2-20-14 Auction Ad (With Pix).Pmd

Total Page:16

File Type:pdf, Size:1020Kb

2-20-14 Auction Ad (With Pix).Pmd John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Thursday, February 20, 2014 at 7:00 p.m. PT See #26 See #63 Original 1950’s, 1960’s & 1970’s Rock & Roll 45’s Auction 1. The Allman Brothers Band — “Black 25. Chuck Berry — “I’m Talking About You/Little 45. The Paul Butterfield Blues Band — “Mellow Hearted Woman/Every Hungry Woman” Star” Chess 1779 M- WHITE LABEL Down Easy/I Got My Mojo Working” Elektra Capricorn 8003 M- WHITE LABEL PROMO PROMO with tiny xol MB $30 45016 M- MB $30 MB $30 26. Chuck Berry — “No Particular Place To Go/ 46. Butterfield Blues Band — “Come On In/I Got 2. The Amboy Dukes — “You Talk Sunshine, You Two” Chess 1898 VG++/VG++ WITH A Mind To Give Up Living” Elektra 45609 I Breathe Fire/SAME” Mainstream 693 M- PICTURE SLEEVE MB $30 (See picture at MINT MB $30 WHITE LABEL PROMO with same song on top of page) both sides MB $30 27. Chuck Berry — “Head Over Heels EP with 3. The Amboy Dukes — “For His Namesake/ Cover” Chess 5118 VG+/VG+ Very scarce Loaded For Bear” Mainstream 704 VG++ EP! This copy has considerable “age WHITE LABEL PROMO MB $25 spotting” but is intact and acceptable until 4. The Animals — “We Gotta Get Out Of This you can find a Mint one, if you can! MB $30 Place/I Can’t Believe It” M-G-M 13382 M- YELLOW LABEL PROMO, tough to find as PROMO MB $30 5. The Archies — “Sugar, Sugar/Melody Hill” Calendar 63-1008 M- YELLOW LABEL PROMO of all time Bubble Gum classic 62. Little Charles And The Gents — “Mummy MB $30 Drag/Oh What A Feeling” VisCoJon 6425 6. The Archies — “Jingle Jangle/Justine” VG+ WHITE LABEL PROMO pressed on Kirshner 63-5002 MINT YELLOW LABEL beautiful BLUE VINYL, wol, RARE! MB $250 PROMO MB $30 63. David Seville And The Chipmunks — 7. Frankie Avalon — “Just Ask Your Heart/Two “Ragtime Cowboy Joe/Flip Side” Liberty Fools” Chancellor 1040 VG++ WHITE 47. The Byrds — “Mr. Tambourine Man/SAME” 77200 M- TRUE STEREO 45, tough to find LABEL PROMO with faded name on the label Columbia 43271 M- WHITE LABEL PROMO MB $50 (See picture at top of page) MB $20 pressed on RED VINYL with same song on 64. David Seville And The Chipmunks — “Alvin 8. Frankie Avalon — “Swingin’ On A Rainbow/ both sides MB $100 For President/Sack Time” Liberty 55277 Why” Chancellor 1045 VG++ WHITE LABEL 48. Edd Byrnes — “Lonely Christmas/Yulesville” VG WHITE LABEL PROMO MB $10 PROMO MB $25 Warner Brothers 5121 VG+ WHITE LABEL 65. The City — “That Old Sweet Roll (Hi-De-Ho)/ 9. The Banana Splits — “Long Live Love/Pretty 28. Chuck Berry — “Sweet Little 16 EP with PROMO MB $20 Why Are You Leaving” Ode 119 MINT Painted Carousel” Decca 732536 M- LIGHT Cover” Chess EP 5121 M-/M TOUGH to find 49. Glen Campbell — “By The Time I Get To PROMO STICKER on the label, also xol, BLUE LABEL PROMO, A-side label is slightly in clean condition MB $300 Phoenix/You’ve