Frank Lloyd Wright at 150 2017 Conference Sept
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Connecticut English Gardens!
7/10/2015 Weekly Real Estate Hot List: Top Ten Home & Condos | Jul 07, 2015 Toggle navigation Top Ten Lists Top Ten Florida Condo Lists Florida New Condo Developments Florida Luxury Condos Florida PreConstruction Pompano Beach Condos For Sale Weekly Hot List News Agents Say What? In The Press View All Florida Condos For Sale Connecticut English Gardens! Connecticut English Gardens! New Canaan, Connecticut, a onehour commute from Manhattan, is a town with a lot of history. Always considered one of the wealthiest enclaves in the country, that reputation started when the first rail line came through and wealthy New Yorkers started building their summer mansions there. In time, they began living in New Canaan full time and commuting to Manhattan. It was a town of tradition and all that was old world until the modern explosion took place from the 1940s through the 1960s when the Harvard Five invaded the city. Young architects Philip Johnson, Marcel Breuer, Landis Gores, John M. Johansen and Eliot Noyes ascended and began building their “outlandish” homes. Fogies were in shock and horror as houses with great expanses of glass and open floor plans began popping up. There were eighty of these new fangled houses, twenty of which have now been torn down, that put New Canaan on the architectural map. The city has since been the setting for film, books and the home base of “preppy” style. http://www.toptenrealestatedeals.com/homes/weeklytenbesthomedeals/2015/772015/3/ 1/12 7/10/2015 Weekly Real Estate Hot List: Top Ten Home & Condos | Jul 07, 2015 Now for sale is a 15,000squarefoot English Arts and Crafts/American Shinglestyle residence on 3.71 acres with English gardens, swimming pool terrace, tennis court with viewing platform and a walled children’s playground. -
Street & Number 192 Cross Ridge Road___City Or Town New
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) RECEIVED 2280 United States Department of the Interior National Park Service FR 2002 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete me '" '"'' National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item be marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable". For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property_________________________________________________ historic name LANDIS GORES HOUSE other names/site number N/A 2. Location street & number 192 Cross Ridge Road_________ D not for publication city or town New Canaan________________ _______ D vicinity state Connecticut code CT county Fairfield code 001 zip code .06840. 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this Kl nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property H meets D does not meet the National Register criteria. I recommend that this property be considered significant DnationaJly-C§ statewide D locally.^£]J5ee continuation sheet for additional comments.) February 4, 2002 Decertifying offfoffirritle ' Date Fohn W. -
Neil Levine's the Urbanism of Frank Lloyd Wright
The Avery Review Joseph M. Watson – The Antinomies of Usonia: Neil Levine’s The Urbanism of Frank Lloyd Wright In 1925 Frank Lloyd Wright introduced a neologism to readers of the Dutch Citation: Joseph M. Watson, “The Antinomies of Usonia: Neil Levine’s The Urbanism of Frank journal Wendingen. This new term—Usonian—would soon become synony- Lloyd Wright,’” in the Avery Review 25 (September mous with Wright’s late-career architecture and the socio-spatial regime he 2017), http://www.averyreview.com/issues/25/the- antinomies-of-usonia. envisioned to encompass those works. He casually inserted his coinage into an essay titled “In the Cause of Architecture: The Third Dimension,” which revisited the thesis of his 1901 “The Art and Craft of the Machine” to argue that if the Machine (always, for Wright, with a capital M) could be properly domesticated, it would become a means for overcoming the dehumanizing tendencies of industrialism and the stultifying effects of stylistic revivalism. After characterizing the Renaissance as a misguided project akin to aesthetic miscegenation—“a mongrel admixture of all the styles of the world”—Wright offered a prediction: “Here in the United States may be seen the final Usonian degradation of that ideal—ripening by means of the Machine for destruction by the Machine.” [1] Without explicitly defining his novel modifier, Wright [1] Frank Lloyd Wright, “In the Cause of Architecture: The Third Dimension” (1925), in Bruce Brooks nevertheless elliptically clarified Usonian’s signification. If American artists and Pfeiffer, ed., Frank Lloyd Wright: Collected Writings, architects eschewed their misguided fascination with “European backwash,” vol. -
Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
