DOCSLIB.ORG

NICK KNIGHT, 'SWEET', 2000 Http

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NICK KNIGHT, 'SWEET', 2000 Http FASHION FILM X SHOWSTUDIO Curated by Raquel Couceiro SHOWstudio is an award-winning fashion website, founded and directed by Nick Knight, that has consistently pushed the boundaries of communicating fashion online. Established in November 2000, SHOWstudio’s innovative and ground-breaking projects have defined the manner in which fashion is presented via the Internet. SHOWstudio has pioneered fashion film and is now recognised as the leading force behind this new medium, offering a unique platform to nurture and encourage fashion to engage with moving image in the digital age. SHOWstudio collaborates with some of the most influential and acclaimed figures of contemporary fashion, including John Galliano, Kate Moss, Rick Owens, Comme des Garçons and Alexander McQueen. Alongside these established names, SHOWstudio has also supported and nurtured emerging talent, including Giles Deacon, Gareth Pugh, Rodarte and Mary Katrantzou, offering exciting new designers an important global showcase for creative expression. SHOWstudio has also worked with pop culture icons and creatives from the world of art, music and film including Tracey Emin, Björk, Brad Pitt, Lady Gaga and Kanye West. For the festival, SHOWstudio has chosen eleven fashion films spanning the years 2000 to 2018. The selection acts as an overview of the journey - and works - which have come to define fashion film as a medium. NICK KNIGHT, ‘SWEET’, 2000 Believing fashion to be intrinsically political, from December http://showstudio.com/project/sweet/film 2007 through summer 2008 Nick Knight staged a multi-level Stylist Jane How recreated her favourite looks of Spring / film and essay project titled ‘Political Fashion’ , encouraging Summer 2000 from sweet papers, cupcake wrappers and creatives to use the medium of fashion to convey their political doilies, Nick Knight recording the result on a 3-D scanner. A beliefs, agendas and thoughts. Contributors include Beth technological exploration of the frontiers of fashion imagery, Ditto, Gareth Pugh, Naomi Campbell, Steven Klein, Vanessa presented here through fashion film. Friedman and Vivienne Westwood. “Photography, along with the other arts, is communication. NICK KNIGHT, ‘SHOOT’, 2003 And if you’re communicating you should have something to Contextualising the Spring/Summer 2003 haute couture say. If you’re in the privileged position of doing a global collections as photographed for W magazine, ‘SHOOT’ proves advertising campaign or if your work is on the back of every that couture is far more than just dresses. Treating the studio magazine, on every bus stop, every billboard and in every shop as a blank canvas upon which surreal fashion performances window in every city worldwide, it’s an enormous audience could be staged, this fashion film shows the influence and you’re talking to. The idea that you’re not saying anything with machinations of the world of big business these talismanic this opportunity seems a waste. In this ‘Political Fashion’ film garments ultimately represent. project, I’m really looking to encourage people to say something with the voice they’ve been given; to realise the possibilities KATE MOSS, ‘MOVING FASHION’, 2005 that they have at their fingertips and the absurdity of not The printed page has determined the way fashion looks since using them.” - Nick Knight women’s magazines were first introduced. Nick Knight’s key motivation for founding SHOWstudio was to investigate the NICK KNIGHT, ‘TO LEE, WITH LOVE, NICK’, 2010 representation of clothing through sound and motion; perhaps ‘This film is my way of speaking about a very unique and the last great challenge in fashion image making. ‘Moving important person who changed my life. My desire was to Fashion’ aimed to exploit this exciting new opportunity through speak in some way about the dark and the light contained an in-depth study of fashion film. within Lee, and within us all.’ - Nick Knight “When a designer produces a piece of clothing it is to be seen in movement. Over the years, I think designers have NICK KNIGHT, ‘DYNAMIC BLOOMS’, 2011 had to accept that’s not how their clothes would be seen. Colliding contemporary dance, abstract blooms and fashion, Hitherto, fashion has almost solely been represented by the still Nick Knight and Alister Mackie transformed contemporary image. To some degree, I would argue, this has compromised fashion into breathtaking modern flowers for AnOther the representation of fashion. But with the advent of the magazine’s Spring/Summer 2011 issue. Alongside Knight’s Internet, the garment can now be shown in the way that it editorial, a unique fashion film created by Tell No One brings was intended.” Nick Knight the incredible fashion and inspirations behind the shoot to life. MARCUS WERNER-HED ‘THE RED SHOES’, 2008 FASHION FILM X SHOWSTUDIO Curated by Raquel Couceiro PHILLIP TREACY & NICK KNIGHT, ‘HATSTAND’, 2012 NICK KNIGHT ‘GARETH PUGH S/S 18’ In September 2012 Philip Treacy made an explosive return This is not a show.’ Nick Knight and Gareth Pugh offer an to London Fashion Week with a star-studded Swarovski- exclusive visual insight into Pugh’s S/S 18 collection presented sponsored show featuring black models clad in outfits from here as fashion film. In collaboration with philosophical artist Michael Jackson’s stage wardrobe and amazing, gravity-defying Olivier de Sagazan, Pugh explores the extremities offered by headwear. To celebrate the fierce attitudes and fabulous the elements and the raw physicality of humanity. fashion on show, Nick Knight and Ruth Hogben collaborate on Nick Knight and Gareth Pugh continue their longstanding ‘Hatstand’, an energizing film starring Grace Bol. friendship with a film that expresses the intensities of Pugh’s collection for S/S 18, as conceptualised by Knight, Pugh and NICK KNIGHT ‘BEATSXEE25’ 2016 Carson McColl. French philosophical artist Olivier de Sagazan Beats collaborate with Nick Knight and SHOWstudio to present interacts with Pugh on both a physical and cerebral plane, The Seven Deadly Sins of Edward Enninful, a film honouring pushing the boundaries of fashion imagery in their collaborative 25 years of fashion by the acclaimed stylist. Featuring seven work with clay, water and paint. sins, seven colours, seven sounds and eight top models - naturally, gluttony demanded two - the film is a celebration NICK KNIGHT ‘BRIGHTON SORTS’ 2018 is a celebration of both Enninful’s illustrious career and the Britt Lloyd’s fashion film, ‘Brighton Sorts’ draws on Nick interplay between fashion and music. It stars Maria Carla Knight’s April 2018 editorial for British Vogue, inspired by Boscono, Naomi Campbell, Jourdan Dunn, Karen Elson, Anna Skinhead girls or ‘sorts’. Adwoa Aboah, Jazzelle Zanaughtti Ewers, Karlie Kloss, Kate Moss and Lara Stone in clothing and Lina Hoss, the stars of Knight’s editorial, are captured selected by Enninful. in motion by Lloyd’s lens as they lark about the streets of A range of designers are featured, from established labels Brighton. such as Celine, Maison Margiela, Alexander McQueen, Prada In 1982, Nick Knight’s debut publication, Skinhead, launched and Yohji Yamamoto to emerging talents such as Marques his photographic career. This now-iconic document presents a Almeida and Vetements. vision of Skinhead culture in the eighties as seen by Knight’s The soundtrack has been hand selected by Beats and unflinching lens. This series contextualises Knight’s artistic encompasses artists who represent the future of music. trajectory and has inspired and influenced his work to come. Featured songs are Bury Me by Brodinski ft. Maluca & Bricc Skipping forward to 2017, British Vogue hired Knight’s longtime Baby Shitro, New Level by A$AP Ferg [ft. Future], Sticky collaborator Edward Enninful as their new Editor-in-Chief - a Drama by Oneohtrix Point Never, Gosh by Jamie XX, Have move hailed by the industry as the coming of a ‘New Vogue’. Mercy by Eryn Allen Kane, Girl by The Internet [ft. Kaytranada] For his debut work in Enninful’s new Vogue, Knight looked and Bout the Business by Hopsin. The work also features a back to the subculture that first inspired him, shooting three narration by Travis Scott. On the 29 January 2016 the film models who embody a modern take on the spirit and scene was released on the ultimate big screen - the Beats billboard of Skinheads. in Times Square, New York. NICK KNIGHT, ‘UP’, 2016 Nick Knight’s vision of current and contemporary fashion is reflected in ‘Up’, fashion film created for the 2016 British Fashion Awards. Emphasising both strength and delicacy, intimacy and discordance, this pair of films celebrate the freedom and diversity that Knight consistently promotes through his work. Both works are set to tracks from rapper Travis Scott. Work by designers of the moment such as Molly Goddard, Nasir Mazhar, Hood By Air, Givenchy and Balenciaga is celebrated in these freewheeling, vibrant pieces of moving image. Nick Knight’s vision of current and contemporary fashion is reflected in ‘Up’, edited by SHOWstudio’s Raquel Couceiro. Created especially for the 2016 British Fashion Awards. Emphasising both strength and delicacy, intimacy and discordance, this film celebrates the diversity and spirit that Knight consistently promotes through his work..
