SEC News Digest, 08-16-1963
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mystery on Baker Street
MYSTERY ON BAKER STREET BRUTAL KAZAKH OFFICIAL LINKED TO £147M LONDON PROPERTY EMPIRE Big chunks of Baker Street are owned by a mysterious figure with close ties to a former Kazakh secret police chief accused of murder and money-laundering. JULY 2015 1 MYSTERY ON BAKER STREET Brutal Kazakh official linked to £147m London property empire EXECUTIVE SUMMARY The ability to hide and spend suspect cash overseas is a large part of what makes serious corruption and organised crime attractive. After all, it is difficult to stuff millions under a mattress. You need to be able to squirrel the money away in the international financial system, and then find somewhere nice to spend it. Increasingly, London’s high-end property market seems to be one of the go-to destinations to give questionable funds a veneer of respectability. It offers lawyers who sell secrecy for a living, banks who ask few questions, top private schools for your children and a glamorous lifestyle on your doorstep. Throw in easy access to anonymously-owned offshore companies to hide your identity and the source of your funds and it is easy to see why Rakhat Aliyev. (Credit: SHAMIL ZHUMATOV/X00499/Reuters/Corbis) London’s financial system is so attractive to those with something to hide. Global Witness’ investigations reveal numerous links This briefing uncovers a troubling example of how between Rakhat Aliyev, Nurali Aliyev, and high-end London can be used by anyone wanting to hide London property. The majority of this property their identity behind complex networks of companies surrounds one of the city’s most famous addresses, and properties. -
Elementary, My Dear Readers
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Elementary, My Dear Readers NCIS (which stands for Naval Criminal Investigative Service) is an extremely popular “police procedural” television drama that has spun off as a New Orleans series. NCIS: New Orleans, which airs Tuesday nights on CBS, is set in the Crescent City and it would be highly unusual if you haven’t seen the show filming around town. It premiered on September 23, 2014. The episodes revolve around a fictional team of agents led by Special Agent Dwayne Cassius “King” Pride, Special Agent Christopher LaSalle, and Special Agent Meredith Brody. They handle criminal investigations involving the U.S. Navy and Marine Corps. If the NCIS team seems to be everywhere you look these days, allow yourself to travel back in literary time and imagine another famous detective team present all around you. Even if their bailiwick was late Victorian England, I seem to feel their presence all around this historic city. Perhaps you will, too. Arthur Conan Doyle penned his first Sherlock Holmes story, A Study in Scarlet, in novel form in 1886 at the age of 27. In it Holmes expounded: “Criminal cases are continually hinging upon that one point. A man is suspected of a crime months perhaps after it has been committed. His linen or clothes are examined and brownish stains discovered upon them. Are they blood stains, or mud stains, or rust stains, or fruit stains, or what are they? That is a question which has puzzled many an expert, and why? Because there was no reliable test. -
Convergence Culture Reconsidered
Reconsidering Transmedia(l) Worlds Nicole Gabriel, Bogna Kazur, and Kai Matuszkiewicz 1. Introduction “Any thoughtful study of contemporary transmedia must start with the vital caveat that transmedia is not a new phenomenon, born of the digital age.” (Jason Mittell 2014, 253; emphasis in the original) To begin with, we would like to agree with the general sentiment of Mittell’s statement: ‘transmedia,’ which Mittell seems to use as an abbreviation of the term ‘transmediality,’ is not a new phenomenon. But can it really be a mere coincidence that these two terms and other related concepts such as ‘transmedial worlds’ have been introduced and extensively discussed in academic discourses since the early 2000s, less than ten years after the introduction of home computers and the