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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Girls in Graphic Novels
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 Girls in Graphic Novels: A Content Analysis of Selected Texts from YALSA's 2016 Great Graphic Novels for Teens List Tiffany Mumm Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Mumm, Tiffany, "Girls in Graphic Novels: A Content Analysis of Selected Texts from YALSA's 2016 Great Graphic Novels for Teens List" (2017). Masters Theses. 2860. https://thekeep.eiu.edu/theses/2860 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� EASTERNILLINOIS UNIVERSlTY Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. -
She-Ra and the Princesses of Power As Queer Monomyth
She-Ra and the Princesses of Power as Queer Monomyth By Paul Thomas* ORCID: 0000-0002-5596-7951 Scheduled to be published as: Thomas, Paul. “She-Ra and the Princesses of Power as Queer Monomyth.” Journal of Popular Culture, vol. 54, no. 5, 2021. Abstract In this essay, the author considers the animated television program She-Ra and the Princesses of Power (2018-20) and argues two main things: First, that the She-Ra reboot can be read as monomythic, and second, that it employs the monomyth while also queering normative understandings of heroic gender and sexuality. The end result is a critical remix that stars a hero—Adora—who can be understood as both queer and monomythic. She-Ra and the Princesses of Power thus stands out from the rest of the pack, serving as a shining example for writers wanting to “rehabilitate” Campbell’s monomyth in our increasingly queer, feminist, and intersectional world. Keywords Gender theory, LGBT, Myth, Popular culture, animation * Paul Thomas is a library specialist at the University of Kansas ([email protected]) as well as a student in the Doctor of Philosophy (Ph.D.) degree program in the School of Library and Information Management, Emporia State University ([email protected]). In 1949, the comparative mythologist Joseph Campbell published The Hero with a Thousand Faces, in which he argued that “the standard path of the … adventure of the hero is a magnification of the formula represented in the rites of passage: separation-initiation-return: which might be named the nuclear unit of the monomyth” (J. -
LGBTQ+ and Neurodiverse Voices in Transmedia Fiction
INTERSECTIONAL REPRESENTATION: LGBTQ+ AND NEURODIVERSE VOICES IN TRANSMEDIA FICTION A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY TYNAN DRAKE DR. KEVIN MOLONEY – ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2020 INTERSECTIONAL REPRESENTATION 2 Abstract Diversity representation in fictional stories is a growing concern for many minority communities, as these representations have a significant impact on how members of these communities are treated by society. Cultural stigmatization of LGBTQ+ and neurodiverse communities has led to repeated misrepresentation in media which harms members of these communities and denies them the agency to define their own experiences. Though fictional narratives written by these communities are beginning to emerge, very few represent the intersectional experiences that common occur between these communities. This paper uses design thinking methods to explore the intersectional experiences of neurodiverse (plural and autistic), queer, and gender nonconforming identities and to prototype a fictional transmedia experience that presents these intersectional experiences in ways that are empowering and return agency to the communities it represents. Keywords: intersectionality, diversity representation, neurodiversity, LGBTQ+, queer, autism, plural identities, transgender, gender nonconforming, Dissociative Identity Disorder, gaslighting, transmedia, fantasy, storytelling INTERSECTIONAL REPRESENTATION 3 Acknowledgements -
Success in Media Arts & Illustration
MARYLAND INSTITUTE COLLEGE OF ART careertrack animation (ANIM) • flm & video (video) • illustration (ILL) • photography (photo) volume xviii 2016 Sites around the country where MICA students and recent grads have landed internships, competitive freelance assignments, and jobs: ABC TV Delaware Art Museum Mosaic Learning Seoul Movie Company, LTD Allen Moore Films Die Zeit Literatur MSNBC Society of Illustrators American Express DreamWorks Animation Museum of Fine Arts (Boston) Sparkypants Studios America India Foundation Firaxis Games National Geographic Target American Museum of Google National Public Radio Time magazine Natural History, New York Harper Collins The New York Times USA Today Anthropologie HBO Nickelodeon Urban Outftters Apple, Inc. Johns Hopkins Institute of O Entertainment Vatos International Be a Mentor, Inc. Nanobiotechnology PBS The Wall Street Journal Bloomberg Businessweek KIDdesigns Penguin Random House Walt Disney Animation Studios Cartoon Network LucasArts Entertainment Pixar Whole Foods Market DC Comics Maryland Historical Society Rolling Stone Yahoo! Success in Media Arts & Illustration In our visual culture, the demand is high for artists who give form and expression to cultural content and interpret the world in which we live. SPOTLIGHT ON: Noelle Stevenson ’13 MICA media artists and illustration 2015. Nimona was a success, and grads use their skills in many Stevenson became the youngest industries, from publishing to flm National Book Award fnalist when her and from games to education. One novel was up for the honor in Young alumna, Noelle Stevenson ’13 (ILL), People’s Literature. The illustrator got started early, signing her frst is also co-writer of the comics series book deal while a senior at MICA. -
MENLO PARK LIBRARY News and Events MAR/APR MAR/APR
2020 MENLO PARK LIBRARY news and events MAR/APR MAR/APR pg8 pg10 pg13 SCIENCE NIGHT SEED LIBRARY FRANCISCO JIMÉNEZ Our 10th after-hours STEAM We introduce Seed Libraries at The lauded author visits Menlo Park celebration features hands-on both of our locations, plus a special to talk about living and writing a learning and fun exhibition and events to get you migrant’s life growing Young readers proudly display the new Little Free Library in their home garden. The library box was one of two dozen installed across Menlo Park in 2019 to encourage literacy, sharing, and community spirit. Learn more at menlolibrary.org/littlefreelibrary MAIN LIBRARY 800 Alma Street, Menlo Park CA 94025 650-330-2500 QUOTE OF THE MONTH Monday, 10:00 am–9:00 pm Tuesday, Noon–9:00 pm ON THE ESSENTIAL QUALITY OF BOOKS Wednesday, 10:00 am–9:00 pm Thursday, 10:00 am–6:00 pm Friday, 10:00 am–6:00 pm Saturday, 10:00 am–5:00 pm Sunday, Noon–5:00 pm Closed Sunday, April 12, 2020 “If you have a garden and a library, you have Menlopark.org/library everything you need.” BELLE HAVEN BRANCH —Cicero 413 Ivy Drive, Menlo Park CA 94025 650-330-2540 Monday, Noon–9:00 pm Tuesday, Noon–9:00 pm Wednesday, Noon–9:00 pm Thursday, 10:00 am–6:00 pm Friday, 10:00 am–6:00 pm Saturday, 10:00 am–5:00 pm Sunday, Noon–5:00 pm Closed Sunday, April 12, 2020 Menlopark.org/library ONLINE IN-HOUSE SOCIAL MEDIA Manage your library account, download Our friendly staff are here to assist Connect with us on Instagram and e-books, stream videos, and more you 7 days a week. -
|||GET||| Nimona 1St Edition
NIMONA 1ST EDITION DOWNLOAD FREE Noelle Stevenson | 9780062278234 | | | | | Nimona by Noelle Stevenson (2015, Hardcover) View all 4 comments. View 1 comment. Num Pages: pages, illustrations. I mean, just look at her. Ultimately, as per usual, the hype did the story a disservice. Retrieved August 18, She is ready to kill some people including the king. Skip to main content. Age Add Age Suitability. Tl;dr - I can't give this five stars, because it made me sad. As our tale begins, we learn that Nimona is a shapeshifter and can take the form of any living creature, which makes her a formidable foe indeed, given that she gains the strength, mass, size, and requisite abilities of said creatures, and given that she lives in a world where dragons exist. From Wikipedia, the free encyclopedia. Retrieved July 7, — via Twitter. Suess Beginners Book Collection by Dr. Retrieved February 20, Powered by BiblioCommons. You can't just go round murdering people. And Nimona is a protagonist to both love and fear. There are rules, Nimona! Can she just write a million more graphic novels please? This was great fun. We have ratings, but no written reviews for this, yet. Our BookSleuth is specially designed for you. I can't believe I waited so long to read this! ClaraShepard Nimona 1st edition this title is suitable for All Ages. I want more Nimona please. And Nimona is a protagonist to both love and fear. There is some great comedic timing also "I'm a shark! A reviewer for io9 called Nimona one of the "Best New Nimona 1st edition Short Webcomics of ", commenting that its "light, sketchy style" helped to set up the comic's tone, and compared it favorably to The Venture Bros. -
MA How to Make Comics the Successful Way WH.Pdf
How to Make Comics the Successful Way An Investigation into the Strategies for Successful Comics Creators by William Hill Canterbury Christ Church University Thesis submitted for the Degree of MA by Research 2021 Abstract Success is chiefly viewed as a destination point, often containing no clear direction as to how to arrive, or assurances of when one’s arrival has taken place. House this delicate theme of success amongst the vast genre of comics books and several questions occur: “What is success?” “Who has previously been successful?” “How did they gain success?” “What are the proven routes to success?” This study explores the different methods to find success within the comics industry, these methods included classical approaches such as periodical comics and newspaper strips as well as the more contemporary avenues such as self-publishing & web-comics. To gain a solid understanding and context of the commercial aspect of the business, first the study reviews the history of the comics industry. This is followed by an analysis of the definition and essential components of the comic book, to achieve a better understanding of the structure and classification of comics and, therefore, their intrinsic value as a product. The rise of the digital revolution, recent developments in technologies and web2.0 have not only contributed to expanding areas of production, distribution and fandom recognition, but also to implement innovative ideas and projects. This has led to the expansion of both profitable potentials and perilous pitfalls. To analyse the implications of these new means of creation and distribution, themes such as Communities, Pitfalls of the Internet Age and Crowdfunding have been explored. -
Fall 2019 Fall 3 • Issue Contributors
ISSUE 3 • FALL 2019 CELEBRATING THE COMICS, CARTOONS AND CREATORS OF CENTRAL OHIO A 2019 EISNER AWARD NOMINEE! COVER ILLUSTRATION BY RAFAEL ROSADO RAFAEL BY ILLUSTRATION COVER CONTRIBUTORS COLUMBUSSCRIBBLER.COM JESS ANN ARTZ GREG BALDRIDGE Cover by Rafael Rosado jessannartz.com teechcartoon.tumblr.com instagram.com/rafael_rosado614 CONTENTS PAGE 1 MEET THE PEOPLE OF COLUMBUS By Jack Wallace, Brent Bowman, and Chris Allen PAGE 2 TEN QUESTIONS WITH RAFAEL ROSADO PAGE 3 ROMANTIC FANTASIES by Jessica Robinson PAGES 4 & 5 UTAHRAPTOR JONES by Steve Steiner BRENT BOWMAN MICHAEL FEHSKENS PAGE 6 CHASING INK: MY HILL TO LIE ON by J.M. Hunter facebook.com/ michaelfehskens.com THE DRAGON’S CAVE by Michael Fehskens The-Art-of-Brent-Bowman PAGE 7 PIRATES ON THE HORIZON THE ORIGINS OF MILTON CANIFF AND TERRY AND THE PIRATES by Brian Canini PAGES 8 & 9 KID STARFISH by Brian Canini PAGE 10 WE ARE NARRITIVE by Greg Baldridge SEVEN by Jess Ann Artz PAGE 11 TIPS TO HELP YOU START CARTOONING by Steve Steiner J.M. HUNTER ROB LAVIGNE THE SENTIENT POTHOLE by Steve Steiner theartofhunter.com instagram.com/car.toons4u PAGE 12 ALL-AGES CREATORS SPOTLIGHT: NICK DUTRO & PATRICK LAY KID’S KORNER by Aubrey H. PAGE 13 DO YOU EVER CATCH YOURSELF FALLING? by Chandu Tennety PAGE 14 A LOOK AT FANTASY COMICS by Steve Steiner COMIC REVIEWS by Derek Baxter PAGE 15 TEN QUESTIONS (CONTINUED) UPCOMING EVENTS JESSICA ROBINSON CHANDU TENNETY PAGE 12 THE FUNNIES roxycomics.com instagram.com/chandu.tennety by Rob Lavigne & Mikolaj Wlodarczyk, Derek Baxter, and Thad Woodman INSIDE -
The GLAAD 2021 Studio Responsibility Index
Studio Responsibility Index 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
She-Ra and the Princesses of Power, Seasons 1-5
MEDIA REVIEWS She-Ra and the Princesses of Power, Seasons 1-5 Adam McLain SHE-RA AND THE PRINCESSES OF POWER. Seasons 1-5. DreamWorks Animation, Netflix, 2018-2020. Riding the success of the He-Man and the Masters of the Universe show and toy line (1982– 1988), the children’s toy company Mattel sought to capitalize on its sword and sorcery moment by introducing a female-focused toy line, Princess of Power, centered around He-Man’s sister—Adora in her human form, She-Ra in her empowered form. From 1985 to 1987, She-Ra fought the Evil Horde, its leader Hordak, and her nemesis Catra through twenty-two action figures, thirteen comics, several children’s books, and a two-season animated cartoon series created by J. Michael Straczynski and Larry DiTillio. Throughout the ensuing thirty years, Adora/She-Ra would appear numerous times in toy lines and cameos, but she would never be as popular—nor, one could say, as marketed—as her brother, Adam/He-Man. In 2017, Netflix and DreamWorks Animation announced their plans to reboot the franchise as She-Ra and the Princesses of Power, with Noelle Stevenson, an award-winning author, helming the project as executive producer and showrunner. This move came as part of a series of repackaging of old intellectual property for new audiences (e.g., DreamWorks/Netflix’s Voltron: Legendary Defender). As showrunner, Stevenson chose to pay homage to the past show while inventing a new future for it and for animated fantasy children’s shows. Stevenson’s direction chose to focus on diversity and representation, reimagining all the characters to portray more LGBTQ+ characters and characters of color onscreen. -
Queer Interventions As Praxis in Children's Cartoons
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons Heather Wright The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2665 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons by HEATHER WRIGHT A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2018 © 2018 HEATHER WRIGHT All Rights Reserved ii “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons by Heather Wright This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Jean Halley Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons by Heather Wright Advisor: Jean Halley In Understanding Comics: The Invisible Art, Scott McCloud considers “the simplified reality of the cartoon,” establishing a definition and theory for the medium (30).