Load more

Recommended publications
  • Edward Enninful to Be Honoured with the Isabella Blow Award for Fashion Creator
    PRESS RELEASE TUESDAY 25TH JANUARY BRITISH FASHION COUNCIL ANNOUNCES EDWARD ENNINFUL TO BE HONOURED WITH THE ISABELLA BLOW AWARD FOR FASHION CREATOR The British Fashion Council today announces that Edward Enninful will receive the Isabella Blow Award for Fashion Creator. Enninful will be honoured at this year’s ceremony for his monumental contribution to the global fashion industry. Edward Enninful began his prolific career at the age of 18 when he was appointed Fashion Director at i-D making him the youngest editor at a major international title. In 1998 Enninful became Contributing Fashion Editor to Italian Vogue and in 2005, became Contributing Fashion Editor for American Vogue. In 2011, he took over the position of Fashion and Style Director of W Magazine, a position he currently holds. Alongside his extensive editorial work, Enninful has distinctively shaped numerous advertising campaigns and catwalk shows including Gucci, Christian Dior, Versace, Lanvin, Dolce & Gabbana, Jil Sander, Calvin Klein, Giorgio Armani, Celine, Valentino, Mulberry, Fendi, Commes Des Garcons and Ports 1961. Natalie Massenet MBE, Chairman of the British Fashion Council commented: "Edward’s creative energy and level of vision captures the mood of our times - his work is original, energetic, sincere and unforgettable. His creative journey may have started in London, but today his influence spans the entire globe intersecting the worlds of fashion, art and business.” Naomi Campbell commented: “Edward is not only one of my dearest friends and brother, but he is also one of the most outstanding people I have ever had the pleasure of working with. His unique talent, drive and imagination are poured into his work, making him responsible for some of the most heart quickening imagery in the history of fashion.” i-D Founders, Terry and Tricia Jones commented: "When the wonderful Simon Foxton first introduced Edward into the i-D family, we had no idea that he would become one of the most outstanding stylists of his generation.
    [Show full text]
  • British Media Kit 2021 British Vogue Is the Authority on Fashion, Beauty and Lifestyle, and Is a Destination for Women to Learn, Be Challenged, Inspired and Empowered
    British Media Kit 2021 British Vogue is the authority on fashion, beauty and lifestyle, and is a destination for women to learn, be challenged, inspired and empowered. Under Edward Enninful’s unmatched global editorial status, British Vogue has become the undisputed Fashion Bible in the United Kingdom and is leading the cultural zeitgeist worldwide. 20M 796K TOTAL REACH READERSHIP 190K 14M CIRCULATION SOCIAL FOLLOWERS 6M 72% DIGITAL UNIQUES ABC1 £130K 59% AVERAGE HHI LONDON / SE 95% 87% SEE JEWELLERY AS VALUE TRAVELLING GOOD INVESTMENT ABROAD HIGHLY £7.9K £2.9K AVERAGE ANNUAL AVERAGE ANNUAL SPEND ON FASHION SPEND ON BEAUTY & WELLNESS Sources: ABC Jan-Dec 2020; Pamco 4, 2020; GA Nov-Jan 2020/2021; Conde Nast Luxury Survey 2019; Conde Nast Beauty Survey 2020 2 “Before I got the job I spoke to certain women and they felt they were not represented by the magazine, so I wanted to create a magazine that was open and friendly. A bit like a shop that you are not scared to walk into. You are going to see all different colours, shapes, ages, genders, religions. That I am very excited about.” EDWARD ENNINFUL, OBE BRITISH VOGUE EDITOR-IN-CHIEF & VOGUE’S EUROPEAN EDITORIAL DIRECTOR 3 “I’m excited to assume this highly-coveted role. In a moment when continuous change across the communications, fashion and luxury industries creates dynamic and exhilarating opportunities for the strongest media brands, Vogue’s unrivalled equity sets it apart as the best of the best.” VANESSA KINGORI, MBE BRITISH VOGUE PUBLISHING DIRECTOR 4 BRITISH SOCIETY OF MAGAZINE
    [Show full text]
  • Pat Mcgrath Is the World’S Most Influential and In-Demand Make-Up Artist
