Affleck-Graves Introduces Vision
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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Tupac Shakur 29 Dr
EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast, -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
DJ Master Mix CD List
DJ Master Mix CD List ***Background Music*** 25 Gloria in Excelsis Deo (vocal) 2 Pennsylvania 6-5000 3 Chatanooga Choo-Choo 101 Strings Play Frank Sinatra ***Background Music*** 4 String of pearls 1 All the way 25 All Time Christmas Favorites Di 5 In the mood 2 Strangers in the night 1 Jingle bells (pop) 6 Sunrise serenade 3 Fly me to the moon 2 Joy to the world (pop) 7 Johnson rag 4 New York, New York 3 Deck the halls (pop) 8 American patrol 5 The lady is a tramp 4 We wish you a merry Christmas (pop) 9 Kalamazoo 6 Come fly with me 5 Hark the herald angels sing (pop) 10 Bugle call rag 7 I've got you under my skin 6 Jolly old St. Nicholas (pop) 11 Anvil chorus 8 Young at heart 7 O Christmas Tree (pop) 12 Tuxedo junction 9 Just the way you look tonight 8 Auld Lang Syne (pop) 13 Moonlight cocktail 10 You're nobody till somebody loves you 9 The twelve days of Christmas(pop) 14 Serenade in blue 11 The shadow of your smile 10 We three Kings (pop) 12 Three coins in the fountain 11 Ave Maria (vocal) ***Background Music*** ***Background Music*** 12 Gloria a Jesu(vocal) Big Band Spectacular Vol. II 13 Alleluia (vocal) 1 One O'clock jump 15 of the World's Greatest Love Son 14 II Est Ne Le Divin Enfant 2 Jersey bounce 1 Wind beneath my wings 15 Silver Bells (vocal) 3 Frankie and Johnny were lovers 2 Always on my mind 16 Alleluiah 4 Stomping at the Savoy 3 All out of love 17 For unto us a child is born 5 Down south camp meeting 4 Dust in the wind 18 The trumpet shall sound 6 Jumping at the woodside 5 Lady in red 19 Amen 7 Let's dance 6 Up where we -
In Questo Numero
ININ QUESTO QUESTO NUMERO:NUMERO: COMPILATION 2005 Premio Amnesty Italia A PAOLA TURCI musica: Andate ed emozionatevi! Intervista a Sandy Mܨller Intervista a Melania G. Mazzucco Ascoltati e letti per voi Globalizzare i diritti dell’uomo ROCK FOR AMNESTY pag165x240muller 3306 13:19 Pagina 1 stanno arrivando numerose proprio in questi giorni, e la prossima fanzine che avrete per le mani vi dirà tutto. E poi continuate a seguirci numerosi (sembra incredibile ma abbiamo quasi 10.000 visite mensili!!!) sul nostro sito dove, ultima novità, potrete trovare disponibili tutti i cd di Voci per la Libertà e come sempre tutte le news relative al festival e a tutto ciò che ci ruota attorno. A fine giugno il programma sarà completato, ottimo e abbondante come sempre, e il festival a quel punto sarà vostro, a disposizio- EDITORIALE ne di chi cerca dell’ottima musica e non ne può più di cover-band, di chi vuole conoscere Amnesty International e E’ la prima volta che mi viene “concesso” l’onore di scrive- i temi di cui si occupa, di chi vuole passare una serata in re l’editoriale di VXL (“Vuperelle”), la fanzine del concorso compagnia bevendo una birra fresca, di chi è in cerca di Voci per la libertà - Una Canzone per Amnesty, e questo un’occasione per conoscere qualcuno e di tutti quelli che capita in un momento in cui molte cose stanno accadendo avranno voglia di venirci a trovare, dal 19 al 24 luglio, come dentro e intorno al concorso, cose che in quel freddo inver- sempre a Villadose. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Homosociality and Black Masculinity in Gangsta Rap Music
J Afr Am St (2011) 15:22–39 DOI 10.1007/s12111-010-9123-4 ARTICLES Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music Matthew Oware Published online: 20 March 2010 # Springer Science+Business Media, LLC 2010 Abstract Hip hop, specifically gangsta rap music, reflects a stereotypical black masculine aesthetic. The notion of a strong black male—irreverent, angry, defiant and many times violent—is pervasive in gangsta rap music. This badman trope, as characterized by Robin Kelley (1996), oftentimes encompasses hypermasculinity, misogyny, and homophobia. It should come as no surprise that this genre of rap music is rife with sexist themes and lyrics. Yet, what has not been fully explored are the progressive ways that male rappers express themselves towards others considered comrades or “homies.” Homosociality (Bird 1996; Sedgwick 1995), non-sexual positive social bonds, exists in gangsta rap music between men. This study explores the notion of homosociality in this genre of music, analyzing the lyrics of male rap artists who have sold one million or more of their compact discs, for a total of 478 songs. I attempt to further unpack the idea of hegemonic black masculinity, presenting an alternative understanding of its deployment and manifestation in this music. Keywords Black masculinity . Hip hop . Rap . Homosociality Gangsta rap music, the most popular selling subgenre of rap music, is predicated on an essentialized and limited construction of black masculinity. Various scholars have discussed the notion of black male authenticity within rap music (Kitwana 2002; Ogbar 2007; Rose 2008). Many rappers construct a black male subjectivity that incorporates the notion that masculinity means exhibiting extreme toughness, invulnerability, violence and domination (Anderson 1990, 1999; Collins 2005; Majors and Billson 1992; Neal 2006). -
The Cord Weekly
The CordThe tie that binds since 1926 Weekly Volume 46 Issue 20 WEDNESDAY JANUARY 25,2006 www.cordweekly.com Grits win K-W, lose Canada Matt Symes WON THE BATTLE, LOST THE WAR - An ambivalent Andrew Telegdi stands alongside wife Nancy and daughter Erin on Monday night, moments after being elected for a fifth-straight term as Kitchener-Waterloo's MP. When he goes back to Ottawa, Telegdi will find himself on the other side of the floor as a member of the official opposition. DAN POLISCHUK "1 guess you can never be too News Editor sure, but judging by how his cam- Kitchener-Waterloo Election Results paign went... I'm hoping he'll be a As Stephen Harper and his good leader," said Champagne, Conservative Party were on the who got a chance to ask a direct brink of being chosen to lead question to Harper during CBC's Canada, the reaction of Laurier Your Turn. student Colin Sutton-Quaid may While there was a lot more blue have rung true with many stu- showing up across the Canadian dents across the country watching political landscape on Monday, the final results appear. one riding that remained in the "Fucking hell!" yelled Quaid, a grips of the Liberals was that of first-year psychology student, while Kitchener-Waterloo. glancing at the figures that would Incumbent Andrew Telegdi eventually show the Conservatives gained 10,000 more votes than his taking over Parliament with a closest competitor, Conservative minority mandate. Amjer Mandur. Telegdi will now With 124 seats, the Tories serve a Fifth straight term in Ottawa. -
The Moving Image Collection of Matador Records
New York University Tisch School of the Arts New York, NY We Are Underused The Moving Image Collection of Matador Records by Seth Anderson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Moving Image Archiving and Preservation May 7, 2012 Anderson - We Are Underused Table of Contents 1. Acknowledgments 3 2. Introduction and Scope 4 3. Collection History 6 4. Content Appraisal 10 5. Physical Appraisal 12 6. Format Assessment 21 7. Descriptive Systems 30 8. Intellectual Property 32 9. Recommendations 34 10. Work Plan and Budget 53 Appendix A: Workflow 58 Appendix B: Vendors 59 Appendix C: Videography 61 Appendix D: Inventory 79 2 Anderson - We Are Underused 1. Acknowledgments I would like to thank the staff of Matador Records and Beggars Group, especially Gabe Spierer, Patrick Amory, Robby Morris, and Jesper Eklow, for their time and assistance with this project; Nils Bernstein, Brett Vapnek, and Chris Lombardi for indulging me with interviews; Peter Oleksik, my advisor, who provided encouragement and guidance; the faculty of MIAP, and Alicia, for their constant support; my fellow Crazy Eights, we did it; and finally Ingrid Ostby for her love and support. 3 Anderson - We Are Underused 2. Introduction and Scope Since the record label’s founding twenty-three years ago, Matador Records has and continues to accumulate moving image materials for the promotion and documentation of the label’s artists. As a subsidiary of Beggars Group, an umbrella company that owns or distributes four independent record labels (including 4AD Records, XL Recordings, Rough Trade Records, and Matador Records), Matador continues to release new albums, generating more promotional media with each one. -
Txostena 2004 Memoria
Txostena 2004 Memoria METAPOLIS PROJECT 972 Aurkezpena-gutuna 5 Administrazio batzordea 8 2004ko Antzezpenak 11 ZINEBI 2004 41 Kolaborazioak 47 Estatistikak 51 Jarduerak 61 Azpiegitura 65 Antzokiko produkzioak 69 Harremanak 73 Esker onak 75 Kredituak 76 Carta de presentación 5 Consejo de administración 8 Espectáculos 2004 11 ZINEBI 2004 41 Colaboraciones 47 Estadísticas 51 Eventos 61 Infraestructuras 65 Producciones propias 69 Contacto 73 Agradecimientos 75 Créditos 76 AURKIBIDEA ÍNDICE 3 Oraingoan ere, urteko memoria honen bitartez, Arriaga De nuevo el Teatro Arriaga quiere hacer públicos, mediante Antzokiak jendaurrean aurkeztu nahi ditu joan zen la presentación de esta memoria anual, los resultados 2004. urteko ekitaldietan jasotako emaitzak. Zenbat obtenidos en las actividades desarrolladas a lo largo del ikusle etorri ziren urtean zehar eta zein ekitaldi pasado año 2004. Cuántos espectadores acudieron a lo ikustera; agertokian izan genuen arte-adierazpide largo de todo el año, y a cada espectáculo. Qué acogida bakoitzak –dantza, antzerkia, musika, zartzuela, tuvo cada una de las artes –danza, teatro, música, zarzuela, eszena irekia...– nolako harrera izan eta zenbat diru escena abierta…- que ocuparon su escenario y qué ingresos ekarri zuen. generaron. Lan hau argitaratzearen zergatia bikoitza da. Lehenik, El motivo de este trabajo y su publicación es doble. En kultur enpresa honi eusten diotenen aurrean azaldu nahi primer lugar dar cuenta ante quienes sostienen esta dugu aurreikusitako emaitzak lortu egin ditugula. Ez empresa cultual