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Volume 1 May 2013
The City of New York Capital Commitment Plan Executive Budget Fiscal Year 2014 Volume 1 May 2013 Office of Management and Budget Michael R. Bloomberg, Mayor Mark Page, Director Table of Contents I. Introduction II. 2013–2017 Commitment Plan III. 2009–2012 Commitments IV. 2013 Commitment Plan by Managing Agency V. 2013 Commitment Targets by Managing Agency VI. 2014 Commitment Plan by Managing Agency VII. 2014 Preliminary Commitment Targets by Managing Agency VIII. 2014-2017 Appropriations and Commitments with 2013 Plan and Forecast, and Actuals through February, by Project Type IX. Capital Program Performance Indicators X. 2014-2017 Appropriations and Commitments with 2013 Plan and Forecast, and Actuals through February, Including Detailed Project Status Information, by Budget Line FY 2014 Executive Budget Capital Commitment Plan Agency Index Department No. Department Name Volume Page 125 Aging, Department for the (AG) .......................................................................................... 1 1 801 Business Services, Department of Economic Development, Office of (ED) ................................................................ 1 121 068 Children’s Services, Administration for (CS) ...................................................................... 1 70 042 City University of New York (HN) ...................................................................................... 2 506 856 Citywide Administrative Services, Department of Courts (CO) ........................................................................................................... -
The Paley Center for Media Announces the Paley Honors: a Gala Tribute to Music on Television Presented by Verizon on May 15 in New York
THE PALEY CENTER FOR MEDIA ANNOUNCES THE PALEY HONORS: A GALA TRIBUTE TO MUSIC ON TELEVISION PRESENTED BY VERIZON ON MAY 15 IN NEW YORK The Most Influential Leaders in Music, Television, and Entertainment to Gather in Celebration, Including Presenters: J Balvin, Connie Britton, Alejandra Espinoza, Jimmy Fallon, Fergie, Art Garfunkel, DJ Khaled, Wynton Marsalis, Mandy Moore, and Paul Shaffer Guests of the Evening Include: Annabelle Attanasio, AJ Calloway, Gaby Espino, Santino Fontana, Amy Forsyth, Damon J. Gillespie, Carla Hall, Casey Johnson, Jaime Lee Kirchner, Litzy, Rarmian Newton,Fabián Ríos, Shirley Rumierk, Leslie Uggams, Dionne Warwick, Lynn Whitfield, Tristan “Mack” Wilds, and Deborah Joy Winans The Occasion Celebrates the Creation of the Music Collection in the Paley Archive, the World’s Largest Publicly Accessible Archive of Television and Radio Programming Verizon Returns as Presenting Sponsor Hearst and 21st Century Fox to Serve as Co-Chairs NEW YORK, NY, May 14, 2018 – Since the moment Elvis Presley blazed across television screens, belting out the lyrics to “Shake, Rattle, and Roll” on Stage Show in 1956, the impact of television immediately reverberated throughout the music industry. For decades television has captured iconic musical moments, including the historic first appearance of the Beatles on The Ed Sullivan Show in 1964; the impactful duet performed by Petula Clark and Harry Belafonte on the 1968 variety special Petula; Simon & Garfunkel’s mesmerizing 1981 concert in Central Park; Michael Jackson moonwalking on television for the first time during the 1983 Motown 25 special; Ricky Martin’s show-stopping performance at the 1999 Grammys; Saturday mornings with American Bandstand; all the unforgettable performances from the Super Bowl halftime shows; and so much more. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Wuthering Heights Artist Biographies Jesse Blumberg (Mr
Wuthering Heights Artist Biographies Jesse Blumberg (Mr. Lockwood) Baritone Jesse Blumberg is an artist equally at home on opera, concert, and recital stages. Last season, he performed the role of the Celebrant in Bernstein's Mass at London's Royal Festival Hall under the baton of Marin Alsop, debuted with Boston Lyric Opera as Harlekin in Ariadne auf Naxos, and performed recitals in Paris with the Mirror Visions Ensemble. In 2007, he created the role of Connie Rivers in The Grapes of Wrath (recorded by P.S. Classics) at the Minnesota Opera, and later made his Utah and Pittsburgh Opera debuts in the same production. Other recent appearances include leading and featured roles with Annapolis Opera, Opera Delaware, Opera Vivente and the Boston Early Music Festival. In concert, Jesse has been a featured soloist with American Bach Soloists, Los Angeles Master Chorale, Sacred Music in a Sacred Space and the Berkshire Choral Festival. He has also given the world premieres of two important chamber works: Ricky Ian Gordon's Green Sneakers (recorded by Blue Griffin Recording) and Lisa Bielawa's The Lay of the Love and Death, the former at the Vail Valley Music Festival, and the latter at Alice Tully Hall. He has toured with the Mark Morris Dance Group and the Waverly Consort, and given recitals for the Marilyn Horne Foundation. Last season, he and pianist Martin Katz performed Schubert's two monumental song cycles, Die schöne Müllerin and Winterreise, over one weekend in Ann Arbor, and will soon repeat this pairing in New York City. Jesse has been recognized in many song and opera competitions, and in 2008 was awarded Third Prize at the International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. -
Be a Disruptor Than to Defend Myself from Disruption.”
