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Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Rock & Roll Rock & Roll L L O R & K C
36 ROCK & ROLL ROCK & ROLL ART ADAMS PAUL ANKA ROCK CRAZY BABY CD CL 4477 € 15.50 ROCK SWINGS (US) CD 0501 001 € 19.90 & contains his single releases plus alternates & rehearsals and a & (2005/VERVE) 14 tracks The unmistakable voice of Paul Anka TV interview from 1959 - 30 tracks with 16 page booklet ! with an all-star big band, featuring some of the most popular ROCKIN’ MY WAY (NEW songs of the last quarter century! Includes Anka’s unique versions RECORD INGS !) CD CL 4490 € 15.50 of such hits as: Bon Jovi’s ‘It’s My Life’; REM’s ‘Everybody Hurts’; & (2005/COLLECTOR) 26 tracks of old style Rockabilly with 16 Van Halen’s ‘Jump’; Eric Clapton’s ‘Tears In Heaven’. page booklet. THE MOST OF CD 8141472 € 9.90 & BILLY ADAMS (1994/EMI AUS) 20 tracks CASTLE/BMG/EMI ITALIANO CD CNR 13050 € 15.50 LEGACY CD BA 0200 € 18.90 & Fantastic rough new recordings from the Sun Studio - diese VOL.2, SINGS HIS BIG 10 CD D2 77558 € 11.90 Platte ist ein Muss für jeden bekennenden Rocker - Danke Billy, GERMAN-AMER I CAN LINE OF wo warst du ? 17 Killer - no Filler (21.03.2000 sk) HITS CD RCA 84444 € 17.90 ROCKIN’ THRU THE YEARS ESSENTIA L RCA ROCK & ROLL 1955-2002 CD CMR 581 € 12.90 RECORDINGS 62-68 CD TAR 1057 € 18.90 & with 16 page booklet & brand new US compilation in superb Sound ! CHARLIE ADAMS ANN MARGRET CATTIN’ AROUND BCD 16312 € 15.34 VIVA LA VIVACIOS - BEST OF RCA 2-CD CD CMED 1010 € 19.90 ADDRISI BROS & (2004/CASTLE) 48 tracks (1960s RCA) with color sheet CHER RY STONE CD DEL 71254 € 17.90 ANNETTE HASIL ADKINS BEST CD BV 735 € 14.90 CHICKEN WALK - -
Rick Richards' Fortune Records – Page 1
Rick Richards’ Fortune Records – page 1 Fortune Records Building at 3942 Third Ave. Detroit in May 1995. The building is now vacant. (c) 1997 by Rick Richards discoveries #107 – April 1997 In his autobiography, To Be Loved, Berry the rest of the country in the late '40s and early Gordy describes in dramatic style, the successful '50s: the melding of delta blues with urban "jump" rise of one of this country's most prolific recording music which in turn fostered the growth of what empires. There is no denying that the success of became known as rhythm and blues, which by the Motown Records was due to Berry's musical mid-50s would blend with country and western abilities, uncanny business sense and prophetic styles to become the new "pop" music known as marketing insight. But Hitsville USA, (Motown's rock 'n' roll. aka), which became synonymous with "The Detroit, in the 1950s, was home to a Detroit Sound," did not occur in a vacuum. variety of independently owned record companies Indeed, Mr. Gordy only makes passing references whose focus was primarily jazz, blues and this to those Motor City artists, independent new "R&B" music, mainly due to the considerable companies and recording studios that pre-dated size of the African-American community which his enterprise by several years. (The exception is, had migrated north to work in the car factories. of course, Jackie Wilson, due to Berry's own Staff, Blue Lake, JVB and Sensation were but a direct involvement with that singer's career). few of the labels of this period. -
A Study of Blues And
“YOUNG FASHIONED WAYS”: A STUDY OF BLUES AND AUTHENTICITY IN THREE TRANSATLANTIC STUDIO COLLABORATIONS _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Music _______________ by Conor M. Jamison Fall 2013 iii Copyright © 2013 by Conor M. Jamison All Rights Reserved iv ABSTRACT OF THE THESIS “Young Fashioned Ways”: A Study of Blues and Authenticity in Three Transatlantic Studio Collaborations by Conor M. Jamison Master of Arts in Music San Diego State University, 2013 During the late 1960s and early 1970s, it was popular for blues artists—both British and American—to travel across the Atlantic to record with their fellow musicians. Three albums resulted from these collaborative exchanges which have been popular among fans, but also matters of controversy among blues purists: The London Muddy Waters Sessions, The London Howlin' Wolf Sessions, and