Miller House, Orange New Haven County, Connecticut
Henry F. Miller House, Orange New Haven County, Connecticut I, hereby certify that this property is i/ entered in the National Register __ See continuation sheet. ___ determined eligible for the National Register __ See continuation sheet. ___ determined not eligible for the National Register removed from the National Register other (explain): M______ l^ighature of Keeper Date of Action 5. Classification Ownership of Property (Check as many boxes as apply) X private __ public-local __ public-State __ public-Federal Category of Property (Check only one box) X building(s) __ district site structure object Number of Resources within Property: Contributing Noncontributing 1 ____ buildings ____ ____ sites 1 ____ structures ____ ____ objects 2 0 Total Number of contributing resources previously listed in the National Register: _0 Name of related multiple property listing: N/A 6. Function or Use Historic Functions (Enter categories from instructions) Cat: DOMESTIC_______________ Sub: ____single dwelling Current Functions (Enter categories from instructions Henry F. Miller House, Orange New Haven County, Connecticut Cat: DOMESTIC Sub: single dwelling 7. Description Architectural Classification: ___International Stvle Materials: foundation poured concrete roof built-up walls concrete block; vertical tongue and groove fir sidincr other Narrative Description Describe present and historic physical appearance, X See continuation sheet. NFS Form 10-900-a 0MB No. 1024-0018 (8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES CONTINUATION SHEET Description Henry F. Miller House, Orange 7-1 New Haven County, CT Narrative Description The Henry F. Miller House is an International Style structure built in 1949 and located on a wooded hillside in the town of Orange, Connecticut. -
Confronting Privilege and Possibility at SANAA's Grace Farms
The Avery Review Sam holleran – Estate of Grace: Confronting Privilege and Possibility at SANAA’s Grace Farms New Canaan, Connecticut, has long been conflated with the WASPy ur-’burb Citation: Sam Holleran, “Estate of Grace: Confronting Privilege and Possibility at SANAA’s Grace Farms,” depicted in Rick Moody’s 1994 novel-turned-film The Ice Storm: popped in The Avery Review, no. 13 (February 2016), http:// collars, monogrammed bags, and picket fences. This image has been hard to averyreview.com/issues/13/estate-of-grace. shake for this high-income town at the end of a Metro-North rail spur, which is, to be sure, a comfortable place to live—far from the clamor of New York City but close to its jobs (and also reasonably buffered from the poorer, immi- grant-heavy pockets of Fairfield County that line Interstate 95). This community of 20,000 is blessed with rolling hills, charming historic architecture, and budgets big enough for graceful living. Its outskirts are latticed with old stone walls and peppered with luxe farmhouses and grazing deer. The town’s center, or “village district,” is a compact two-block elbow of shops that hinge from the rail depot (the arterial connection to New York City’s capital flows). Their exteriors are municipally regulated by Design Guidelines mandating Colonial building styles—red brick façades with white-framed windows, low-key signage, and other “charm-enhancing” elements. [1] The result is a New Urbanist core [1] The Town of New Canaan Village District Design Guidelines “Town of New Canaan Village District that is relatively pedestrian-friendly and pleasant, if a bit stuffy. -
Looking for Usonia: Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia: preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia: preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 19369. https://lib.dr.iastate.edu/rtd/19369 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
Looking for Usonia : Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes William Randall Brown Iowa State University
Masthead Logo Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 18982. https://lib.dr.iastate.edu/rtd/18982 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
Frank Lloyd Wright's
Usonia, N E W Y O R K PROOF 1 Usonia, N E W Y O R K Building a Community with Frank Lloyd Wright ROLAND REISLEY with John Timpane Foreword by MARTIN FILLER PRINCETON ARCHITECTURAL PRESS, NEW YORK PROOF 2 PUBLISHED BY This publication was supported in part with PRINCETON ARCHITECTURAL PRESS funds from the New York State Council on the 37 EAST SEVENTH STREET Arts, a state agency. NEW YORK, NEW YORK 10003 Special thanks to: Nettie Aljian, Ann Alter, Amanda For a free catalog of books, call 1.8... Atkins, Janet Behning, Jan Cigliano, Jane Garvie, Judith Visit our web site at www.papress.com. Koppenberg, Mark Lamster, Nancy Eklund Later, Brian McDonald, Anne Nitschke, Evan Schoninger, © Princeton Architectural Press Lottchen Shivers, and Jennifer Thompson of