“I ultimately made the decision “The world that it would be more fun to wants us be a disruptor than to tell them that to defend myself the sky is falling. from disruption.” IT’s NOT.” – Le s L i e Mo o n v e s –Pe t e r Ch e r n i n aac e e s i ” – L “ . BEYO TECH NOL WELCOME NDDI OGY SRUP is the best ally democracy can have.” disruption and UNCERTAINTY good way to do it: embrace “There’s only one TION –Ad r i A n A Ci s n e r o s A Report on the AND PLEASE JOIN US INTERNATIONAL for the next International COUNCIL SUMMIT Council Summit September 14, 15, 16, 2011 April 26, 2012 Los Angeles Madrid, Spain CONTENTS A STEP BEYOND DISRUPTION 3 | A STEP BEYOND DISRUPTION he 2011 gathering of The Paley Center for Me- Tumblr feeds, and other helpful info. In addi- dia’s International Council marked the first time tion, we livestreamed the event on our Web site, 4 | A FORMULA FOR SUCCESS: EMBRacE DISRUPTION in its sixteen-year history that we convened in reaching viewers in over 140 countries. Los Angeles, at our beautiful home in Beverly To view archived streams of the sessions, visit 8 | SNAPSHOTS FROM THE COCKTAIL PaRTY AT THE PaLEY CENTER Hills. There, we assembled a group of the most the IC 2011 video gallery on our Web site at http:// influential thinkers in the global media and en- www.paleycenter.org/ic-2011-la-livestream. -
Events at the Paley Center for Media Dining Spaces
The Paley Center for Media DISTINCTIVE SPACES FOR RENTAL EVENTS u 25 West 52nd Street (between Fifth and Sixth Avenue) New York, NY 10019 Widely admired for beautiful facilities, great catering, expert technical support, and excellent customer service, the Paley Center facilities in New York have hosted a wide variety of companies, such as Amazon, Boston University, Discovery Communications, McKinsey & Co., Museum of Modern Art, NBA, and UN Foundation. CONVENIENT LOCATION The Paley Center for Media is a state of the art setting for any event, and offers a convenient Midtown location. Fifth Avenue and 53rd Street 47-50 Street/Rockefeller Center 50 Street and Broadway 49 Street and Seventh Avenue MEETINGS, DINNERS, RECEPTIONS The Grant A. Tinker Board of Trustees Room 648 sq ft A great location for board meetings, small events, or as an off-site meeting location. 50” HD plasma screen, WiFi, lighting control, separate control room. Meeting 24 Breakfast/Lunch/Dinner 32 Tamika Etheart| Director, Events and Membership [email protected] | 212-621-6756 Edward & Patricia McLaughlin Library 3008 sq ft A beautiful and unique space for receptions and dinners. Built-in tables to seat 8-10 guests each, space for bar service, along with exclusive access to the entire floor, the McLaughlin Library is a perfect location for private receptions and dinners. Meeting 75 Breakfast/Lunch/Dinner 100 Tamika Etheart| Director, Events and Membership [email protected] | 212-621-6756 Kissinger Global Conference Room 1196 sq ft An open floorplan allows for a variety of room layouts for any seated meal or cocktail receptions. State-of-the-art technology for board meetings and conferences, 65" plasma screen, 2 HD projectors, 3 built-in cameras*, lighting controls, and audio conference capabilities. -
New York Pass Attractions
Free entry to the following attractions with the New York Pass Top attractions Big Bus New York Hop-On-Hop-Off Bus Tour Empire State Building Top of the Rock Observatory 9/11 Memorial & Museum Madame Tussauds New York Statue of Liberty – Ferry Ticket American Museum of Natural History 9/11 Tribute Center & Audio Tour Circle Line Sightseeing Cruises (Choose 1 of 5): Best of New York Intrepid Sea, Air & Space Museum Local New York Favourite National Geographic Encounter: Ocean Odyssey - NEW in 2019 The Downtown Experience: Virtual Reality Bus Tour Bryant Park - Ice Skating (General Admission) Luna Park at Coney Island - 24 Ride Wristband Deno's Wonder Wheel Harlem Gospel Tour (Sunday or Wednesday Service) Central Park TV & Movie Sites Walking Tour When Harry Met Seinfeld Bus Tour High Line-Chelsea-Meatpacking Tour The MET: Cloisters The Cathedral of St. John the Divine Brooklyn Botanic Garden Staten Island Yankees Game New York Botanical Garden Harlem Bike Rentals Staten Island Zoo Snug Harbor