Still Got A Place In My Heart” Carole King MB $30 off center MB $25 29. Captain Beyond — “Sufficiently Breathless/ Capitol 2015 MINT LIME GREEN PROMO 10. The Band — “The Weight/I Shall Be SAME” Capricorn 0029 VG+ WHITE LABEL COPY of original classic MB $30 Released” Capitol 2269 MINT LIME PROMO with MONO version on one side and 50. Eddie Carr & The Navajos — “Evil, Evil Evel GREEN LABEL PROMO, the band members STEREO version on the other side. MB $15 Knievel/What Have I Got Of My Own?” A & M names are all listed individually on the label 933 MINT WHITE LABEL PROMO MB $30 MB $30 51. Johnny Cash And The Tennessee Two — 11. Captain Beefheart & His Magic Band — “Folsom Prison Blues/So Doggone “Yellow Brick Road/Abba Zaba” Buddah 9 Lonesome” Sun 232 VG+ MB $30 VG Tough one—STOCK COPY MB $20 52. Johnny Cash And The Tennessee Two — 12. Captain Beefheart — “Click Clack/I’m Gonna “Next In Line/Don’t Make Me Go” Sun 266 Booglarize You Baby” Reprise 1068 VG M- MB $30 WHITE LABEL PROMO MB $20 53. Johnny Cash And The Tennessee Two — 13. Captain Beefheart & The Magic Band — “Straight A’s In Love/I Love You Because” “Too Much Time/SAME” Reprise 1133 VG++ Sun 334 VG+ WHITE LABEL PROMO, xol, #ol WHITE LABEL PROMO with MONO version on MB $20 one side and STEREO version on the other 54. Johnny Cash — “Smiling Bill McCall/ side MB $25 Seasons Of My Heart” Columbia 41618 14. The Bee Gees — “If Only I Had My Mind On VG+ WHITE LABEL PROMO MB $20 66. The Dave Clark Five — “Over And Over/ Something Else/Sweetheart” Atco 6741 55. Johnny Cash — “Ring Of Fire/I’d Still Be SAME” Epic 9863 M- WHITE LABEL PROMO MINT WHITE LABEL PROMO MB $30 There” Columbia 42788 M- Orange label pressed on gorgeous RED VINYL with wol true first pressing MB $30 and xol on B-side only MB $50 30. The Big Bopper — “Chantilly Lace/Purple 56. Johnny Cash And June Carter — “Jackson/ 67. The Dave Clark Five — “The Red Balloon/ People Eater Meets Witch Doctor” D 1008 Pack Up Your Sorrows” Columbia 44011 SAME” Epic 10375 M-/VG+ WHITE LABEL M- True FIRST LABEL, first pressing—before VG+ MB $20 PROMO with same song on both sides and it went to Mercury and became a mega best 57. Johnny Cash — “Folsom Prison Blues/The comes with the original PICTURE SLEEVE seller—these are TOUGH to find clean these Folk Singer” Columbia 44513 M- MB $30 MB $30 days. MB $200 68. Cold Blood — “Down To The Bone/SAME” 31. The Big Bopper — “Chantilly Lace/Purple Reprise 1092 VG+ WHITE LABEL PROMO People Eater Meets Witch Doctor” Mercury with MONO version on one side and STEREO 71343 M- MB $30 version on the other side. MB $15 32. The Big Bopper — “Big Bopper’s Wedding/ 69. Bobby Comstock And The Counts — “Your Little Red Riding Hood” Mercury 71375 M- Boyfriend’s Back/This Little Love Of Mine” WHITE LABEL PROMO MB $30 Lawn 219 MINT WHITE LABEL PROMO 33. The Big Bopper — “It’s The Truth Ruth/That’s ANSWER RECORD TO THE ANGELS MB $30 What