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The District Messenger
THE DISTRICT MESSENGER The Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE no. 154 30th September 1995 Jeremy Brett died on the 12th September, not of a broken heart, but of an overworked heart. He had come to terms with his precarious condition, and knew that his only chance of cardiac stability was a heart transplant, an option he had considered and rejected. The cardiomyopathy was not correctly diagnosed until comparatively late, but it was this rather than his manic- depression that made his later performances as Sherlock Holmes so uneven, though the tabloids made the most of the latter. Jeremy Brett played Holmes in 41 television productions and one stage play. For more than three- quarters of the time he was a great Sherlock Holmes. In Pace Requiescat. The next issue of The Sherlock Holmes Gazette will be a Jeremy Brett memorial issue. Look out for it. Admirers of John Doubleday's famous statue of Holmes in Meiringen, Switzerland, will be pleased to learn that the sculptor has been persuaded to produce a miniature version in cold-cast bronze on a mahogany base. The height of the statuette, without the base, is 6½” (160mm), and the price is a maximum of £77.55 including VAT (plus postage of £4.45 = total £82.00). It's available from Albert Kunz, 20 Highfield Road, Chislehurst, Kent BR7 6QZ (phone 01689 836256). Cheques should be payable to A. Kunz; they won't be cashed until the statuettes are sent out. As mentioned in the last DM, Calabash Press (Barbara & Christopher Roden, Ashcroft, 2 Abbottsford Drive, Penyffordd, Chester CH4 OJG) will issue its first publication on 15th October, The Tangled SkeinSkein by David Stuart Davies, whose first, very limited edition is no longer obtainable. -
The District Messenger
THE DISTRICT MESSENGER The Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE no. 156 4th December 1995 Sir Robert Stephens died on the 12th November. We who treasure that wonderful idiosyncratic film The Private Life of SherlockSherlock Holmes were put in our place by the obituaries, all of which dismissed it as a resounding flop. Stephens flourished mainly in the theatre, and he did actually play Sherlock Holmes on stage, in Toronto in 1976, in the RSC production of William Gillette's play. Like his friend Jeremy Brett, he really hit his stride in the last ten years of his life, especially as Falstaff and Lear. He was knighted last January. Lady Stephens was among the many friends and family who attended Jeremy Brett's memorial service last Wednesday at St Martin-in-the-Fields. The Sherlock Holmes Society of London, the Northern Musgraves, the BSI, the ASH, the Arthur Conan Doyle Society, the Société Sherlock Holmes de France, the Poor Folk Upon The Moors, and other groups were represented at the service, which was organised by Granada Television. Reports appeared in The Times and the Daily Telegraph the next day. Philip Attwell notes that plans to broadcast a tribute to Brett have been dropped, though BBC TV showed The Private Life last night in tribute to Robert Stephens. (*Last week's late film was the Hammer Hound of the BaskervillesBaskervilles; the Radio Times claimed that "Holmes scholars" regard it as the definitive version! I'd suggest that the BBC's own 1968 production, with Peter Cushing and Nigel Stock, more nearly fits that description. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations. -
Mystery Bibliography.Pages
