Hardcore Punk Scenes from 1980S Southern California Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Hardcore Punk Scenes from 1980S Southern California Free Download WE GOT POWER!: HARDCORE PUNK SCENES FROM 1980S SOUTHERN CALIFORNIA FREE DOWNLOAD David Markey | 306 pages | 10 Jan 2013 | Bazillion Points | 9781935950073 | English | Brooklyn, United States We Got Power! Hardcore Punk Scenes From 1980s Southern California (David Markey) He photographed, edited, cowrote, and directed "Lovedolls Superstar" in For the younger generation in today's Punk scene, this is one of the more definitive books you can get your hands on to teach you about your history as you turn each page. InJordan began working and living at SST Records Global Network Agency booking gigs and tours for various high-profile bands on and off of the label during the pioneering years of the U. Inpunk was over… but byhardcore was born. We were into the character of the people, and what we felt was the quality of their music. Reviews There are no reviews yet. It accurately reflected and documented a local underground music scene, one fertile and diverse enough to spawn such groups as the Henry Rollins-era Black Flag and its contrarian mirror-image White Flag, led by Pat Fearthe Minutemen, Saccharine Trust, Redd Kross, the Descendents, the Last, Gun Club, Suicidal Tendencies and more besides. Clearly, the concerns one has as an year-old are not going to be the same at Description Inpunk was over. And, really, it had everything to do with me taking the bull by the horns, and wrangling an entirely new project from the work. It helped that I had many. Send your comments to the editor HERE. DM: I hope that the reader can enter this We Got Power!: Hardcore Punk Scenes from 1980s Southern California and immerse him or herself in it, and feel what it was like to be a participant in this particular place and time, and maybe come away with a larger cultural experience, or at least something a little deeper than what one would get from a more casual overview. Yes, that was definitely going on. Boon from the Minutemen at a house party, But I know now that my youth was not wasted, and I can look at all that stuff now and realize I was pretty much on the ball, even as it rolled and We Got Power!: Hardcore Punk Scenes from 1980s Southern California to a different ball, thankfully the ball never rolled over me. This book is a lot more than just another "Punk Scene" book, this is as real We Got Power!: Hardcore Punk Scenes from 1980s Southern California it gets by two guys, Dave Markey and Jordan Schwartz, the proprietors of We Got Power fanzine based in Los Angeles who were at ground zero in the early 80's. But I have found a sort of happy place with the past, and I realize from a very early age I have had a certain vision that has remain consistent, but has definitely matured throughout time. Big Wheel poll question for this week. RCN: I recently read a conversation between John Cale and the actor Willem Dafoe, where at one point they talk about how when they first started in their creative pursuits, they were the youngest in any crowd of people so involved, but that nowadays the people around them involved or interested in such things keep getting younger. By the time he was ready to release it, though, Ecstatic Peace! Mood of Defiance at The Barn. Any thoughts? As teenagers inDavid Markey and his best friend Jordan Schwartz founded "We Got Power" a fanzine dedicated to the first-generation hardcore punk music community in their native Los Angeles. Essential reading. JS: For the people that wrote for the book, I hope it inspires them to keep writing. But actually those episodes were laughably bad, even back at that time! Your cart 0. Big Wheel poll question for this week How many times have you seen your favorite band play? Search for:. The book is laced with very candid and sometimes self effacing essays by some of the Punk scenes most noted luminaries that include, Henry Rollins, Pat Fear, Keith Morris, Chuck Dukowski, Mike Watt, Tony Adolescents, Louiche Mayorga, Steve Human and more to give you a special insight into the Punk scene from their point of view. It had me thinking differently, to be both the guy in front of and behind the camera. I suppose it eventually happens, if you are lucky enough to be able to produce work and continue to make new work. For the people in the book, I hope it brought back some good memories and that they can deal with the heavy or sad ones. How important to the scene, as We Got Power!: Hardcore Punk Scenes from 1980s Southern California covered it, were those on the second line? When you and Jordan decided to go for doing the book, how much of an