I’m Talkin’ About” Mercury 71451 VG++ 70. Alice Cooper — “Shoe Salesman/Return Of WHITE LABEL PROMO, tiny tol, RARE MB $30 The Spiders” Warner Brothers 7398 M- 34. Jane Birkin & Serge Gainsbourg — WHITE LABEL PROMO MB $30 15. Chuck Berry And His Combo — “Maybellene/ “Je T’Aime...Moi Non Plus/Jane B (From A 71. Alice Cooper — “Eighteen/Body” Warner Wee Wee Hours” Chess 1604 VG- SUPER Prelude By Chopin)” Fontana 1665 M- Brothers 7449 MINT WHITE LABEL PROMO RARE BLUE AND WHITE LABEL PROMO WHITE LABEL PROMO, Dr. Demento fan MB $30 COPY!! Has tear and number on label as favorite MB $30 72. Alice Cooper — “Under My Wheels/ shown and small tear and sticker stain on the Desparado” Warner Brothers 7529 M- B-label as well. MB $25 WHITE LABEL PROMO MB $30 58. Johnny Cash — “Get Rhythm/SAME” Sun 73. Alice Cooper — “Hello Hurray/SAME” 1103 VG+ WHITE LABEL PROMO pressed Warner Brothers 7673 M- WHITE LABEL on beautiful BLUE VINYL MB $20 PROMO with LONG VERSION on one side and EDITED VERSION on the other MB $30 74. Alice Cooper — “Billion Dollar Babies/SAME” Warner Brothers 7724 MINT WHITE LABEL PROMO with MONO version on one side and STEREO version on the other side MB $30 75. The Cowsills — “All I Really Wanta Be Is Me/ And The Next Day Too” Joda 103 M- WHITE LABEL PROMO with sticker stain on the label—their FIRST RECORD MB $30 76. Crazy Horse — “Dance, Dance, Dance/ SAME” Reprise 1025 MINT WHITE LABEL PROMO with MONO version on side one and 35. Blue Cheer — “Summertime Blues/Out Of STEREO version on side two MB $30 Focus” Phillips 40516 M-/M WITH PICTURE 77. Cream — “Crossroads/SAME” Atco 6646 16. Chuck Berry And His Combo — “No Money SLEEVE, classic MB $50 M- WHITE LABEL PROMO with LONG Down/The Downbound Train” Chess 1615 36. The Blues Project — “Back Door Man/ VERSION on one side and SHORT VERSION M- SUPER RARE BLUE AND WHITE LABEL Violets Of Dawn” Verve Folkways 5004 M- on the other side MB $30 PROMO!!! Slight label wear as shown. PROMO COPY MB $30 59. Ted Cassidy as Lurch — “The Lurch/ 78. Cream — “Badge/What A Bringdown” Atco MB $100 37. The Box Tops — “Cry Like A Baby/The Door Wesley” Capitol 5503 MINT The Addams 6668 VG++ WHITE LABEL PROMO with #ol 17. Chuck Berry And His Combo — “Roll Over You Closed To Me” Mala 593 MINT YELLOW Family comes to life on record MB $50 MB $20 Beethoven/Drifting Heart” Chess 1626 M- LABEL PROMO COPY MB $30 60. Chad & Jeremy — “From A Window/My MB $30 38. The Box Tops — “Soul Deep/(The) Happy Coloring Book” World Artists 1056 M- 18. Chuck Berry And His Combo — “Too Much Song” Mala 12,040 M- YELLOW LABEL WHITE LABEL PROMO MB $30 Monkey Business/Brown Eyed Handsome PROMO COPY MB $30 Man” Chess 1635 M- MB $30 39. Brownsville Station — “Smokin’ In The Boy’s 19. Chuck Berry — “Run Rudolph Run/Merry Room/SAME” Big Tree Records 16011 VG+ Christmas Baby” Chess 1714 M- WHITE WHITE LABEL PROMO of Cub Koda classic LABEL PROMO MB $30 MB $20 20.
