I just wanted to thank artist Adnan Shati provided wonderful free caricatures for many Marty Meketarian again for your annual contribution to our of those attending. picnic. The kids (and adults) really appreciate your efforts Thanks to Marty Meketarian for again heading up the kids organizing and leading the games. -
Implementing Armenian Feminist Literature Within Feminist Discourse
YOU HAVE A VOICE HERE: IMPLEMENTING ARMENIAN FEMINIST LITERATURE WITHIN FEMINIST DISCOURSE By Grace Hart A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: Applied English Studies Committee Membership Dr. Christina Accomando, Committee Chair Dr. Lisa Tremain, Committee Member Dr. Janet Winston, Program Graduate Coordinator July 2020 “Writing is dangerous because we are afraid of what the writing reveals, the fears, the angers, the strengths of a woman under a triple or quadruple oppression. Yet in that very act lies our survival because a woman who writes has power. And a woman with power is feared.” - Gloria Anzaldúa ABSTRACT YOU HAVE A VOICE HERE: IMPLEMENTING ARMENIAN FEMINIST LITERATURE WITHIN FEMINIST DISCOURSE Grace Hart This project melds personal narrative with literary criticism, as it excavates the literature of Armenian writer and political activist Zabel Yessayan, particularly with her novel My Soul in Exile and memoir The Gardens of Silihdar. I argue that the voice of Zabel Yessayan should be included in the feminist women of color discourse within institutions in the United States. I develop this argument by bringing in the works of Cherríe Moraga and Gloria Anzaldúa’s anthology This Bridge Called My Back: Writings by Radical Women of Color and showing parallels in themes and lenses such as excavating traumatic histories, the importance of personal identity, and using writing as a form of resistance. Zabel Yessayan’s texts and This Bridge both comprise stories conveying the theme of residing in the “in-between,” and topics concerning womanhood, culture, identity, alienation and isolation. -
THE ARMENIAN Mirrorc SPECTATOR Since 1932
THE ARMENIAN MIRRORc SPECTATOR Since 1932 Volume LXXXXI, NO. 42, Issue 4684 MAY 8, 2021 $2.00 Rep. Kazarian Is Artsakh Toun Proposes Housing Solution Passionate about For 2020 Artsakh War Refugees Public Service By Harry Kezelian By Aram Arkun Mirror-Spectator Staff Mirror-Spectator Staff EAST PROVIDENCE, R.I. — BRUSSELS — One of the major results Katherine Kazarian was elected of the Artsakh War of 2020, along with the Majority Whip of the Rhode Island loss of territory in Artsakh, is the dislocation State House in January, but she’s no of tens of thousands of Armenians who have stranger to politics. The 30-year-old lost their homes. Their ability to remain in Rhode Island native was first elected Artsakh is in question and the time remain- to the legislative body 8 years ago ing to solve this problem is limited. Artsakh straight out of college at age 22. Toun is a project which offers a solution. Kazarian is a fighter for her home- The approach was developed by four peo- town of East Providence and her Ar- ple, architects and menian community in Rhode Island urban planners and around the world. And despite Movses Der Kev- the partisan rancor of the last several orkian and Sevag years, she still loves politics. Asryan, project “It’s awesome, it’s a lot of work, manager and co- but I do love the job. And we have ordinator Grego- a great new leadership team at the ry Guerguerian, in urban planning, architecture, renovation Khanumyan estimated that there are State House.” and businessman and construction site management in Arme- around 40,000 displaced people willing to Kazarian was unanimously elect- and philanthropist nia, Belgium and Lebanon. -
The Music Center's Study Guide to the Performing Arts