Fleetwood Mac: Blues Jam in Chicago. Some feel that the American masters did not play to their own potential, and the white, British sidemen sound weak in comparison with their black, American counterparts. These reflections call into question the ability of the British musicians to achieve authentic blues, as well as the ability of the American players to remain authentic in a collaborative environment. In 2002, musicologist, Allan Moore published his article “Authenticity as Authentication,” wherein, he outlined a tripartite typology that can be uses as a basis for evaluating musical performances in terms of the perception of authenticity by those experiencing it. Moore's typology classifies the factors of authenticity into “first-, second-, and third-person.” Or “authenticity of: 'expression,' 'experience,' and 'execution'”. -
HAL LEONARD 2011 D Vd | Video GUITAR | BASS | DRUMS
GUITAR | BASS | DRUMS | KEYBOARD | VOCAL | REFERENCE | INSTRUCTION | PERFORMANCE HAL LEONARD 2011 dvd | video PUBLISHERS As the world’s largest music print publisher, Hal Leonard proudly represents many of the world’s greatest publishers, catalogs of music, artists, composers and authors. For your convenience, we have listed here some of the catalogs or publishers whose DVDs we distribute. Devine Entertainment presents the Composers’ Specials series, an award-winning collection of six children’s These videos feature music instruction based on DVDs featuring an exciting story accompanied by music material used at the famous Musicians Institute of from the masters. Technology in California. Reference and performance titles on classical music and opera. MVD is one of the primary producers of music perfor- GCG produces DVDs for the DJ/VJ and educational mance DVDs with more than 700 titles in their catalog music markets. The VJ World Visual line offers innova- in styles ranging from jazz and blues to alternative rock tive, ambient visuals for a variety of audiences. and hip-hop. ArtistPro presents Mix Videos on audio technology Rittor Music videos, produced by Sam Kawa, are proven covering various areas of the music industry. Homespun has pioneered music instruction videos, and continues to produce a steady stream of top-quality bestsellers that feature legendary players as well as lessons in all styles of music. today’s hottest artists. Arlen Roth’s world-famous titles feature legendary Music instruction publications based on materials used musicians Eric Johnson, Carmen Appice, George at the Berklee School of Music. Benson, Stu Hamm, and many more. The Rock House Method is music instruction for the next generation! These DVDs feature artist interviews, performances, and easy-to-follow lessons. -
Rock & Roll Rock & Roll L L O R & K C
ROCK & ROLL 33 ROCK & ROLL CHARLIE ADAMS CHUCK BERRY CATTIN’ AROUND BCD 16312 € 15.34 LIVE AT THE FILL MORE HASIL ADKINS AUDI TO RIUM CD 558 135 € 12.50 & (1998/Polygram) 10 tracks hard to find Polygram release CHICKEN WALK - THE 50’S with probably one of his best live cuts featuring the Steve Miller RECORD INGS CD BB 55025 € 15.34 Band! & Contains “No More Hot Dogs” as featured in the Movie “Bad 8 CD CHESS 4364 € 24.90 Boys Never Die” Alle wichtigen Aufnahmen aus den 50ern GOLD 2-CD inkl."No More Hot Dogs" aus dem Kultstreifen “ Bad Boys Never CD-1:- Maybellene- Wee Wee Hours- Thirty Days- You Can’t Catch Die” - 30 tracks Me- Downbound Train- No Money Down- Brown Eyed Handsome OUT TO HUNCH...PLUS (US) CD CED 201 € 17.75 Man- Roll Over Beetho ven- Too Much Monkey Busi ness- Havana & (2002/NORTON) 20 tracks 1955-65 with 24 page booklet Moon- School Day- Rock And Roll Music- Oh Baby Doll- Sweet Little THE WILD MAN...PLUS CD CED 203 € 17.75 Sixteen- Guitar Boogie- Reelin’ And Rockin’- Johnny B. Goode- & (2004/NORTON) 19 tracks - original vinyl was “Record Of Around And Around- Beau ti ful Delilah- House Of Blue Lights- The Week” by New York Times, July 31, 1987; Original album Carol- Jo Jo Gunne- Memphis, Tennes see- Sweet Little Rock & Roll- remastered with five bonus cuts - four of them previously Little Queenie- Almost Grown- CD-2:- Back In The U.S.A.- Do You unissued! First time on CD!/Frantic one man band action!/Four Love Me- Betty Jean- Childhood Sweet heart- Let It Rock- Too Pooped cuts with backing by the A-Bones!/Twenty page photo -