    life story Pat McGrath is the world’s most influential and in-demand make-up artist. JADE TAYLOR COOKE steps into her world of fashion, fantasy, and make-up reimagined as freedom he fashion world is filled with Big Names. Jehovah’s Witness – is often credited as the woman who Once you’ve worked with a Big Name, sparked in Pat the interest that would become her life’s work. you can officially say you’ve made it. For ‘She’d stand in front of the TV and [my sister and I] would photography, it’s Annie Leibovitz or Steven have to guess what she’d done differently with her eyes. I’d Meisel. For red-carpet styling (right now, think: “Get out of the way!” but she wouldn’t move until I’d at least) it’s Micaela Erlanger. And when it told her,’ Pat recounted to Sali Hughes of The Guardian. Under comes to make-up, it’s always Pat McGrath. her mother’s tutelage, Pat learned to identify eyeshadows by Pat’s name is legend in an industry that name, mix pigments and – a trick that would become her doesn’t necessarily always celebrate its behind-the-scenes crew. signature in years to come – use the warmth of her hands TAs Linda Wells summed it up in New York magazine, ‘Make-up to blend foundation into the skin, giving it a softer, more artists take the service entrance; fashion designers take a bow.’ incandescent look. ‘She always put on a full face of make-up Then again, Pat isn’t just any make-up artist – this is the woman then got in the bath to get that dewy finish.
    [Show full text]
  • Body Beautiful: Diversity on the Catwalk Teacher and Adult Helper Notes
    Body Beautiful: Diversity on the Catwalk Teacher and adult helper notes Contents Page 1 Visiting the exhibition 1 2 Exhibition content 2 3 Curriculum links 9 4 Suggested activities within the exhibition 9 5 Activities and resources to use in class 11 6 Questions or feedback? 11 1 Visiting the Exhibition Important information • Food and drink are not permitted. • There are three items you cannot take photographs of within the exhibition. These are clearly signposted. • The exhibition contains nudity. • You will enter and exit via the same door. Please be aware of other visitors who may be entering/exiting the gallery. • Timeslots for visiting the exhibition are 30 minutes, unless otherwise stated on your booking. Please adhere to your time slot. • Parts of the exhibition are quite dimly lit. Please remind your pupils to take their time when moving around the space. • The exhibition has a background music, sound, flashing lights, and moving images throughout. 1 2 Exhibition content The exhibition begins with a display outside the gallery space, followed by an introduction. It is then split into 5 sections: • Disability • Race • LGBTQIA+ • Size • Age Below, we have outlined the key messages and designers from each of these sections. Outside the exhibition We are showing four works from Edinburgh College of Art students. The Edinburgh College of Art Diversity Network was formed in collaboration with All Walks Beyond the Catwalk, an initiative challenging the fashion industry’s dependence on unhealthy body ideals. It strives to teach students – as future stakeholders of the fashion industry – the importance of celebrating diversity within their approach to design and image-making.
    [Show full text]
  • Fashion Voices FBS C19 Issue 5: 05.06.20
    Fashion’s Key People; Fashion Voices FBS C19 Issue 5: 05.06.20 Fashion Voices in the Time of COVID19: Although, as we go to press with Issue 5, events of major importance to the world are happening, these reports are not the place to engage in political conversations or debate, however, the fashion world has immediately responded to the murder of George Floyd !"# $%&#'()#'*'*)#+"#$+"",%-!.+/)#$+"",/!0%# and the subsequent global outcry. Editor Anna Wintour, PR Karla Otto, Christian Dior, and make artist Pat McGrath are just some of the fashion voices to be heard. We support their words against racism in any form. Thank You. How is coronavirus impacting the global fashion and clothing industry? We summarise real time industry themes that are emerging across the planet in response to the COVID19 pandemic and its effect on fashion retailers, brands, supply chains and the wider fashion industry. Crafting A New Sustainable Glamorous Path: Kevin Germanier; an individual voice as a sustainable designer of glamour. The Paris-based designer is known for redefining sustainable fashion by using only upcycled materials creating ‘high-octane, unapologetically glamorous dresses and separates’all of which are made entirely from materials that otherwise would have been contributed to landfill. ! ! Germanier’s pieces are worn by celebrities such as Lady Gaga, Björk and K-pop sensation Sunmi, helping to promote his particular brand of sustainable luxe into the spotlight and proving there’s far more to eco-friendly fashion than organic linen. Germanier's creations have been featured in Dazed and Confused, Vogue Germany and Numero Russia, and was worn by Björk on the cover of the Guardian’s 'New Review'.