DANCE TRADITIONAL ARTISTIC PERCEPTION (AP) ® CLASSICAL CREATIVE EXPRESSION (CE) Artsource CONTEMPORARY HISTORICAL & CULTURAL CONTEXT (H/C) The Music Center’s Study Guide to the Performing Arts EXPERIMENTAL AESTHETIC VALUING (AV) MULTI-MEDIA CONNECT, RELATE & APPLY (CRA) ENDURING FREEDOM & THE POWER THE HUMAN TRANSFORMATION VALUES OPPRESSION OF NATURE FAMILY Title of Work: About the Artwork: Interlace (1992) and Sarve Kashmir Interlace is a traditional Armenian dance based on the Creator: structural designs seen on Armenian churches from Anna Djanbazian b. 1952 the 4th – 17th century. In keeping with a strong Founder, Artistic Director and Choreographer of the communal feeling, there is an emphasis on group Djanbazian Dance Company movement and patterns. Traditional Armenian Background Information music supports the dancers. Graceful arm and hand Choreographer, dancer, and teacher, Anna Djanbazian movements and interlocking arms echo the lines and began dancing at the age of three in her father’s ballet design motifs on the buildings. Circular floor school in Tehran, Iran. As the daughter of a Persian pathways that spiral in and out, linear formations mother and Armenian father, Anna grew up with a rich with intricate connections and weaving patterns cultural and artistic heritage. Sarkis Djanbazian, Anna’s between the dancers visually highlight the grace and father was a former member of the legendary Kirov quiet strength of the dance. In keeping with Ballet Company in St. Petersburg (then Leningrad) who Armenian tradition, the costume includes a small hat left Russia in the 1940s to escape the difficult political with an attached veil that covers the hair, a big jacket climate. -
One the Peculiarities of Modern Musical Folklore of Shirak
Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak. -
Armenian Monuments Awareness Project
Armenian Monuments Awareness Project Armenian Monuments Awareness Project he Armenian Monuments Awareness Proj- ect fulfills a dream shared by a 12-person team that includes 10 local Armenians who make up our Non Governmental Organi- zation. Simply: We want to make the Ar- T menia we’ve come to love accessible to visitors and Armenian locals alike. Until AMAP began making installations of its infor- Monuments mation panels, there remained little on-site mate- rial at monuments. Limited information was typi- Awareness cally poorly displayed and most often inaccessible to visitors who spoke neither Russian nor Armenian. Bagratashen Project Over the past two years AMAP has been steadily Akhtala and aggressively upgrading the visitor experience Haghpat for local visitors as well as the growing thousands Sanahin Odzun of foreign tourists. Guests to Armenia’s popular his- Kobair toric and cultural destinations can now find large and artistically designed panels with significant information in five languages (Armenian, Russian, Gyumri Fioletovo Aghavnavank English, French, Italian). Information is also avail- Goshavank able in another six languages on laminated hand- Dilijan outs. Further, AMAP has put up color-coded direc- Sevanavank tional road signs directing drivers to the sites. Lchashen Norashen In 2009 we have produced more than 380 sources Noratuz of information, including panels, directional signs Amberd and placards at more than 40 locations nation- wide. Our Green Monuments campaign has plant- Lichk Gegard ed more than 400 trees and -
Armenian Tourist Attraction
Armenian Tourist Attractions: Rediscover Armenia Guide http://mapy.mk.cvut.cz/data/Armenie-Armenia/all/Rediscover%20Arme... rediscover armenia guide armenia > tourism > rediscover armenia guide about cilicia | feedback | chat | © REDISCOVERING ARMENIA An Archaeological/Touristic Gazetteer and Map Set for the Historical Monuments of Armenia Brady Kiesling July 1999 Yerevan This document is for the benefit of all persons interested in Armenia; no restriction is placed on duplication for personal or professional use. The author would appreciate acknowledgment of the source of any substantial quotations from this work. 1 von 71 13.01.2009 23:05 Armenian Tourist Attractions: Rediscover Armenia Guide http://mapy.mk.cvut.cz/data/Armenie-Armenia/all/Rediscover%20Arme... REDISCOVERING ARMENIA Author’s