2-20-14 Auction Ad (With Pix).Pmd
John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Thursday, February 20, 2014 at 7:00 p.m. PT See #26 See #63 Original 1950’s, 1960’s & 1970’s Rock & Roll 45’s Auction 1. The Allman Brothers Band — “Black 25. Chuck Berry — “I’m Talking About You/Little 45. The Paul Butterfield Blues Band — “Mellow Hearted Woman/Every Hungry Woman” Star” Chess 1779 M- WHITE LABEL Down Easy/I Got My Mojo Working” Elektra Capricorn 8003 M- WHITE LABEL PROMO PROMO with tiny xol MB $30 45016 M- MB $30 MB $30 26. Chuck Berry — “No Particular Place To Go/ 46. Butterfield Blues Band — “Come On In/I Got 2. The Amboy Dukes — “You Talk Sunshine, You Two” Chess 1898 VG++/VG++ WITH A Mind To Give Up Living” Elektra 45609 I Breathe Fire/SAME” Mainstream 693 M- PICTURE SLEEVE MB $30 (See picture at MINT MB $30 WHITE LABEL PROMO with same song on top of page) both sides MB $30 27. Chuck Berry — “Head Over Heels EP with 3. The Amboy Dukes — “For His Namesake/ Cover” Chess 5118 VG+/VG+ Very scarce Loaded For Bear” Mainstream 704 VG++ EP! This copy has considerable “age WHITE LABEL PROMO MB $25 spotting” but is intact and acceptable until 4. The Animals — “We Gotta Get Out Of This you can find a Mint one, if you can! MB $30 Place/I Can’t Believe It” M-G-M 13382 M- YELLOW LABEL PROMO, tough to find as PROMO MB $30 5. -
Junio 2017 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 73 – junio 2017 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido PORTADA Especial de Chuck Berry (1) ………………………..……..…….. 1 Directorio CONTENIDO - DIRECTORIO ..……………………………………..…….. 2 EDITORIAL Chuck (2 y 3) ……………………………………………………….…. 3 Cultura Blues. La Revista Electrónica BLUES A LA CARTA Chuck Berry, un verdadero rey sin www.culturablues.com corona (3) ……………………………………………………………………………….....….. 6 Número 73 – junio de 2017 COLABORACIONES ESPECIALES ¿Qué es realmente el Derechos Reservados 04 – 2013 – 042911362800 – 203 Rock and Roll? (4) …………………………………………………………………………. 15 Registro ante INDAUTOR PLANETA BLUES Eric Burdon: El sanador de la verdad (5) .….. 20 Director general y editor: DE COLECCIÓN Chicago Plays The Stones (3) ………………………... 24 José Luis García Fernández EN VIDEO 3 rockumentales en Netflix: Stones, Chicago Subdirector general: y Cocker (3) ….…………………………………………………………………………….... 27 José Luis García Vázquez SUPLEMENTO Ganadores de los Blues Music Awards Diseño: 2017 (3) ……………………………………………………………………………………..... 30 Aida Castillo Arroyo ¿QUIÉN LO HIZO? James Cotton (3) ….….…………………………..…. 32 Consejo Editorial: María Luisa Méndez Flores ESPECIAL DE MEDIANOCHE Consideraciones sobre Magic Mario Martínez Valdez Sam (6) ..……..………….……..………………………………………………..….……….. 35 Edgard Octavio Espinosa Cabrera LADO B Los Juke Joints (7) ………………………………………………..…..…. 39 Colaboradores en este número: SESIONES DESDE LA CABINA Cien años de Papa John Creach (8) ……………………….…………………………………………….………..……. 43 1. José Luis García Vázquez 2. Edgard Octavio Espinosa Cabrera SUPLEMENTO Blues contemporáneo mayo 2017 (3) ………….... 47 3. José Luis García Fernández BLUES COVER ME 1. Viri Roots & The Rootskers (9) ……………. 49 4. Luciano Hidalgo 5. Michael Limnios HUELLA AZUL Entrevista a Humberto Fierro (Beto’s Blues 6. Luis Eduardo Alcántara Band) - Eduardo Tejedo (Blues Chilango (10 y 11) ………………………… 54 7. Juan Carlos Oblea 8. Yonathan Amador Gómez COLABORACIONES ESPECIALES Family Kings Blues 9. -
Jeff Baldori Music
