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This Interview Is Being Conducted on Barry Chism. Let's Start with The
This interview is being conducted on Barry Chism. Let's start with the beginning of your life. When were you born? Mr. Chism: I was born on May 21, 1925, about a mile and a half south of here in Greenbrier, Tennessee and I haven't been afar from this spot forever. With the exception of going to war... Mr. Chism: Well that was not voluntary, but I did go. I was kind of hoping and kind of hoping and kind of thinking that the war was going to end before I got into it because of my age. I was drafted a twenty-five year old man and pretty soon they dropped it down to a twenty-one year man and I thought that I was still in pretty good shape. I wasn't twenty-one yet but I was still in high school. I believe it was in 1942 that they dropped the draft age down to eighteen. But they guaranteed you; supposedly, a year’s training before you go overseas. That was in the bill that passed by our lawmakers at that time. No person under the age of nineteen would be sent overseas. I still thought I was in pretty good shape. So I did manage to graduate from high school, then the draft got me. I wound up beginning to take basic training at Fort McClellan, Alabama. But first they pick you up and send you to what is called a reception center. I don’t know why they call those things reception centers. We didn't get such a good reception there. -
The Gendered Feast: Experiencing a Georgian Supra Laura Joy Linderman
The Gendered Feast: Experiencing a Georgian Supra Laura Joy Linderman Abstract: The supra is a traditionalized feast in post-Soviet Georgia characterized by abundant food and ritualized drinking. It is extremely common in social life, especially in rural Georgia. Secular rituals, social occasions, national and religious holidays and life cycle transitions are accompanied by the ubiquitous supra. The supra has been examined by anthropologists as a site for macro level analyses that put forward structural or cultural theories for the underlying meaning of this ritual-for-all-occasions. Women’s experiences of and roles in the supra have often been overlooked or misrepresented in these studies. In this thesis I investigate women’s varied roles at a supra and problematize the idea that the supra demonstrates a model of society, with a paragon of masculinity at the center. I question the static image of an idealized supra that is only capable of reproducing a particular cultural model and argue that the supra is flexibly employed with a great deal of social life being oriented around preparing and participating in supras. Women’s experiences of the supra (like men’s) is different depending on the type of supra, the other participants involved, the age of the woman, her class and her particular geographical location. Keywords: post-Soviet, Georgia (Republic), cultural anthropology, feast, banquet, ritual, gender Introduction The supra was the worst and best experience I had in Georgia. Georgians have supras about 3 times a week to celebrate different things, whether it be a wedding, holiday, etc. In this case, the supra was for us. -
Regional Oral History Office University of California the Bancroft Library Berkeley, California
Regional Oral History Office University of California The Bancroft Library Berkeley, California Faith Traversie Rosie the Riveter World War II American Homefront Oral History Project A Collaborative Project of the Regional Oral History Office, The National Park Service, and the City of Richmond, California Interviews conducted by Elizabeth Castle in 2005 Copyright © 2007 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Faith Traversie. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
NEWSLETTER Vol
TheAATSEEL NEWSLETTER American Association of Teachers of Slavic & East European Languages Contents Message from the AATSEEL President ..........................1 Letter from the Editor ...........................1 State of the Field ...................................2 Member News .......................................4 Technology & Language Learning .....5 Everything You Always Wanted to Know about Grammar But Were Afraid to Ask ......................................9 Cross Cultural Communication .......11 Graduate Student Forum ...................13 Czech Corner .......................................14 Psychology of Language Learning .............................................16 Summer Language Programs ............18 Recent Publications ............................19 Professional Opportunities ...............22 Volume 53 Issue 4 December 2010 AATSEEL NEWSLETTER Vol. 53, Issue 4 December 2010 AATSEEL NEWSLETTER EDITORIAL STAFF AATSEEL POINTS OF CONTACT Editor: BETTY LOU LEAVER President: Assistant Editor: ANNA JACOBSON CARYL EMERSON Contributing Editors: VALERY BELYANIN Princeton University MOLLY THOMASY BLASING [email protected] President-Elect: ELENA DENISOVA-SCHMIDT NANCY CONDEE KATHLEEN EVANS-ROMAINE University of Pittsburgh SIBELAN FORRESTER [email protected] ALINA ISRAELI Past President: FERIT KILIÇkaya SIBELAN FORRESTER ANI KOKOBOBO Swarthmore College MILA SASKOVA-PIERCE [email protected] RACHEL STAUFFER Vice-Presidents: JULIE BUCKLER CURT WOOLHISER Harvard University NL Coordinates: [email protected] JULIE -