Recommended publications
  • Howlin' Wolf, Muddy Waters, Bo Diddley
    Howlin' Wolf The Super Super Blues Band mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: The Super Super Blues Band Country: Europe Released: 1992 Style: Chicago Blues MP3 version RAR size: 1262 mb FLAC version RAR size: 1907 mb WMA version RAR size: 1900 mb Rating: 4.3 Votes: 300 Other Formats: DMF XM MMF WMA ASF RA DXD Tracklist Hide Credits Long Distance Call 1 9:15 Written-By – McKinley Morganfield Ooh Baby / Wrecking My Love Life 2 Written By – Ellas McDaniel / Clifton James-Kay McDanielWritten-By [Ooh Baby] – Ellas 6:34 McDanielWritten-By [Wrecking My Love Life] – Clifton James, Kay McDaniel Sweet Little Angel 3 6:38 Written-By – Robert McCollum Spoonful 4 4:13 Written-By – Willie Dixon Diddley Daddy 5 5:12 Written By – Ellas McDaniel-Harvey FuquaWritten-By – Ellas McDaniel, Harvey Fuqua The Red Rooster 6 7:25 Written-By – Willie Dixon Goin' Down Slow 7 4:49 Written-By – James B. Oden Companies, etc. Distributed By – BMG Credits Bass – Buddy Guy Drums – Clifton James Guitar – Hubert Sumlin Liner Notes [Original Lp Release] – Richard Meltzer Liner Notes [Reissue Note] – A.M.* Other [Cd Reissue Coordination] – Andy McKaie Other [Digitally Transferred By] – Robert Stroughton Piano – Otis Spann Vocals, Guitar – Bo Diddley, Muddy Waters Vocals, Harmonica, Acoustic Guitar – Howlin' Wolf Vocals, Tambourine – Cookie Vee Notes Recorded in Chicago, September, 1967 Originally released January 26, 1968 Digitally transferred from original masters MCA Studios, No. Hollywood, CA Made & printed in Germany Barcode and Other Identifiers
    [Show full text]
  • Peter 'Possum's Portfolio
    Peter 'Possum's Portfolio Rowe, Richard (1828-79) A digital text sponsored by Australian Literature Electronic Gateway University of Sydney Library Sydney 2000 http://setis.library.usyd.edu.au/ozlit © University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by J. R. Clarke, Sydney 1858 All quotation marks are retained as data. First Published: 1858 Languages: Australian Etexts criticism essays 1840-1869 prose nonfiction Peter 'Possum's Portfolio Sydney J. R. Clarke 1858 TO NICOL DRYSDALE STENHOUSE, ESQ., M.A., ETC., ETC., ETC., THE FAITHFUL FRIEND OF THE UNFORTUNATE, WHO VISITED ME WHEN I WAS A STRANGER, SICK, AND IN PRISON, AND WHOSE KINDNESS NEVER SINCE HAS FAILED, I DEDICATE THIS LITTLE BOOK: AS A SINCERE, ALTHOUGH SORRY, TOKEN OF MY GRATEFUL AFFECTION, COUPLED WITH THE WARMEST ADMIRATION OF HIS MENTAL GIFTS AND SCHOLARLY ATTAINMENTS. P.'P. Preface. I CANNOT plead, according to the approved mock-modest formula of incipient authors, “the importunities of, perhaps, too partial friends,” as my excuse for rushing into authorship. I am urged by a far more genuine, and disagreeable motive. My purse, like Falstaff's, has long suffered from atrophy. “I can get no remedy,” says the fat knight, “against this consumption of the purse: borrowing only lingers and lingers it out, but the disease is incurable.” The malady, however, may be alleviated; and it is in the hope of escaping, for a time, from the pangs of this detestable impecuniosity that I publish my tiny volume.
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • Myspace.Com - - 43 - Male - PHILAD
    MySpace.com - WWW.RECORDCASTLE.COM - 43 - Male - PHILAD... http://www.myspace.com/recordcastle Sponsored Links Gear Ink JazznBlues Tees Largest selection of jazz and blues t-shirts available. Over 100 styles www.gearink.com WWW.RECORDCASTLE.COM WWW.RECORDCASTLE.COM is in your extended "it's an abomination that we are in an network. obama nation ... ron view more paul 2012 ... balance the budget and bring back tube WWW.RECORDCASTLE.COM's Latest Blog Entry [ Subscribe to this Blog ] amps" [View All Blog Entries ] Male 43 years old PHILADELPHIA, Pennsylvania WWW.RECORDCASTLE.COM's Blurbs United States About me: I have been an avid music collector since I was a kid. I ran a store for 20 years and now trade online. Last Login: 4/24/2009 I BUY PHONOGRAPH RECORDS ( 33 lp albums / 45 rpms / 78s ), COMPACT DISCS, DVD'S, CONCERT MEMORABILIA, VINTAGE POSTERS, BEATLES ITEMS, KISS ITEMS & More Mood: electric View My: Pics | Videos | Playlists Especially seeking Private Pressings / Psychedelic / Rockabilly / Be Bop & Avant Garde Jazz / Punk / Obscure '60s Funk & Soul Records / Original Contacting WWW.RECORDCASTLE.COM concert posters 1950's & 1960's era / Original Beatles memorabilia I Offer A Professional Buying Service Of Music Items * LPs 45s 78s CDS DVDS Posters Beatles Etc.. Private Collections ** Industry Contacts ** Estates Large Collections / Warehouse finds ***** PAYMENT IN CASH ***** Over 20 Years experience buying collections MySpace URL: www.myspace.com/recordcastle I pay more for High Quality Collections In Excellent condition Let's Discuss What You May Have For Sale Call Or Email - 717 209 0797 Will Pick Up in Bucks County / Delaware County / Montgomery County / Philadelphia / South Jersey / Lancaster County / Berks County I travel the country for huge collections Print This Page - When You Are Ready To Sell Let Me Make An Offer ----------------------------------------------------------- Who I'd like to meet: WWW.RECORDCASTLE.COM's Friend Space (Top 4) WWW.RECORDCASTLE.COM has 57 friends.