inter- net to numerous private households, and at about the same time as the Web 2.0 came into existence? We do not think so. Rather, we believe that the increasing research interest of media studies in these phenomena and the various concepts used in this research field are indicators of a fundamental change in (trans)media culture that is a result of the emergence of digital technologies as well as their mas- sive influence on our everyday lives. The aims of this paper are to take a closer look at the terminology used to de- scribe different phenomena in the field of transmedia studies, to differentiate be- tween these terms and concepts and render them more precise, and to put trans- media(l) worlds into a historical context through the analysis of three case studies: the transmedial universe of Sherlock Holmes, the Alien saga, and the transmedial world of The Legend of Zelda. -
Exsherlockholmesthebakerstre
WRITTEN BY ERIC COBLE ADAPTED FROM THE GRAPHIC NOVELS BY TONY LEE AND DAN BOULTWOOD © Dramatic Publishing Company Drama/Comedy. Adapted by Eric Coble. From the graphic novels by Tony Lee and Dan Boultwood. Cast: 5 to 10m., 5 to 10w., up to 10 either gender. Sherlock Holmes is missing, and the streets of London are awash with crime. Who will save the day? The Baker Street Irregulars—a gang of street kids hired by Sherlock himself to help solve cases. Now they must band together to prove not only that Sherlock is not dead but also to find the mayor’s missing daughter, untangle a murder mystery from their own past, and face the masked criminal mastermind behind it all—a bandit who just may be the brilliant evil Moriarty, the man who killed Sherlock himself! Can a group of orphans, pickpockets, inventors and artists rescue the people of London? The game is afoot! Unit set. Approximate running time: 80 minutes. Code: S2E. “A reminder anyone can rise above their backgrounds and past, especially when someone else respectable also respects and trusts them.” —www.broadwayworld.com “A classic detective story with villains, cops, mistaken identities, subterfuge, heroic acts, dangerous situations, budding love stories and twists and turns galore.” —www.onmilwaukee.com Cover design: Cristian Pacheco. ISBN: 978-1-61959-056-4 Dramatic Publishing Your Source for Plays and Musicals Since 1885 311 Washington Street Woodstock, IL 60098 www.dramaticpublishing.com 800-448-7469 © Dramatic Publishing Company Sherlock Holmes: The Baker Street Irregulars By ERIC COBLE Based on the graphic novel series by TONY LEE and DAN BOULTWOOD Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing Company *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Holmes's Busy
HOLMES’S BUSY DAY by WILLIAM HYDER Sherlock Holmes brought the case of “Beryl Coronet” to a conclusion in what he called “a really hard day’s work.” His task was to recover a piece of gold, set with three beryls, which had been broken off the coronet in a robbery. In less than eighteen hours he conducted his investigation, deduced who had stolen the gems, and learned that the thief had sold them to a fence. Finally he retrieved them by paying £3,000. Or so he told his client. Several writers have commented on the financial aspects of this case. Martin J. King placed the action in 1882 and exclaimed, “Suddenly Holmes is able to write his own cheque for £3,000! After only five years of practice!”1 Ian McQueen, who put the events in 1886 or shortly before, wrote, “‘Beryl Coronet’ is of great interest, not only in showing what huge figures Holmes was able to command when at the height of his fame but also in demonstrating that within a few short years of settling down in Baker Street in rooms which he had to share for reasons of expense he was able to produce £3,000 of his own money to buy back the gems from the receiver. Other adventures had already made him a rich man.”2 We cannot agree with either of these scholars. Although most chronologists do in fact place “Beryl Coronet” in 1886 or earlier,3 it cannot be claimed that Holmes was “at the height of his fame” at that time. -
The Wicked Beginnings of a Baker Street Classic!