Preface Sources and Methods Armenian Terms Useful for Getting Lost With Note on Monasteries (Vank) Bibliography EXPLORING ARAGATSOTN MARZ South from Ashtarak (Maps A, D) The South Slopes of Aragats (Map A) Climbing Mt. Aragats (Map A) North and West Around Aragats (Maps A, B) West/South from Talin (Map B) North from Ashtarak (Map A) EXPLORING ARARAT MARZ West of Yerevan (Maps C, D) South from Yerevan (Map C) To Ancient Dvin (Map C) Khor Virap and Artaxiasata (Map C Vedi and Eastward (Map C, inset) East from Yeraskh (Map C inset) St. Karapet Monastery* (Map C inset) EXPLORING ARMAVIR MARZ Echmiatsin and Environs (Map D) The Northeast Corner (Map D) Metsamor and Environs (Map D) Sardarapat and Ancient Armavir (Map D) Southwestern Armavir (advance permission -
“Building Bridges, Breaking the Walls: Managing Refugee Crisis in Europe” 2-Stage Project TRAINING COURSE & STUDY VISIT
“Building Bridges, Breaking the Walls: Managing Refugee Crisis in Europe” 2-Stage Project TRAINING COURSE & STUDY VISIT Basic information What: Training Course Title: Building Bridges, Breaking the Walls: Managing Refugee Crisis in Europe Venues and dates: Training Course: 20-28 November (including travel days), Yerevan, Armenia Study Visit: February (days will be confirmed), Stockholm, Sweden Participating Countries: Armenia, Sweden, Norway, Finland, Italy, Moldova, Romania, Ukraine, Denmark, Turkey, Czech Republic, Greece, Germany, Georgia, Portugal Idea, theme and objectives Structure The project is intended for 32 youth workers, youth educators, members of civil society organizations from 15 European Union and the Neighboring countries who are ready to actively fight against radicalization, discrimination and intolerance against refugees and migrants in their countries and who want to transfer the knowledge they gained in the project to the youth in their organizations and countries. NOTE! To ensure a long term impact we will involve same 36 youth workers in both activities of the project. Objectives of the Activity: The Training Course (Armenia) and the Study Visit (Sweden) have the following main objectives: To provide conceptual framework on the notions of emigration, immigration, integration and multiculturalism to 36 youth workers from different European countries; To analyze the emigration and immigration situation in participating countries and to find out the causes of migration, namely push and pull factors; To discuss -
21St CENTURY ( ) 1 17
21st CENTURY «NORAVANK» FOUNDATION 21-ՐԴ ԴԱՐ, 21st CENTURY 1 ( 17 ) YEREVAN 2015 21st CENTURY Information and analytical journal 1 (17), 2015 EDITORIAL BOARD Alexander Gasparashvili Laboratory Chief at MSU after M. Lomonosov, PhD (Philosophy) (Moscow, Russia) Alexander Kornilov Chairman, Chair of Region Studies of Foreign Countries, Lobachevsky State University of Nizhniy Novgorod (Russia), Doctor of Sciences (World History), Professor Aram Safaryan PhD (Philology) Arthur Atanesyan Head of Chair of Applied Sociology at YSU, Doctor of Science Political Sciences) Ashot Tavadyan Head of the Chair of Mathematical Methods in Economics at the ASUE, Doctor of Science (Economics), Professor Babken Vardanyan Director, Hayk Institution, and Senior Advisor to RoA Minister of Defense Eduard L. Danielyan Consultant at the Noravank Foundation, Head of the Department of Ancient History, Institute of History, National Academy of Sciences of the Republic of Armenia, Doctor of Sciences (History) Gagik Harutyunyan (coordinator) Executive Director of “Noravank” Foundation, PhD (Chemistry) Hranush Hakobyan Minister of Diaspora of the RA, Doctor of Science (Law) Karen Karapetyan Professor of Economics (Moscow, Russia) Mihran Dabag Professor, Director of the Institute for Diaspora and Genocide Studies at the Ruhr University (Bochum, Germany) Mushegh Lalayan Deputy Chairman of the Republican Party of Armenia Samvel Manukyan Senior Research Analyst, IPSC - Institute for Political and Sociological Consulting, PhD Sergei Grinayev Director General of the Center