Ace Hood Make a Toast
Make a Toast Ace Hood This is no longer music It's a celebration homie Let's make a toast (Toast) To the young don And to the gangsters, until they postpone To all the hustlers, that's on the cash grind To those we lost to war and looking for a lifetime I do it for the G's, I do it for the streets This one for history, I'm toasting this to me Glasses in the air! (It's a celebration baby) I'm toasting this to me Glasses in the air! And this for history True story I was born into the Lord's glory Hustle and ambition, vision first class ported And that's according I was cordial on my first formal Trying to make a mill' coming off of four quarters I am so Florida Marlin in my own water Swimming with the sharks, slaughter anyting by the Feeling like an orphan, never knew my real father Guess that's why I'm going harder than my role model Signed to the biggest label that enable Carter Now they paying Hood out there to my armor model And every Ace of Spades bottle till the last swallow Only taint to ever trained to get the last dollar Black flag scholar, Louis Vuitton don A hundred for the watch, just waiting for the right time I just realized in my money state of mind I'm on another level devils meet me in the sky I used to wake up morning, yawning where I want to be People I want to meet, and places I've been dying to see No hope of selling coke or dope, I'm going back to sleep Now I awake with paper bags, cash under feet Throw up the W to represent my dynasty And all honesty the prodigy see no defeat Keep all apoligies, the modesty is all -
The Dinner Daily Resource Guide
THE DINNER DAILY RESOURCE GUIDE The goal of the Dinner Daily has always been to help busy folks strapped for time put delicious, inexpensive and healthy meals on the dinner table. With that in mind, the purpose of this resource guide is to provide practical tips and ideas to get the most out of our service and give you more flexibility to get the job done. Whether you need to substitute a recipe ingredient or figure out how to keep the kids busy while you are cooking, we have ideas for you: • Get dinner on the table faster and with less frustration • COVID 19 and tips for breakfast and lunch • Tips on storing fresh produce • Our favorite kitchen tools • Make your own kitchen staples • Handy substitution guide (for when you’re missing recipe ingredients) GET DINNER ON THE TABLE FASTER WITH LESS FRUSTRATION MAKE IT AHEAD OF TIME • Dinner may be at 7 pm, but there is no reason to • Freezer meals are your friend. Cook a double avoid getting a head start. Slow cookers recipes batch of dinner and freeze half for another night. are the go to for this (use the pencil icon on your • If you have the time, then wash, dice and chop menu page for keyword slow cooker), but if you your fresh produce three days in advance. Store are home and find yourself having free time in the them in containers lined with a damp paper towel. morning or afternoon, start cooking dinner then, Your produce will be ready the moment you start let it cool, refrigerate and then re-heat as needed cooking, and as a bonus if the kids need a snack, for dinner. -
Smith, Troy African & African American Studies Department
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 2-3-2006 Smith, Troy African & African American Studies Department. Troy Smith Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Smith, Troy. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewer: Mark Naison, Andrew Tiedt Interviewee: Troy Smith February 3, 2006 - 1 - Transcriber: Laura Kelly Mark Naison (MN): Hello, this is the 143rd interview of the Bronx African American History Project. It’s February 3, 2006. We’re at Fordham University with Troy Smith who is one of the major collectors of early hip hop materials in the United States and the lead interviewer is Andrew Tiedt, graduate assistant for the Bronx African American History Project. Andrew Tiedt (AT): Okay Troy, first I wanna say thanks for coming in, we appreciate it. Your archive of tapes is probably one of the most impressive I’ve ever seen and especially for this era. Well before we get into that though, I was wondering if you could just tell us a little bit about where you’re from. Where did you grow up? Troy Smith (TS): I grew up in Harlem on 123rd and Amsterdam, the Grant projects, 1966, I’m 39 years old now. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
HOWZAT! the Rotary Club of Newlands the Club That Appeals
Issue No 6 / 2020-21 August 16th, 2020 HOWZAT! The Rotary Club of Newlands The Club that Appeals PRESIDENT JENNY IBBOTSON Editor Janey Ball Email [email protected] Website www.newlands.org.za Facebook www.facebook.com/NewlandsRotary Apologies before 10:00 on a Monday to Heidi Andersson, please. COMMENT: DRINKING A TOAST RI (Henry Campbell) Weekly, a Rotarian proposes a toast to RI and South Africa. Rotarians grab a glass, lift it and say “To RI “. Some take a sip. Others may waive a hand in recognition. Altogether quite haphazard! Why do we do this? The Rotary Handbook makes no mention of it yet it seems that it is on the Agenda of all Clubs’ meetings. Research shows that a toast is a ritual in which a drink is taken as an expression of honour or goodwill. While the physical and verbal ritual of the toast may be elaborate and formal, merely raising one's glass is essentially a toast as well, the message being one of goodwill towards the person or thing indicated. The International Handbook on Alcohol and Culture says toasting "is probably a secular vestige of ancient sacrificial libations (the act of pouring ) in which a sacred liquid was offered to the gods: blood or wine in exchange for a wish, a prayer summarized in the words 'long life!' or 'to your health!'" Should we be practising a custom which is rooted in paganism? Toast in its "drinking" senses originates in the practice of immersing browned or charred spiced bread in a drink, and after wishes of goodwill or celebration, the cups of wine, ale, etc., are clinked together in recognition or acknowledgment and are then subsequently sipped, or pounded (depending on the drinker). -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Key West Oral History Interview with Roosevelt Sands Sr
Title: Key West Oral History Interview with Roosevelt Sands Sr. INTERVIEWEE: Roosevelt Sands Sr. INTERVIEWER: Virginia Irving, Unknown2, and Unknown3 TRANSCRIBER: Andrea Benitez TRANSCIBED: November 13, 2007 INTERVIEW LENGTH: 00:60:25 Irving: -- (?)? Sands: Yeah, Roosevelt Sands Sr. I: Okay. Mr. Sands is a Bahamian descendant, right? S: Yeah, that’s right. I was born here, but my parents were born in the Bahamas. I: Do you remember where they were born? S: Yeah. My father was born in Harbour Island and my mother was born in Bluff, Eleuthera. I: That’s the same place where Mrs. Jones was from-- S: Oh, yeah, yeah, she’s a cousin of mine. I: Bluff, Eleuthera. S: Right. I: We were looking at the map this morning and there’s an island called ‘Eleuthera’-- S: Uh-huh. I: --and we were trying to figure out about Bluff and we were thinking that maybe Bluff was a point on the island where the people lived so they called it ‘Bluff’, Eleuthera. S: That’s correct. I: That’s what we figured out, we don’t know-- S: Yeah, that’s-- I think you’re both right about that. I: What about your grandparents, their names? Do you remember their names? S: My grandparents? Let me see. My mother’s mother was named Mary Davis- my mother was a Davis before she became a Sands. My father-- my grandfather- you know, his father- he was a Sands. He died at a pretty early age; he was a seaman. I don’t recall whether my father knew him or not. -
James Pitts – 1
File 1-1 0:00:00.0 Then he asked me later on, two, three, four years after that, he mentioned it again. I asked him, I said, “Are you sure that’s what you want?” He said, “Yeah.” I said, “Well, I ain’t makin’ a promise that I might not be able to keep, but I’ll put some stipulations in it, a possibility.” I said— 0:00:20.8 End file 1-1. File 1-2 0:00:00.0 —and I finished ninth grade at Stringtown [?]. Well, I said I finished it. I went. At the end of the school year I got an award for being an occasional ___ student. So the next year I quit. I had to put in the crops, and I stayed there about two years, and I went to my granddad’s. ‘Cause we walked miles one way to catch the—little over three miles, ‘bout three and a quarter miles to catch the bus and had to be there about 10 minutes to 7 in the mornin’ and then ride it several miles into school. And had three different creeks to cross, and they didn’t have bridges over ‘em, and sometimes that was ___, and sometimes I just didn’t want to go. So anyway, then I went back and I started in the tenth, and I never did go pick up my grades or report cards, so I don’t even know if I passed the ninth or not. But anyway— (What year was that?) 0:01:03.8 That’s—I have a great memory.