A Study in Mystery Johnny Worthen Lifelong Learning Class (LLWRC 837) [email protected] www.johnnyworthen.com Bibliography/Recommended Media Mystery History and Writing Specific Bradford, Richard. Crime Fiction: A Very Short Introduction. Great Britain: Oxford University Press, 2015. Touger, Hallie Ephron (Ephron, Hallie). Writing and Selling your Mystery Novel: How to Knock ‘em Dead with Style. Cincinnati, Ohio: Writer’s Digest Books, an imprint of F+W Publications Inc. 2005. Tapply, William G. The Elements of Mystery Fiction: Writing the Modern Whodunit. Second Edition. Scottsdale, AZ.: Poisoned Pen Press. 1995. Grafton, Sue, editor. Writing Mysteries: A Handbook by the Mystery Writers of America. Cincinnati, Ohio: Writer’s Digest Books, an imprint of F+W Publications Inc. 2005. General Writing Strunk, William, Jr. and White, E. B. The Elements of Style. The Chicago Manual of Style Leonard, Elmore. Elmore Leonard’s 10 Rules of Writing. King, Stephen. On Writing: A Memoir of the Craft. Recommended Reading Worthen, Johnny. The Brand Demand Worthen, Johnny. The Finger Trap Christie, Agatha. And Then There were None. Christie, Agatha. Lord Edgware Dies: A Hercule Poirot Mystery Chandler, Raymond. The Big Sleep Hammett, Dashiell. The Maltese Falcon Leonard, Elmore. Out of Sight Mosely, Walter. Devil in a Blue Dress Connelly, Michael. Echo Park Recommended Viewing The Last of Sheila (week 7) LA Confidential Chinatown Kiss Kiss, Bang Bang Murder on the Orient Express (1974 version) The Usual Suspects Get Shorty Jackie Brown Sherlock Holmes - Jeremy Brett BBC series Poirot - David Suchet BBC series Murder by Death The Poisoner’s Handbook (also a book). -
The District Messenger
THE DISTRICT MESSENGER The Newsletter of the Sherlock Holmes Society of London Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE no. 158 4th March 1996 If your subscription is due for renewal, please send several stamped & self- addressed envelopes, or (overseas) send £5.00 or US$10.00 for 12 issues. Dollar checks should be payable to Jean Upton. The Metropolitan Toronto Reference Library (c/o George A. Vanderburgh, PO Box 204, 420 Owen Sound Street, Shelburne, Ontario L0N 1S0, Canada) has published an excellent collection of essays: FroFromm Baltimore to Baker Street; Thirteen Sherlockian Studies by William Hyder. The author cuts through the accretion of error and fantasy that has bogged down Holmesian scholarship since before the days of Vincent Starrett, and presents well-researched, well-reasoned and intensely readable papers on Holmes' musical ability, Watson's education and career, religious figures in the Canon, and more. His investigation of the Abernetty business and of what he calls "The Martha Myth" are models of their kind. There's really funny humour in "The Root of the Matter" and "The Detectives of Penzance", and the two short plays are so good that I want to see them performed ("The Impression of a Woman" is admittedly similar to David Stuart Davies' Sherlock Through the Magnifying GlassGlass, though neither could have influenced the other). Look, this one's really good, and every home should have a copy. It's a nice 216-page hardback, costing £15.00 + £2.00 postage. Cheques should be payable to George A. Vanderburgh. The Baker Street Irregulars have published IrregularIrregular Proceedings of the Mid 'Forties'Forties, edited by Jon L. -
Board Meeting Minutes 1971
Minutes of Procedings, January 18,1971 MINUTES OF THE SPECIAL MEETING OF THE BOARD OF HIGHER EDUCATION OF THE CITY OF NEW YORK HELD JANUARY 18,1971 AT THE BOARD HEADQUARTERS BUILDING 535 EAST 80 STREET - BQROUGH OF MANHATTAN The Chairman called the meeting to order at 5:30 p.m. There were present: Frederick Burkhardt Minneola P. lngersoll David I.Ashe James Oscar Lee Maria Josefa Canino John A. Morsell Alexander A. Delle Cese Luis Quero Chiesa Jean-Louis d'Heilly Barbara A. Thacher Frederick 0%.Hayes Eve Weiss Norman Henkin N. Michael Carfora, Secretary of the Board Arthur H. Kahn, General Counsel Chancellor Albert H. Bowker President James A. Colston Actg. Pres. Jerome B. Cohen President Edgar D. Draper President John W. Kneller President Nasty Michelen President Leonard Lief President Theodore Powell President Robert E. Marshak President Joseph Shenker President Joseph P. McMurray Professor Robert S. Hirschfield President David Newton Mr. Richard Lewis President Mina Rees Deputy Chancellor Seymour C. Hyman President Donald H. Riddle Vice-Chancellor Julius C.C. Edelstein President Herbert Schueler ViceChancellor Timothy S. Healy President Jacqueline G. Wexler Vice-Chancellor Bernard Mintz President Milton G. Bassin ViceChancellor Frank J. Schultz The absence of Mr. Berman, Mr. DeNovellis, Dr. Johnson, Mr. Keppel, Mr. Nunez, Mr. Poses, Mr. Wessel and Professor Williamson was excused. Board of Higher Education NO. 1. AD HOC COMMITTEE FOR GUIDELINES OM GOVERNANCE: The Board continued discussions on the report of the Ad Hoc Committee For Guidelines on Governance. In accordance with action taken at the November 16, 1970 meeting, the Board took action on individual sections of the report. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
Remembering NOEL COWARD
Remembering NOEL COWARD Friends of the USC Libraries University of South California Program Participants Hal Kanter, Program Host Mary Martin Hermione Baddeley Murray Matheson Jeremy Brett Patricia Morison Ron Rusmann Graham Payn Moira Lister Lynn Redgrave Mary McCarty Roddy McDowall Leonard Spigelgass Marti Stevens USC Chamber Singers Jack Latimer and Harper MacKay, pianists Remembering NOEL COWARD Following dinner Stanley Musgrove, President of the Friends of the USC Libraries, introduced Trustees and other University dignitaries, including USC President John R. Hubbard. Dr. Hubbard, after presenting a silver bowl to Alvista Perkins in recognition of her outstanding service to the University, introduced Master of Ceremonies, Hal Kanter. Hal Kanter: My plan is to introduce some enchanting people who remember Noel Coward and who have graciously consented to share some of their memories with us. It was never my personal good luck to meet the man himself, but, like anyone who ever fell under the spell of magic he cast with his work, I remember Noel Coward, too. I remember him from my boyhood in Savannah, Georgia, where my parents introduced his published work in our home and I became his fan long before I could correctly pronounce his name. Years later, we moved from the Deep South - to the shallow North. (Laughter) And there, the fancy Yankees I ran into smirked when I said, Noel Coward. They pronounced it "Nul Cahd." (Laughter) But Coward or Cahd, the genius of the artist was that he could hold hostage the attention and the admiration of a sophisticated theater audience of British nobility, or a Park Avenue poseur, or a Georgia Cracker like me. -
Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen, -
Theatre Archive Project: Interview with John Sheppard
THEATRE ARCHIVE PROJECT http://sounds.bl.uk John Sheppard – interview transcript Interviewer: Kate Harris 29 November 2005 John Sheppard on his memories of going to the theatre in Manchester, London and Stratford in the 1950's and 1960's; Memories of Manchester Theatre in the early fifties; Memories of going to The Opera House; Festival of Britain production of Shakespeare's Anthony and Cleopatra and Shaw's Caesar and Cleopatra in 1951; John Gielgud's King Lear; Memories of going to The Library Theatre; Memories of the company, Jeremy Brett, Robert Stephens, Joan Heath, Bernard Warwick; Jessie Evans, dir David Scase; Memories of productions including The Quare Fellow; Audiences at The Library; Memories of Laurence Olivier and John Gielgud; Memories of seeing Gielgud performing in A Day by the Sea at The Opera House in Manchester in 1953; Gielgud's arrest; Memories of seeing The Entertainer at The Royal Court in 1957; Olivier's performance; Changing impressions of Terence's Rattigan's work over the period; Separate Tables, The Deep Blue Sea; Kenneth Tynan's reviews; JS view of Tynan's treatment of Vivien Leigh; Changes in the way the media portrays actors; JS impressions of European theatre; Memories of Peter Daubney's World Theatre Seasons in the late 1960's early 70's; Memories of going to see Theatre Workshop at Stratford East; Importance of women in twentieth century theatre; Impressions of Theatre Workshop's production of A Taste of Honey 1958; Memories of going to see the RSC production The Wars of the Roses (1963) and Peter Brook's production of Titus Andronicus (1955).