Botanical Garden in Staten Island The Color Factory - NEW in 2019 Surrey Rental on Governors Island DreamWorks Trolls The Experience - NEW in 2019 LEGOLAND® Discovery Center, Westchester New York City Museums Museum of Modern Art (MoMA) Metropolitan Museum of Art (The MET) The Met: Breuer Solomon R. Guggenheim Museum Whitney Museum of American Art Museum of Sex Museum of the City of New York New York Historical Society Museum Cooper Hewitt, Smithsonian Design Museum Museum of Arts and Design International Center of Photography Museum New Museum Museum of American Finance Fraunces Tavern South Street Seaport Museum Brooklyn Museum of Art MoMA PS1 New York Transit Museum El Museo del Barrio - NEW in 2019 Museum of Jewish Heritage – A Living Memorial to the Holocaust Museum of Chinese in America - NEW in 2019 Museum at Eldridge St. -
DON PASQUALE Curriculum Connections California Content Standards Kindergarten Through Grade 12
San Francisco Opera’s Donizetti’s DON PASQUALE Curriculum Connections California Content Standards Kindergarten through Grade 12 LANGUAGE ARTS WORD ANALYSIS, FLUENCY, AND VOCABULARY DEVELOPMENT Vocabulary • Name origins: What do all of the names mean and how do they relate to the character? Sofronia (Greek meaning: "sensible, prudent"), Malatesta, Ernesto, Norina, Don Pasquale. Are there characters in other stories who have names starting with “mal-“ What is the meaning of the prefix? Are they typically bad characters? How would you describe Doctor Malatesta? • Idioms: Top of the world; bright as a button, wed in haste, other popular expressions • Vocabulary Lists: Ex. Don Pasquale, Opera glossary, Music and Composition terms. Phonics and Phonemic Awareness: Letter Recognition: Name the letters in a word. Ex. door = d-o-o-r. Letter/Sound Association: Name the letters and the beginning and ending sound in a word. Ex. doctor > beginning sound “d” = /d/ > ending sound “r” = /r/ Match and list words with the same beginning or ending sounds. Ex. moon and maid have the same beginning letter “m” and sound /m/; but moon and maid end with different letters and ending sounds. love and lose also end differently. Syllables: Count the syllables in a word. Patter singing of Malatesta and Don Pasquale. Match and list words with the same number of syllables. Clap out syllables as beats. Ex.: wife (wife) 1 syllable marry (mar-ry) 2 syllables notary (not-a-ry) 3 syllables Phoneme Substitution: Play with the beginning sounds to make silly words. What would a “boprano” sound like? (Also substitute middle and ending sounds.) Ex. -
The New York Pass Included Attractions
The New York Pass included attractions Big Bus Tours The RIDE The TOUR The Downtown Experience When Harry Met Seinfeld Bus Tour Panoramic Night Bus Tour Empire State Building Observatory Statue of Liberty and Ellis Island Immigration Museum Top of the Rock™ The Cathedral of St. John the Divine Madame Tussauds New York NFL Experience, Times Square 9/11 Memorial & Museum 9/11 Tribute Museum American Museum of Natural History Cooper Hewitt, Smithsonian Design Museum Fraunces Tavern® Museum Ground Zero Museum Workshop: Hands-On 9/11 Tour International Center of Photography Museum Intrepid Sea, Air & Space Museum The Metropolitan Museum of Art (The Met) The Met Breuer The Met Cloisters Museum at Eldridge Street / Eldridge Street Synagogue Museum of American Finance Museum of Arts and Design Museum of Jewish Heritage - A Living Memorial to the Holocaust The Museum of Modern Art (MoMA) The Museum of Sex Museum of the City of New York Museum of the City of New York New Museum New York Historical Society The Paley Center for Media The Skyscraper Museum Solomon R. Guggenheim Museum South Street Seaport Museum Whitney Museum of American Art MoMA PS1 New York Hall of Science Brooklyn Museum New York Transit Museum Staten Island Children’s Museum Staten Island Museum at Snug Harbor and in St. George New York Botanical Garden Brooklyn Botanic Garden Snug Harbor Cultural Center & Botanical Garden Staten Island Zoo Circle Line Sightseeing Cruises Midtown Circle Line Sightseeing Cruises Downtown New York Water Taxi, Hop On Hop Off Ferry: All-Day Access -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism.