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The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Encounters with the Neighbour in 1970S' British Multicultural Comedy
Postcolonial Interventions, Vol. IV, Issue 1 Encounters with the Neighbour in 1970s’ British Multicultural Comedy Sarah Ilott “If you don’t shut up, I’ll come and move in next door to you!” Such was the frequent response to audience heckles made by Britain’s first well-known black come- dian, Charlie Williams (Leigh 2006). Williams’s response appropriated racist rhetoric of the time, in which the black neighbour was frequently mobilised as an object of fear, threatening the imagined homogeneity of for- merly white communities. Having frequently been on the receiving end of racist taunts such as “Get back to Af- rica” as a professional footballer for Doncaster Rovers in the 1940s and ’50s, Williams was able to claim some 14 Postcolonial Interventions, Vol. IV, Issue 1 of the power of the Teller of the joke through such put-downs, rather than solely occupying the position of the Butt of racist jokes and slurs. However, the fact was that Williams was forced to rely on self-deprecation and the reiteration of racial stereotype gestures to his need to find favour with the predominantly white audiences of the northern working men’s clubs that he toured and the mainstream audiences of ITV’s prime time hit, The Comedians (ITV, 1971-93), on which he was showcased alongside notable racists such as Bernard Manning. De- spite lamenting the “very stupid and very immature” tone of Williams’s self-mocking jokes, comedian Lenny Henry – who lived with the unfortunate legacy of what was expected of black comedians, particularly in the North – acknowledged that Williams did “what you’ve got to do if it’s a predominantly white audience – you’ve got to put yourself, and other people, down” (qtd. -
Marriage Fifth Paper for Montana Church Workers' Conference 10
Marriage Fifth Paper for Montana Church Workers’ Conference 10/2020 Deac. Mary J Moerbe God’s Word echoes throughout creation. (I love that image from Luther). And what happens? All over the world, throughout every age, most people look to get married. People look for a helpmate. They make a lifelong commitment to care for this one person of the opposite sex until death. This is not dependent on a church wedding or Christianity. Scripture never questions foreign or unbeliever marriages, but teaches that marriage is an institution given to humanity during the time of creation’s perfection. Interestingly, Adam had no choice in his partner, nor did Eve. In the beginning, God made one flesh and from it came the second. Then the two came together again in a way “to be fruitful and multiply and fill the earth and subdue it and have dominion” (*Gen 1:28). God created them, brought them together, married them, and blessed them. He kept them in all the beautiful nuance of the ancient term. He made His face to shine upon them and was gracious to them. He lifted up His countenance upon them and gave them peace (Numbers 6:24-27). I don’t think it goes too far to say God keeps marriage. Marriage is the only relationship restricted to one other person, and, on this earth, it is decidedly marked with a beginning and an end. A man leaves his family to become one flesh with a woman. The two are united, bringing both sexes into a permanent relationship with lots of practical implications. -
Dialects of London East End and Their Representation in the Media
Vanja Kavgić Dialects of London East End and their representation in the media. Cockney dialect and Multicultural London English in British sitcoms. MASTER THESIS submitted in fulfilment of the requirements for the degree of Master of Arts Programme: Master's programme English and American Studies Alpen-Adria-Universität Klagenfurt Evaluator Univ.