Jeff Baldori Jeff Baldori, singer, songwriter, guitarist and pianist began his career studying classical, jazz and boogie under Wayne States; “Matt Michaels” one of the most respected music instructors Detroit has ever known. Michaels, offered endorsement of two students, Jeff being one, to attend and finish high school at the prestigious “Detroit Institute of Musical Arts”. With training in those genres, Jeff began to explore popular music along with R&B during the “Blues Underground” movement of the 60’s. Frequent trips to Chicago to see Muddy Waters, Paul Butterfield and The Siegel Band encased a life long love to expand not only his love for the Blues, but to extend his musical capacity. Detroit produced a band named the “Woolies”. The band appointed Jeff to become the lead singer and guitarist. The “Woolies” then went on to L.A. and Jeff sang in the office for Lou Adler at Dunhill Records, which landed the Woolies a contract. Lou’s discovery of talents such as Carol King, The Mama’s and The Papas, Johnny Rivers, and many more was recently honored and inducted to the “Rock and Roll Hall of Fame” for his many discoveries. The Woolies had their own run with a National #1 hit “Who Do You Love”, and has been noted to be one of the best renditions from the original by Bo Diddley. One can easily find this Number 1 National Hit on youtube.com. While Chuck was performing during his second run in his career and still signed to Chess Records the Woolies were introduced to Chuck Berry. -
From Race Records to Rock'n'roll
School of Humanities and Social Sciences Faculty of Social Sciences Modern Studies 2014 From Race Records to Rock’n’Roll: How Chess Records helped to eliminate racial barriers in music Pétur Karl Heiðarson Final BA Thesis in Modern Studies at the Faculty of Humanities and Social Sciences School of Humanities and Social Sciences Faculty of Social Sciences Modern Studies 2014 From Race Records to Rock’n’Roll: How Chess Records helped to eliminate racial barriers in music Pétur Karl Heiðarson Final BA Thesis for 180 ECTS unit in Modern Studies at the Faculty of Humanities and Social Sciences Instructor: Dr. Giorgio Baruchello i I hereby declare that I am the only author of this project and that is the result of own research Ég lýsi hér með yfir að ég einn er höfundur þessa verkefnis og að það er ágóði eigin rannsókna __________________________ Pétur Karl Heiðarson I here by declare that this thesis fulfills, in my opinion, requirements for a BA -degree from the Faculty of Humanities and Social Sciences Það staðfestist hér með að lokaverkefni þetta fullnægir að mínum dómi kröfum til BA-prófs við Hug- og félagsvísindasvið. __________________________ Giorgio Baruchello ii Abstract To the children of the modern age, music is an indispensable part of everyday life and accessible to everyone. Class, race, age and gender are of no or little importance, everyone can listen to music by anyone. This is, however, a relatively new aspect of music. Well into the later half of the 20th century, music was subject to racial and cultural segregation, just as almost every other aspect of society. -
Bonjour, Voici La Liste Des Disques En Vente Au "Garage" 40, Rue Des Halles À St-Nazaire
Bonjour, voici la liste des disques en vente au "garage" 40, rue des halles à St-Nazaire. Les prix figurent sur chaque ligne. Livraison possible par mondialrelay ou La Poste. Cette liste est en constante évolution et est actualisée régulièrement. Bonne pioche! 38 special rock'n'roll strategy 2 euros abomination "tragedy strikes" VG+ 17 adrian belew "lone rhino" (france 6313 366) EX 12 adrian gurvitz "sweet vendetta" style TOTO ou E.L.O. (1979 JETLP 220) VG+ griffures légères 8 adriano celentano "me, live!" 2 disques VG/EX 10 aerosmith "done with mirrors" (1985) VG+/EX 15 aerosmith "draw the line" (hollande 82147) VG/VG+ 8 akendengue "afrika/obota" (SH 10063) VG 10 al di meola "casino" VG/VG+ 10 al jarreau "breakin' away" 5 al jarreau "L is for lover" VG+/EX 7 alan stivell renaissance de la harpe celtique 9101 502 EXC/NM 10 alan stivell "symphonie celtique tir na nog" 2 disques (CBS 88487 avec insert textes) VG+/EX 15 albert ayler "volume 1"(france 1972 shandar 83503 gatefold) VG++ 35 alec r. costandinos "hunchback of notre dame" 8 alizée gourmandises remixées 4 alizée fifty-sixty remixes maxi promo 2008 pochette un peu abimée, disque NM 8 allman brothers band "brothers and sisters" (hollande 2429102) VG griffures 7 american folk blues festival '80 2 disques (allemagne LS 42.013 louisiana red eddie taylor carey bell...) VG quelques craquements 10 andreas vollenweider "...behind the gardens" (1981 CBS 85545) EX/VG++ 10 andreas vollenweider "white winds" (1984 hollande) EX 10 andrew lloyd webber "variations" (1978 gary moore don airey rod