Princeton All rights reserved Architectural Press—Kevin C. Lippert, publisher Printed in China First edition Library of Congress Cataloging-in-Publication Data Reisley, Roland, – No part of this book may be used or reproduced in any Usonia, New York : building a community with manner without written permission from the publisher Frank Lloyd Wright / Roland Reisley with John except in the context of reviews. Timpane ; foreword by Martin Filler. p. cm. Every reasonable attempt has been made to identify isbn --- owners of copyright. Errors or omissions will be corrected . Usonian houses—New York (State)—Pleasant- in subsequent editions. ville. Utopias—New York (State)—Pleasantville— History. Architecture, Domestic—New York All photographs © Roland Reisley unless otherwise (State)—Pleasantville. Wright, Frank Lloyd, indicated. –—Criticism and interpretation. i. Title: Usonia. ii. Timpane, John Philip. iii. -
CT Fairfieldco Stmarksepiscop
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __St. Mark’s Episcopal Church________________________ Other names/site number: ______________________________________ Name of related multiple property listing: ___N/A________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _111 Oenoke Ridge___________________________________ City or town: _New Canaan_____ State: _Connecticut______ County: _Fairfield______ Not For Publication: Vicinity: __________________________________________________________________ __________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties -
2009 2 March
Connecticut Preservation News March/April 2009 Volume XXXII, No. 2 C. Wigren C. courtesy of Elizabeth Mills Brown Elms on the Rebound nce upon a time, Connecticut towns and cities were It wasn’t always so. For the first European settlers, trees were graced by hundreds, even thousands, of American obstacles to be removed before they could build towns, graze O th th elm trees. By the second half of the 19 century elms had become animals, or plant crops. Only at the end of the 18 century, after a defining characteristic of New England villages, their grace- the initial clearing had been accomplished and Romanticism fully drooping branches making the streets sheltered, but still inspired a new attitude toward Nature as nurturer rather than open and inviting, corridors of space. Invariably they inspired opponent, did New Englanders begin planting trees for orna- visitors’ comments; as one Rhode Island resident remembered, ment. It began with public-spirited individuals such as James “When you came into any town in New England the landscape Hillhouse of New Haven, who initiated efforts to plant trees on changed; you entered this kind of forest with 100-foot arches. the New Haven Green and then throughout the city (actually The shadows changed. Everything seemed very reverent, there planting many of them himself, according to legend). By mid- was a certain serenity, a certain calmness… a sweetness in the air. century, village improvement societies throughout the region It was an otherworldly experience, you knew you were entering had taken up the cause, incorporating tree-planting in their an almost sacred place.” improvement programs. -
F.L. Wright: Precedent, Analysis & Transformation BROADACRE
F.L. Wright: Precedent, Analysis & Transformation Prof. Kai Gutschow CMU, Arch 48-441 (Project Course) Spring 2005, M/W/F 11:30-12:20, CFA 211 4/15/05 BROADACRE & SQUARE USONIANS Jacobs 1936 Broadacre City, 1935 Pope-Leihey, 1939 Typical Usonian Wall Section Rosenbaum, 1939 F.L. Wright: Precedent, Analysis & Transformation Prof. Kai Gutschow CMU, Arch 48-441 (Project Course) Spring 2005, M/W/F 11:30-12:20, CFA 211 4/15/05 USONIAN ANALYSIS Sergeant, John. FLW’s Usonian Houses McCarter, Robert. FLW. Ch. 9 Jacobs, Herbert. Building with FLW MacKenzie, Archie. “Rewriting the Natural House,” in Morton, Terry. The Pope-Keihey House McCarter, A Primer on Arch’l Principles P. & S. Hanna. FLW’s Hanna House Burns, John. “Usonian Houses,” in Yesterday’s Houses... De Long, David. Auldbrass. Handlin, David. The Modern Home Reisely, Roland Usonia, New York Wright, Gwendolyn. Building the Dream Rosenbaum, Alvin. Usonia. FLW’s Designs... FLW CHRONOLOGY 1932-1959 1932 FLW Autobiography published, 1st ed. (also 1943, 1977) FLW The Disappearing City published (decentralization advocated) May-Oct. "Modern Architecture" exhibit at MoMA, NY (H.R. Hitchcock & P. Johnson, Int’l Style) Malcolm Wiley Hse., Proj. #1, Minneapolis, MN (revised and built 1934) Oct. Taliesin Fellowship formed, 32 apprentices, additions to Taliesin Bldgs. 1933 Jan. Hitler comes to power in Germany, diaspora to America: Gropius (Harvard, 1937), Mies v.d. Rohe (IIT, 1939), Mendelsohn (Berkeley, 1941), A. Aalto (MIT, 1942) Mar. F.D. Roosevelt inaugurated, New Deal (1933-40) “One hundred days.” 25% unemployment. A.A.A., C.C.C. P.W.A., N.R.A., T.V.A., F.D.I.C.