archive of photos etc. Inhe became involved in the local underground music scene. Jordan Schwartz met David Markey while skateboarding in a flooded Santa Monica parking garage in Of course there were quite a few from the South Bay, including Black Flag, which helped define the genre, then started tearing it down starting with the My War album, and bands like the Minutemen, which were referred to as Weird Hardcore. Obviously you have a few plates spinning at the moment, between the book and the new Circle Jerks documentary. One might think that maybe, when TYPB came out that might have been the perfect time to capitalize on your previous work. Some pretty stark graphics and unique ideas and work within those pages. Essential reading Site sponsor. DM: Starting out in this scene as both a musician and documentarian gave me an interesting perspective. Thankfully authors Dave Markey and Jordan Schwartz open up their archives of photos t hat successfully document these moments in time which were common place for Punks of that era, while readers outside of the scene would find beyond belief. RSS News Feed. Granted we were big fans of Black Flag, the Circle Jerks and Dead Kennedys, so if we could get an interview or print a full-page photo [with them], we would. Never before seen, except in crude fanzine form, these detailed and richly narrative photos are now collected to present an intimate document a uniquely fertile creative moments. JS: Thurston was interested in doing the project, but released a bunch of other titles before he was ready to start working on ours. We Got Power! I think one of the advantages to waiting was the advances made in software for home We Got Power!: Hardcore Punk Scenes from 1980s Southern California, which is where this project started, with a negative scanner and film cleaner towards the end of How many times have you seen your favorite band play? In addition to the fanzine, most of us were involved with various bands, record projects, and also I was making [my] Super-8 films at the time, too. JS: Kim Pilkington, Dave, and I used to make jokes about being punk rock historians when we were driving out to gigs and now Dave and I are kind of in that role. Some of it is hilarious! A document of bands and people who would go on to be legends in one way or another. Get We Got Power!: Hardcore Punk Scenes from 1980s Southern California if you have any interest in Californian punk and hardcore! September-October Volume 11, Issue This is a modern website which will require Javascript to work. What inspired you, then, to finally get this into book form? I know how crucial it was for me as a kid to have artists to look up to and aspire to, and be influenced by..
Recommended publications
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • COMING out on SEPTEMBER 11, 2015 New Releases from KALASHNIKOV COLLECTIVE BUSTER BROWN DARRELL BANKS REDD KROSS the JUKEBOX ROMANTICS
    COMING OUT ON SEPTEMBER 11, 2015 new releases from KALASHNIKOV COLLECTIVE BUSTER BROWN DARRELL BANKS REDD KROSS THE JUKEBOX ROMANTICS Exclusively Distributed by KALASHNIKOV COLLECTIVE L’Algebra Morente Del Cielo, LP STREET DATE: September 11, 2015 INFORMATION: Artist Hometown: Milan, Italy Key Markets: Italy, Germany, France, Austria, Belgium, Netherlands, Spain, Portugal, Canada, Russia, USA For Fans of: CRASS, CONTROPOTERE, UK SUBS, LA FRACTION, WORLD/INFERNO FRIENDSHIP SOCIETY, THE CLASH, WRETCHED, RAW POWER, NEGAZIONE, DECLINO L’Algebra Morente Del Cielo (The Dying Algebra of the Sky in English) is the sixth full-length release from KALASHNIKOV COLLECTIVE, a seven- sometimes eight-piece romantic punk group from Milano, Italy. Since their inception in 1996, KALASHNIKOV has been renowned for their frenetic live performances, ARTIST: KALASHNIKOV COLLECTIVE groundbreaking songwriting, and sincere dedication to the DIY spirit of punk. Defying easy classification, TITLE: L’Algebra Morente Del Cielo the band embraces a myriad of musical and cultural influences; imagine an ‘80s crossover punk band doing LABEL: Aborted Society the tango to synthesizers, and you’re somewhat close. Coining the term “Romantic Punk,” KALASHNIKOV CAT#: ABSOC033-1 may have altogether invented a new genre of music, and have fast become one of the most innovative FORMAT: LP and important bands in the punk underground worldwide. New wave, ska, metal, thrash, anarchopunk, GENRE: Punk traditional and classical interludes weave in and out at a breakneck pace, and somehow make perfect BOX LOT: 25 sense in the world of KALASHNIKOV. It is a lyrical protest against an impending dystopian future, and if SRLP: $13.98 the revolution were to throw a dance party, this would be the soundtrack.
    [Show full text]
  • Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109
    [Show full text]
  • PDF of 2 Interviews
    c ul ffi* =ffip.** E R 5rr- = = -I $ rr\ : o--G - \1. o F'H a2 $ez.E 3= O e€.3_3EuIFg?+..gJEt*r E s € * 5=-5F"">- Edtg 7rai LA ;-oS\S |rI D z o et- z = B-5r=r2, o 8fi. 5 .r!!o o!oc lrl t .l> -oo (, !o!o o .cq x c.at6 ,48 6 ?a oo tr ooo!!!4 Q, o !! oreq F i >r! o o € '! n i >E d >! oo o'! - o at.ioco !l-- o EA$tq c'! I '!s .. o io llqaoq, do !u:e '! o 0,dll lJaE O '!r - oo r! (Jo '!c, . >! or r or.! o i o it .J oroc,u !0611166 l!:cl! !r -c !r or'!o>u orlir, '!n!'! !o o ooifr!ooq ! l!c .ct r'!o >C! inHi orlo a o ItEo 0,oc: oErD>- -io .d ! = , rrr loi6E-.r lc'!O >O!ro cioC0)o i--da l> ! orrorsir, o 60(l)l !. ! rl, lro .<HO! ! OE OOoi O'6rJO! !!Ot>' :l- o o>o .ao oogloa E o'!o! lrl o o.ro >!o!E c)t rD ! a, od (r! r! ! o oq r(,!06 rar.i !o.i >,io l: cE . > o !c o r> ! o iD o'! '!!iorlo oo.cE o El> l!9!,o o!t! o >c!r z = (') dq()'nu!!) N ! E rio c i !o 0i r! >o <t:raol ro6c! u>>i ooo- or!r! o=o r -. _-j!: 11, !do!! (rl!! o o i i n !c olto ) t rjlo ! ro !.i IL orJc >!.r o '!.i0JcF,!! , 14cror! t : F 4 Et.j o rli a oo U (, - a ,e6: o o:oo o! lro o o 6.c I O 0r d=.r .
    [Show full text]
  • The BG News October 15, 1993
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-15-1993 The BG News October 15, 1993 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 15, 1993" (1993). BG News (Student Newspaper). 5590. https://scholarworks.bgsu.edu/bg-news/5590 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. /? The BG News Friday, October 15, 1993 Bowling Green, Ohio Volume 76, Issue 37 American pilot's Briefs release may lead Weather Rainy weekend ahead: toward agreement Today, partly cloudy. that he had been badly beaten by High In the mid 60s. South by Michelle Faul The Associated Press a crowd and stripped naked after winds 10 to IS mph. Chance his capture. of rain 20 percent. Tonight, Officials said Durant would be becoming cloudy and not as MOGADISHU, Somalia - U.S. flown Friday to a U.S. military cold. A chance of rain after helicopter pilot Michael Durant, base in Ramstein, Germany, and midnight. Lows near 50. battered but buoyant, returned to then taken to a military hospital Chance of rain 40 percent. freedom Thursday on a stretcher in Landstuhl, where his wife, Saturday, showers likely after 11 days as a captive of a Lorrie, would join him.
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • 2 Punk – Eine Einleitung
    DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock.................................................................................................................................