    [Show full text]
  • Understanding Fashion a Qualitative Content Analysis of the Audience Reactions to the Covers of British Vogue April 2021
    Understanding Fashion A Qualitative Content Analysis of the audience reactions to the covers of British Vogue April 2021 Piotr Talarek Media and Communication Studies – Culture, Collaborative Media, and Creative Industries One-year master 15 credits Spring/Summer 2021 Supervisor: Temi Odumosu Word count: 16 102 Abstract This thesis aims to examine different independent fashion audience reactions to the covers of UK Vogue April 2021, which featured four upcoming models of color: Mona Tougaard, Janaye Furman, Achenrin Madit, and Precious Lee. The study focuses on responses gathered from two fashion sources: The Instagram account Diet Prada, and a fashion forum called The Fashion Spot. In addition, the design has been extended by The Fashion Spot fashion crowd’s reactions to the Vogue Italia July 2008 also known as “The Black Issue”. The thesis intends to associate the main research problem with the magazine industry and digital world of fashion, media producers and advertisers, the issue of power and female models diversity on the covers of Vogue. The study employs a method of qualitative content analysis. Additionally, Stuart Hall’s encoding and decoding model has been implemented to define the message displayed on the fashion magazine covers and to examine the readers' reactions based on the collected data. The findings show that even though the UK Vogue April 2021 covers met with positive reactions and approval from independent industry voices, some concerns have appeared. While British Vogue has been praised for its decision to feature four black models on the covers, it has been mentioned that other international editions of Vogue did not decide to follow this idea.
    [Show full text]
  • Fashion & Desire AFR 330C (30060)/ WGS 340.84
    Fashion & Desire Syllabus Fall 2020 African & African Diaspora Studies University of Texas at Austin [revised 8/26/20] Fashion & Desire AFR 330C (30060)/ WGS 340.84 (44520) Fall 2020 Mondays / Wednesdays 2:30pm - 4pm Professor Lyndon K. Gill E-mail: [email protected] Office Hours: Mondays & Wednesdays 1pm - 2pm and by appointment Description This course explores historical and contemporary style in the African Diaspora. From head to toe, runways to street corners, art installations to music videos, “dandyism” to “swag,” Patrick Kelly to Virgil Abloh, we investigate the sartorial as a wearable art form and a political arena. We unfurl the tapestry of desires that encircles black fashion in the U.S. and globally, combing through the intertwined threads of passionate creativity, sexual fetishization, corporeal autonomy, capitalist consumerism, suffocating conformity and humorous play amongst other topics. *Please Note: 1) This course carries a flag for Global Cultures. Requirements & Assignments 1. Attendance: Each student is required to attend every online class session (with their video cameras on for the duration of the class) and give their undivided attention to each session (i.e. No checking/posting on Facebook/Instagram/Twitter/TikTok etc., No texting/calling/direct messaging, No checking/responding to e-mails, No reading or doing assignments for this class or any other, No listening to music/podcasts or watching music videos, No online shopping, etc.). Students should log on (in as quiet and private an environment as possible) to every class session ready to interact with the professor and your classmates. Unexcused absences are unacceptable. More than one unexcused absence during the term will result in a reduction of the overall course grade for each session missed (AàA-, B+àB, etc.).