-Prof. Mag. Dr. Alexander Onysko Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Klagenfurt, June 2018 Affidavit I hereby declare in lieu of an oath that - the submitted academic thesis is entirely my own work and that no auxiliary materials have been used other than those indicated, - I have fully disclosed all assistance received from third parties during the process of writing the thesis, including any significant advice from supervisors, - - any contents taken from the works of third parties or my own works that have been included either literally or in spirit have been appropriately marked and the respective source of the information has been clearly identified with precise bibliographical references (e.g. in footnotes), - to date, I have not submitted this thesis to an examining authority either in Austria or abroad and that - - when passing on copies of the academic thesis (e.g. in bound, printed or digital form), I will ensure that each copy is fully consistent with the submitted digital version. I understand that the digital version of the academic thesis submitted will be used for the purpose of conducting a plagiarism assessment. I am aware that a declaration contrary to the facts will have legal consequences. Vanja Kavgic e.h. Klagenfurt, 28.06.2018 1 Table of Contents AKNOWLEDGEMENTS ...................................................................................................................... -
DIRECT DEMOCRACY: an Agenda for a New Model Party
29505_J Norman_NMP 7/6/05 13:35 Page C DIRECT DEMOCRACY: An Agenda for a New Model Party direct-democracy.co.uk 29505_J Norman_NMP 7/6/05 13:35 Page D First published 2005 Copyright © 2005 The Authors We actively encourage the reproduction of this book's ideas, particularly by ministers and civil servants. Published by direct-democracy.co.uk A CIP catalogue record of this book is available from the British Library ISBN 0-9550598-0-1 Typeset and printed by Impress Print Services Ltd, London 29505_J Norman_NMP 7/6/05 13:35 Page E Contents Introduction 1 Chapter One: The Tory Collapse 7 Chapter Two: The Rise of Anti-Politics 21 Chapter Three: Command Politics 34 Chapter Four: Direct Democracy 44 ILocal Government 46 II Crime 54 III Education 65 IV Health 74 VConstitutional Reform 81 VI New Model Party 96 A Note on the Authors 101 29505_J Norman_NMP 7/6/05 13:35 Page F "All decisions are delegated by politicians, because politicians don't want to take responsibility for them, to quangoes, and quangoes aren't answerable to anybody. Now what can you really hold a politician responsible for in domestic policy?" Lord Butler of Brockwell, Cabinet Secretary and Head of the Home Civil Service 1988–1998 December 2004 "It may be that the era of pure representative democracy is slowly coming to an end." Peter Mandelson, European Commissioner March 1998 29505_J Norman_NMP 7/6/05 13:35 Page 1 INTRODUCTION So it goes on. Once again, the Conservative Party is starting a new parliament with fewer MPs than Labour enjoyed in 1983, its popularity declining in important areas of our country, its future insecure. -
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
T H E S L a R B U R S T I N T E R V I E W T E R R Y N a T I
The Slarburst Interview TERRY NATION -creator-writer of BLAKE'S 7, The DALEKS and The SURVIVORS erry Nation is best-known for his fantasy Parnell's Startime and the Elsie and Doris the world". At which point, "the BBC came up writing: as creator of the Daleks and now Waters' Floggits series. In all, he wrote more with this idea for this crazy doctor who travelled TBlake's 7. But it wasn't always that way. than 200 radio comedy shows. But, by that time, through time and space. They called my agent, He originally wanted to get up on a stage and he had decided his comedy writing "wasn't really my agent called me, Hancock said Don't write be laughed at. very good". for flippiri' kids and I told my agent to turn it Born in Cardiff, Wales, he grew up during So he turned down the chance to write four tv down." Luckily, Hancock and Nation had a World War II. His father was away in the army episodes of The Army Game (ironically starring "dispute", parted company and Nation agreed and his mother was an air-raid warden, so there the first Dr. Who, William Hartnell). Instead, he to work on Dr Who. But then Eric Sykes offered were times when he would sit alone in the air-raid him a comedy writing assignment in Sweden, so shelter as German planes bombed Cardiff. He he wrote the seven episodes of the first Dalek says he believes in the only child syndrome: story (The Dead Planet) in seven days and left to "Being an only child (as he was), you have to join Sykes. -
Austerity, Affluence and Discontent in the United Kingdom, .1951-1979
AUSTERITY, AFFLUENCE AND DISCONTENT IN THE UNITED KINGDOM, .1951-1979 Part 5: “Love Thy Neighbour” Immigration and Race Relations, c. 1951–1979 Source 1: Black revellers confront the police during the 1976 Notting Hill Carnival riots 2 Austerity, Affluence and Discontent in the United Kingdom, c.1951–1979: Part 5 Introduction Before the Second World War there were very few non-white people living permanently in the UK, but there were 2 million by 1971. Two thirds of them had come from the Commonwealth countries of the West Indies, India, Pakistan and Hong Kong, but one third had been born in the UK. The Commonwealth was the name given to the countries of the British Empire. However, as more and more countries became independent from the UK, the Commonwealth came to mean countries that had once been part of the Empire. Immigration was not new. By the 1940s there were already black communities in port cities like Bootle in Liverpool and Tiger Bay in Cardiff. Groups of Chinese people had come to live in the UK at the end of the 19th century and had settled in Limehouse in London, and in the Chinatown in Liverpool. Black West Indians had come to the UK to fight in the Second World War. The RAF had Jamaica and Trinidad squadrons and the Army had a West Indian regiment. As a result there were 30,000 non-white people in the UK by the end of the war.1 The British people had also been very welcoming to the 130,000 African-American troops of the US Army stationed in the UK during the war. -
©2013 Tal Zalmanovich ALL RIGHTS RESERVED
©2013 Tal Zalmanovich ALL RIGHTS RESERVED SHARING A LAUGH: SITCOMS AND THE PRODUCTION OF POST-IMPERIAL BRITAIN, 1945-1980 by TAL ZALMANOVICH A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Prof. Bonnie Smith And Approved by ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- New Brunswick, New Jersey May, 2013 ABSTRACT OF THE DISSERTATION Sharing a Laugh: Sitcoms and the Production of Post-Imperial Britain, 1945-1980 By Tal Zalmanovich Dissertation Director: Bonnie Smith Sharing a Laugh examines the social and cultural roles of television situation comedy in Britain between 1945 and 1980. It argues that an exploration of sitcoms reveals the mindset of postwar Britons and highlights how television developed both as an industry and as a public institution. This research demonstrates how Britain metamorphosed in this period from a welfare state with an implicit promise to establish a meritocratic and expert-based society, into a multiracial, consumer society ruled by the market. It illustrates how this turnabout of British society was formulated, debated, and shaped in British sitcoms. This dissertation argues that both democratization (resulting from the expansion of the franchise after World War I) and decolonization in the post-World War II era, established culture as a prominent political space in which interaction and interconnection between state and society took place. Therefore, this work focuses on culture and on previously less noticed parties to the negotiation over power in society such as, media institutions, media practitioners, and their audiences. -
Daniels__Oldfield__Deborah TF
TRABAJO DE FIN DE MÁSTER EN ESTUDIOS LITERARIOS Y CULTURALES INGLESES Y SU PROYECCIÓN SOCIAL FROM EAST CHEAM TO CHINGFORD VIA PECKHAM: BRITAIN’S JOURNEY FROM THE 1950s TO THE PRESENT DAY, AS SEEN THROUGH HER SITCOMS. DEBORAH DANIELS OLDFIELD TUTORA: DRA. MARÍA LUZ ARROYO VÁZQUEZ FACULTAD DE FILOLOGÍA UNED CONVOCATORIA JUNIO – CURSO ACADÉMICO 2020-21 Trabajo de Fin de Máster en Estudios Literarios y Culturales Ingleses y Su Projección Social Título del Trabajo: From East Cheam To Chingford Via Peckham: Britain’s Journey From the 1950s To the Present Day, As Seen Through Her Sitcoms. Autora: Deborah Daniels Oldfield Tutora: Dra. María Luz Arroyo Vázquez Facultad de Filología UNED Convocatoria: Junio – Curso Académico 2020-21 1 TABLE OF CONTENTS Table of Contents………………………………………………………………………...