If You Liked Smile

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If you liked Smile Have you read the trio of Smile, Drama and Sisters by Raina Telgemeier? Her next book, Ghosts is not out until September 2016, so here are a few things to read in the meantime. If you liked the friendships: Roller Girl - Victoria Jamieson - a girl drifts away from her BFF and tries out roller derby Baby-sitters Club series - Ann M. Martin - friends face the challenges of working together Awkward - Svetlana Chmakova - art club versus science club Lumberjanes series - Noelle Stevenson - five best friends at summer camp battle monsters The Dumbest Idea Ever! - Jimmy Gownley - chicken pox and pneumonia hurt Jimmy’s popularity In Real Life - Cory Doctorow - grade 9+ - Anda loves online games, but real life is complicated This One Summer - Mariko Tamaki - grade 8+ -a young teen deals with grown-up problems If you liked that It was a true story: El Deafo - Cece Bell - Cece suffered hearing loss at a young age, making it hard for her to fit in with her hearing classmates Relish: My Life in the Kitchen - Lucy Knisely - grade 9+ - a food-centric memoir, includes recipes To Dance: A Ballerina’s Graphic Novel - Siena Cherson Siegel - ballet takes her from Puerto Rico to Boston to New York City Sunny Side Up - Jennifer Holm - an older brother’s mistake throws his family into chaos Tomboy - Liz Prince - grade 9+ - growing up she is constantly mistaken for a boy, but young Liz can’t find acceptance with boys or girls Persepolis - Marjane Satrapi - grade 9+ - growing up in Iran during a revolution If you liked great girls as main characters: Amulet series - Kazu Kibuishi - Emily and her brother discover a world under their home that’s full of monsters Zita the Spacegirl series - Ben Hatke - Zita travels through space to save her best friend The Unbeatable Squirrel Girl series - Ryan North - the most upbeat superhero in the world Nimona - Noelle Stevenson - Nimona is the sidekick to a supervillain RVCPL - 221 N. Village Ave. - 516-766-6257 ext. 6 - rvclibrary.org/teens .

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Girls in Graphic Novels
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 Girls in Graphic Novels: A Content Analysis of Selected Texts from YALSA's 2016 Great Graphic Novels for Teens List Tiffany Mumm Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Mumm, Tiffany, "Girls in Graphic Novels: A Content Analysis of Selected Texts from YALSA's 2016 Great Graphic Novels for Teens List" (2017). Masters Theses. 2860. https://thekeep.eiu.edu/theses/2860 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� EASTERNILLINOIS UNIVERSlTY Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis.
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She-Ra and the Princesses of Power As Queer Monomyth
She-Ra and the Princesses of Power as Queer Monomyth By Paul Thomas* ORCID: 0000-0002-5596-7951 Scheduled to be published as: Thomas, Paul. “She-Ra and the Princesses of Power as Queer Monomyth.” Journal of Popular Culture, vol. 54, no. 5, 2021. Abstract In this essay, the author considers the animated television program She-Ra and the Princesses of Power (2018-20) and argues two main things: First, that the She-Ra reboot can be read as monomythic, and second, that it employs the monomyth while also queering normative understandings of heroic gender and sexuality. The end result is a critical remix that stars a hero—Adora—who can be understood as both queer and monomythic. She-Ra and the Princesses of Power thus stands out from the rest of the pack, serving as a shining example for writers wanting to “rehabilitate” Campbell’s monomyth in our increasingly queer, feminist, and intersectional world. Keywords Gender theory, LGBT, Myth, Popular culture, animation * Paul Thomas is a library specialist at the University of Kansas ([email protected]) as well as a student in the Doctor of Philosophy (Ph.D.) degree program in the School of Library and Information Management, Emporia State University ([email protected]). In 1949, the comparative mythologist Joseph Campbell published The Hero with a Thousand Faces, in which he argued that “the standard path of the … adventure of the hero is a magnification of the formula represented in the rites of passage: separation-initiation-return: which might be named the nuclear unit of the monomyth” (J.