    [Show full text]
  • BFC Annual Report 2018-2019
    Annual Report & Accounts FY2018/19 BRITISH FASHION COUNCIL ANNUAL REPORT & ACCOUNTS 2018/19 Contents BFC Chair Statement by Stephanie Phair 03 Registered Office British Fashion Council London Fashion Week BFC CEO Statement by Caroline Rush 04 Somerset House, Instagram: Instagram: South Wing, Strand, 01 — Strategic Report 05 @britishfashioncouncil @londonfashionweek London, WC2R 1LA i) Our Vision — Our Values 06 Facebook: Facebook: ii) Financial Review 08 Registered number /britishfashioncouncil /londonfashionweek iii) The BFC Year in View 10 2050620 Twitter: Twitter: britishfashioncouncil.co.uk 02 — The BFC Strategic Pillars 11 @bfc @LondonFashionWk i) Education 14 Youtube: Snapchat: ii) Business 17 /britishfashioncouncil LondonFashionWk iii) Reputation 23 LinkedIn: iv) Future Plans 32 @britishfashioncouncil Pinterest: 03 — Directors’ Report for the year ended 31 March 2019 33 /britishfashion 04 — Annual Accounts for the year ended 31 March 2019 37 WeChat: i) Independent auditors’ report to the members of the British Fashion Council 38 ii) Consolidated Income and Expenditure Account 40 iii) Consolidated Group and Company Balance Sheet 41 iv) Consolidated Group and Company Statement of Changes in Equity 42 v) Consolidated Cash Flow Statement 43 vi) Notes to Annual Accounts 44 Thanks to BFC Patrons and Network 55 © BRITISH FASHION COUNCIL ANNUAL REPORT 2018/19 | 2 BRITISH FASHION COUNCIL ANNUAL REPORT & ACCOUNTS 2018/19 Stephanie Phair — Chair Statement The British Fashion Council’s (BFC) role is to champion leaders and make sure we put the next generation on track excellence and to enable sustainable growth for the sector. for even greater commercial and creative success. Through London is the most international fashion capital and British encouraging smarter business education, greater access to fashion has always had an incredible reputation for providing knowledge, mentors and expertise, I believe we will set our the pipeline of talent for the industry globally.
    [Show full text]
  • Elluminate Issue 4
    No. 4. 3/2018 EXPERIENCE INNOVATION A bi-monthly report for idea seekers, brands and executives ABOUT Steven Kainth has been helping brands and retailers to think about Innovation for almost 20 years. The heart of what he does is create Human Experiences that deliver results. He works across retail, events, product and digital to express messages that resonate with consumers. His process utilises creative resources, first hand experiences, data and thought leadership to generate valuable insights. “Steven is truly a rare find. He's a brilliant strategist with a keen ability to stay tuned in to those industry happenings that others seem to miss. He is the consummate dot- connector, making profound observations that tie the current trends to client needs in practical, usable, achievable ways. He is deft and inspiring in his communications with current and prospective clients: they seem to hang on his every word...but it's not just flare. He has the substance to back it up”. Brian Barthelt General Manager, Marmon, a Berkshire Hathaway Company Brand experience include This document is used by FTSE/FORTUNE 100 brands. PURPOSE OF THIS REPORT To inspire curious minds. To provide intelligence and insights, that drives idea generation, through innovative thinking. ________________________ This issue looks at the the changing fashion space that made headlines in February & March 2018. We look at the new digital influencers to culture makers and trend setters. We also explore wearables, focusing on innovations around the eyes. Also included in this edition is Voice assistants and platforms , Drones, New Retail and highlights from Baselworld, the worlds premier watch and jewellery fair.
    [Show full text]
  • Press Release 2021 LVMH PRIZE for YOUNG FASHION DESIGNERS: 8TH EDITION
    Press release 2021 LVMH PRIZE FOR YOUNG FASHION DESIGNERS: 8TH EDITION LVMH ANNOUNCES THE LIST OF THE 9 FINALISTS Paris, 28th April 2021 The semi-final of the LVMH Prize took place from 6th to 11th April 2021. Twenty young designers selected among the 1,900 candidates from all over the world presented their collections on the digital platform lvmhprize.com. The committee of Experts of the Prize and, for the first time, the public as a new Expert, selected 9 brands for the final. These 9 designers will present their creations to the Jury on the occasion of the final which will be held in September at the Louis Vuitton Foundation, on a date to be announced later. The Jury of the LVMH Prize will choose the winners of the LVMH Prize and of the Karl Lagerfeld / Special Jury Prize among the finalists. The 9 finalists are: BIANCA SAUNDERS by Bianca Saunders (British designer based in London), menswear CHARLES DE VILMORIN by Charles de Vilmorin (French designer based in Paris) genderless collections CHRISTOPHER JOHN ROGERS by Christopher John Rogers (American designer based in New York), womenswear CONNER IVES by Conner Ives (American designer based in London), womenswear KIDSUPER by Colm Dillane (American designer based in New York), menswear KIKA VARGAS by Kika Vargas (Colombian designer based in Bogota), womenswear LUKHANYO MDINGI by Lukhanyo Mdingi (South African designer based in Cape Town), womenswear and menswear NENSI DOJAKA by Nensi Dojaka (Albanian designer based in London), womenswear RUI by Rui Zhou (Chinese designer based in Shanghai), genderless collections Delphine Arnault declares: "The all-digital semi-final this year, in the context of the health crisis, was a new opportunity to showcase the work of the designers.