The Wicked Beginnings of a Baker Street Classic! by Ray Betzner From The Baker Street Journal Vol. 57, No. 1 (Spring 2007), pp. 18 - 27. www.BakerStreetJournal.com The Baker Street Journal continues to be the leading Sherlockian publication since its founding in 1946 by Edgar W. Smith. With both serious scholarship and articles that “play the game,” the Journal is essential reading for anyone interested in Sherlock Holmes, Sir Arthur Conan Doyle, and a world where it is always 1895. www.BakerStreetJournal.com THE WICKED BEGINNINGS OF A BAKER STREET CLASSIC! by RAY BETZNER In the early 1930s, when pulps were the guilty pleasures of the American maga- zine business, Real Detective was just another bedsheet promising sex, sin, and sensationalism for a mere two bits. With a color cover that featured a sultry moll, a gun-toting cop, or a sneering mobster, it assured the reader that when he got the magazine back to his garage or basement, he would be entertained by the kind of delights not found in The Bookman or The Atlantic Monthly. And yet, for a moment in December 1932, a single article featuring the world’s first consulting detective elevated the standards of Real Detective to something approaching respectability. Starting on page 50, between “Manhattan News Flash” (featuring the kidnapping of little John Arthur Russell) and “Rah! Rah! Rah! Rotgut and Rotters of the ’32 Campus” (by Densmore Dugan ’33) is a three-quarter-page illustration by Frederic Dorr Steele showing Sherlock Holmes in his dressing gown, standing beneath the headline: “Mr. Holmes of Baker Street: The Discovery of the Great Detective’s Home in London.” Com- pared with “I am a ‘Slave!’ The Tragic Confession of a Girl who ‘Went Wrong,’” the revelations behind an actual identification for 221B seems posi- tively quaint. -
Board Meeting Minutes 1971
Minutes of Procedings, January 18,1971 MINUTES OF THE SPECIAL MEETING OF THE BOARD OF HIGHER EDUCATION OF THE CITY OF NEW YORK HELD JANUARY 18,1971 AT THE BOARD HEADQUARTERS BUILDING 535 EAST 80 STREET - BQROUGH OF MANHATTAN The Chairman called the meeting to order at 5:30 p.m. There were present: Frederick Burkhardt Minneola P. lngersoll David I.Ashe James Oscar Lee Maria Josefa Canino John A. Morsell Alexander A. Delle Cese Luis Quero Chiesa Jean-Louis d'Heilly Barbara A. Thacher Frederick 0%.Hayes Eve Weiss Norman Henkin N. Michael Carfora, Secretary of the Board Arthur H. Kahn, General Counsel Chancellor Albert H. Bowker President James A. Colston Actg. Pres. Jerome B. Cohen President Edgar D. Draper President John W. Kneller President Nasty Michelen President Leonard Lief President Theodore Powell President Robert E. Marshak President Joseph Shenker President Joseph P. McMurray Professor Robert S. Hirschfield President David Newton Mr. Richard Lewis President Mina Rees Deputy Chancellor Seymour C. Hyman President Donald H. Riddle Vice-Chancellor Julius C.C. Edelstein President Herbert Schueler ViceChancellor Timothy S. Healy President Jacqueline G. Wexler Vice-Chancellor Bernard Mintz President Milton G. Bassin ViceChancellor Frank J. Schultz The absence of Mr. Berman, Mr. DeNovellis, Dr. Johnson, Mr. Keppel, Mr. Nunez, Mr. Poses, Mr. Wessel and Professor Williamson was excused. Board of Higher Education NO. 1. AD HOC COMMITTEE FOR GUIDELINES OM GOVERNANCE: The Board continued discussions on the report of the Ad Hoc Committee For Guidelines on Governance. In accordance with action taken at the November 16, 1970 meeting, the Board took action on individual sections of the report. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
Sherlock Holmes for Dummies
Index The Adventure of the Eleven Cuff-Buttons • Numerics • (Thierry), 249 221b Baker Street, 12, 159–162, 201–202, “The Adventure of the Empty House,” 301, 304–305 21, 48, 59, 213, 298 “The Adventure of the Engineer’s Thumb,” 20, 142 • A • “The Adventure of the Golden Pince-Nez,” 22, 301 “The Abbey Grange,” 22 “The Adventure of the Illustrious Client,” Abbey National, 162 24, 48, 194–195, 309 acting, Sherlock Holmes’s, 42. See also “The Adventure of the Lion’s Mane,” 24, 93 individual actors in roles “The Adventure of the Mazarin Stone,” Adler, Irene (character), 96, 280, 298 24, 159 “The Adventure of Black Peter,” 22 “The Adventure of the