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LGBTQ+ and Neurodiverse Voices in Transmedia Fiction
INTERSECTIONAL REPRESENTATION: LGBTQ+ AND NEURODIVERSE VOICES IN TRANSMEDIA FICTION A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY TYNAN DRAKE DR. KEVIN MOLONEY – ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2020 INTERSECTIONAL REPRESENTATION 2 Abstract Diversity representation in fictional stories is a growing concern for many minority communities, as these representations have a significant impact on how members of these communities are treated by society. Cultural stigmatization of LGBTQ+ and neurodiverse communities has led to repeated misrepresentation in media which harms members of these communities and denies them the agency to define their own experiences. Though fictional narratives written by these communities are beginning to emerge, very few represent the intersectional experiences that common occur between these communities. This paper uses design thinking methods to explore the intersectional experiences of neurodiverse (plural and autistic), queer, and gender nonconforming identities and to prototype a fictional transmedia experience that presents these intersectional experiences in ways that are empowering and return agency to the communities it represents. Keywords: intersectionality, diversity representation, neurodiversity, LGBTQ+, queer, autism, plural identities, transgender, gender nonconforming, Dissociative Identity Disorder, gaslighting, transmedia, fantasy, storytelling INTERSECTIONAL REPRESENTATION 3 Acknowledgements
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MENLO PARK LIBRARY News and Events MAR/APR MAR/APR
2020 MENLO PARK LIBRARY news and events MAR/APR MAR/APR pg8 pg10 pg13 SCIENCE NIGHT SEED LIBRARY FRANCISCO JIMÉNEZ Our 10th after-hours STEAM We introduce Seed Libraries at The lauded author visits Menlo Park celebration features hands-on both of our locations, plus a special to talk about living and writing a learning and fun exhibition and events to get you migrant’s life growing Young readers proudly display the new Little Free Library in their home garden. The library box was one of two dozen installed across Menlo Park in 2019 to encourage literacy, sharing, and community spirit. Learn more at menlolibrary.org/littlefreelibrary MAIN LIBRARY 800 Alma Street, Menlo Park CA 94025 650-330-2500 QUOTE OF THE MONTH Monday, 10:00 am–9:00 pm Tuesday, Noon–9:00 pm ON THE ESSENTIAL QUALITY OF BOOKS Wednesday, 10:00 am–9:00 pm Thursday, 10:00 am–6:00 pm Friday, 10:00 am–6:00 pm Saturday, 10:00 am–5:00 pm Sunday, Noon–5:00 pm Closed Sunday, April 12, 2020 “If you have a garden and a library, you have Menlopark.org/library everything you need.” BELLE HAVEN BRANCH —Cicero 413 Ivy Drive, Menlo Park CA 94025 650-330-2540 Monday, Noon–9:00 pm Tuesday, Noon–9:00 pm Wednesday, Noon–9:00 pm Thursday, 10:00 am–6:00 pm Friday, 10:00 am–6:00 pm Saturday, 10:00 am–5:00 pm Sunday, Noon–5:00 pm Closed Sunday, April 12, 2020 Menlopark.org/library ONLINE IN-HOUSE SOCIAL MEDIA Manage your library account, download Our friendly staff are here to assist Connect with us on Instagram and e-books, stream videos, and more you 7 days a week.
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MA How to Make Comics the Successful Way WH.Pdf
How to Make Comics the Successful Way An Investigation into the Strategies for Successful Comics Creators by William Hill Canterbury Christ Church University Thesis submitted for the Degree of MA by Research 2021 Abstract Success is chiefly viewed as a destination point, often containing no clear direction as to how to arrive, or assurances of when one’s arrival has taken place. House this delicate theme of success amongst the vast genre of comics books and several questions occur: “What is success?” “Who has previously been successful?” “How did they gain success?” “What are the proven routes to success?” This study explores the different methods to find success within the comics industry, these methods included classical approaches such as periodical comics and newspaper strips as well as the more contemporary avenues such as self-publishing & web-comics. To gain a solid understanding and context of the commercial aspect of the business, first the study reviews the history of the comics industry. This is followed by an analysis of the definition and essential components of the comic book, to achieve a better understanding of the structure and classification of comics and, therefore, their intrinsic value as a product. The rise of the digital revolution, recent developments in technologies and web2.0 have not only contributed to expanding areas of production, distribution and fandom recognition, but also to implement innovative ideas and projects. This has led to the expansion of both profitable potentials and perilous pitfalls. To analyse the implications of these new means of creation and distribution, themes such as Communities, Pitfalls of the Internet Age and Crowdfunding have been explored.
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She-Ra and the Princesses of Power, Seasons 1-5
MEDIA REVIEWS She-Ra and the Princesses of Power, Seasons 1-5 Adam McLain SHE-RA AND THE PRINCESSES OF POWER. Seasons 1-5. DreamWorks Animation, Netflix, 2018-2020. Riding the success of the He-Man and the Masters of the Universe show and toy line (1982– 1988), the children’s toy company Mattel sought to capitalize on its sword and sorcery moment by introducing a female-focused toy line, Princess of Power, centered around He-Man’s sister—Adora in her human form, She-Ra in her empowered form. From 1985 to 1987, She-Ra fought the Evil Horde, its leader Hordak, and her nemesis Catra through twenty-two action figures, thirteen comics, several children’s books, and a two-season animated cartoon series created by J. Michael Straczynski and Larry DiTillio. Throughout the ensuing thirty years, Adora/She-Ra would appear numerous times in toy lines and cameos, but she would never be as popular—nor, one could say, as marketed—as her brother, Adam/He-Man. In 2017, Netflix and DreamWorks Animation announced their plans to reboot the franchise as She-Ra and the Princesses of Power, with Noelle Stevenson, an award-winning author, helming the project as executive producer and showrunner. This move came as part of a series of repackaging of old intellectual property for new audiences (e.g., DreamWorks/Netflix’s Voltron: Legendary Defender). As showrunner, Stevenson chose to pay homage to the past show while inventing a new future for it and for animated fantasy children’s shows. Stevenson’s direction chose to focus on diversity and representation, reimagining all the characters to portray more LGBTQ+ characters and characters of color onscreen.