    [Show full text]
  • Music Globally Protected Marks List (GPML) Music Brands & Music Artists
    Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please
    [Show full text]
  • FREE||| We Got Power!: Hardcore Punk Scenes From
    WE GOT POWER!: HARDCORE PUNK SCENES FROM 1980S SOUTHERN CALIFORNIA FREE DOWNLOAD David Markey | 306 pages | 10 Jan 2013 | Bazillion Points | 9781935950073 | English | Brooklyn, United States We Got Power! Hardcore Punk Scenes From 1980s Southern California (David Markey) Their job as reporters covering the scene for the fanzine they started put them in many key places to document the scene from an unique prospective that gets you the straight scoop. Meanwhile, their amazing photographs captured the dilapidated houses, abandoned storefronts, and disaffected youth culture of the early Reagan era. Redd Kross plays Santa Monica Beach. We Got Power proofs. Cancel reply Your email address will not be published. Ian has a great eye, and was crucial to this project. By the time he was ready to release it, though, Ecstatic Peace! I kind of get over it and move on. I think one of the advantages to waiting was the advances made in software for home computers, which is where this project started, with a negative scanner and film We Got Power!: Hardcore Punk Scenes from 1980s Southern California towards the end of Go HERE to see all the latest record reviews. Friedman: they had great shots including all of the darkroom aspects. Essential We Got Power!: Hardcore Punk Scenes from 1980s Southern California Go to Top Back to Shop Search. We Got Power! Inhe accidentally discovered he was adopted, leading to work on the autobiography Dark Circles. One might think that maybe, when TYPB came out that might have been the perfect time to capitalize on your previous work.
    [Show full text]
  • Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
    2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al.
    [Show full text]
  • A WHALE of a Band!
    Flipper http://www.markprindle.com/flipper.htm#dvd A WHALE of a band! special introductory paragraph! Generic Flipper Gone Fishin' Live Target Video 1980-81 DVD Blow'N Chunks Live Public Flipper Limited Live 1980-1985 Sex Bomb Baby! American Grafishy Flipper were one of the leading punk rock bands over in San Francisco in the early- to mid-80s, giving a big "frig you" to the rest of the punker scene by playing a louder SLOWER mess of the blues that relied wholly on attitude and bass line. See, the guitarist just played a bunch of scraggly noise. So the drummer would play his little rhythm and if they weren't too doped up, one of the two bass players (Will Shatter or Bruce Lose) would try to keep in time enough to play a catchy four-note bass line for you to tap your toe to. Then the OTHER of the two bassists (whichever one wasn't playing bass at the time) would yell some words that would seem nihilistic but would also occasionally make a statement about how important it is to rise above all the garbage that life throws at you and SURVIVE. They also had a great sense of humor (sample lyric: "Who cares anyway/who it is or what I say?/This song rhymes/And we play it in time!). Unfortunately drug habits have "dogged" the band since day one, resulting in one premature death and one immature reunion. Great ass band though, giving us more catchy bass lines than any band since The Tarney Spencer Group or whatever that band was that did that Run For Your Life album that my dad used to have.
    [Show full text]
  • The Punk Vault : Lovedolls Superstar Fully Realized DVD Page 1 of 13
    The Punk Vault : Lovedolls Superstar Fully Realized DVD Page 1 of 13 The Punk Vault « Selections from The Punk Vault [Love Canal] Lovedolls Superstar Fully Realized DVD Lovedolls Superstar Fully Realized - DVD Music Video Distributors/We Got Power Films In 1986, punk filmmaker Dave Markey made a sequel to his underground punk classic, Desperate Teenage Lovedolls with a much larger budget and titled it Lovedolls Superstar. It was a much longer film with a much better story and featured nearly all the characters of the first film, who were played by friends from the local punk rock scene. Much like the first film, it saw a very limited release obviously (what do you expect with a budget of 2000 dollars), and I never even got to see it until this DVD was released! Now 20 years later, it finally makes its way to DVD and easy accessibility, but instead of the original version, we get the “fully realized” version or directors cut if you will. Many scenes were added, some were removed, it was cleaned up, and it ends up being shorter than the original cut! Not being able to compare to the original, I can’t tell you if the film suffered for it, but I seriously doubt that it did. The http://www.punkvinyl.com/2006/04/05/lovedolls-superstar-fully-realized-dvd/ 4/6/2006 The Punk Vault : Lovedolls Superstar Fully Realized DVD Page 2 of 13 soundtrack was left nearly intact with the exception of the omission of anything Greg Ginn had contributed, because for some reason he wanted no part of it anymore and actually filed suit to have his stuff removed from the movies (this happened on the first film and DVDs that were ready to ship had to be destroyed).
    [Show full text]