    [Show full text]
  • Duchess of Cambridge, David and Victoria Beckham and Kate Moss Attend Gala at National Portrait Gallery
    News Release Tuesday 12 March 2019 DUCHESS OF CAMBRIDGE, DAVID AND VICTORIA BECKHAM AND KATE MOSS ATTEND GALA AT NATIONAL PORTRAIT GALLERY HRH The Duchess of Cambridge at the National Portrait Gallery with Gallery director, Dr Nicholas Cullinan and Edward Enninful OBE, British Vogue Editor-in-Chief by Noah Goodrich / twobytwovideo.co.uk, 2019 The Portrait Gala, National Portrait Gallery, London Tuesday 12 March 2019 The Duchess of Cambridge, Princess Beatrice of York, Miles Aldridge, Phyllida Barlow, David and Victoria Beckham, Ozwald Boateng, Alexa Chung, Michael Craig-Martin, Lawrence Dallaglio, Jourdan Dunn, Christina Estrada, Jess Gillam, Bianca Jagger, Sir Don McCullin, Kate Moss, Duro Olowu, Martin Parr, Grayson Perry, Elizabeth Peyton, Nicola Roberts, Jenny Saville, Mike Skinner and Lynette Yiadom-Boakye were among the guests at the 2019 Portrait Gala, a special event held at the National Portrait Gallery on Tuesday 12 March. The Duchess, who has been Patron of the Gallery since 2012, met members of the Gallery’s Youth Forum and Learning team, and viewed material from Creative Connections, a co-curated exhibition programme for young people, in which students create new art works alongside artists and a display of portraits from the Gallery’s Collection. Creative Connections will travel to Cornwall, Coventry, Sheffield and Southampton as part of the Gallery’s Inspiring People project, which will see a complete renewal of the Gallery, including a significant refurbishment of the building and an extensive programme of activities nationwide. HRH The Duchess of Cambridge with members of the Gallery's Youth Forum and Creative Connections team by Noah Goodrich / twobytwovideo.co.uk, 2019 The Gala, hosted by Dr Nicholas Cullinan, Director of the National Portrait Gallery and by Edward Enninful OBE, British Vogue Editor-in-Chief and Chair of the Portrait Gala Committee saw artists, friends and supporters of the Gallery come together for an evening of art, live music and entertainment to raise funds for the Inspiring People project.
    [Show full text]
  • Meghan Markle Is Guest Editing British Vogue for The
    Meghan Markle is guest editing British Vogue for the first time — so what does it mean for ‘brand Meghan’? Meghan Markle, the Duchess of Sussex, is guest editing British Vogue — and the first-look at her cover has revealed a lot about her motives. Nadia Salemme, News Corp Australia Network July 29, 2019 3:42pm Meghan Markle’s editorial direction at British Vogue is telling of her royal role, experts say. Picture: AP It was the worst kept secret in fashion which was finally confirmed today. Meghan Markle, the Duchess of Sussex, has a new job as the guest editor of British Vogue’s upcoming September issue. And her first cover in charge has revealed a lot about her personal agenda. Rather than appearing on the front, the former Suits star (and lifestyle blogger) turned royal, 37, chose to feature portraits of women who are profiled inside the magazine. Among them are Australian supermodel Adut Akech, New Zealand Prime Minister Jacinda Ardern, and Hollywood actor and activist, Jane Fonda. “The cover features 15 world-leading women who are reshaping public life for global good, and were personally chosen by the Duchess of Sussex, and British Vogue’s editor-in-chief, Edward Enninful,” the magazine said in a statement. So what does the first-look at Markle’s edition of Vogue UK reveal about her? “Obviously, Meghan is promoting ‘brand Meghan’ by attaching herself to this highly-prestigious fashion magazine,” royal expert and Flinders University associate professor Giselle Bastin said. “My guess is that this isn’t being driven by the Palace but by Meghan herself.
    [Show full text]