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Understanding Representations of Gender and Sexuality in Contemporary Comic Books and Comic Culture
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Netflix She-Ra Writ
Netflix She-Ra Writ Thirdstream and expiring Tanny tiptoeing archaeologically and respite his stratocrat crescendo and femininely. Coleman white-out his mutton hustles thermally or injuriously after Fleming scoop and roquet synergistically, billowier and presidial. Agrestic and cumberless Sayre loosest way and muds his colouring epexegetically and steeply. Solomon sir anthony perkins liberally playing She explained that rage the top Corps the prosecution has four. The madwoman and the blindman The Ohio State University. Ariell Johnson had find a handicap of TV shows like He-Man after the Masters of time Universe She-Ra. Merriam-Webster must have had some Netflix insider info when they declared. Entire Issue Congressional Record. Including the Tales of Arcadia trilogy from Guillermo del Toro She-Ra divert the. Fingerprints Clovis Community College. With performance clips by the jazz composer bandleader and pianist Sun Ra and. Why again another statistics textbook aren't there already loads of those. Why female comic book fans are cheering for 'royal Woman. Digital Demand procedure May 19 to 25 2020 The Mandalorian continues to maintain the Digital Original list while wind-ra and the Princesses of Power comes in at 9. Pauperis and the petition for a writ of certiorari are granted The judgment is. Netflix Walt Disney Animation Studios Pixar Animation Studios. She-Ra explore the Princesses of encounter is any American animated web. 19-125 LEA AR STATE AUDITOR V UNITED STATES ET AL 19-121. Shayara Bano vs Union of India Triple Talaq Case Summary. Tv tropes full power. Netflix and Hulu creating outstanding original shows there are through many quality.
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Readers' Advisory GN-Teen 2020
SCIENCE FICTION & FANTASY REALISTIC FICTION A Wrinkle in Time by Hope Larson Illegal by Eoin Colfer (J TEEN GRAPHIC NOVEL Larson) (Overdrive) (J TEEN GRAPHIC NOVEL Colfer) (Hoopla) Meg Murry and her friends become involved with Ebo's journey takes him across the Sahara Desert to unearthly strangers and a search for Meg's father. the dangerous streets of Tripoli, and finally out to the merciless sea. But with every step he holds on to his The Unbeatable Squirrel Girl* by Ryan North hope for a new life and a reunion with his family. (J TEEN GRAPHIC NOVEL Unbeatable) (Hoopla) Doreen Green, aka Squirrel Girl, is starting college, The Breakaways by Robin Cathy G. Johnson making new friends, eating nuts and kicking butts, not (J TEEN GRAPHIC NOVEL Johnson) necessarily in that order! When a popular student encourages her to join the soccer team, Faith signs up even though she has The Graveyard Book* by P. Craig Russell never played the game and learns about loyalty and (J TEEN GRAPHIC NOVEL Russell) (Hoopla) friendship. Nobody Owens is a normal boy, except that he has been raised by ghosts and other denizens of the All Summer Long by Hope Larson graveyard. (J TEEN GRAPHIC NOVEL Larson) Thirteen-year-old Bina faces her first summer without Nimona by Noelle Stevenson her best friend, Austin, who has left for soccer camp. (ADULT GRAPHIC NOVEL Stevenson) (Hoopla) Nimona is a shapeshifter who wants to become the Pumpkinheads by Rainbow Rowell apprentice of the villainous Lord Blackheart, whether (ADULT GRAPHIC NOVEL Rowell) (Overdrive) he likes it or not.
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Thursday, June 9 Session 1
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Queer Iterations in on Loving Women and Nimona
THE ANIMAL AS QUEER ACT IN COMICS: QUEER ITERATIONS IN ON LOVING WOMEN AND NIMONA by Molly Clare Barnewitz A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts Department of Languages and Literature The University of Utah August 2016 Copyright © Molly Clare Barnewitz 2016 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Molly Clare Barnewitz has been approved by the following supervisory committee members: Margaret Toscano , Chair 3/9/16 Date Approved Christine A. Jones , Member 3/9/16 Date Approved Natasha Seegert , Member 3/9/16 Date Approved and by Katharina Gerstenberger , Chair of the Department of Languages and Literature and by David B. Kieda, Dean of The Graduate School. ABSTRACT This thesis examines comics’ use of animal and otherwise non-normative bodies to portray queer identities and examine how the portrayal of the queer and monstrous can be seen as a reflection of the medium itself. Comics is a hybrid medium in which words and images coexist, favoring neither and flouting categorization in art or literature. Comics relishes the instability and subversive nature of its form, and has been a tool for challenging conventions of acceptable representation. Comics’ refusal to accept a secure, unified definition is analogous to the object of queer theory, suggesting that comics are particularly well suited to depict queer narratives. Close readings of Diane Obomsawin’s graphic narrative On Loving Women and Noelle Stevenson’s webcomic Nimona serve as examples of the possibilities of reading comics through a queer lens.
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