Missing Three- “The Adventure of Charles Augustus Quarter,” 22 Milverton,” 22, 137, 267 “The Adventure of the Noble Bachelor,” “The Adventure of Shoscombe Old 20, 308 Place,” 25 “The Adventure of the Norwood “The Adventure of the Abbey Grange,” 22 Builder,” 21 “The Adventure of the Beryl Coronet,” “The Adventure of the Priory School,” 22 20, 141 “The Adventure of the Red Circle,” “The Adventure of the Blanched 23, 141, 188 Soldier,” 24, 92, 298 “The Adventure of the Reigate Squire,” 20 “The Adventure of the Blue Carbuncle,” “The Adventure of the Retired 19, 141, 315 Colourman,” 25 “The Adventure of the Bruce-Partington “The Adventure of the Second Stain,” 22, 78 Plans,” 23 “The Adventure of the Six Napoleons,” “The Adventure of the Cardboard Box,” 22, 73 20, 97, 138, 189, 212 “The Adventure of the Solitary Cyclist,” “The Adventure of the Copper Beeches,” 21, 137, 140 20, 140 “The Adventure of the Speckled -
Theatre Offers First Full Season TV in Bush Possible
Nanook News, Vol. 15, No. 04 (October 1, 1971) Item Type Journal Publisher Office of University Relations, Department of News Service, University of Alaska Download date 10/10/2021 12:04:54 Link to Item http://hdl.handle.net/11122/3908 Theatre Offers First Full Season represent a significant savings over the “ Winners” and “Losers” which are The UA speech, drama and radio price of individual tickets for the four performed back-to-back. Both segments department has announced the 1971-72 take place in modern Ireland. “The Apple season of the UA Drama Workshop, with productions.” Tree,” to be produced in early December, four shows — the first full season package There will be two productions each is based on stories by Mark Twain, Frank ever offered by the university group. semester. The fall productions will be the R. Stockton, and Jules Feiffer. The book, According to department head Walter dramatic production “Lovers” and the music, and lyrics are by Sheldon Harnick G. Ensign, “Season subscription sales will musical “The Apple Tree.” and Jerry Bock, with additional material commence during the week of September The first show, “Lovers,” opening on by Jerome Coopersmith. The show was 27th. The purchase of a season ticket will Oct. 15th, is actually two one-act plays, originally produced on Broadway by Stuart Ostrow, under the direction of Mike Nichols. Drama Workshop productions during the spring semester will be “The> M adw om an o f Chaillot,” by Jean Giraudoux, and “The Threepenny Opera,” by Bertolt Brecht and Kurt Weill. The two musical productions of this season are presented jointly with the Music Department’s Opera Workshop, under the direction of assistant professor of music David Williams. -
Propositional Attitudes Spring 2009
MIT OpenCourseWare http://ocw.mit.edu 24.910 Topics in Linguistic Theory: Propositional Attitudes Spring 2009 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. 24.910, Spring 2009 (Stephenson) 1. Some Notes on the Reading [Ch. 1-2 of von Fintel & Heim’s Intensional Semantics] “intensional” / “intension” ¾ Spelled with an “s” – presumably on analogy with “extension” and to distinguish it from “intention” “Assignment functions” These are used (among other things) to capture the interpretation of pronouns, and shouldn’t be relevant to us. ¾ You can ignore reference to “assignment functions” and the parameter “g.” ¾ Read [[α]] w,g as [[α]] w (In most of the cases in the reading, “g” is an idle wheel anyway.) Lambda notation ¾ Quick and dirty version: This is a way of writing a function: λ _______________ . ______________ domain variable output of function ¾ For example: instead of writing f(x) = x2, we would write f = λx.x2 or f = λx∈R.x2 [specifying that the domain is real numbers] [Note: this also means that λx.x2 is simply the name of a function] ¾ One benefit: making it easier to write functions that take other functions as arguments (very common in semantics). ¾ For example: instead of writing f(g(x)) = g(x) + 1, we would write f = λg . λx . g(x) + 1 or f = λg∈R×R . λx∈R . g(x) + 1 Specifying types ¾ e = individuals [“entities”] t = truth values s = worlds [“situations” / “states of affairs”] ¾ xe = x (indicating that x is a variable ranging over individuals) ¾ <α, β> = function from things of type α to things of type β.