    [Show full text]
  • 8-20-19 Auction Ad
    John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Tuesday, August 20, 2019 at 7:00 p.m. PT See #50 See #51 Original 1950’s, 1960’s, Early 1970’s Rock & Roll 45’s Auction 1. Billy Adams — “Betty And Dupree/Got CAPRICORN 8003 M-/VG+ WHITE 34. The Animals — “The House Of The 53. John Barry And His Orchestra — My Mojo Workin’ ” SUN 389 M- MB $20 LABEL PROMO MB $10 Rising Sun/Talkin’ ’Bout You” M-G-M “Goldfinger/Troubadour” UNITED 2. Billy Adams — “Trouble In Mind/Lookin’ 20. Allman Brothers Band — “Revival (Love 13264 VG+/M- WITH PICTURE SLEEVE ARTISTS 791 M- MB $20 For My Mary Ann” SUN 391 M- MB $20 Is Everywhere)/SAME” CAPRICORN as shown MB $30 3. Billy Adams — “Reconsider Baby/Ruby 8011 VG+/M- WHITE LABEL PROMO with 35. The Animals — “Inside-Looking Out/ Jane” SUN 394 M- MB $20 MONO version on one side and STEREO You’re On My Mind” M-G-M 13468 M- 4. Billy Adams — “Open The Door Richard/ version on the other side MB $10 MB $20 The BEATLES! Rock Me Baby” SUN 401 MINT MB $25 21. Allman Brothers Band — “Midnight 5. Nick Adams — “Born A Rebel/Bull Hour/SAME” CAPRICORN 8014 VG+ (See Insert On Next Page) Run” MERCURY 71579 M- WHITE WHITE LABEL PROMO with MONO LABEL PROMO MB $20 version on one side and STEREO version 6.
    [Show full text]
  • Singalong Songs Alles Kampvuurmuziek
    Singalong Songs Alles Kampvuurmuziek Terug naar inhoudsopgave 1 Singalong Songs Alles Kampvuurmuziek --- Inhoudsopgave --- 26. Bill Withers - Ain't No Sunshine ........................................ 37 27. Earth Wind & Fire - Fantasy .............................................. 38 28. Bob Marley & The Wailers - No Woman No Cry ............. 39 29. Neil Young - Like A Hurricane .......................................... 40 30. Pointer Sisters – Fire .......................................................... 41 1. The Mamas & The Papas - California Dreamin' ................... 9 31. Grease – You’re the one that I want ................................... 42 2. Stand by me - Ben King ...................................................... 10 32. Meat Loaf - Paradise By The Dashboard Light ................. 43 3. Janis Joplin - Me and Bobby McGee .................................. 11 33. Soft Cell - Tainted Love ..................................................... 47 4. Johnny Cash - Ring Of Fire ................................................ 12 34. Golden Earring - When The Lady Smiles .......................... 48 5. Creedence Clearwater Revival - Proud Mary ..................... 13 35. Janis Ian - The Other Side of the Sun ................................. 49 6. Little Richard - Tutti Frutti ................................................. 14 36. George Michael - I knew you were waiting for me ........... 50 7. Jerry Lee Lewis – Great Balls Of Fire ................................ 15 37. George Michael – Faith .....................................................