…2 List of Television Sitcoms Featured………………………………………………………...3 1. Introduction………………………………………………………………………………6 2. Post-war Britain Gives Birth To the Television Sitcom.…………………..…………..12 2.1. Britain in the 1950s – Rebuilding the Nation……………………………………...12 2.2. Television Sitcoms in the 1950s – Class, Conscripts and Competition..………….15 3. The Swinging Sixties and the Striking Seventies Herald the “Golden Age” of the Sitcom…………………………………………………………………………………..21 3.1. Britain in the 1960s – They’d Never Had It So Good……..……………………... 21 3.2. Television Sitcoms in the 1960s – Clergy, Chaos and “Coons”….……....……….26 3.3. Britain in the 1970s – The Nation Crumbles…………………………...………….35 3.4. Television Sitcoms in the 1970s – Insults, Intolerance, and Ire……..…...………..41 4. The Exciting Eighties and Notorious Nineties Initiate the Age of Sitcom “Girl Power”…………………………………………………………………………….53 4.1. Britain in the 1980s – The Ladies Step Forward……………………....…………..53 4.2. Television Sitcoms in the 1980s – Wartime Witticisms, Wheeler-Dealers, and Women…………………………………………………………………………….59 4.3. -
Are We There Yet? a Collection on Race and Conservatism
are we there yet there we are are we there yet? | a collection onand race conservatism a collection a collection on race and conservatism Edited by Max Wind-Cowie Collection 31 Demos is a think-tank focused on power and politics. Our unique approach challenges the traditional, 'ivory tower' model of policymaking by giving a voice to people and communities. We work together with the groups and individuals who are the focus of our research, including them in citizens’ juries, deliberative workshops, focus groups and ethnographic research. Through our high quality and socially responsible research, Demos has established itself as the leading independent think-tank in British politics. In 2011, our work is focused on five programmes: Family and Society; Public Services and Welfare; Violence and Extremism; Public Interest and Political Economy. We also have two political research programmes: the Progressive Conservatism Project and Open Left, investigating the future of the centre-Right and centre-Left. Our work is driven by the goal of a society populated by free, capable, secure and powerful citizens. Find out more at www.demos.co.uk. First published in 2011 © Demos. Some rights reserved Magdalen House, 136 Tooley Street London, SE1 2TU, UK ISBN 978-1-906693-82-4 Copy edited by Susannah Wight Series design by modernactivity Typeset by modernactivity Set in Gotham Rounded and Baskerville 10 are we there yet? Edited by Max Wind-Cowie Open access. Some rights reserved. As the publisher of this work, Demos wants to encourage the circulation of our work as widely as possible while retaining the copyright. -
Bishop James Foley's Christmas Message
Email: [email protected] 2020 CHRISTMAS MESSAGE You may need to be of my vintage or older to remember back to the days, or rather the nights, of Black and White Television, and that English satire ’Till Death Us Do Part with Warren Mitchell (more usually a fine Shakespearian actor) playing that cranky little man Alf Garnett. Well, in a Christmas episode Alf is telling his grand-daughter the Nativity Story, when she asked: Grandad, why was there no room in the Inn? (Lk 2/7) To which Alf’s long-suffering wife, ironing away in the corner, pipes up: Well, dear, we all know how busy it is at Christmas time! At which Alf gives her one of his withering glares and utters: Ah. cor blimey Else you silly old moo. Well what has that irreverent and tasteless piece of nostalgia to say to us for Christmas 2020? Its Luke’s Gospel which explains why there was no room in the inn on that first Christmas. It was Census night: the first ….. Now it happened that at this time Caesar Augustus issued a decree that a census should be made of the whole world. This census - the first - took place while Quirinius was governor of Syria, and everyone went to be registered, each to his own town. So Joseph set out from the town of Nazareth in Galilee for Judaea, to David's town called Bethlehem, since he was of David's House and line, (Scripture scholars however do struggle to reconcile what is known of the dates of these population counts and their required places of recording.