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
    POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ SC 1976-08-03 P-1 --------- 1976-08-03 / SC CP017359 / MEB491 Sonic Rendezvous Band at Second Chance [Ann Arbor, MI] Artist: Freddie Brooks Venue: Second Chance Promoter: Michigan Music Items: Original poster SC Edition 1 / CP017359 / MEB491 Performers: 1976-08-03: Second Chance Sonic Rendezvous Band ------------------------------ SC 1976-08-24 P-1 --------- 1976-08-24 / SC CP017352 / MEB484 Sonic Rendezvous Band at Second Chance [Ann Arbor, MI] Artist: Freddie Brooks Venue: Second Chance Items: Original poster SC Edition 1 / CP017352 / MEB484 Performers: 1976-08-24: Second Chance Sonic Rendezvous Band ------------------------------ 1978-04-12 P --------- 1978-04-12 / CP060627 / CP060627 Stranglers, Tuff Darts at Second Chance [Ann Arbor, MI] Artist: Dennis Loren Venue: Second Chance Items: Original poster / CP060627 / CP060627 (11 x 17) Performers: 1978-04-12: Second Chance Stranglers / Tuff Darts / Destroy All Monsters ------------------------------ SC 1979-04-12 P-1 --------- 1979-04-12 / SC CP012814 / DL19790412 Stranglers at Second Chance [Ann Arbor, MI] Artist: Dennis Loren Venue:
    [Show full text]
  • The Jody Williams Story
    THE JODY WILLIAMS STORY Howlin’ Wolf, Jody Williams, Earl Phillips and Hubert Sumlin. Chicago circa mid 1950s. From the B&R Archives. Interview by Mike Stephenson y name is Joseph Leon Williams, that’s the styles because some of the people who were around also impressed me. People who I played with I’d pick up a little bit here and there because at that name my mother gave me. I’ve been called age I was trying to learn all I could. When I got started on guitar, Bo Diddley a little of everything over the years, but taught me how to tune the guitar to an open E. He taught me how to play the M bass background but his playing was limited, I wanted to learn more. I was Jody is a nickname. When I started recording, if hungry for knowledge on the guitar so I would hang around in the clubs and they had put Joe Williams on the record they might stuff like that. You could say I was getting on the job training. have confused me with the singer Joe Williams I started to come into contact with more and more people. I don’t recall how I got into the studio but I went to Chess Studios first around 1956. Willie Dixon who was with Count Basie! So people would have helped me. This is the guy who wrote many tunes, matter of fact he wrote the been buying his recordings thinking it was me and first tune that I recorded and he’s playing on it – ‘Lookin’ For My Baby’ (Blue Lake 116).
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E1204 HON
    E1204 CONGRESSIONAL RECORD — Extensions of Remarks June 11, 2008 to bring about funding for the National Under- of this Administration in fact constitute grounds Diddley is the author of a body of songs— sea Research Program, the Integrated Ocean for impeachment—and I do not think that including ‘‘Who Do You Love?’’ ‘‘Road Run- Observing Program, and a range of fisheries Members of the House should be called upon ner,’’ ‘‘Mona,’’ ‘‘Before You Accuse Me’’ and research programs. to reach that conclusion today. ‘‘I’m a Man’’—that are among the earliest ex- No stranger to the community, Dr. Grassle Before the House is asked to reach such a amples of rock and roll rising out of rhythm is a member of numerous professional organi- draconian conclusion, the president should and blues. Diddley married into his music two zations, including the New Jersey Academy of have an opportunity to respond to the resolu- worlds he knew well—the Deep South and the Sciences, the American Society of Naturalists, tion’s charges and the statements and actions streets of Chicago. He formed a band called the Estuarine Research Federation, the Na- it cites in support of those charges. Before we the Hipsters while in high school and landed tional Association of Marine Laboratories and are asked to vote on the resolution, we should a regular spot at the 708 Club on Chicago’s the Oceanography Society, to name a few. He have the benefit of hearing from appropriate South Side in 1951. also served as Past President of the Inter- legal experts and other qualified witness and Diddley’s earliest records were contempora- national Association of Biological Oceanog- the Judiciary Committee should prepare a re- neous with those of label mate Chuck Berry.
    [Show full text]
  • Frank Zappa, Captain Beefheart and the Secret History of Maximalism
    Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing.
    [Show full text]
  • November '92 Sound
    mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor.
    [Show full text]